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Terry Teachout on the arts in New York City

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Books that made me

October 14, 2019 by Terry Teachout

Clive James recently filled out the Guardian’s “Books That Made Me” questionnaire. I was so struck by his answers—as well as the questions themselves—that I decided to play along:

• The book I am currently reading. John Stangeland’s Warren William: Magnificent Scoundrel of Pre-Code Hollywood.

• The book that changed my life. Peter Drucker’s Adventures of a Bystander. No book in any genre has done more to shape the way in which I look at and think about the world. In addition, I have also read Irving Babbitt’s Democracy and Leadership repeatedly and thought about it deeply.

More specifically, I’ve never learned more from a single published sentence than I did about Jews, Jewish culture, and the Jewish sense of humor (if you want to call it that) from the opening line of Isaac Bashevis Singer’s Enemies, a Love Story: “Although I did not have the privilege of going through the Hitler holocaust, I have lived for years in New York with refugees from this ordeal.”

• The book I wish I’d written. James Gould Cozzens’ Guard of Honor. I have no gift for the writing of fiction, but if I did, that’s the kind of novel I’d like to write.

• The book that had the greatest influence on my writing. Reading Edmund Wilson’s Classics and Commercials taught me how to be a critic. Reading Fairfield Porter’s Art in Its Own Terms and The Film Criticism of Otis Ferguson taught me how to be a better one.

• The book I think is most under/overrated. I think Peter DeVries’ The Blood of the Lamb is one of the half-dozen greatest American novels of the twentieth century. I’m also a fervent admirer of Zora Neale Hurston’s Dust Tracks on a Road: An Autobiography, though it’s more widely read today than it used to be, meaning that it probably no longer qualifies for “underrated” status.

As for overrated…well, I wouldn’t even know where to start. Most books are overrated, don’t you think?

• The book that changed my mind. David R. Dow’s Autobiography of an Execution. Prior to reading it, I was a supporter of the death penalty. Afterward, I wasn’t.

• The last book that made me cry. Jon Hassler’s North of Hope, a funny, touching novel about a Roman Catholic priest suffering from depression who meets up in the middle of life with a woman on whom he had a hopeless crush when they were both in high school. (No, they don’t.)

• The last book that made me laugh. I scarcely ever laugh out loud when reading. Five books that did make me do so, however, are Kingsley Amis’ Lucky Jim, Anthony Bourdain’s Kitchen Confidential, P.J. O’Rourke’s Give War a Chance, Dawn Powell’s The Locusts Have No King, and Honor Tracy’s The Straight and Narrow Path.

• The book I couldn’t finish. Bleak House. I did my damnedest, but to no avail. I’ll take Trollope over Dickens any day.

• The book I’m most ashamed not to have read. I don’t do that kind of shame. That said, I wish I spent more time reading poetry. The only poets to whose work I now return with anything like regularity are Hardy, Yeats, Auden, and Larkin.

• My earliest reading memory. I taught myself to read at the age of three, and so cannot remember a time when I wasn’t reading for pleasure, or found any pleasure in children’s books. (Laura Ingalls Wilder’s novels of pioneer life were read out loud to me in elementary school.) Believe it or not, though, the very first book I can clearly remember reading and enjoying was my mother’s well-thumbed paperback copy of Benjamin Spock’s Baby and Child Care. I was fascinated by the chapters on childhood diseases.

• My comfort read. I often turn to Patrick O’Brian’s Aubrey-Maturin novels, Rumer Godden’s In This House of Brede, Anthony Powell’s A Dance to the Music of Time, and the novels of William Haggard, Elmore Leonard, John P. Marquand, Edwin O’Connor, and Rex Stout in times of stress. (I also like to relax with biographies of classical musicians, God knows why.)

• The book I give as a gift. The Library of America’s one-volume edition of Flannery O’Connor’s Collected Works, which I like to give to young friends who’ve never read O’Connor. (She is one of the writers who means most to me.) In addition, I’ve also given out quite a few copies of two of my own books, Pops: A Life of Louis Armstrong and All in the Dances: A Brief Life of George Balanchine.

• The book I’d most like to be remembered for. Pops, I guess, though I’m also very proud of A Terry Teachout Reader.

Cell phones and Slave Play

October 14, 2019 by Terry Teachout

The thirty-ninth episode of Three on the Aisle, the twice-monthly podcast in which Peter Marks, Elisabeth Vincentelli, and I talk about theater in America, is now available on line for listening or downloading.

After a string of podcasts for which one or the other of us was either AWOL or not in the studio, Peter, Elisabeth, and I were all in the same place at the same time to tape this episode. No guest this time around—we dipped into our mailbag to answer reader mail, but otherwise we chatted amongst ourselves.

Here’s American Theatre’s “official” summary of the proceedings: 

This week, the critics discuss the Yondr pouch phenomenon, actor impersonations of real people, and long-running shows gone stale. A heated discussion of Slave Play and a handful of other recent shows follows.

To listen to or download this episode, read more about it, or subscribe to Three on the Aisle, go here.

In case you’ve missed any previous episodes, you’ll find them all here.

Just because: Janet Baker sings Berlioz

October 14, 2019 by Terry Teachout

Janet Baker sings Berlioz’s “Le spectre de la rose” (from Nuits d’été) with Herbert Blomstedt and the Danish Radio Symphony Orchestra in 1972:

(This is the latest in a series of arts- and history-related videos that appear in this space each Monday, Wednesday, and Friday)

Almanac: Mary Renault on human possibility

October 14, 2019 by Terry Teachout

“It is better to believe in men too rashly, and regret, than believe too meanly.”

Mary Renault, The Persian Boy

Terry Teachout

Terry Teachout, who writes this blog, is the drama critic of The Wall Street Journal and the critic-at-large of Commentary. In addition to his Wall Street Journal drama column and his monthly essays … [Read More...]

About

About “About Last Night”

This is a blog about the arts in New York City and the rest of America, written by Terry Teachout. Terry is a critic, biographer, playwright, director, librettist, recovering musician, and inveterate blogger. In addition to theater, he writes here and elsewhere about all of the other arts--books, … [Read More...]

About My Plays and Opera Libretti

Billy and Me, my second play, received its world premiere on December 8, 2017, at Palm Beach Dramaworks in West Palm Beach, Fla. Satchmo at the Waldorf, my first play, closed off Broadway at the Westside Theatre on June 29, 2014, after 18 previews and 136 performances. That production was directed … [Read More...]

About My Podcast

Peter Marks, Elisabeth Vincentelli, and I are the panelists on “Three on the Aisle,” a bimonthly podcast from New York about theater in America. … [Read More...]

About My Books

My latest book is Duke: A Life of Duke Ellington, published in 2013 by Gotham Books in the U.S. and the Robson Press in England and now available in paperback. I have also written biographies of Louis Armstrong, George Balanchine, and H.L. Mencken, as well as a volume of my collected essays called A … [Read More...]

The Long Goodbye

To read all three installments of "The Long Goodbye," a multi-part posting about the experience of watching a parent die, go here. … [Read More...]

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