ArtsJournal Classic

AJ Four Ways: Text Only (by date) | headlines only

DANCE

    IDEAS

    • Macmillan Introduced Its AI with a party, Then Killed It

      Good Morning,

      In January 2024 Macmillan welcomed an AI assistant called NOA with balloons; staff say it was “terrible,” and it was retired in October 2025. Bestselling authors tell Wired they are at “war” with their publishers over AI, and one could not get a single Big Five house to promise none would touch their books (Wired).

      You Can See Everything, Nathan Fielder’s Elizabeth Holmes documentary, is already among the highest-grossing documentaries ever, yet no documentary has ever been nominated for Best Picture (Slate). Could this be the first? Errol Morris, who shot Theranos ads for Holmes, has two unedited hours of her interview and cannot get a screener (Variety).

      Actors need $28,090 in on-screen earnings to keep SAG-AFTRA health insurance. Cheyenne Jackson, $6,000 short in 2025 until Kathy Bates got him four lines on Matlock, now posts other actors’ shortfalls on Instagram (The New York Times) in hopes of getting them work.

      Oakland’s Crucible, the industrial arts school for welding and glassblowing, closed October 25 with no reopening date, months after its annual report described a rebuilt fundraising operation (San Francisco Chronicle).

      All of today’s stories below.

    • How Scientists Rank The Scariest Horror Movies Of All Time

      “Since 2020, the (Science of Scare Project) has evaluated horror movies’ physiological effects on viewers by monitoring their heart rate and heart rate variability … as they watch a curated selection of English-language horror films considered among the most frightening.” And the winner is … ? – HuffPost

    • The V&A’s Argument Against AI Slop

      Why are humans so driven to make things? In our age of A.I. slop, the V. & A.’s devotion to physical objects is a tonic. And if two new buildings seem like overkill, think of all those data centers. – The New Yorker

    • One Of Italy’s Largest Daily Papers Expands Into The US, In English

      La Stampa, a nationally- and regionally-focused outlet headquartered in Turin, is opening La Stampa USA as an online publication aimed at an Italian-American readership. The newsroom currently has five employees in New York and two in Washington DC and plans to hire contributors around the country. – Press Gazette (UK)

    • How To Defeat The Style Choices Your Algorithms Point You To

      Rather than cycling through distinct eras sequentially as Laver predicted, social media feeds flatten time entirely. Decades of vintage subcultures and instant micro-aesthetics are collapsed into the same endless scroll, allowing a 1990s minimalist silhouette to coexist alongside a week-old “whimsymaxxing” viral trend. – The Conversation

    ISSUES

    MEDIA

    MUSIC

    • One Of Italy’s Largest Daily Papers Expands Into The US, In English

      La Stampa, a nationally- and regionally-focused outlet headquartered in Turin, is opening La Stampa USA as an online publication aimed at an Italian-American readership. The newsroom currently has five employees in New York and two in Washington DC and plans to hire contributors around the country. – Press Gazette (UK)

    • How Politeness Has Shaped Our Language

      Requests that were once directly stated as imperatives were now couched with indirectness as merely suggestions or questions: “Shut the window,” became “Could you please shut the window?” And, in addition to saying “thanks,” responding with an acknowledgment of that thanks, such as “you’re welcome,” became routine. – Time

    • The Perils Of Voice-Acting Steamy Romance Books

      The 45-year-old actor blames his upbringing for mispronunciations, like calling a “library” a “liberry.” Fans seized on the gaffe. “I was like, you know what? Touché,” Palmini said. “Even though you said you want to burn the book now because I said ‘liberry,’ I get it. Truly. Noted. ‘Library’ it is.” – The Wall Street Journal (MSN)

    • Claim: AI Is Ruining Big Publishing

      Multiple bestselling Big Five authors say they’ve gone to “war” with their publishers over AI and are considering abandoning traditional publishing altogether. – Wired

    • First Word Of The Year For 2026 Is Here: Dictionary.Com Selects “Maxxing”

      “’Maxxing” rose through the cultural lexicons of Gen Z and Gen Alpha quickly, ‘and now works as a noun, verb, adjective and adverb all at once. Leveling up your workout routine? ‘Gymmaxxing.’ Your personal care practices? ‘Healthmaxxing,’ an umbrella term that covers numerous subgenres, including ‘proteinmaxxing’ and ‘fibermaxxing.’” – CBS News

    PEOPLE

    • Macmillan Introduced Its AI with a party, Then Killed It

      Good Morning,

      In January 2024 Macmillan welcomed an AI assistant called NOA with balloons; staff say it was “terrible,” and it was retired in October 2025. Bestselling authors tell Wired they are at “war” with their publishers over AI, and one could not get a single Big Five house to promise none would touch their books (Wired).

