ArtsJournal Classic

AJ Four Ways: Text Only (by date) | headlines only

DANCE

    IDEAS

    • Shaker Dancing And Christian Spirituality

      “Though Christianity’s relationship with dance remains tangled, the full-bodied nature of Shaker devotion, revolutionary in the 18th century, is now an ideal for some Christians — and some dance artists.” – The New York Times

    • How Luxembourg’s Minister Of Culture Defended This Year’s Venice Biennale Entry

      “The role of the state is not to filter works in the name of good taste,” Thill said, adding that art should challenge audiences rather than simply please them. He said the public debate surrounding the project proves that it is doing its job. – ARTnews

    • Why You Can’t Love A Clone

      Even if a new mug – or a clone – is identical to the original in every visible way, the fact that it is not the same alters the directionality of love: the fact that it is not the same has an impact on what we are affectively able to do. – Psyche

    • Italy Pays €30 Million For Rare Portrait By Caravaggio

      “The portrait, painted around 1598 and attributed to Caravaggio in 1963, depicts Maffeo Barberini, a nobleman who later became Pope Urban VIII. The painting was acquired from a private collection by the Italian state after over a year of negotiations and will now enter Rome’s Palazzo Barberini permanent collection.” – AP

    • Fighting Over Art And Politics Again (And Again)

      Identity, even when mobilized as a force for visibility and justice, can shield art from critique—transforming dissent into offense and rendering criticism suspect. Questioning the work risks being seen as questioning the identity. – LA Review of Books

    ISSUES

    • How Luxembourg’s Minister Of Culture Defended This Year’s Venice Biennale Entry

      “The role of the state is not to filter works in the name of good taste,” Thill said, adding that art should challenge audiences rather than simply please them. He said the public debate surrounding the project proves that it is doing its job. – ARTnews

    • Italy Pays €30 Million For Rare Portrait By Caravaggio

      “The portrait, painted around 1598 and attributed to Caravaggio in 1963, depicts Maffeo Barberini, a nobleman who later became Pope Urban VIII. The painting was acquired from a private collection by the Italian state after over a year of negotiations and will now enter Rome’s Palazzo Barberini permanent collection.” – AP

    • How Politics Made Contemporary Art Predictable And Dull

      The ambition to explore every facet of the present was quickly replaced by a devout commitment to questions of equity and accountability. There was a new answer to the question of what art should do: it should amplify the voices of the historically marginalized. What it shouldn’t do, it seemed, is be inventive or interesting. – Harper’s

    • European Union Threatens To Withdraw Funding For Venice Biennale If Russia Is Allowed To Participate

      “This decision by the Fondazione Biennale is not compatible with the EU’s collective response to Russia’s brutal aggression,” said the EU commissioners for technology and culture. “Should the Fondazione Biennale … allow Russia’s participation, we will examine further action, including the suspension or termination of an ongoing EU grant to the Biennale Foundation.” – ARTnews

    • The Collective Community Wound When Famous Buildings Burn

      The fire will have obvious economic consequences for the city, particularly through the loss of businesses caught in and close to the fire. But the emotional effect of the fire will be felt by the city’s residents and visitors, particularly if the building lies in ruins indefinitely. – The Conversation

    MEDIA

    MUSIC

    PEOPLE

    • Shaker Dancing And Christian Spirituality

      “Though Christianity’s relationship with dance remains tangled, the full-bodied nature of Shaker devotion, revolutionary in the 18th century, is now an ideal for some Christians — and some dance artists.” – The New York Times

    • How Luxembourg’s Minister Of Culture Defended This Year’s Venice Biennale Entry

      “The role of the state is not to filter works in the name of good taste,” Thill said, adding that art should challenge audiences rather than simply please them. He said the public debate surrounding the project proves that it is doing its job. – ARTnews

    • Why You Can’t Love A Clone

      Even if a new mug – or a clone – is identical to the original in every visible way, the fact that it is not the same alters the directionality of love: the fact that it is not the same has an impact on what we are affectively able to do. – Psyche

    • Italy Pays €30 Million For Rare Portrait By Caravaggio

      “The portrait, painted around 1598 and attributed to Caravaggio in 1963, depicts Maffeo Barberini, a nobleman who later became Pope Urban VIII. The painting was acquired from a private collection by the Italian state after over a year of negotiations and will now enter Rome’s Palazzo Barberini permanent collection.” – AP

    • Fighting Over Art And Politics Again (And Again)

      Identity, even when mobilized as a force for visibility and justice, can shield art from critique—transforming dissent into offense and rendering criticism suspect. Questioning the work risks being seen as questioning the identity. – LA Review of Books

    PEOPLE

    • Shaker Dancing And Christian Spirituality

      “Though Christianity’s relationship with dance remains tangled, the full-bodied nature of Shaker devotion, revolutionary in the 18th century, is now an ideal for some Christians — and some dance artists.” – The New York Times

    • How Luxembourg’s Minister Of Culture Defended This Year’s Venice Biennale Entry

      “The role of the state is not to filter works in the name of good taste,” Thill said, adding that art should challenge audiences rather than simply please them. He said the public debate surrounding the project proves that it is doing its job. – ARTnews

    • Why You Can’t Love A Clone

      Even if a new mug – or a clone – is identical to the original in every visible way, the fact that it is not the same alters the directionality of love: the fact that it is not the same has an impact on what we are affectively able to do. – Psyche

    • Italy Pays €30 Million For Rare Portrait By Caravaggio

      “The portrait, painted around 1598 and attributed to Caravaggio in 1963, depicts Maffeo Barberini, a nobleman who later became Pope Urban VIII. The painting was acquired from a private collection by the Italian state after over a year of negotiations and will now enter Rome’s Palazzo Barberini permanent collection.” – AP

    • Fighting Over Art And Politics Again (And Again)

      Identity, even when mobilized as a force for visibility and justice, can shield art from critique—transforming dissent into offense and rendering criticism suspect. Questioning the work risks being seen as questioning the identity. – LA Review of Books

    THEATRE

      VISUAL

      WORDS