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MUSIC

Why Do We Make Saints Of Dead Composers?

The saint is worshiped alongside the divine, and in many faiths, the line between the two is blurred. In the world of classical music, we effectively worship the Great Dead Composers as saints, the ones who transmit perfection into the musical world. - Van

AI And The Future Of Opera

It seems clearer that creatives using AI tools as a part of their own processes is considered more acceptable than administrators using AI to create or embellish creative work. - Opera America Magazine

Klaus Mäkelä, The Chicago Symphony, And The Importance Of Lived Experience

Cultural memory—for untold centuries, a precondition for creativity and appreciation of the creative act—risks becoming a stack of flashcards processed as media clips. Will sustained immersion in lineage and tradition remain an organic prerequisite for composition, interpretation, and reception? - The American Scholar

Scanning The Brains Of Jazz Guitarists To Find “Flow”

"Their level of experience ranged from novice to veteran, as quantified by the number of public performances they had given. The researchers placed electrode caps on their heads to record their EEG brain waves while they improvised to chord sequences and rhythms that were provided to them." - The Conversation

Record Labels Are Pulling Music From TikTok. Congress Might Ban The App. So Now What For Music?

TikTok began life as Musical.ly, an app to film oneself lip-syncing to songs. Interacting with pop music was a core function of TikTok. Fans and artists shared music they loved, grafting it onto videos showing their lives and ideas. It was a lifeline to friends and culture during the pandemic. - Los Angeles Times (MSN)

UMG’s Fight With TikTok Is Hurting Musicians

“TikTok is how you get the word out about a new song — and now you’re muting someone’s entire catalog? The labels say TikTok is so important and push their artists to , and now they can’t?” - Variety

Spotify Has Demonetized Music Tracks With Fewer Than 1000 Plays

In an attempt to tackle fraudulent activity on the platform, the digital music service now also requires a minimum number of unique listeners for royalties to be generated. In addition, the length of play-time required for so-called “functional content” (such as white noise) to generate royalty payments has increased. - Eurozine

Fraud Fail: Musicians Are Seeing Their Music Being Taken Down From Streaming Services

Although distributors and streaming services frequently use language that places the blame on the artist for fraudulent activity detected on their accounts, it has become clear that artists are often caught in the middle of a crossfire between streaming services, distributors and fraudsters attempting to game the system for their own financial gain. - Variety

Conductor Edo De Waart Suddenly Announces His Retirement

Said the 82-year-old this morning, "I woke up at 5:30 yesterday morning to get ready for rehearsal and I thought, what am I even doing? I was wobbly on my feet, and then I thought, I just shouldn't do it anymore." - NPO Radio 4 (Netherlands) (via Google Translate)

Oakland Symphony Names Music Director To Succeed Late Michael Morgan

Kedrick Armstrong, a 29-year-old "Black queer kid from Georgetown, South Carolina," starts the job immediately, but his first concert will be next October's season opener. In this Q&A, he compares conducting to cooking his favorite dish, shrimp and grits. - The Oaklandside

In Chechnya, A New Ban On Dance Music That’s Too Slow Or Too Fast

The Russian republic of Chechnya has banned dance music it deems either too fast or too slow, in an attempt to quash a “polluting” western influence on the conservative majority-Muslim region. - The Guardian

At Paris’ Pasteur Institute, The Music Rocks

The Pasteur Institute has made advancements in another field — the musical arts — as some of its scientists have formed bands and other acts involving colleagues as well as students who have studied there. That cohort has honed its musical passion and ability at an on-site studio they call the music lab. - The New York Times

Despite Financial Mess, San Francisco Symphony Could Be A Great Opportunity For The Right Music Director

"Reframe the task and it could become very attractive for a particular kind of musician. The key is to take a cue from the sports pages, where the concept of 'rebuilding' is well understood." - San Francisco Chronicle (MSN)

Backlash Against The Chicago Symphony’s Mäkelä Hire

Troublingly, a backlash regarding this appointment has quickly gained momentum—let’s call it “Klaustrophobia.” Unlike Mr. Dudamel’s early days in L.A., when nary an unkind word was spoken, the vitriol from various quarters directed at Mr. Mäkelä is disconcerting. These naysayers may prove prescient, but can’t we give the guy a chance? - The Wall Street Journal

The Film Composer Who Helped ‘Drive My Car’ Win An Oscar Is Driven By Anger

Eiko Ishibashi says that in scoring Ryûsuke Hamagachi’s new film, she felt his raw emotion - “anger that felt directed towards the way humans work, the unfairness of this whole world” - and matched it to her own. - The Guardian (UK)

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