      You Can See Everything, Nathan Fielder’s Elizabeth Holmes documentary, is already among the highest-grossing documentaries ever, yet no documentary has ever been nominated for Best Picture (Slate). Could this be the first? Errol Morris, who shot Theranos ads for Holmes, has two unedited hours of her interview and cannot get a screener (Variety).

      Actors need $28,090 in on-screen earnings to keep SAG-AFTRA health insurance. Cheyenne Jackson, $6,000 short in 2025 until Kathy Bates got him four lines on Matlock, now posts other actors’ shortfalls on Instagram (The New York Times) in hopes of getting them work.

      Oakland’s Crucible, the industrial arts school for welding and glassblowing, closed October 25 with no reopening date, months after its annual report described a rebuilt fundraising operation (San Francisco Chronicle).

      All of today’s stories below.

    • How Scientists Rank The Scariest Horror Movies Of All Time

      “Since 2020, the (Science of Scare Project) has evaluated horror movies’ physiological effects on viewers by monitoring their heart rate and heart rate variability … as they watch a curated selection of English-language horror films considered among the most frightening.” And the winner is … ? – HuffPost

    • The V&A’s Argument Against AI Slop

      Why are humans so driven to make things? In our age of A.I. slop, the V. & A.’s devotion to physical objects is a tonic. And if two new buildings seem like overkill, think of all those data centers. – The New Yorker

    • One Of Italy’s Largest Daily Papers Expands Into The US, In English

      La Stampa, a nationally- and regionally-focused outlet headquartered in Turin, is opening La Stampa USA as an online publication aimed at an Italian-American readership. The newsroom currently has five employees in New York and two in Washington DC and plans to hire contributors around the country. – Press Gazette (UK)

    • How To Defeat The Style Choices Your Algorithms Point You To

      Rather than cycling through distinct eras sequentially as Laver predicted, social media feeds flatten time entirely. Decades of vintage subcultures and instant micro-aesthetics are collapsed into the same endless scroll, allowing a 1990s minimalist silhouette to coexist alongside a week-old “whimsymaxxing” viral trend. – The Conversation

    PEOPLE

    • Macmillan Introduced Its AI with a party, Then Killed It

      Good Morning,

      In January 2024 Macmillan welcomed an AI assistant called NOA with balloons; staff say it was “terrible,” and it was retired in October 2025. Bestselling authors tell Wired they are at “war” with their publishers over AI, and one could not get a single Big Five house to promise none would touch their books (Wired).

      You Can See Everything, Nathan Fielder’s Elizabeth Holmes documentary, is already among the highest-grossing documentaries ever, yet no documentary has ever been nominated for Best Picture (Slate). Could this be the first? Errol Morris, who shot Theranos ads for Holmes, has two unedited hours of her interview and cannot get a screener (Variety).

      Actors need $28,090 in on-screen earnings to keep SAG-AFTRA health insurance. Cheyenne Jackson, $6,000 short in 2025 until Kathy Bates got him four lines on Matlock, now posts other actors’ shortfalls on Instagram (The New York Times) in hopes of getting them work.

      Oakland’s Crucible, the industrial arts school for welding and glassblowing, closed October 25 with no reopening date, months after its annual report described a rebuilt fundraising operation (San Francisco Chronicle).

      All of today’s stories below.

    • How Scientists Rank The Scariest Horror Movies Of All Time

      “Since 2020, the (Science of Scare Project) has evaluated horror movies’ physiological effects on viewers by monitoring their heart rate and heart rate variability … as they watch a curated selection of English-language horror films considered among the most frightening.” And the winner is … ? – HuffPost

    • The V&A’s Argument Against AI Slop

      Why are humans so driven to make things? In our age of A.I. slop, the V. & A.’s devotion to physical objects is a tonic. And if two new buildings seem like overkill, think of all those data centers. – The New Yorker

    • One Of Italy’s Largest Daily Papers Expands Into The US, In English

      La Stampa, a nationally- and regionally-focused outlet headquartered in Turin, is opening La Stampa USA as an online publication aimed at an Italian-American readership. The newsroom currently has five employees in New York and two in Washington DC and plans to hire contributors around the country. – Press Gazette (UK)

    • How To Defeat The Style Choices Your Algorithms Point You To

      Rather than cycling through distinct eras sequentially as Laver predicted, social media feeds flatten time entirely. Decades of vintage subcultures and instant micro-aesthetics are collapsed into the same endless scroll, allowing a 1990s minimalist silhouette to coexist alongside a week-old “whimsymaxxing” viral trend. – The Conversation

    THEATRE

      VISUAL

      WORDS