Notions of ownership of creative work, ideas, and artistic identity are muddied when the technology rapidly outpaces attempts to define issues and even what's at stake.
There is a recent piece at Lawfare, by Simon Goldstein and Peter N. Salib, “Copyright should not protect artists from artificial intelligence.” The article has the strawman subtitle, “The purpose of intellectual property law is to incentivize the production of new ideas, not to function as a welfare scheme for
Kaneza Schaal, Theater & Opera Artist & Director, talks about the extraordinary upcoming America at 250 season at Detroit Opera and its impact for audiences and community.
Bill Ivey died this past weekend; he was eighty-one years old. It came as a shock to us – just last week he was here in Bloomington meeting with our arts policy students, something he loved doing. He was a great friend to our program, generous with his time and
Tomoko Fujita, Coordinator of the Cali Pathways Project & Assistant Professor at the Cali School of Music at Montclair State University, shares the Pathways structure they utilize to transform lives.
What can arts organizations learn from a runner content creator?How to build connection and trust. Today’s audiences invest in process and personality, not polish—and that shift could change everything for the performing arts.
Ahmed Anzaldua, Artistic Director of Border Crossing, talks about their commitment to impacting audiences through their programming of Latin American classical music.
Christine Taylor Conda, Executive Director of Education and Community Engagement at Ravinia, talks about the unique impact of their One Score, One Chicago program.
My just-published story Trucks and Tanks, runner-up in JerryJazzMusician.com‘s 69th short fiction contest and written three months ago, is all too timely in Chicago, DC, Boston today.
“Trucks and Tanks” – a short story by Howard Mandel
Trucks and tanks rolled down our leafy-treed, bungalow-lined street at dawn. I was already up, as usual, in my robe, t-shirt, sweaty...
Terri Lyne Carrington (drummer, Inst. of Jazz & Gender Justice), Orbert Davis (trumpeter, “Immigrant Stories“) and Marc Ribot (guitarist, Music Workers Alliance) talked with me on The Buzz, podcast of the Jazz Journalists Association about their engagement with social issues. Long transcript posted for those who read faster than they listen.
HOST : Hello and welcome to The Buzz, the podcast...
Leading an arts organization isn’t about luck—it’s about judgment. Hold when trust matters, fold when the model’s busted, and when the casino’s rigged? Start your own game in the parking lot.
From magazine listings to the For You page, how we discover art has changed—but not as much as we think. Artists should see social media as a tool for accomplishing their goals, not the enemy.
