AJ Four Ways: Text Only (by date) | headlines only
DANCE
IDEAS
- How The Kennedy Center Plans To Put Trump’s Name Back
- What’s Changed In Classical Music Over 50 Years
What has surprised me, looking back to 1976 (when I started writing for a tiny magazine that sadly went out of business this year) is how much of the classical music landscape has survived, despite the economic pressures that you don’t need reminding about. – BBC Music
- Research: Large AI Datasets Obscure Authorship
It feels counterintuitive, but at sufficiently large scales, they find, you can often remove any single image from the training data, or every image by a given artist, or every photograph of a given person, and the generated sample doesn’t change. – MIT
- Paul Simon’s “Graceland” At 40
Hard as it may be to believe today, Graceland was not an instant hit when it came out, and Simon received criticism for what’s now called cultural appropriation and for violating sanctions against apartheid-era South Africa. Now its influence is widespread enough that it can be hard to perceive these decades later. – The Guardian
- How Adam Sklute Transformed Salt Lake City’s Ballet West
The ways that the company’s skill level, repertoire, national and international reputation, budget, and especially school (a ten-fold increase in enrollment) have grown during Sklute’s 20 years as artistic director are extraordinary. – The Utah Review
ISSUES
- Institute Of Contemporary Art San Diego Lays Off Nearly Half Its Employees
The ICA San Diego (not to be confused with the Museum of Contemporary Art San Diego) is reducing its staff from 19 to 11, including almost all senior management and public-facing workers. The head curator position was eliminated last month. – The San Diego Union-Tribune
- Colombian Cultural Heritage Sites Damaged In The Earthquake
The report, published on 14 August, identifies 40 nationally protected cultural properties in the seven departments hardest hit by the disaster that suffered some degree of damage, 22 of which were severely impacted. Of the remaining properties, 13 suffered moderate damage and five were only lightly affected. – The Art Newspaper
- This Summer’s European Heat Waves Are Damaging Monet’s Gardens At Giverny
Horticultural staff are reporting that some foliage is scorched and many flowers are wilting, though they’ve been able to mitigate the weather’s worst effects by careful watering and moving some plants around. Chief gardeners also say they may have to change some of the seasonal scheduling and choice of plantings. – ARTnews
- Brazen: Thieves Steal Four Renaissance Paintings From Italian Museum
Taking advantage of an annual religious celebration that brings tens of thousands to Messina’s streets, thieves made off with three of five panels that constitute the Polyptych of San Gregorio as well as a small double-sided devotional painting. – The New York Times
- Preservation Group Appeals To Supreme Court To Stop White House Construction
The preservationist group trying to stop President Trump’s White House ballroom urged the Supreme Court to deny the administration’s emergency request to allow construction, calling it “astonishing” on Tuesday. – The Hill
MEDIA
- How The Kennedy Center Plans To Put Trump’s Name Back
- Refurbishment Plans For The Kennedy Center Detailed
More than 160 pages of plans, assembled by the real estate company JLL and presented to the board of trustees, outline extensive changes throughout the building. – Washington Post
- Google Now Has An AI Tool To Catch Fake AI Images
“After (a fact-checker) upload(s) an image and enter(s) a basic question, Backstory can automatically run checks to determine whether the image is AI-generated, whether it shows signs of manipulation, and where else the image has appeared throughout its lifetime on the internet.” – Nieman Lab
- Many Of New York City’s Most Prominent Cultural Institutions Don’t Pay Fines For Fire Code Violations
The Met Museum, Carnegie Hall, BAM, Lincoln Center, even the Brooklyn Children’s Museum — in fact, none of the 39 institutions in what’s called the Cultural Institutions Group have to pay Fire Dept. summonses. There is, in fact, a logical reason for this. – Gothamist
- Kennedy Center Management Explains Why That Tarp Is Still There
The fabric barrier and scaffolding put up while Trump’s name was removed from the building’s façade are still in place more than two months later. In a court filing this week, management stated that there is still work being done at and around that area. – The Independent (UK)
MUSIC
- Texas Is Coming After The “Filthy, Dirty” Books In School Libraries, Says Lt. Gov.
