ArtsJournal Classic

AJ Four Ways: Text Only (by date) | headlines only

DANCE

    IDEAS

    • Be on the lookout for the punchline

      Good Morning,

      Homeland Security has circulated a “be on the lookout” alert to law enforcement nationwide for a comedian whose satire of immigration enforcement went viral (The Guardian). File it next to the universities quietly disinviting commencement speakers who might say something challenging (The Conversation), and the plan to build a 250-foot triumphal arch on the strength of a permission slip Congress signed 101 years ago (The Washington Post). Three different mechanisms — a watchlist, a heckler’s veto and a century-old loophole — are all determining who or what gets to occupy public space and what doesn’t. Turbulent times, my friends, turbulent times…

      Elsewhere the question is gentler: not who gets silenced, but who is paying to keep culture alive. New Zealand is handing most of its arts-funding decisions to as many as 16 regional bodies (The Big Idea), a Finnish museum is covering four artists’ salaries and health insurance outright (The Art Newspaper) in a radical rethink of how to support artists (remember yesterday’s story about music venues in the UK allowing touring bands a place to sleep after their gigs), and Canada’s culture regulator just told streamers they will have to spend 15 percent of their revenue on Canadian content (AP) if they want to operate in the Great White North. Three countries, three evolving notions of where cultural support should come from.

      And in a file marked the audience always finds a way: Seattle Opera held its first official Furry Night, led by the baritone singing Escamillo — better known to the fandom as Chester the Geroo (The Stranger).

      All of our stories below. Have a great Memorial Day weekend.

      Doug

    • The Robot Fight Clubs Of San Francisco Are Now Having Dance Wars

      Yes, this is a thing. – The San Francisco Standard

    • Is Arts Criticism A Moral Good?

      We no longer argue about whether art as such is a matter of life and death—we assume that it’s not. Consequently, critics aren’t prompted to ask about the political valence of their own activity: Is criticism itself a moral good? – Artforum

    • One Of Chicago’s Veteran Music Critics Writes An Opera About His Holocaust-Survivor Mother

      In 2019, Howard Reich, longtime jazz critic of the Chicago Tribune, published The Art of Inventing Hope, based on conversations with Elie Wiesel and Reich’s mother’s experiences in WWII Poland. He has now adapted that book into an opera libretto, The Dialogue of Memories, with music by Tom Cipullo. – WTTW (Chicago)

    • Potential Strike On London’s West End After Actors Vote

      An indicative ballot held by the performing arts union, Equity, was overwhelmingly backed by its membership: 98% voted yes to potential strikes. The result means the union now has the right to have a statutory ballot on taking industrial action. – The Guardian

    ISSUES

    MEDIA

    MUSIC

    PEOPLE

    • Be on the lookout for the punchline

      Good Morning,

      Homeland Security has circulated a “be on the lookout” alert to law enforcement nationwide for a comedian whose satire of immigration enforcement went viral (The Guardian). File it next to the universities quietly disinviting commencement speakers who might say something challenging (The Conversation), and the plan to build a 250-foot triumphal arch on the strength of a permission slip Congress signed 101 years ago (The Washington Post). Three different mechanisms — a watchlist, a heckler’s veto and a century-old loophole — are all determining who or what gets to occupy public space and what doesn’t. Turbulent times, my friends, turbulent times…

      Elsewhere the question is gentler: not who gets silenced, but who is paying to keep culture alive. New Zealand is handing most of its arts-funding decisions to as many as 16 regional bodies (The Big Idea), a Finnish museum is covering four artists’ salaries and health insurance outright (The Art Newspaper) in a radical rethink of how to support artists (remember yesterday’s story about music venues in the UK allowing touring bands a place to sleep after their gigs), and Canada’s culture regulator just told streamers they will have to spend 15 percent of their revenue on Canadian content (AP) if they want to operate in the Great White North. Three countries, three evolving notions of where cultural support should come from.

      And in a file marked the audience always finds a way: Seattle Opera held its first official Furry Night, led by the baritone singing Escamillo — better known to the fandom as Chester the Geroo (The Stranger).

      All of our stories below. Have a great Memorial Day weekend.

      Doug

    • The Robot Fight Clubs Of San Francisco Are Now Having Dance Wars

      Yes, this is a thing. – The San Francisco Standard

    • Is Arts Criticism A Moral Good?

