ArtsJournal Classic

AJ Four Ways: Text Only (by date) | headlines only

DANCE

    IDEAS

    • The Cecilia Chorus of NY, Carnegie Hall, April 17.

      The Cecilia Chorus of New York, Mark Shapiro, Conductor, presents the world premiere of A Call for the Battle to Cease by Robert Sirota and Victoria Sirota, featuring pianist Simone Dinnerstein; the New York premiere of Grammy-nominated Mass in Exile by Mark Buller, Leah Lax, and Beth Greenberg, featuring guitarist David Leisner, baritone Shavon Lloyd, and Every Voice Children’s Chorus; and excerpts from Haydn’s Mass in Time of War. Saturday, April 17 at 8 PM in Carnegie Hall.

      MORE

    • Good Morning

      Banksy’s identity is out, and the art world has a counterintuitive take: prices should go up (The Wall Street Journal). Turns out anonymity was the brand, not the precondition for the brand. In the category of DEI-era reckoning: Playwrights Horizons has settled a lawsuit filed by a white ticket buyer who felt excluded by a discount program offered to buyers of color — the joint statement ran six sentences and did not mention money (The New York Times).

      In the UK, the Culture Secretary is moving to give the BBC something it has never had in its history: a permanent charter, protecting it from the decennial renegotiations that have left it perpetually exposed to political pressure (The Guardian). SXSW, by contrast, has never recovered from the pandemic, sold a controlling interest to Penske Media, and after last year’s event watched key staff walk out the door. Now serious observers are asking whether it can survive at all (Texas Monthly).

      Frank Lloyd Wright’s Fallingwater has been leaking, essentially, since the day it opened in 1937. A $7 million conservation project is on track for completion next month. The house is called Fallingwater and is built over a waterfall, so we will note this with cautious optimism (The Art Newspaper).

      All of today’s stories below.

    • St. Paul Chamber Orchestra Adds Another Artistic Partner: Violinist Alina Ibragimova

      The Russian-British violinist joins five current artistic partners: harpsichordist and conductor Richard Egarr, pianist Richard Goode, cellist Abel Selaocoe, conductor Gábor Takács-Nagy, and violist Tabea Zimmermann. Ibragimova’s term begins next season. – The Strad

    • A Sea Change In Australian Orchestra Programming

      Overall, works by women made up 14.6 percent of programming in 2025, an increase on 2024’s 11.9 percent after a dip from 13.2 percent in 2023. – Limelight

    • Gen Z Is Returning To The Movie Theatre

      Gen Z is buying up a higher percentage of movie tickets, rising from 34% of the overall box office in 2019 to 39% last year. – The Star-Tribune

    ISSUES

    MEDIA

    MUSIC

    PEOPLE

    • The Cecilia Chorus of NY, Carnegie Hall, April 17.

      The Cecilia Chorus of New York, Mark Shapiro, Conductor, presents the world premiere of A Call for the Battle to Cease by Robert Sirota and Victoria Sirota, featuring pianist Simone Dinnerstein; the New York premiere of Grammy-nominated Mass in Exile by Mark Buller, Leah Lax, and Beth Greenberg, featuring guitarist David Leisner, baritone Shavon Lloyd, and Every Voice Children’s Chorus; and excerpts from Haydn’s Mass in Time of War. Saturday, April 17 at 8 PM in Carnegie Hall.

      MORE

    • Good Morning

      Banksy’s identity is out, and the art world has a counterintuitive take: prices should go up (The Wall Street Journal). Turns out anonymity was the brand, not the precondition for the brand. In the category of DEI-era reckoning: Playwrights Horizons has settled a lawsuit filed by a white ticket buyer who felt excluded by a discount program offered to buyers of color — the joint statement ran six sentences and did not mention money (The New York Times).

      In the UK, the Culture Secretary is moving to give the BBC something it has never had in its history: a permanent charter, protecting it from the decennial renegotiations that have left it perpetually exposed to political pressure (The Guardian). SXSW, by contrast, has never recovered from the pandemic, sold a controlling interest to Penske Media, and after last year’s event watched key staff walk out the door. Now serious observers are asking whether it can survive at all (Texas Monthly).

      Frank Lloyd Wright’s Fallingwater has been leaking, essentially, since the day it opened in 1937. A $7 million conservation project is on track for completion next month. The house is called Fallingwater and is built over a waterfall, so we will note this with cautious optimism (The Art Newspaper).

      All of today’s stories below.

