To be fair, it’s a film - a “pro shot” - of the Broadway revival of Merrily We Roll Along. And “what ended up saving it was a superfan: actor and director Maria Friedman, who turned a role in a 1992 production of the play into a series of restagings.” - CBC
“The (Times) has been publishing reviews by a number of writers since predecessor Jesse Green was reassigned earlier this year. That list notably did not include Shaw, who joins the Times after a stint as theatre critic for The New Yorker, and a tenure as chief theatre critic at New York magazine prior.” - Playbill
The property was born in the French capital, first as a play, then as a hit film (followed later by the big US remake). But the American musical version had flopped in France — until the director of the Théâtre du Châtelet, Olivier Py, took it on. - The New York Times
Company management expects to reduce its base expenses by £2.8 million ($3.7 million) annually with layoffs as well as pay cuts for some remaining staffers. - The Stage (UK)
Erik Piepenburg: “This year at least six theater productions have used “f*****” in their titles. … Why is a slur that a stranger hurled at me now waving hello from my playbill?” On the other hand, famously gay Black playwright Jeremy O. Harris told Piepenburg to stop pearl-clutching. - The New York Times
“We wrote something, you know, with very open hearts and no political agenda. We just wanted to tell this amazing story, and look what has happened.” - NPR
“He loved his words to the point of mania and yet fretted over their inadequacy, making the mere act of speech seem somehow both heroic and doomed. He caused words to explode like fireworks, dazzling us with their bright, multicolored patterns.” - The New York Times
“The British Theatre Consortium report, titled ‘British Theatre Before & After Covid’, examines 2019, the last full year before the pandemic, and 2023, the first full year after theatres reopened. It draws on anonymised data from 139 theatres across the UK.” - WhatsOnStage (UK)
The musical, based on a 2012 documentary about a Florida couple seeking to build a palatial home but stymied by an economic downturn, is yet another high-profile financial failure for Broadway: The show cost up to $22.5 million to capitalize. - The New York Times
The musical, starring Kristin Chenoweth (in her return to Broadway after ten years) and featuring Stephen Schwartz’s first Broadway score since Wicked, began previews in October and officially opened two weeks ago. The production was expected to run into next spring but, after negative reviews, will close on Jan. 4. - Entertainment Weekly
Pam MacKinnon will step down as artistic director of San Francisco's American Conservatory Theater (A.C.T.) at the close of the 2025-2026 season, ending an eight-year tenure with the company. MacKinnon was the theatre's fourth leader, joining in 2018. - Playbill
“Fatal accidents inside the Globe of Death — a popular circus stunt in which multiple motorcyclists ride around inside a globe-shaped metal cage in tight formations — are rare, despite the stunt’s death-defying appearance.” - The New York Times
“While it was not immediately clear what they were protesting, eyewitnesses said one of them had denounced David H. Koch, the billionaire industrialist, a polarizing figure who poured much of his fortune into right-wing causes and a campaign to discredit the idea of climate change.” - The New York Times
The Bruns Amphitheater, formerly home of California Shakespeare Company, is slated to reopen in April 2026 under a new name, the Siesta Valley Bowl. The newly-formed nonprofit Siesta Valley Foundation intends to present theater, including Shakespeare, as well as 40 to 60 concerts per year, which will bring in revenue. - SFGate
