ArtsJournal Classic

AJ Four Ways: Text Only (by date) | headlines only

DANCE

    IDEAS

    • What Hudson Williams Does When He’s Not Busy Promoting Heated Rivalry

      The man loves reading and writing, basically. “I love Joan Didion, and she once said she journals so that when she gets really old, she can pick up her books and find her way back to herself again.” – CBC

    • It’s Not Easy Designing The World’s Biggest Stage

      At the halftime show for the Super Bowl, “the stage must be assembled in about eight minutes, using rolling carts equipped with pneumatic tires. The field … can hold only so much additional weight. After the 12-minute performance, the stage must be torn down quickly.” – The New York Times

    • Toronto’s Royal Conservatory Of Music Accused Of Enabling A Predatory Piano Educator

      “I was left with a feeling of tremendous shame. Even after gathering the courage to speak up, I was ashamed that I was a victim, ashamed that I was unable to stop it. Ashamed that even after finally speaking up, I was disregarded, ignored, discarded.” – Toronto Star

    • Good Morning

      This week’s AJ highlights: One of the most visceral blows to our cultural ecosystem is the continuing hollowing out of legacy media expertise. The Washington Post has laid off its entire photography staff and Pulitzer Prize-winning art critic Sebastian Smee, a retreat from curated record-keeping that leaves the nation’s capital with fewer professional observers. The media contraction is a national trend, as the Atlanta Journal-Constitution has simultaneously cut 15% of its staff, targeting nearly half of those cuts in the newsroom.

      But there is also good news. Alvin Ailey American Dance Theater has secured a dedicated $10 million endowment for its artistic director position, a signal of private faith in the company. This institutional strength is mirrored on Broadway, where the jukebox musical & Juliet has defied the post-pandemic slump to become one of only four new musicals to fully recoup its investment—proving that sophisticated pop-theatricality still has a viable economic engine.

      While a legal battle erupts in Philadelphia over the removal of a memorial to the enslaved people of George Washington’s household—an act of erasure many view as a direct attack on historical honesty—the judiciary is increasingly pushing back. Judge Fred Biery’s recent ruling is being celebrated as a “passionate, erudite, and mischievous” piece of writing that marshals literature and history to defend civil liberties against executive power.

      And further good news. From the launch of the massive new Los Angeles Jazz Festival—hoping to draw 250,000 fans to a city recognizing its own musicians—to the surge of “Resistance Theater” rising across the country, the week’s stories suggest that our artists are resilient.

      Lastly, my observation that the shuttering of the Kennedy Center and the decimation of the Washington Post are neither isolated nor unrelated happenings. They represent a break in the connective tissue that used to unite Americans. This is part of a larger systemic uncoupling of our civic, political and cultural institutions from the engine that sustains civic life. My theory: Why the Death of American Leadership may run through your Local Orchestra on Diacritical.

      All of this week’s stories below.

    • Why the Death of American Leadership may run through your Local Orchestra
      In the space of a week, we have lost two significant and iconic American institutions. But the shuttering of the Kennedy Center and the decimation of the Washington Post are neither isolated nor unrelated.

    ISSUES

    MEDIA

    MUSIC

    PEOPLE

    • What Hudson Williams Does When He’s Not Busy Promoting Heated Rivalry

      The man loves reading and writing, basically. “I love Joan Didion, and she once said she journals so that when she gets really old, she can pick up her books and find her way back to herself again.” – CBC

    • It’s Not Easy Designing The World’s Biggest Stage

      At the halftime show for the Super Bowl, “the stage must be assembled in about eight minutes, using rolling carts equipped with pneumatic tires. The field … can hold only so much additional weight. After the 12-minute performance, the stage must be torn down quickly.” – The New York Times

    • Toronto’s Royal Conservatory Of Music Accused Of Enabling A Predatory Piano Educator

      “I was left with a feeling of tremendous shame. Even after gathering the courage to speak up, I was ashamed that I was a victim, ashamed that I was unable to stop it. Ashamed that even after finally speaking up, I was disregarded, ignored, discarded.” – Toronto Star

    • Good Morning

      This week’s AJ highlights: One of the most visceral blows to our cultural ecosystem is the continuing hollowing out of legacy media expertise. The Washington Post has laid off its entire photography staff and Pulitzer Prize-winning art critic Sebastian Smee, a retreat from curated record-keeping that leaves the nation’s capital with fewer professional observers. The media contraction is a national trend, as the Atlanta Journal-Constitution has simultaneously cut 15% of its staff, targeting nearly half of those cuts in the newsroom.

      But there is also good news. Alvin Ailey American Dance Theater has secured a dedicated $10 million endowment for its artistic director position, a signal of private faith in the company. This institutional strength is mirrored on Broadway, where the jukebox musical & Juliet has defied the post-pandemic slump to become one of only four new musicals to fully recoup its investment—proving that sophisticated pop-theatricality still has a viable economic engine.

      While a legal battle erupts in Philadelphia over the removal of a memorial to the enslaved people of George Washington’s household—an act of erasure many view as a direct attack on historical honesty—the judiciary is increasingly pushing back. Judge Fred Biery’s recent ruling is being celebrated as a “passionate, erudite, and mischievous” piece of writing that marshals literature and history to defend civil liberties against executive power.

