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DANCE

    IDEAS

    • How Long, And How, Should Marilyn Monroe’s Brentwood Hacienda Be Preserved?

      “All sides agree that the circumstances are unusual. Buyers generally know about a house’s historic preservation status in advance, and existing homeowners generally have a functioning house they can sell if they do not want to work with the city to preserve its historic features.” – The Guardian (UK)

    • If You, A Writer, Think Most Writers Are Trash, Are You A Literary Jerk?

      Uh, yes. “This feels a little bit like a you-problem. And by that, I mean you need to start treating yourself (and your writing) more carefully, and with a great deal more empathy and respect.” – LitHub

    • Mexico City’s New Chocolate Museum Rests On A Grisly Souvenir Of The Past

      What was the colonial-era building’s foundation resting on? “One of the country’s most important archaeological finds: a section of a tzompantli, or wooden rack displaying more than 650 human skulls belonging to people who were believed to have been sacrificed in the 15th century.” – The New York Times

    • An Amazon MGM Exec Solicited Kickbacks For Contracts, Says A Lawsuit

      “Salinas would give Eckardt the target budget number for his company’s bid and ‘effectively guarantee that Unbreakable would be awarded the work,’ the lawsuit states.” And when the plaintiff stopped paying, he says, the work dried up. – Los Angeles Times (MSN)

    • Who owns what, anyway?

      Good Morning,

      Three stories today circle the same question: who has standing to control the use of cultural assets — likenesses, artworks, infrastructure — and what happens when that standing is contested.

      Dua Lipa is suing Samsung for $15 million, alleging the company used her image to sell TVs without permission (Variety). Several national pavilions at the Venice Biennale closed Friday in protest of Israel’s inclusion (The Guardian). And nearly 9,000 universities had Canvas — the platform that runs their assignments and grades — held hostage by a ransomware crew demanding payment by Tuesday (Wired).

      The Musée d’Orsay is trying an experiment — embedding unresolved Nazi-provenance cases physically inside the museum, in public view (Salon). Acknowledgement as a kind of policy.

      Elsewhere: Cannes opens this week with the Hollywood studios mostly on the sidelines (Seattle Times), Broadway is positively crawling with celebrities (CBC), and Billie Eilish isn’t sure another Billie Eilish is structurally possible anymore (Wired).

      All of our stories below.

    ISSUES

    MEDIA

    MUSIC

    PEOPLE

    • How Long, And How, Should Marilyn Monroe’s Brentwood Hacienda Be Preserved?

      “All sides agree that the circumstances are unusual. Buyers generally know about a house’s historic preservation status in advance, and existing homeowners generally have a functioning house they can sell if they do not want to work with the city to preserve its historic features.” – The Guardian (UK)

    • If You, A Writer, Think Most Writers Are Trash, Are You A Literary Jerk?

      Uh, yes. “This feels a little bit like a you-problem. And by that, I mean you need to start treating yourself (and your writing) more carefully, and with a great deal more empathy and respect.” – LitHub

    • Mexico City’s New Chocolate Museum Rests On A Grisly Souvenir Of The Past

      What was the colonial-era building’s foundation resting on? “One of the country’s most important archaeological finds: a section of a tzompantli, or wooden rack displaying more than 650 human skulls belonging to people who were believed to have been sacrificed in the 15th century.” – The New York Times

    • An Amazon MGM Exec Solicited Kickbacks For Contracts, Says A Lawsuit

      “Salinas would give Eckardt the target budget number for his company’s bid and ‘effectively guarantee that Unbreakable would be awarded the work,’ the lawsuit states.” And when the plaintiff stopped paying, he says, the work dried up. – Los Angeles Times (MSN)

    • Who owns what, anyway?

      Good Morning,

      Three stories today circle the same question: who has standing to control the use of cultural assets — likenesses, artworks, infrastructure — and what happens when that standing is contested.

      Dua Lipa is suing Samsung for $15 million, alleging the company used her image to sell TVs without permission (Variety). Several national pavilions at the Venice Biennale closed Friday in protest of Israel’s inclusion (The Guardian). And nearly 9,000 universities had Canvas — the platform that runs their assignments and grades — held hostage by a ransomware crew demanding payment by Tuesday (Wired).

      The Musée d’Orsay is trying an experiment — embedding unresolved Nazi-provenance cases physically inside the museum, in public view (Salon). Acknowledgement as a kind of policy.

      Elsewhere: Cannes opens this week with the Hollywood studios mostly on the sidelines (Seattle Times), Broadway is positively crawling with celebrities (CBC), and Billie Eilish isn’t sure another Billie Eilish is structurally possible anymore (Wired).

      All of our stories below.

    PEOPLE

    • How Long, And How, Should Marilyn Monroe’s Brentwood Hacienda Be Preserved?

      “All sides agree that the circumstances are unusual. Buyers generally know about a house’s historic preservation status in advance, and existing homeowners generally have a functioning house they can sell if they do not want to work with the city to preserve its historic features.” – The Guardian (UK)

    • If You, A Writer, Think Most Writers Are Trash, Are You A Literary Jerk?

      Uh, yes. “This feels a little bit like a you-problem. And by that, I mean you need to start treating yourself (and your writing) more carefully, and with a great deal more empathy and respect.” – LitHub

    • Mexico City’s New Chocolate Museum Rests On A Grisly Souvenir Of The Past

      What was the colonial-era building’s foundation resting on? “One of the country’s most important archaeological finds: a section of a tzompantli, or wooden rack displaying more than 650 human skulls belonging to people who were believed to have been sacrificed in the 15th century.” – The New York Times

    • An Amazon MGM Exec Solicited Kickbacks For Contracts, Says A Lawsuit

      “Salinas would give Eckardt the target budget number for his company’s bid and ‘effectively guarantee that Unbreakable would be awarded the work,’ the lawsuit states.” And when the plaintiff stopped paying, he says, the work dried up. – Los Angeles Times (MSN)

    • Who owns what, anyway?

      Good Morning,

      Three stories today circle the same question: who has standing to control the use of cultural assets — likenesses, artworks, infrastructure — and what happens when that standing is contested.

      Dua Lipa is suing Samsung for $15 million, alleging the company used her image to sell TVs without permission (Variety). Several national pavilions at the Venice Biennale closed Friday in protest of Israel’s inclusion (The Guardian). And nearly 9,000 universities had Canvas — the platform that runs their assignments and grades — held hostage by a ransomware crew demanding payment by Tuesday (Wired).

      The Musée d’Orsay is trying an experiment — embedding unresolved Nazi-provenance cases physically inside the museum, in public view (Salon). Acknowledgement as a kind of policy.

      Elsewhere: Cannes opens this week with the Hollywood studios mostly on the sidelines (Seattle Times), Broadway is positively crawling with celebrities (CBC), and Billie Eilish isn’t sure another Billie Eilish is structurally possible anymore (Wired).

      All of our stories below.

    THEATRE

      VISUAL

      WORDS