The soon-to-open International African American Museum will be the flagship of efforts, beginning in the 1990s, to stop trying to ignore the history of slavery and to properly incorporate the Black people who built the city into the stories Charleston tells about itself to both visitors and locals. - BBC
Justin Steffman, a professional authenticator who runs a Facebook group for collectors, said the autograph was most likely created by an autopen. The machine, which recreates signatures, is used by universities, celebrities and, most notably, the White House. - The New York Times
"Straub ... and his wife, Danièle Huillet, worked together as filmmakers for more than 30 years. Straub-Huillet, as they were often called by French critics, broke away from accepted notions of realism, disengaged from bourgeois values and questioned the primacy of narration." - The Guardian
Perhaps Sphinx’s most fundamental and meaningful achievement has been its simplest one, the part that crying mother caught onto: creating a community of people who had thought they were the only one of their kind, or close. Forming what those in the Sphinx network call “la familia.” - The New York Times
A Princeton University study involving singers and orchestral players from the Met found that "musical professionals have such fine control over their breath that they emit weaker airflows during singing and playing than they and others do while speaking and breathing" — so aerosol-borne pathogens don't travel as far. - Smithsonian Magazine
"It is no exaggeration to say that no single person had a greater role in the SPCO's artistic trajectory over the last 20 years than Bruce Coppock," SPCO artistic director and principal violin Kyu-Young Kim said. - The Star-Tribune
After a lifetime "blindly" following the path of her parents — director Peter Brook and actress Natasha Parry — Irina realized she was in "the wrong business." Since then, she's been creating House of Us, "a permanent moving work in progress ... (so) insanely personal that it becomes insanely universal." - The New York Times
Yes, "a shock" is the term used by the army general overseeing the project for visitors' anticipated reaction to the interior stonework once centuries' worth of dirt and smoke have been peeled away, adhering to a coat of latex which cleaners are spraying on and then removing. - The Art Newspaper
In previous years, participating Academy members would rate the films they saw on a point scale ranging from 7 to 10. Now they'll rank their preferences from 1st down to 15th. It's expected that this change will lead to some surprises when the five nominees are revealed on December 21. - Variety
Everything Everywhere All at Once received eight nods: best feature, director, screenplay, and editing, as well as four acting nominations. Tár garnered seven nominations: two for acting (Cate Blanchett and Nina Hoss), plus cinematography, editing, screenplay, editing, and best feature. - The Hollywood Reporter
Michael Haefliger will have run the summer event for 26 years when he allows his contract to expire at the end of 2025. Over that time, he has increased the festival's breadth and prestige to the point that it's now considered a peer of the august Salzburg Festival. - Switzerland Times
With Semperoper Ballett artistic director Aaron S. Watkins leaving this summer to take over English National Ballet, Gomes — who's been coach and ballet master at the Semperoper since he resigned from ABT in 2017 — will fill Watkins's post for, at least initially, the 2023-24 season. - Dance for You
"Following a climate protest in which activists threw flour on a Warhol-painted BMW in Milan, Italy's cultural minister warned that museum admission prices could rise as museums increase security measures put in place to foil future climate protests." - ARTnews
Two new brazenly entertaining works of theatrical biography are a reminder that “voice” is as essential to the stage as it is to a work of literature. - Los Angeles Times
The problem with this—on top of the hope that each of these studios could replicate Netflix’s first-mover advantage—is that streaming never ever made sense as a one-stop replacement for every source of revenue, Covid or no. - The Bulwark
