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DANCE

    IDEAS

    • The Ragtime Cancellation That Lasted Twelve Hours

      Good Morning,

      Every hour in Veracruz, the clock tower plays the original “La Bamba,” three centuries older than Ritchie Valens’ hit. Son jarocho, the genre behind it, was dismissed in the 1970s as “the music of drunken people”; now its fandangos draw dancers from Tokyo to Los Angeles, summed up in one word, convivencia — alive together (NPR). In Melbourne, Charles Lai has spent a decade running a free calendar of gallery openings, turning down offers to let galleries sponsor it because he wants to “keep my own counsel”; one critic, following his listings, hit seven shows by e-bike, from a converted lending library to Everfresh Studio, an artist collective back after its old space closed (The Guardian).

      In Louisville, Nathan Balasubramanian, incoming academic chief for city schools, secretly ordered Manual High School’s “Ragtime” canceled over its racial slurs; the district reversed course that evening, after a viral outcry, though board member Linda Duncan says nobody told the superintendent (LPM). Conductor Andris Nelsons, pushed out by the Boston Symphony this year, got the opposite verdict in Leipzig, where the Gewandhaus orchestra just extended his contract to 2032 (The Boston Globe).

      YouTube, TikTok and Meta are declining paid ads for documentarian Alex Gibney’s new film on Elon Musk, despite breaking none of their political-ad rules; distributor Bleecker Street is appealing, refused by Meta, while a film about a man trying to control the conversation makes its point before it opens Oct. 9 (The Hollywood Reporter).

      All of our stories below.

    • The All-Night Song And Dance Parties Of Veracruz

      “This syncopated, jubilant folk music is a melange of European, Caribbean and Indigenous influences. While fandangos — where folks gather to play their instruments, sing and dance — are more than 300 years old, their popularity is now spreading around the world.” – NPR

    • In Leipzig, Ousted Boston Symphony Orchestra Director Andris Nelsons Feels The Love

      “When he conducts, he does not think in English or German or Latvian, even if that would be his own. But he thinks directly in music, and this is so direct. … Sometimes in a concert you have suddenly a new gesture never seen before, that everybody understands.” – Boston Globe

    • Major Social Media Platforms Are All Turning Down Paid Advertising For The Documentary About Elon Musk

      No one will be surprised that X (formerly Twitter) won’t take the ads for Alex Gibney’s award-winning movie, but what’s up with TikTok, YouTube, and Meta? – The Hollywood Reporter

    • Sylvester Stallone Finally Reckons With Decades Of Trauma

      “When I look at that footage, I look distorted. I was gone for a few seconds. Sometimes in acting or painting or writing, you just subliminally lose yourself. You do not know where you are. … What was that?” – The New York Times

    ISSUES

    MEDIA

    MUSIC

    PEOPLE

    • The Ragtime Cancellation That Lasted Twelve Hours

      Good Morning,

      Every hour in Veracruz, the clock tower plays the original “La Bamba,” three centuries older than Ritchie Valens’ hit. Son jarocho, the genre behind it, was dismissed in the 1970s as “the music of drunken people”; now its fandangos draw dancers from Tokyo to Los Angeles, summed up in one word, convivencia — alive together (NPR). In Melbourne, Charles Lai has spent a decade running a free calendar of gallery openings, turning down offers to let galleries sponsor it because he wants to “keep my own counsel”; one critic, following his listings, hit seven shows by e-bike, from a converted lending library to Everfresh Studio, an artist collective back after its old space closed (The Guardian).

      In Louisville, Nathan Balasubramanian, incoming academic chief for city schools, secretly ordered Manual High School’s “Ragtime” canceled over its racial slurs; the district reversed course that evening, after a viral outcry, though board member Linda Duncan says nobody told the superintendent (LPM). Conductor Andris Nelsons, pushed out by the Boston Symphony this year, got the opposite verdict in Leipzig, where the Gewandhaus orchestra just extended his contract to 2032 (The Boston Globe).

      YouTube, TikTok and Meta are declining paid ads for documentarian Alex Gibney’s new film on Elon Musk, despite breaking none of their political-ad rules; distributor Bleecker Street is appealing, refused by Meta, while a film about a man trying to control the conversation makes its point before it opens Oct. 9 (The Hollywood Reporter).

      All of our stories below.

