"While others try to persuade me that Acosta is a diehard Sabbath fan, he's a little more careful. He's Cuban, and Sabbath meant nothing to him as a kid because rock'n'roll was taboo, he explains. But he understands what they represented. 'I'm working class – I am Black Sabbath." - The Guardian
"The dancers on this unusual summer voyage" — English National Ballet was performing in the 1,000-seat theater aboard the Queen Mary 2 last month — "were accustomed to the laws of aerodynamics. But here in the middle of the Atlantic Ocean, hydrodynamics were their newfound adversary." - MSN (The Washington Post)
"The result is Graham100, a three-year celebration that starts this fall at the Soraya. The (timing) is deliberate. 'We couldn't fit it all into one season,' (artistic director Janet) Eilber says. 'The company and Martha Graham's influence is just so pervasive that we needed three seasons.'" - Yahoo! (Los Angeles Times)
"There's a common misconception that experience on the ice is a prerequisite for working with skaters. But for many dancers who have transitioned into coaching and choreographing for skaters, the skills they bring to the rink are exactly those they've honed in the studio and on the stage." - Dance Magazine
"A pioneering 'virtual stage' launched by Birmingham Royal Ballet will use immersive technology to help neurodivergent audiences access their shows for the first time. The project uses virtual and augmented reality to create performances and immersive experiences (for) audiences who may otherwise be unable to go to the theatre." - The Guardian
"A passionate cohort of dancers (have) repackaged the footwork for a new generation. MC Hammer's running man and underground raves in the '80s popularized the moves, and now it's in the zeitgeist once more, courtesy of viral TikTok and Instagram videos." - Yahoo! (Los Angeles Times)
"Nearly a year after a ceremonial groundbreaking for (the company's) new headquarters on North Broad Street, no actual ground has been broken and construction has yet to begin. The project has been set back by various factors pertaining to financing (and supply chains), the ballet says." - MSN (The Philadelphia Inquirer)
Dance Data Project's research on this past season found that 32% of ballets presented by the largest 150 classically trained companies were by women, up from 29% in 2021-22. But for the 50 largest of those companies, the figure fell from 27% to 23%. - Dance Data Project
“We are such a siloed city. We’re each in our little parts of Chicago trying to get funding, we all have our heads down. We know of each other and we love each other and we share dancers, but there was never an intentional moment when we came up for air.” - The New York Times
Ratmansky, "the most significant classical choreographer of the current era," was born in Ukraine and trained in Moscow. He left the Bolshoi when Russia invaded his homeland, and now he feels guilty for staying so long. - The Guardian (UK)
The whole idea is "that choreographers use their considerable creative powers to help imagine structures better suited to their needs." - The New York Times
Marco Goecke, who was director of the ballet at the Hannover State Opera in Germany before the February incident, was invited to lead rehearsals of his older work as a freelancer, and he told Hannover's newspaper he'd been rehired. The state culture minister declared that "unacceptable." (in German) - NDR (Germany)
"The glittering scene seemed like a dream. Surveying the shoreline of Rockaway Beach on a recent morning, Patricia Lent, from the Merce Cunningham Trust, was elated. 'This is a dream come true,' she said, adding: 'It's someone else's dream — but it is a dream come true.'" - The New York Times
The 1965 declaration was absolutist: "No to spectacle. No to virtuosity. No to transformations and magic and make-believe ... no to moving or being moved." Today she says, "Oh no. That was a certain point in art history. ... I never meant it as a doctrine to govern my decisions." - The Guardian
Different layers of soil, ash and guano created a floor that absorbed shocks while emitting resonant sounds when people stomped on it. This ceremonial surface worked like a large drum that groups of 20 to 25 people could have played with their feet. - Science News
