• AJ
  • dance
  • ideas
  • issues
  • media
  • music
  • people
  • theatre
  • words
  • visual
  • ajblogs
  • about AJ
    • advertise

ArtsAudience

The Audience Is Changing!

  • AJ Home
  • This Week in Audience
  • Featured Audience
  • AJ Audience
  • about our audience project ~

This Week In Understanding Audience Stories: America’s Creative Divide Isn’t Where You Think

September 11, 2016 by Douglas McLennan 2 Comments

createmap

This Week: There’s a creative divide in America but it’s not where you think… Rethinking the modern concert hall in favor of the audience… Is glamour an ineffective sell for pop music?… A link between audience attendance and donations (not what you think)… Why has reading of literature declined?

  1. America’s Creative Divide Isn’t Where You’d Think: Conventional wisdom is that America’s coasts are its creative corridors – NY versus LA in simple terms. But new NEA data on artistic activity and audience behavior suggests that the divide isn’t between the coasts and the middle but between north and south. “As you can see from the map, the study found a surprisingly wide range of arts participation between states. At one end of the spectrum, folks in places such as West Virginia, Oklahoma and Florida seemed to have little interest in doing art — participation levels there hovered around 30 percent. By contrast, people in states such as Colorado, Vermont, Montana and Oregon were roughly twice as likely to personally create or perform artwork.” So what is the correlation? Between income levels? Education? The NEA offers some suggestions.
  2. If You Were Rethinking A Concert Hall, What Would You Want In It?  The New York Philharmonic is redoing its home a Lincoln Center. So what should be the aim? Movie theatres have upgraded the physical experience of going to the theatre, so why not concert halls? Let’s not just assume that basic seats and acoustics are enough. Michael Cooper has some ideas: “Of course they need to fix the acoustics. … But what about the little things that can make all the difference when it comes to creating a concert hall that people will fall in love with? The things that might not rise to the top of the to-do list when planning a mega-project that is expected to begin in 2019 and cost on the order of a half-billion dollars?”
  3. Is The Glamour-Driven Pop Music Model In Decline? For a long time pop music has been sold as much by the glitz and glitter of stars. Music videos and MTV certified the success of this approach long ago. But something has changed: “Consider this fact: more people watched The Great British Bake Off the previous week. Online streams for the MTV show were up, but that offers little consolation to promoters who depend on TV advertising to fund their gala events. Those golden days when Miley Cyrus twerked her way to MTV rating success now seem a blurred, distant memory.”
  4. Is There A Relationship Between High Audience Numbers And Donations? Yes, but not the way you might assume, says a surprising new study. “A new study of arts and cultural nonprofit organizations from the University of Missouri suggests that there is no evidence that donors are influenced by high attendance numbers; in fact, it may be just the opposite, since higher attendance is linked to higher earned revenue.” For years it has been assumed that proof of audience success fuels a desire to want to donate to success.
  5. Why Has Reading Of Literature Declined Over The Past Few Decades? “Since the share of American adults with a bachelor’s degree or more has nearly doubled since 1982, you might expect to see a concomitant rise in literary reading. But that hasn’t happened. Indeed, previous research by the NEA has found that drops in the literary reading rate have happened across the board, among all ages, races and educational levels.”
Image: Washington Post WonkBlog

Filed Under: This Week in Audience

Trackbacks

  1. This Weekend’s Top AJBlog Posts 09.11.16 – ArtsJournal says:
    September 11, 2016 at 3:48 pm

    […] This Week In Understanding Audience Stories: America’s Creative Divide Isn’t Where You Think This Week: There’s a creative divide in America but it’s not where you think… Rethinking the modern concert hall in favor of the audience… Is glamour an ineffective sell for pop music?… A link … read more AJBlog: AJ Arts AudiencePublished 2016-09-11 […]

    Reply
  2. From This Weekend’s AJBlogs 09.11.16 – ArtsJournal says:
    September 11, 2016 at 10:41 pm

    […] This Week In Understanding Audience Stories: America’s Creative Divide Isn’t Where You Think This Week: There’s a creative divide in America but it’s not where you think… Rethinking the modern concert hall in favor of the audience… Is glamour an ineffective sell for pop music?… A link …read more […]

    Reply

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

WALLACE FOUNDATION AUDIENCE RESOURCES

NEW!



WORLD MUSIC/CRASHarts Tests New Format New Name to Draw New Audiences
This article and video are part of a series describing the early work of some of the 25 performing arts organizations participating in The Wallace Foundation’s $52 million Building Audiences for Sustainability initiative. Launched in 2015 in response to concerns about a declining audience base for a number of major art forms, the endeavor seeks to help the organizations strengthen their audience-building efforts, see if this contributes to their financial sustainability, and develop insights from the work for the wider arts field.


Think Opera’s Not for You? Opera Theatre of Saint Louis Says Think Again
Analysis showed that while the company’s core audience bought several tickets each year, even tending to schedule their May and June around opera season, newcomers behaved differently.




Can the City's Boom Mean New Audiences for the Seattle Symphony?
In line with the community’s spirit of innovation, Seattle Symphony is using audience research to help target and woo recent transplants.





Denver Center Theatre Company is Cracking the Millennial Code...One Step at a Time
The average single-ticket buyer at the Denver Center Theatre Company is 50 years old and the average subscriber is 63, despite the fact that millennials, a group often defined as people born between 1981 and 1997, compose the largest age group in Denver. Since 2010, the Denver Center has been engaged in an iterative process of experimentation, evaluation and refinement to help reverse this trend.



The Party’s Still a Hit: The Isabella Stewart Gardner Museum Builds on its Millennial Momentum

That ongoing research has revealed areas to adjust, as well as successes. Soon after the re-opening, for example, the team partnered with a local music school, taking the opportunity to hold 45-minute concerts in Calderwood Hall. But in part through survey results, it realized the approach didn’t work. [read more]



Austin Ballet’s “Familiarity” Problem And How It Learned To Connect With New Audiences



“Encouraging people to attend the ballet more often was less about increasing their familiarity with productions and more about bridging an uncertainty gap. “Familiarity is about information,” notes Martin, “whereas uncertainty about how an experience will feel is much more personal. You can give somebody a lot of information but that’s not necessarily going to reassure them that they’re going to belong in that audience.”

How the Contemporary Jewish Museum
Expanded its Reach



​​​The Contemporary Jewish Museum in San Francisco moves to a larger space and secures a nine-fold increase in family visitors of all backgrounds.

ALSO:

VISIT THE WALLACE KNOWLEDGE CENTER

Copyright © 2025 · Magazine Pro Theme on Genesis Framework · WordPress · Log in