"It would be absurd to call for them to be abandoned entirely. But if they're going to be embedded in the fabric of musical theater forever, then we shouldn't shy from putting the ugly parts of them on display" the way that Daniel Fish's revisionist Oklahoma! did. - Slate
The British Mawa Theatre Company's "goal is to change the industry from within, creating more space for marginalized voices in a field that is all too often dominated by privileged white men." - Vogue
"The pride-in-resilience, show-must-go-on attitude has started, at last, to be paired with other questions: Whose show? Why must it go on? Last year's reckoning revealed the shoddiness of the American theater system: baked-in racism, pay scales that undershoot the cost of living, a rigid gerontocracy." - New York Magazine
Three associate artistic directors, Scarlett Kim, Mei Ann Teo, and Evren Odcikin, join artistic director Nataki Garrett "to serve as a nonhierarchical team working to transcend traditional text-centric models and give priority, resources and space to theater artists across media and professions." - The Mail Tribune (Medford, Oregon)
"Hundreds of productions have been performed at the Théâtre du Peuple, a 126-year-old playhouse 45 miles from the German border. Yet no matter how good the actors, they are often upstaged by the theater's unusual backdrop: a steep forest, visible right behind the stage." - The New York Times
Laura Collins-Hughes interviews four young performers who were just about to start living their dream when COVID shut Broadway down. (The youngest of them, now 13, spent months worrying that his voice would change or he would outgrow his role.) - The New York Times
"Their work is just as dangerous and exciting as the bull riders they're employed to protect. Working in teams, their job is to distract an enraged bull from attacking the rider who's just been catapulted to the dirt." - Texas Highways
Charles McNulty, in Los Angeles, says yes, but: "Anticipating the stress of the new COVID-19 protocols, I forgot the old stresses, the lunatic driving at Hollywood and Vine, the $25 parking fee ('credit card only, please'). The woman sitting behind me returned after intermission with a bag of potato chips." - Los Angeles Times
Winfrey is narrator for the audio and video components of a multi-million-dollar campaign across print, broadcast, and social media to convince COVID-wary audience members to go ahead and see a show. - The New York Times
With the Delta variant on the rise in the city, many Melbourne-based actors who had been performing in Sydney were contractually obligated to their shows. Now theatres are closed, the border between New South Wales and Victoria states has slammed shut, and they're stuck. - The Guardian
"The GPT-3 system argued (in the article) that humans had nothing to fear from robots. Kwame Kwei-Armah, artistic director of the Young Vic, read it and felt inspired." A year later, GPT-3 is now co-author and co-star of the Young Vic's current show. - The Guardian
“A theater is best expressed by the work it initiates. I think it’s really important that we not just bring in the great work but that we make the great work. We haven’t even begun to express the city and its fullness.” - Los Angeles Times
"And so the question looms: How much longer can these companies stay afloat financially? With pandemic funding drying up, 99-seat theaters are scrambling to stay on track with reopenings that were planned during better days." - Los Angeles Times