    • St. Paul Chamber Orchestra Adds Another Artistic Partner: Violinist Alina Ibragimova

      The Russian-British violinist joins five current artistic partners: harpsichordist and conductor Richard Egarr, pianist Richard Goode, cellist Abel Selaocoe, conductor Gábor Takács-Nagy, and violist Tabea Zimmermann. Ibragimova’s term begins next season. – The Strad

    • A Sea Change In Australian Orchestra Programming

      Overall, works by women made up 14.6 percent of programming in 2025, an increase on 2024’s 11.9 percent after a dip from 13.2 percent in 2023. – Limelight

    • Gen Z Is Returning To The Movie Theatre

      Gen Z is buying up a higher percentage of movie tickets, rising from 34% of the overall box office in 2019 to 39% last year. – The Star-Tribune

    PEOPLE

    • The Cecilia Chorus of NY, Carnegie Hall, April 17.

      The Cecilia Chorus of New York, Mark Shapiro, Conductor, presents the world premiere of A Call for the Battle to Cease by Robert Sirota and Victoria Sirota, featuring pianist Simone Dinnerstein; the New York premiere of Grammy-nominated Mass in Exile by Mark Buller, Leah Lax, and Beth Greenberg, featuring guitarist David Leisner, baritone Shavon Lloyd, and Every Voice Children’s Chorus; and excerpts from Haydn’s Mass in Time of War. Saturday, April 17 at 8 PM in Carnegie Hall.

      MORE

    • Good Morning

      Banksy’s identity is out, and the art world has a counterintuitive take: prices should go up (The Wall Street Journal). Turns out anonymity was the brand, not the precondition for the brand. In the category of DEI-era reckoning: Playwrights Horizons has settled a lawsuit filed by a white ticket buyer who felt excluded by a discount program offered to buyers of color — the joint statement ran six sentences and did not mention money (The New York Times).

      In the UK, the Culture Secretary is moving to give the BBC something it has never had in its history: a permanent charter, protecting it from the decennial renegotiations that have left it perpetually exposed to political pressure (The Guardian). SXSW, by contrast, has never recovered from the pandemic, sold a controlling interest to Penske Media, and after last year’s event watched key staff walk out the door. Now serious observers are asking whether it can survive at all (Texas Monthly).

      Frank Lloyd Wright’s Fallingwater has been leaking, essentially, since the day it opened in 1937. A $7 million conservation project is on track for completion next month. The house is called Fallingwater and is built over a waterfall, so we will note this with cautious optimism (The Art Newspaper).

      All of today’s stories below.

    • St. Paul Chamber Orchestra Adds Another Artistic Partner: Violinist Alina Ibragimova

      The Russian-British violinist joins five current artistic partners: harpsichordist and conductor Richard Egarr, pianist Richard Goode, cellist Abel Selaocoe, conductor Gábor Takács-Nagy, and violist Tabea Zimmermann. Ibragimova’s term begins next season. – The Strad

    • A Sea Change In Australian Orchestra Programming

      Overall, works by women made up 14.6 percent of programming in 2025, an increase on 2024’s 11.9 percent after a dip from 13.2 percent in 2023. – Limelight

    • Gen Z Is Returning To The Movie Theatre

      Gen Z is buying up a higher percentage of movie tickets, rising from 34% of the overall box office in 2019 to 39% last year. – The Star-Tribune

    THEATRE

      VISUAL

      • Can Wisdom Be Taught?

        The study of wisdom dates to antiquity, but only in the past 40 years have researchers begun to apply the scientific method to probe what wisdom is and how it develops. – Knowable

      • Reconsidering Dopamine’s Effects On The Brain

        Where once there was a simple model that explained how dopamine works in the brain, now there are challenges that seek to amend the theory — or even to overturn it. – Nature

      • What Is Philosophy In The Age Of AI?

        Understanding language as something defined by public use—rather than private intention—helps us grasp how simply scraping text from around the web and finding patterns in the way words fit together can form the basis for passably imitating a human. – Prospect

      • Scholars See Serious Threat Of AI In The Humanities

        In the “humanities” – most scholars see AI as a unique threat, one that extends far beyond cheating on homework and casts doubt on the future of higher education itself in a fast-approaching machine-dominated future. – The Guardian

      • How Do We Calibrate The Use Of AI In Education?

        So what does “getting learning right” look like in the age of generative AI? It involves a lot of experimentation and leaning in with students as a co-learner when I don’t have all of the answers, while remaining staunchly committed to sharing my expertise in writing, critical thinking and learning.  – The Conversation

      WORDS