“There could be no sweeter-sounding bird on the wire that leads back to Cohen’s 50-year legacy in music than Batalla, who along with Julie Christensen formed the duo that accompanied Cohen during his incredibly fruitful ‘I’m Your Man’ and ‘The Future' period.” - Variety
“'It’s similar to why I use gunpowder,' Cai told me. ‘Because using gunpowder, there’s always surprise and unexpectedness. You want to control it, but then it’s always uncontrollable. It’s just like AI.’” (Of course, this is the display that injured spectators and worried USC students.) - The Guardian (UK)
“The particular qualities of architecture as a creative pursuit (as opposed to, say, novel-writing) lend themselves to the screen, big or small. This can be as true in psychological terms as visual ones.” - The New York Times
“These painters buttressed one another during the lean months, the haves tending to the have-nots, united in their distaste for the Salon’s stale, imperious criteria.” - Los Angeles Times (MSN)
There are burgeoning efforts to explore how LLMs can be used to automate research tasks, including writing papers, generating code and searching literature. But it’s been difficult to assess whether these AI tools can generate fresh research angles at a level similar to that of humans. - Nature
Meredith Monk, in her 60th year of performing: “We are all on this plane. … We’re all born, we’re all going to die, and we all want to be happy, so why are we wasting our time?” - The New York Times
On Christmas Day, 1985, two veterinary students broke into Mexico City’s National Museum of Anthropology and stole more than 100 “archeological pieces from the rooms dedicated to the Maya, Mixteca and Mexica civilizations.” (The Gael García Bernal movie Museo shows a dramatic recreation of the heist.) - El País
“Deep doubt is skepticism of real media that stems from the existence of generative AI. This manifests as broad public skepticism toward the veracity of media artifacts, which in turn leads to a notable consequence: People can now more credibly claim that real events did not happen.” - Wired
“Gorgeous production values, but with a particular court intrigue kind of momentum, punctuated by violence and driven by ambition. Very tangible, exciting stakes that are a perfect tasty mix of very serious, but also distant enough that they don’t feel like a bummer.” - Vulture (MSN)
Sophie, who died in 2021, started young, going to music festivals with her dad and brother as a child. "One day, a friend of their dad gave Sophie an old synth, and she began experimenting, sampling sounds around the house and recording music." - The Guardian (UK)
“The amount and intensity of both the praise and the criticism of her output can feel a little outsize, a little confusing — including to Rooney, who, as she suggested over the course of two long conversations in July, would much rather let her work speak for itself.” - The New York Times
When you want to see the next land artwork, you just keep skiing (or hiking). The curator of Powder Mountain: "This is such a tremendous opportunity to really think about commissioning work in dialogue with seasonal rhythms.” - The Guardian (UK)
France was late to American-style drag, but as at the Olympics, it’s now prominent. So: “Answering hatred with glitter is a time-honored drag tradition, and Drag Race France Live, which premiered in Paris this week, showed French drag in defiant form.” - The New York Times
“‘Don’t call us publishers; we are a luxury brand,’ said Alex Assouline. … A special edition on Versailles, presented in a velvet clamshell, and priced at $4,900, is offered with a private tour of the château’s interior.” - The New York Times
