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Bernstein and Shostakovich — A Rosetta Stone?

The new online issue of “Prelude, Fugue, and Riffs,” the newsletter of the Leonard Bernstein Office, publishes an essay of

Born in the DSA*: Remove the Social Security Cap

Did you make more than $176,100 this year? Did you tell your staff that you’re paying a lower Social Security ...

Artists and Compelled Speech

The CBC reports: European politicians are condemning a Belgian classical music festival’s decision to cancel an upcoming performance led by an Israeli conductor due to concerns over where he stands on the war in Gaza. Organizers of the Flanders Festival Ghent announced on Wednesday they were cancelling a performance by the Munich Philharmonic Orchestra slated for Sept. 18. They cited concerns surrounding...

“Trucks and Tanks” short story, too timely

My just-published story Trucks and Tanks, runner-up in JerryJazzMusician.com‘s 69th short fiction contest and written three months ago, is all too timely in Chicago, DC, Boston today. “Trucks and Tanks” – a short story by Howard Mandel Trucks and tanks rolled down our leafy-treed, bungalow-lined street at dawn. I was already up, as usual, in my robe, t-shirt, sweaty...

Jazz, activism, organizing: Podcast & transcript

Terri Lyne Carrington (drummer, Inst. of Jazz & Gender Justice), Orbert Davis (trumpeter, “Immigrant Stories“) and Marc Ribot (guitarist, Music Workers Alliance) talked with me on The Buzz, podcast of the Jazz Journalists Association about their engagement with social issues. Long transcript posted for those who read faster than they listen. HOST : Hello and welcome to The Buzz, the podcast...

When to Hold, When to Fold, When to Play a Different Game

Leading an arts organization isn’t about luck—it’s about judgment. Hold when trust matters, fold when the model’s busted, and when the casino’s rigged? Start your own game in the parking lot.

Going back to Vail

In May 2024 I wrote about the town of Vail, Colorado cancelling the artist-in-residency agreement with Danielle SeeWalker, before it even began, over complaints not of her planned art for Vail, but over other art previously made that she had reposted on social media, regarding Gaza. My post concluded with this: First, the cancellation of her artist-in-residency was not about any art...

What’s An Orchestra For? – Mulling Salonen’s Resignation and a Dispiriting San Francisco Sequel 

Esa-Pekka Salonen Among my most-read blogs is “What’s An Orchestra For?” – Mulling Esa-Pekka Salonen’s Resignation from the San

From Village Voice to TikTok: Rethinking How Audiences Discover Art

From magazine listings to the For You page, how we discover art has changed—but not as much as we think. Artists should see social media as a tool for accomplishing their goals, not the enemy.

UNESCO and the United States

O wad some Pow’r the giftie gie us… In the Washington Post, Charles Djou, who was a Biden administration official and briefly held an Hawaiian congressional seat, says the US should not, once again, remove itself from the United Nations Educational, Scientific, and Cultural Organization (UNESCO), but should instead remain in and seek positive reforms. Well, who could be against that? I believe...

What is Free Speech? A Review

“Freedom of speech” is never an absolute. Even in a country where people have a great amount of freedom of speech, such as the US, there will still be restrictions on the time, place, and manner of speech, laws regarding libel and defamation, and against fraud and blackmail, and against inciting violence. Freedom of speech will not give the...

Lauding Lauder: The Consummate Museum Benefactor Dies at 92

I’ve been unpardonably remiss about this (having been uncharacteristically off-blog for two months). But I must belatedly add my voice

Making the Creative Turn: Is Using AI Cheating?

Throughout the digital age, Big Tech has promised us products that will make us more efficient and save time, which, it is assumed, is always an obvious good. It’s a cliché that tools shape the things we make. And through most of our history, better tools have helped us create better things. But what if this isn’t always true?

Opera Philadelphia, $11 tickets, and a predictable outcome

Opera Philadelphia's $11 ticket prices produced what we expect: increased attendance and more diverse audience. But audience perceptions about price aren't fixed.

How to Talk About a Terminated NEA Project

...it’s not just about the amount of money in the grant—people will care because of the impact on your community!

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