“Lt. Gov. Dan Patrick, during a Wednesday press conference, threatened to take over public school districts that don’t remove ‘obscene books’ from their library shelves.” – San Antonio Current
- Utah Bans Novel Adapted Into Movie “Precious” From Schools
“’Push’ by Sapphire got cut across the state Wednesday after the Davis, Granite and Washington County school districts removed it, bringing the total number of books banned from public schools to 37.” Current Utah law holds that if three county school districts ban a book, the title is then barred statewide. – The Salt Lake Tribune
- In Russia: The Publishers’ Plot
In May 2025, ten people affiliated with Eksmo, Russia’s publishing behemoth, were detained in Moscow. Three of them, Pavel Ivanov, Dmitry Protopopov and Artyom Vakhlyaev, were charged with ‘organising activities of an extremist organisation’. Their crime was distributing LGBT-themed books. – London Review of Books
- Why The Closing Of Harvard’s Writing Center Matters
A Harvard faculty member who requested anonymity so that he could speak openly told me he worried that the elimination of the center could be seen as part of a broader trend of “real boosterism” of AI on campus—one that students feel acutely. – The Atlantic
- How Melancholy Became Hungary’s Literary Brand
Melancholy, an affinity with oblivion without a concrete cause, suffuses the Hungarian fiction translated for foreign audiences over the past 30 years, from the tortured tales of Sándor Márai to the taut novels of Magda Szabó. – The Guardian
PEOPLE
- How The Kennedy Center Plans To Put Trump’s Name Back
- What’s Changed In Classical Music Over 50 Years
What has surprised me, looking back to 1976 (when I started writing for a tiny magazine that sadly went out of business this year) is how much of the classical music landscape has survived, despite the economic pressures that you don’t need reminding about. – BBC Music
- Research: Large AI Datasets Obscure Authorship
It feels counterintuitive, but at sufficiently large scales, they find, you can often remove any single image from the training data, or every image by a given artist, or every photograph of a given person, and the generated sample doesn’t change. – MIT
- Paul Simon’s “Graceland” At 40
Hard as it may be to believe today, Graceland was not an instant hit when it came out, and Simon received criticism for what’s now called cultural appropriation and for violating sanctions against apartheid-era South Africa. Now its influence is widespread enough that it can be hard to perceive these decades later. – The Guardian
- How Adam Sklute Transformed Salt Lake City’s Ballet West
The ways that the company’s skill level, repertoire, national and international reputation, budget, and especially school (a ten-fold increase in enrollment) have grown during Sklute’s 20 years as artistic director are extraordinary. – The Utah Review
PEOPLE
- How The Kennedy Center Plans To Put Trump’s Name Back
- What’s Changed In Classical Music Over 50 Years
What has surprised me, looking back to 1976 (when I started writing for a tiny magazine that sadly went out of business this year) is how much of the classical music landscape has survived, despite the economic pressures that you don’t need reminding about. – BBC Music
- Research: Large AI Datasets Obscure Authorship
It feels counterintuitive, but at sufficiently large scales, they find, you can often remove any single image from the training data, or every image by a given artist, or every photograph of a given person, and the generated sample doesn’t change. – MIT
- Paul Simon’s “Graceland” At 40
Hard as it may be to believe today, Graceland was not an instant hit when it came out, and Simon received criticism for what’s now called cultural appropriation and for violating sanctions against apartheid-era South Africa. Now its influence is widespread enough that it can be hard to perceive these decades later. – The Guardian
- How Adam Sklute Transformed Salt Lake City’s Ballet West
The ways that the company’s skill level, repertoire, national and international reputation, budget, and especially school (a ten-fold increase in enrollment) have grown during Sklute’s 20 years as artistic director are extraordinary. – The Utah Review
THEATRE
VISUAL
- Research: Large AI Datasets Obscure Authorship
It feels counterintuitive, but at sufficiently large scales, they find, you can often remove any single image from the training data, or every image by a given artist, or every photograph of a given person, and the generated sample doesn’t change. – MIT
- The Fan Psychology
The fan at heart is a manager of excess: too much feeling, too much weight on too little incident. This is a kind of madness after all, the madness of meaning-making under a few too many constraints. – N plus 1
- Research: Majority Of Americans Are Anxious About AI
Today, 52% of Americans say they are more concerned than excited about the increased use of AI in daily life – up from 37% in 2021. Another 9% are more excited than concerned and 37% say they’re equally excited and concerned, according to a Pew Research Center survey conducted June 22-28, 2026. – Pew Research
- Some Of The Sharpest Political Writers In 18th-Century Britain Were Fictional
British writers in the 18th century repeatedly invented fictional characters to intervene in the politics and culture of their day. – The Conversation
- Research: Why We’re Bothered More When We Think People Are Wrong (And It’s Not Just A Different Opinion)
Our new research finds that people are more disturbed by others’ beliefs when they feel those beliefs are not merely different from their own but are based on incorrect information. – The Conversation