Studios are already busy developing myriad uses for machine-learning tools that are both creative and administrative. Will they halt that development, knowing that their own copyrighted product is in jeopardy from machine-learning tools they don't control and that Big Tech monopolies, all of which could eat the film and TV industry whole? - Wired
A “view” in this case means the total viewing time divided by its running time, a metric that can be applied fairly easily across streaming services. Importantly, those success bonuses will rely not only on the “view,” but on subscribers as well. And that’s where things get tricky. - The Hollywood Reporter
If we want the university to remain a viable space for knowledge production, then scholars across disciplines must be able to identify the goal of their work – in part to advance the Enlightenment project of ‘useful knowledge’ and in part to defend themselves from public and political mischaracterisation. - Aeon
The Musicians’ Union (MU) said it is “deeply concerned” about “this cultural vandalism” as there will be less work for orchestral musicians. - Yorkshire Post
Nearly all artistic and managing directors polled saw their company’s price increases as marginal. But for many Americans, an increase of a few dollars per ticket can be significant, especially when piled on top of every other rising cost for goods and services. - American Theatre
Yambo Ouologuem insisted he had done nothing wrong in writing his 1968 novel Le Devoir de violence (Bound to Violence). But he refused to explain why and stalked away from Paris back home to Mali to stew in his fury. Were his borrowings actually a literary technique? - The New York Times
“It’s just a rude word for creative people. I know there are students in the audience: You don’t want to hear your stories described as ‘content’ or your acting or your producing described as ‘content.’ That’s just like coffee grounds in the sink or something.” - The New York Times
Not only did Henry Condye and John Heminges assemble and publish the First Folio, they almost certainly helped lead the rescue of Shakespeare's plays (many of which had not yet been published) from the 1613 fire that destroyed the Globe Theatre. - Literary Hub
While the six Broadway houses controlled by these four companies may be dwarfed by the Shubert Organization, the Nederlander Organization and the recently merged ATG-Jujamcyn bloc, their presence on Broadway is somewhat outsized in a way that many don’t realise. - The Stage
Laurence Olivier said, "Frankly, Lear is an easy part … He’s like all of us really: he’s just a stupid old fart." Tom Courtenay relayed that "I had a much jollier time with it than playing Hamlet." Michael Billington surveys the approaches various actors have taken. - The Guardian
The musicians’ contract with the ballet has expired. Sticking points include management’s failure to agree to a wage adjustment that would compensate for the musicians working without pay for 15 months, taking a 15% pay cut in 2021, and currently working for 9% below their 2019 compensation. - Broadway World
"She now inspires the kind of devotion that might include pilgrimages to her gravesite — had her body not wound up in an unmarked grave in New York City’s potter’s field, on Hart Island off the coast of the Bronx." Should there be a monument there, or elsewhere in New York? - The New York Times
Scott Altman, president and CEO of Cincinnati Ballet, announced Thursday that he is leaving the company to take on those same positions with the Los Angeles Master Chorale. The news comes just six days after artistic director Jodie Gates stepped down from her position following just 14 months on the job. - Cincinnati Enquirer
"Thielemann's personal canon consists of a handful of German-speaking composers, mostly from the mid-19th to the early-20th centuries, all of whose music benefited massively from the invention of the volume knob. It's not just that we can’t expect Saariaho from Thielemann; even non-German composers like Janáček and Debussy … seem a stretch." - Van
