ArtsJournal Classic

AJ Four Ways: Text Only (by date) | headlines only

DANCE

    IDEAS

    • We’re Enhancing Real Life as a Cinematic Experience

      The result is that cinematic, as a descriptor, now connotes not a break from regular life but an enhancement of it. – The Atlantic

    • Critics Pan Elon Musk’s AI Version Of “The Odyssey”

      Xavier Collins, the co-founder of Wonder Studios, said the first episode was made in less than two weeks with a creative team of three, including the US-based director Dev Walker. It is understood to have cost tens of thousands of dollars.  – The Guardian

    • Why Does Music Feel So Fake Right Now?

      “Is it real?” That’s the most pressing question in music right now, and it’s one that feels impossible to adequately answer, in almost any context. Mainstream pop, seemingly falling out of fashion though it still fills stadiums and streaming playlists, is riddled with stories of chicanery and poison artifice. – NPR

    • Meet ABT’s Youngest-Ever Choreographer

      Brady Farrar, now 21, is still recognized by some fans from his six-week appearance on Dance Moms when he was 14. He entered ABT as an apprentice in 2024 and joined the corps last year but began choreographing at age 15. His Trio Élégiaque, commissioned by ABT, debuts this week. – The New York Times

    • Fort Worth Symphony CEO Keith Cerny To Depart In January

      “Cerny, who has led the orchestra for eight years, will depart after a tenure that included the hiring of Music Director Robert Spano, navigating the COVID-19 pandemic without cutting musicians’ and staff members’ pay or benefits, and a major push to expand the orchestra’s board and donor base.” – CultureMap Fort Worth

    ISSUES

    MEDIA

    MUSIC

    • Has Substack “Fixed” Writing On The Internet?

      The company is, in essence, a crowdfunding e-commerce site, belonging to the same category as Kickstarter, Patreon, Gumroad, and OnlyFans. But it has out-evolved its ancestors and bested its competitors in its relevance to public discourse and in its direct commodification of online parasocial relationships.  – The New Yorker

    • Can An Immigrant From Scotland Really Be ‘An Irish Writer’?

      The writer herself has questions.”Writers are, often, to generalise, outsiders, observers, given to the long view, odd if not downright awkward. … How do these propensities relate to the construction of literature as an international sport?” – Irish Times

    • How To Write About People, And Place, Beyond War

      “Turning to fiction allowed for stories that would otherwise have disappeared into the chest of time, to live on, and slowly but surely they are educating, bringing forth that we all share this place together. The 24-hour news cycle leaves little room for reflection or deeper understanding.” – LitHub

    • What Makes For A Good Scary Story?

      The end, says Stephen Graham Jones.”The story is running along the top of a flat mesa, and it’s nighttime and 95% of it is even-footing. But then at the very end, you jump off into the night, into the darkness, and you trust.” – NPR

    • It’s Spooky Season, And Time To Acknowledge The Most Influential American Writer Ever

      Edgar Allan Poe “seems in deliberate, even flagrant, contrast with what were once regarded as the great themes of American literature: the freedom of self-reinvention promised by a new society and its frontier, exploration, rugged individualism, and the struggle to conquer nature.” – Slate

    PEOPLE

    • We’re Enhancing Real Life as a Cinematic Experience

      The result is that cinematic, as a descriptor, now connotes not a break from regular life but an enhancement of it. – The Atlantic

    • Critics Pan Elon Musk’s AI Version Of “The Odyssey”

      Xavier Collins, the co-founder of Wonder Studios, said the first episode was made in less than two weeks with a creative team of three, including the US-based director Dev Walker. It is understood to have cost tens of thousands of dollars.  – The Guardian

    • Why Does Music Feel So Fake Right Now?

      “Is it real?” That’s the most pressing question in music right now, and it’s one that feels impossible to adequately answer, in almost any context. Mainstream pop, seemingly falling out of fashion though it still fills stadiums and streaming playlists, is riddled with stories of chicanery and poison artifice. – NPR

    • Meet ABT’s Youngest-Ever Choreographer

      Brady Farrar, now 21, is still recognized by some fans from his six-week appearance on Dance Moms when he was 14. He entered ABT as an apprentice in 2024 and joined the corps last year but began choreographing at age 15. His Trio Élégiaque, commissioned by ABT, debuts this week. – The New York Times

    • Fort Worth Symphony CEO Keith Cerny To Depart In January

      “Cerny, who has led the orchestra for eight years, will depart after a tenure that included the hiring of Music Director Robert Spano, navigating the COVID-19 pandemic without cutting musicians’ and staff members’ pay or benefits, and a major push to expand the orchestra’s board and donor base.” – CultureMap Fort Worth

    PEOPLE

    • We’re Enhancing Real Life as a Cinematic Experience

      The result is that cinematic, as a descriptor, now connotes not a break from regular life but an enhancement of it. – The Atlantic

    • Critics Pan Elon Musk’s AI Version Of “The Odyssey”

      Xavier Collins, the co-founder of Wonder Studios, said the first episode was made in less than two weeks with a creative team of three, including the US-based director Dev Walker. It is understood to have cost tens of thousands of dollars.  – The Guardian

    • Why Does Music Feel So Fake Right Now?

      “Is it real?” That’s the most pressing question in music right now, and it’s one that feels impossible to adequately answer, in almost any context. Mainstream pop, seemingly falling out of fashion though it still fills stadiums and streaming playlists, is riddled with stories of chicanery and poison artifice. – NPR

    • Meet ABT’s Youngest-Ever Choreographer

      Brady Farrar, now 21, is still recognized by some fans from his six-week appearance on Dance Moms when he was 14. He entered ABT as an apprentice in 2024 and joined the corps last year but began choreographing at age 15. His Trio Élégiaque, commissioned by ABT, debuts this week. – The New York Times

    • Fort Worth Symphony CEO Keith Cerny To Depart In January

      “Cerny, who has led the orchestra for eight years, will depart after a tenure that included the hiring of Music Director Robert Spano, navigating the COVID-19 pandemic without cutting musicians’ and staff members’ pay or benefits, and a major push to expand the orchestra’s board and donor base.” – CultureMap Fort Worth

    THEATRE

      VISUAL

      WORDS