Pastore once said, “It’s easier for me to play a tough guy than it is to play the good guy. … I grew up in a tough neighborhood. I didn’t study the classics. I’m a street actor. A lot of my training was on the set.” - The New York Times
Perhaps the bike-loving, gardening, SCUBA-diving actor is having what might be called another moment, a few years after Past Lives garnered her some attention. - The New York Times
“The choreography that he and Feuer created — like that of their contemporary Paul Taylor, in whose notorious Seven New Dances (1957) she had performed — experimented with stillness, pedestrian poses and unadorned walking. Chained to each other, they blew up a balloon with a bicycle pump.” - The New York Times
An anatomist by training, he developed a technique called “plastination” which prevents the decay of corpses and leaves them flexible. He used that technique on dozens of bodies, many with skin removed to display musculature, and set them in various poses for his traveling exhibitions — which attracted both excited crowds and horrified criticism. - AP
A scathing, six-part investigation by Le Monde delves into the scope of his power, wealth, and alleged rivalries within the Arnault clan, described as “the last royal family of France.” The report devotes a chapter to Arnault’s engagement with the arts, titled: “Bernard Arnault, the generous patron, in love with the arts and tax exemptions.” - ARTnews
“Forti burst onto the New York dance scene at the dawn of the ’60s with her seminal ‘Dance Constructions,’ works in which dancers responded to cheap, ready-made objects that prompted improvisational actions such as leaning, climbing, or whistling.” - Artforum
After deliberating for roughly two hours, the jury in a Buffalo courtroom convicted Hadi Matar, 28, on all charges. He was sentenced to 25 years in prison, which he’ll serve after his 25 years in a New York state penitentiary for attempted murder. - The Telegraph (UK) (Yahoo!)
As also happened in defendant Hadi Matar’s New York state trial for attempted murder (for which he was convicted in February 2025), he declined to testify himself and his attorney called no witnesses. - AP
He founded the Camerata in 1968 and directed it for 40 years, performing and recording (on over 50 discs) a repertoire ranging from 12th-century troubadour songs through large-scale French Baroque sacred works to 19th-century American spirituals and Shaker songs. He retired in 2008, succeeded by his wife, soprano Anne Azéma. - That Eric Alper
Unlike other culture czars for the administration who have quickly come and gone, Mr. Taylor has an artistic background that makes him a distinct and persistent champion of the president’s vision. - The New York Times
“(She) transformed collections of bigoted bric-a-brac — Sambo dolls, ceramic mammies and crude renderings of pickaninnies — into potent works of assemblage that mined the searing history of race in the United States,” most famously in her 1972 piece The Liberation of Aunt Jemima. - Los Angeles Times (Yahoo!)
“Digital avian databases like eBird were far in the future when Mr. Tudor first set about documenting swaths of the avian world in watercolors and gouaches renowned for their delicacy and precision, and for the artist’s singular knack for capturing the quiddities of winged creatures.” - The New York Times
“It was very clear from the word go that his heart was in classics, and it became clear fairly quickly to me that he really loved Greek tragedy, and that is a nice bridge to his acting career.” - The New York Times
“She filmed the scenes she helped create. Her best known and only surviving film, shot intermittently between 1963 and 1965, began with an unprintable working title before she borrowed its name from a line in the poet Arthur Rimbaud’s 'A Season in Hell': Christmas on Earth.” - The New York Times
“Bogdanos himself is just as incongruous as these idols on the storeroom. He has the build of the sinewy boxers in the George Bellows prints on his office wall — he still competes as an amateur middleweight — and the manner of a man who enjoys a fight more than he will admit.” - Financial Times