ArtsJournal Classic

AJ Four Ways: Text Only (by date) | headlines only

DANCE

    IDEAS

    • Good Morning

      Three stories today about who controls the platform — and what happens when that control gets used to suppress, exploit, or monopolize. The BBC commissioned a documentary about health care in Gaza, the journalists spent months convincing their sources to trust the network, and then the BBC refused to broadcast it. The sources, it turns out, predicted this exactly (Reveal). Meanwhile, Amazon tried to sponsor Paris’s major book festival — the same Amazon accused of flooding its own marketplace with AI-generated titles propped up by fake reviews — and France’s booksellers were not having it. Amazon’s sponsorship was quietly “mutually agreed” to an end (The Guardian). And after years of DOJ pressure, Live Nation has settled its antitrust case: Ticketmaster will now be required to open parts of its platform to rival ticketing companies (Politico).

      Glasgow, once one of Europe’s great arts cities, is losing venue after venue — and the young creatives who study there are asking why they’d stay (The Guardian (UK)). A familiar story, playing out in a city that used to be the exception.

      On the more cheerful end: an opera singer whose career stalled started filming himself belting arias in a car lot, in his name tag, with custom lyrics about the vehicles. He’s now viral (Seattle Times). Timothée Chalamet, take note.

      All of our stories below.

    • The Argument Against Optimizing

      What you lose in optimizing morality is the same thing you lose in maximizing your airline-mile spend. In other words, nothing quantifiable—but precisely the chance to escape quantification, to orient toward something that cannot be counted, predicted, analyzed. – The Point

    • Amazon Pulls Sponsorship Of Paris Bookfair After Accusations Of Promoting AI Books

      The SLF has been sharply critical of Amazon, arguing that it destabilises the book trade. In a statement reported by the Bookseller, it accused the company of seeking “to flood the market with fake AI-generated books, [which are] promoted by fake reviews, written by fake readers [and rise] to the top of fake rankings”. – The Guardian

    • How Gen Z Is Hacking The High Cost Of Music Festivals

      Enter Breakaway: a growing dance-music festival brand built on the premise of making concerts and festivals accessible and affordable again. – Fortune

    • How Does The Troubled Philadelphia Museum Of Art Get Its Swing Back? Here Are 10 Ideas

      The museum today is focused on the fact that fewer visitors are coming now than before the pandemic, and the concern is legitimate. But the way back can’t be merely quantitative. – Philadelphia Inquirer (MSN)

    ISSUES

    MEDIA

    MUSIC

    PEOPLE

    • Good Morning

      Three stories today about who controls the platform — and what happens when that control gets used to suppress, exploit, or monopolize. The BBC commissioned a documentary about health care in Gaza, the journalists spent months convincing their sources to trust the network, and then the BBC refused to broadcast it. The sources, it turns out, predicted this exactly (Reveal). Meanwhile, Amazon tried to sponsor Paris’s major book festival — the same Amazon accused of flooding its own marketplace with AI-generated titles propped up by fake reviews — and France’s booksellers were not having it. Amazon’s sponsorship was quietly “mutually agreed” to an end (The Guardian). And after years of DOJ pressure, Live Nation has settled its antitrust case: Ticketmaster will now be required to open parts of its platform to rival ticketing companies (Politico).

      Glasgow, once one of Europe’s great arts cities, is losing venue after venue — and the young creatives who study there are asking why they’d stay (The Guardian (UK)). A familiar story, playing out in a city that used to be the exception.

      On the more cheerful end: an opera singer whose career stalled started filming himself belting arias in a car lot, in his name tag, with custom lyrics about the vehicles. He’s now viral (Seattle Times). Timothée Chalamet, take note.

      All of our stories below.

    • The Argument Against Optimizing

      What you lose in optimizing morality is the same thing you lose in maximizing your airline-mile spend. In other words, nothing quantifiable—but precisely the chance to escape quantification, to orient toward something that cannot be counted, predicted, analyzed. – The Point

    • Amazon Pulls Sponsorship Of Paris Bookfair After Accusations Of Promoting AI Books

      The SLF has been sharply critical of Amazon, arguing that it destabilises the book trade. In a statement reported by the Bookseller, it accused the company of seeking “to flood the market with fake AI-generated books, [which are] promoted by fake reviews, written by fake readers [and rise] to the top of fake rankings”. – The Guardian

    • How Gen Z Is Hacking The High Cost Of Music Festivals

      Enter Breakaway: a growing dance-music festival brand built on the premise of making concerts and festivals accessible and affordable again. – Fortune

    • How Does The Troubled Philadelphia Museum Of Art Get Its Swing Back? Here Are 10 Ideas

      The museum today is focused on the fact that fewer visitors are coming now than before the pandemic, and the concern is legitimate. But the way back can’t be merely quantitative. – Philadelphia Inquirer (MSN)

    PEOPLE

    • Good Morning

      Three stories today about who controls the platform — and what happens when that control gets used to suppress, exploit, or monopolize. The BBC commissioned a documentary about health care in Gaza, the journalists spent months convincing their sources to trust the network, and then the BBC refused to broadcast it. The sources, it turns out, predicted this exactly (Reveal). Meanwhile, Amazon tried to sponsor Paris’s major book festival — the same Amazon accused of flooding its own marketplace with AI-generated titles propped up by fake reviews — and France’s booksellers were not having it. Amazon’s sponsorship was quietly “mutually agreed” to an end (The Guardian). And after years of DOJ pressure, Live Nation has settled its antitrust case: Ticketmaster will now be required to open parts of its platform to rival ticketing companies (Politico).

      Glasgow, once one of Europe’s great arts cities, is losing venue after venue — and the young creatives who study there are asking why they’d stay (The Guardian (UK)). A familiar story, playing out in a city that used to be the exception.

      On the more cheerful end: an opera singer whose career stalled started filming himself belting arias in a car lot, in his name tag, with custom lyrics about the vehicles. He’s now viral (Seattle Times). Timothée Chalamet, take note.

      All of our stories below.

    • The Argument Against Optimizing

      What you lose in optimizing morality is the same thing you lose in maximizing your airline-mile spend. In other words, nothing quantifiable—but precisely the chance to escape quantification, to orient toward something that cannot be counted, predicted, analyzed. – The Point

    • Amazon Pulls Sponsorship Of Paris Bookfair After Accusations Of Promoting AI Books

      The SLF has been sharply critical of Amazon, arguing that it destabilises the book trade. In a statement reported by the Bookseller, it accused the company of seeking “to flood the market with fake AI-generated books, [which are] promoted by fake reviews, written by fake readers [and rise] to the top of fake rankings”. – The Guardian

    • How Gen Z Is Hacking The High Cost Of Music Festivals

      Enter Breakaway: a growing dance-music festival brand built on the premise of making concerts and festivals accessible and affordable again. – Fortune

    • How Does The Troubled Philadelphia Museum Of Art Get Its Swing Back? Here Are 10 Ideas

      The museum today is focused on the fact that fewer visitors are coming now than before the pandemic, and the concern is legitimate. But the way back can’t be merely quantitative. – Philadelphia Inquirer (MSN)

    THEATRE

      VISUAL

      WORDS