      We no longer argue about whether art as such is a matter of life and death—we assume that it’s not. Consequently, critics aren’t prompted to ask about the political valence of their own activity: Is criticism itself a moral good? – Artforum

    • One Of Chicago’s Veteran Music Critics Writes An Opera About His Holocaust-Survivor Mother

      In 2019, Howard Reich, longtime jazz critic of the Chicago Tribune, published The Art of Inventing Hope, based on conversations with Elie Wiesel and Reich’s mother’s experiences in WWII Poland. He has now adapted that book into an opera libretto, The Dialogue of Memories, with music by Tom Cipullo. – WTTW (Chicago)

    • Potential Strike On London’s West End After Actors Vote

      An indicative ballot held by the performing arts union, Equity, was overwhelmingly backed by its membership: 98% voted yes to potential strikes. The result means the union now has the right to have a statutory ballot on taking industrial action. – The Guardian

    PEOPLE

    • Be on the lookout for the punchline

      Good Morning,

      Homeland Security has circulated a “be on the lookout” alert to law enforcement nationwide for a comedian whose satire of immigration enforcement went viral (The Guardian). File it next to the universities quietly disinviting commencement speakers who might say something challenging (The Conversation), and the plan to build a 250-foot triumphal arch on the strength of a permission slip Congress signed 101 years ago (The Washington Post). Three different mechanisms — a watchlist, a heckler’s veto and a century-old loophole — are all determining who or what gets to occupy public space and what doesn’t. Turbulent times, my friends, turbulent times…

      Elsewhere the question is gentler: not who gets silenced, but who is paying to keep culture alive. New Zealand is handing most of its arts-funding decisions to as many as 16 regional bodies (The Big Idea), a Finnish museum is covering four artists’ salaries and health insurance outright (The Art Newspaper) in a radical rethink of how to support artists (remember yesterday’s story about music venues in the UK allowing touring bands a place to sleep after their gigs), and Canada’s culture regulator just told streamers they will have to spend 15 percent of their revenue on Canadian content (AP) if they want to operate in the Great White North. Three countries, three evolving notions of where cultural support should come from.

      And in a file marked the audience always finds a way: Seattle Opera held its first official Furry Night, led by the baritone singing Escamillo — better known to the fandom as Chester the Geroo (The Stranger).

      All of our stories below. Have a great Memorial Day weekend.

      Doug

    • The Robot Fight Clubs Of San Francisco Are Now Having Dance Wars

      Yes, this is a thing. – The San Francisco Standard

    • Is Arts Criticism A Moral Good?

      We no longer argue about whether art as such is a matter of life and death—we assume that it’s not. Consequently, critics aren’t prompted to ask about the political valence of their own activity: Is criticism itself a moral good? – Artforum

    • One Of Chicago’s Veteran Music Critics Writes An Opera About His Holocaust-Survivor Mother

      In 2019, Howard Reich, longtime jazz critic of the Chicago Tribune, published The Art of Inventing Hope, based on conversations with Elie Wiesel and Reich’s mother’s experiences in WWII Poland. He has now adapted that book into an opera libretto, The Dialogue of Memories, with music by Tom Cipullo. – WTTW (Chicago)

    • Potential Strike On London’s West End After Actors Vote

      An indicative ballot held by the performing arts union, Equity, was overwhelmingly backed by its membership: 98% voted yes to potential strikes. The result means the union now has the right to have a statutory ballot on taking industrial action. – The Guardian

    THEATRE

      VISUAL

      • Is Arts Criticism A Moral Good?

        We no longer argue about whether art as such is a matter of life and death—we assume that it’s not. Consequently, critics aren’t prompted to ask about the political valence of their own activity: Is criticism itself a moral good? – Artforum

      • AI Passes Turing Test For The First Time

        Researchers discovered that when equipped with specific “persona” prompts, advanced models like GPT-4.5 were judged to be human 73% of the time, significantly outperforming actual human participants and fundamentally altering our understanding of machine intelligence. – Neuroscience News

      • How Does Your Brain Process Beauty?

        “Neuroaesthetics is a search to give a value, a quantity, to beauty—to locate it, perhaps, in the brain and in the heart.” – Smithsonian

      • Always On: Pretty Much Everything We Do Now Is Being Recorded

        The next time you conduct a delicate bit of office diplomacy or share a romantic or financial secret with a friend over drinks, a sensor built into someone’s glasses, necklace, or lapel pin might be watching you and listening. – The Atlantic

      • The Slop Before The AI Slop

        In 1962, a programmer at Librascope, a California-based defense contractor, announced that “a computer can be programmed to write meaningful and relevant sentences in proper English.” – The New Yorker

      WORDS