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The Moneyball-ization Of Culture, Of Everything

As I’ve written before, the quantitative revolution in culture is a living creature that consumes data and spits out homogeneity. - The Atlantic

Tate Modern Director Announces Departure

Over the course of the last two decades, Frances Morris served in various role at the London museum, as head of displays and as director of the its international art collection. In 2016, she was appointed as director at Tate Modern, becoming the first women to lead the museum.

Police In Canada Take To Substack To Defend Against Critics

The newsletter marked a new step in an evolving PR strategy for an institution that, sources say, is grappling both with its brand and its internal identity. - The Walrus

Elon Musk’s Twitter Could Be In For A World Of Hurt

If Musk carries through on his ideas even partly, Twitter users could see big and confusing shifts in the platform’s features and social dynamics. - Wired

To Fight Disinformation, We Have To Understand Why It Works

These creators understand that we are a species of storytellers, not rational actors. To speak to our irrationality, and tell these stories, they adopt an approach that has been tried and tested throughout history. - Wired

Dancing Around Art

A dance residency is a relatively avant-garde move for an art museum. Now imagine using museum spaces as dance workshops and, literally, pop-up theaters, where performers might jump, leap or spin (carefully) in view of priceless paintings, artifacts and sculptures. - Washington Post

Lil Nas X’s “I Will Avenge U Mr Van Gogh” Meme Takes Off

On Tuesday evening, Lil Nas X posted an iconic diptych of himself “throwing” a photoshopped van Gogh “Sunflowers” painting at an Andy Warhol soup can work, along with the caption “i will avenge u mr van gogh.” - Hyperallergic

New York Theatre’s Supply Chain Problem

“Scene shops and lighting and sound shops got rid of a lot of their equipment during the shutdown. They sold it or did other things, so there’s literally not enough equipment on the shelves to go around.” - Hyperallergic

Science Publishing Has A Big Photoshop Problem

By editing an image to produce a desired result, a scientist can manufacture proof for a favored hypothesis, or create a signal out of noise. Scientists must rely on and build on one another’s work. Cheating is a transgression against everything that science should be. - The New York Times

Disney Animation Stars Its First Plus-Size Heroine. Some Viewers Protest

Social media users have questioned Disney's intentions behind Reflect, saying the two-minute length didn't leave enough room for nuance, and the message of body positivity was muddled by making Bianca's self-image the primary plot driver. - NPR

How Horror Became Hollywood’s Go-To Genre In 2022

Yes, horror has long enjoyed a loyal audience. But 2022 has proved an especially strong year commercially for chilling flicks, producing hits including Universal Pictures’ and Blumhouse’s “The Black Phone,” directed by Scott Derrickson ($160 million in global box office sales). - Los Angeles Times

John Mauceri: The Political Power Of Music

Those who believe the trope, then, that classical music has little or no currency are mistaken. At least the leaders of Russia and Ukraine believe it is very important indeed. - The New York Times

He Made 300,000 Paintings. Sold Most Of Them, Too

At 65, Steve Keene may still be New York’s most prolific painter, and certainly the one most beloved in ’90s indie-rock circles. A college radio D.J. in his native Virginia, he got his start showcasing his paintings in scuzzy bars during his favorite bands’ sets, and did album art and commissions. - The New York Times

Seen It Before: Shakespeare Plays That Apply To The UK’s Current Political Situation

Questions of moral authority, the right to rule and the nature of a good leader are recurring themes in Shakespeare’s oeuvre. Recent political events could almost be ripped from the pages of these four plays. - The Conversation

When Good Stories Win Over Ideas And Fact, There’s… Trouble

Peter Brooks warns that our “mindless valorization of storytelling” makes us more susceptible to those with more malevolent intentions — “inertly accepting the notion that all is story, and that the best story wins.” - The New York Times

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