      And further good news. From the launch of the massive new Los Angeles Jazz Festival—hoping to draw 250,000 fans to a city recognizing its own musicians—to the surge of “Resistance Theater” rising across the country, the week’s stories suggest that our artists are resilient.

      Lastly, my observation that the shuttering of the Kennedy Center and the decimation of the Washington Post are neither isolated nor unrelated happenings. They represent a break in the connective tissue that used to unite Americans. This is part of a larger systemic uncoupling of our civic, political and cultural institutions from the engine that sustains civic life. My theory: Why the Death of American Leadership may run through your Local Orchestra on Diacritical.

      All of this week’s stories below.

    • Why the Death of American Leadership may run through your Local Orchestra
      In the space of a week, we have lost two significant and iconic American institutions. But the shuttering of the Kennedy Center and the decimation of the Washington Post are neither isolated nor unrelated.

    PEOPLE

    • What Hudson Williams Does When He’s Not Busy Promoting Heated Rivalry

      The man loves reading and writing, basically. “I love Joan Didion, and she once said she journals so that when she gets really old, she can pick up her books and find her way back to herself again.” – CBC

    • It’s Not Easy Designing The World’s Biggest Stage

      At the halftime show for the Super Bowl, “the stage must be assembled in about eight minutes, using rolling carts equipped with pneumatic tires. The field … can hold only so much additional weight. After the 12-minute performance, the stage must be torn down quickly.” – The New York Times

    • Toronto’s Royal Conservatory Of Music Accused Of Enabling A Predatory Piano Educator

      “I was left with a feeling of tremendous shame. Even after gathering the courage to speak up, I was ashamed that I was a victim, ashamed that I was unable to stop it. Ashamed that even after finally speaking up, I was disregarded, ignored, discarded.” – Toronto Star

    • Good Morning

      This week’s AJ highlights: One of the most visceral blows to our cultural ecosystem is the continuing hollowing out of legacy media expertise. The Washington Post has laid off its entire photography staff and Pulitzer Prize-winning art critic Sebastian Smee, a retreat from curated record-keeping that leaves the nation’s capital with fewer professional observers. The media contraction is a national trend, as the Atlanta Journal-Constitution has simultaneously cut 15% of its staff, targeting nearly half of those cuts in the newsroom.

      But there is also good news. Alvin Ailey American Dance Theater has secured a dedicated $10 million endowment for its artistic director position, a signal of private faith in the company. This institutional strength is mirrored on Broadway, where the jukebox musical & Juliet has defied the post-pandemic slump to become one of only four new musicals to fully recoup its investment—proving that sophisticated pop-theatricality still has a viable economic engine.

      While a legal battle erupts in Philadelphia over the removal of a memorial to the enslaved people of George Washington’s household—an act of erasure many view as a direct attack on historical honesty—the judiciary is increasingly pushing back. Judge Fred Biery’s recent ruling is being celebrated as a “passionate, erudite, and mischievous” piece of writing that marshals literature and history to defend civil liberties against executive power.

      And further good news. From the launch of the massive new Los Angeles Jazz Festival—hoping to draw 250,000 fans to a city recognizing its own musicians—to the surge of “Resistance Theater” rising across the country, the week’s stories suggest that our artists are resilient.

      Lastly, my observation that the shuttering of the Kennedy Center and the decimation of the Washington Post are neither isolated nor unrelated happenings. They represent a break in the connective tissue that used to unite Americans. This is part of a larger systemic uncoupling of our civic, political and cultural institutions from the engine that sustains civic life. My theory: Why the Death of American Leadership may run through your Local Orchestra on Diacritical.

      All of this week’s stories below.

    • Why the Death of American Leadership may run through your Local Orchestra
      In the space of a week, we have lost two significant and iconic American institutions. But the shuttering of the Kennedy Center and the decimation of the Washington Post are neither isolated nor unrelated.

    THEATRE

      VISUAL

      • We Think Cooperation Is The Ideal. In Fact A little Deceit Might Be Good

        We evolved not to cooperate or compete, but with the capacity for both – and with the intelligence to hide competition when it suits us, or to cheat when we’re likely to get away with it. Cooperation is consequently something we need to promote, not presume. – Aeon

      • Boosterism? Why, It Made America What It Is Today!

        “Boosters don’t describe real things so much as what they hope will become real things, often presenting growth as inevitable and betting on optimism as a viable economic strategy. Perhaps unsurprisingly, boosterism has played a major role in American history. … The harsh truth is, boosterism sometimes works.” – Quartz

      • The Difference Between Human Hierarchies And Other Primate Hierarchies

        Evolutionary anthropologist Thomas Morgan: “People can be coercive, but unlike other species, we also create hierarchies of prestige – voluntary arrangements that allocate labor and decision-making power according to expertise.” – The Conversation

      • Did Plato Espouse Ideas Leading To Totalitarianism?

        In his massive The Open Society and Its Enemies—published just before his return to Europe in 1945—Popper in effect identifies Plato not just as the father of western philosophy, but also the father of the forces that had wrought the gulags and the gas chambers. – The American Scholar

      • How The Arts Sector May Be Misreading The AI Revolution

        “The sector is responding to AI as if it were a tool to be adopted responsibly within existing organisational life, often through skills development, guidance, and policy, rather than an environmental shift that invalidates many of its default ways of deciding, governing, and acting.” – Tammy Lee (LinkedIn)

      WORDS