    • The All-Night Song And Dance Parties Of Veracruz

      “This syncopated, jubilant folk music is a melange of European, Caribbean and Indigenous influences. While fandangos — where folks gather to play their instruments, sing and dance — are more than 300 years old, their popularity is now spreading around the world.” – NPR

    • In Leipzig, Ousted Boston Symphony Orchestra Director Andris Nelsons Feels The Love

      “When he conducts, he does not think in English or German or Latvian, even if that would be his own. But he thinks directly in music, and this is so direct. … Sometimes in a concert you have suddenly a new gesture never seen before, that everybody understands.” – Boston Globe

    • Major Social Media Platforms Are All Turning Down Paid Advertising For The Documentary About Elon Musk

      No one will be surprised that X (formerly Twitter) won’t take the ads for Alex Gibney’s award-winning movie, but what’s up with TikTok, YouTube, and Meta? – The Hollywood Reporter

    • Sylvester Stallone Finally Reckons With Decades Of Trauma

      “When I look at that footage, I look distorted. I was gone for a few seconds. Sometimes in acting or painting or writing, you just subliminally lose yourself. You do not know where you are. … What was that?” – The New York Times

    PEOPLE

    • The Ragtime Cancellation That Lasted Twelve Hours

      Good Morning,

      Every hour in Veracruz, the clock tower plays the original “La Bamba,” three centuries older than Ritchie Valens’ hit. Son jarocho, the genre behind it, was dismissed in the 1970s as “the music of drunken people”; now its fandangos draw dancers from Tokyo to Los Angeles, summed up in one word, convivencia — alive together (NPR). In Melbourne, Charles Lai has spent a decade running a free calendar of gallery openings, turning down offers to let galleries sponsor it because he wants to “keep my own counsel”; one critic, following his listings, hit seven shows by e-bike, from a converted lending library to Everfresh Studio, an artist collective back after its old space closed (The Guardian).

      In Louisville, Nathan Balasubramanian, incoming academic chief for city schools, secretly ordered Manual High School’s “Ragtime” canceled over its racial slurs; the district reversed course that evening, after a viral outcry, though board member Linda Duncan says nobody told the superintendent (LPM). Conductor Andris Nelsons, pushed out by the Boston Symphony this year, got the opposite verdict in Leipzig, where the Gewandhaus orchestra just extended his contract to 2032 (The Boston Globe).

      YouTube, TikTok and Meta are declining paid ads for documentarian Alex Gibney’s new film on Elon Musk, despite breaking none of their political-ad rules; distributor Bleecker Street is appealing, refused by Meta, while a film about a man trying to control the conversation makes its point before it opens Oct. 9 (The Hollywood Reporter).

      All of our stories below.

    • The All-Night Song And Dance Parties Of Veracruz

      “This syncopated, jubilant folk music is a melange of European, Caribbean and Indigenous influences. While fandangos — where folks gather to play their instruments, sing and dance — are more than 300 years old, their popularity is now spreading around the world.” – NPR

    • In Leipzig, Ousted Boston Symphony Orchestra Director Andris Nelsons Feels The Love

      “When he conducts, he does not think in English or German or Latvian, even if that would be his own. But he thinks directly in music, and this is so direct. … Sometimes in a concert you have suddenly a new gesture never seen before, that everybody understands.” – Boston Globe

    • Major Social Media Platforms Are All Turning Down Paid Advertising For The Documentary About Elon Musk

      No one will be surprised that X (formerly Twitter) won’t take the ads for Alex Gibney’s award-winning movie, but what’s up with TikTok, YouTube, and Meta? – The Hollywood Reporter

    • Sylvester Stallone Finally Reckons With Decades Of Trauma

      “When I look at that footage, I look distorted. I was gone for a few seconds. Sometimes in acting or painting or writing, you just subliminally lose yourself. You do not know where you are. … What was that?” – The New York Times

    THEATRE

      VISUAL

      • Habermas’ Ideas On Public Debate

        He explained the three types of discourse that characterise deliberation – moral, ethical, and pragmatic – and was clear that when it comes to the moral, there are no experts: only individuals working out, together, what’s right in a given context. – Aeon

      • Is AI Above The Law? Outside? Under?

        At least for now, then, robots legally are things, not persons. But neither category quite fits. Instead, robots are outlaws: they lie outside the protection of the law, and their actions are not answerable to it. – The New Yorker

      • Are Debates Over Student AI Use Arguing Over The Wrong Things?

        The battle for the role of AI in higher education this fall is being fought over when and where AI and other digital technologies should be used. This combat ignores the larger crisis: how can colleges verify that they are preparing students to become productive members of society in a digital age? – Post Alley

      • Looking Back On What The Literary Theory Generation Wrought

        A half-century after poststructuralism broke out of Parisian lecture halls and stumbled into unexpected acclaim and vitriol in the English-speaking world, we now have enough distance from the culture wars of the 1980s and ’90s to look back on theory with clearer vision. Or so it would seem. – Hedgehog Review

      • The Real Qualities Of A Skeptic

        ‘Sceptic’ comes from the Greek skeptikos, meaning enquirer, and has a long and serious pedigree in philosophy. Yet, since the 1990s, the term has been hijacked by science-denial movements, giving us oxymorons like ‘climate sceptic’, ‘vaccine sceptic’, and ‘evolution sceptic’. – Aeon

      WORDS