“Other artists, he said, can choose from among a variety of options, such as selling individual tracks, albums only, streaming only or downloading only. ‘The difference is,’ Brooks said, ‘is that the copyright owner gets to make that decision.'”
“The faster paced TV seemed to distract viewers more, contributing to mindless eating, said Cornell researcher Aner Tal, the study’s lead author. The results, published today in the American Medical Association’s journal Internal Medicine, suggest that a steady diet of action TV could raise risks for packing on pounds.”
“Over the last few decades, especially in Western Europe, dubbing has emerged as something close to an art form, with actors making a living speaking for cherished global movie stars. In Germany, dubbing, or synchronization, as it is known, has also become a big business.” Dietmar Wunder, who voices the likes of Daniel Craig, Don Cheadle and Adam Sandler, is one of the field’s stars. (includes video)
You get “a world of inept archery and ill-fitting armor, where people who have no business trying to save a kingdom have been given the responsibility to do just that.” You get The Quest, “set in a fictional kingdom called Everealm, but it actually takes place in the Land of LARP: live-action role playing” – into which ABC has transplanted the standard one-elimination-per-week competition show.
“British experimental film has a long tradition of engagement with political and social issues and this goes against a common misconception: that the art form is irrelevant to mainstream audiences. … BBC Culture’s Rebecca Laurence discusses trends in British experimental film with the London Film Festival’s Experimenta programmer, Helen de Witt.” (video)
“Let’s call the whole charade off. The money is not worth the cost. As long as CBC receives an annual allotment, it remains a convenient whipping boy and an easy target for cost-cutting. Government should stop paying. Everyone should stop sniping. The CBC should be freed up to put all its effort into meeting its mandate.”
“MPAA ratings administrators have always resisted strict rules and regulations when determining what instances and degrees of rough language, nudity and violence can lead to a PG, or PG-13, or R, or the supremely rare NC-17. Narrowing this to the language question, these variances nonetheless are chaotic at best.”
“In a last-minute compromise reached Wednesday, Gov. Jerry Brown said he would approve legislation that would more than triple the annual tax credits available for movies and TV shows produced in California. The bill is aimed at reversing the loss of location shoots to other states that offer rich incentives to studios and producers.”
The now-notorious Vox article “resurrected a feverish debate among fans of one of the more beloved TV shows in history. … [This] can also tell us something important about human psychology: Uncertainty drives us crazy.”
That’s certainly what Martha P. Nochimson and her editors at Vox think. And so an essay of nearly 5,000 words – many of them, from both Nochimson and Chase himself, erudite and insightful – get boiled down (not least by Vox itself) into a seemingly unambiguous answer to what is actually quite an ambiguous question. (What does it really mean to say, “Tony Soprano lives!”?)
A publicist for the Sopranos showrunner said in a statement: “To simply quote David as saying, ‘Tony Soprano is not dead,’ is inaccurate. There is a much larger context for that statement and as such, it is not true.” The statement goes on to remind us what Chase has said about the subject many times, and Vox culture editor Todd VanDerWerff offers a defense of the article.
“I won’t take anyone’s interpretation away from anybody – not because I feel that certain interpretations are more provable than others, but because if you’re trying to ‘prove’ a particular theory about the ending of a consciously ambiguous and at times tactically frustrating work of popular art, you’re watching it wrong.”
“The prevailing sentiment is that TV is a writer’s medium, and film is a director’s medium. … But that doesn’t mean TV can’t be a director’s medium, too – many ‘golden age’ shows have also had fantastic directing. In fact, many respected movie directors are taking notice and flocking to the small screen.”
“We’re constantly calculating where we think the audience’s eye is going to be, and how to attract it to that area and prioritize within a shot what you can fake,” Favreau said. “The best visual effects tool is the brains of the audience,” he said. “They will stitch things together so they make sense.”