“How are dancers developing performance energy? How can artistry best be communicated through the camera? What is the best angle to present technique? Dance Theatre of Harlem’s Derek Brockington explains that dancing for film is ‘about acknowledging that it’s not going to be the same experience — it’s a different way of dancing.’ Below, Brockington and several other dancers share their takeaways after a year of dancing on camera.” – Pointe Magazine

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