Met Museum Director Defends Deaccessioning To Pay Expenses

“The Met has a responsibility to our field and our global community,” Max Hollein says in a long statement posted today on the Met’s website. But, declaring a “historic crisis” for museums, he says: “It is my professional opinion that a deliberate deaccession program is appropriate, useful and necessary for a museum like ours. I also believe that we must face this once-in-a-generation challenge brought by the pandemic by supporting the museum as a whole, especially its staff, while also taking the long view with regard to what is best for the museum.” – The Art Newspaper

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Bayeux Tapestry Will Return Home Next Summer To A Completely Different Display Format

Before the 770-pound, 220-foot-long embroidery left its eponymous museum in France for London, it was hung vertically. At the British Museum, the enormous textile is lying flat in a display case in a darkened room, a format which the post-renovation Bayeux Museum will (mostly) adopt. - ARTnews

After Decades On The Sidelines, American Contemporary Opera Is Now Thriving

After a few decades when most US companies (especially the Met) treated new opera like kryptonite, many are now presenting a contemporary work almost every season — and selling lots of tickets. Michael Zwiebach examines why this is happening now. - San Francisco Classical Voice

The First Opera About Russia’s War On Ukraine Has Its Premiere

The Mothers of Kherson, with music by Ukrainian composer Maxim Kolomiiets and libretto by American playwright George Brant, was commissioned by the Metropolitan Opera three years ago and got its first full performance on Friday at the Polish National Opera in Warsaw. (The Met premiere is scheduled for April...

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