ArtsJournal Classic

AJ Four Ways: Text Only (by date) | headlines only

DANCE

    IDEAS

    • Louisville Ballet CEO Steps Down After 3½ Years Of Turning The Company Around

      When Leslie Smart took the helm in early 2023, the company’s existence post-COVID was in doubt. She undertook both cost-cutting and fundraising campaigns, and she ultimately raised over $18.5 million and oversaw record-breaking ticket sales; just last week she announced a $9 million investment in the company’s expansion. – Louisville Courier Journal (AOL)

    • A Major New Humanities Center At Oxford

      Billed as Oxford’s largest and most programmatically ambitious academic project, the Schwarzman Centre yokes together seven humanities faculties, along with a 500-seat concert hall, a 250-seat theatre, a black-box immersive performance space, a white-box exhibition gallery, a dance studio, a cinema and a museum to house the Bate Collection of historic musical instruments. – The Guardian

    • EU Sanctions Director Of The Hermitage

      The Council of the European Union announced on April 23 that it is formally sanctioning Mikhail Piotrovsky, the long-time director of the State Hermitage Museum in St. Petersburg. The reasons given are that Piotrovsky is “a close associate of Vladimir Putin.” – ARTnews

    • Well, At Least The Australian Ballet Lost Fewer Millions Than It Did The Year Before

      The company’s operating loss for 2025 was AU$4.7 million, down from AU$6 million in 2024. Losses are due to the costs of a temporary venue change; the company’s usual home, the Ian Potter State Theatre in the Melbourne Arts Precinct, closed for renovations in March of 2024 and will reopen this October. – AAP

    • The Re-Relevance Of Yoko Ono

      In the past decade, the defining trend among curators has been to shine a light on artists who were previously “overlooked.” Various groups who were once misunderstood, neglected or ignored have been excavated and exhibited — artists of color, older women artists, women of Abstract Expressionism and so on (though “overlooked” is a deprecating term). – The New York Times

    ISSUES

    MEDIA

    • A Major New Humanities Center At Oxford

      Billed as Oxford’s largest and most programmatically ambitious academic project, the Schwarzman Centre yokes together seven humanities faculties, along with a 500-seat concert hall, a 250-seat theatre, a black-box immersive performance space, a white-box exhibition gallery, a dance studio, a cinema and a museum to house the Bate Collection of historic musical instruments. – The Guardian

    • Differences Between Being An Arts Lover In The UK And In Australia

      The experience of attending, supporting and living among the arts differs in ways that are practical, financial and social. – ArtsHub

    • Strategies For Fighting Misinformation

      What of misinformation that has taken hold, and how can it be debunked? If the misinformation is not going to be widely shared, the best thing to do can simply be to ignore it. Otherwise, however, it is best to get in first, provided our own presentation is clear and sticky. – 3 Quarks Daily

    • Chicago Arts Leaders Demand Action On “Ghost” Tickets

      “Every day, patrons are being sold what they believe are valid tickets, when, in reality, they are only paying for a chance that someone may be able to secure a seat,” said John Mangum, Lyric’s general director, who was also joined by leaders of The Auditorium and Harris Theater. – WBEZ

    • Why We Need More Arts

      Organizations that design their entire experience for reflection, response, and real conversation are doing something quietly radical. Not just presenting art, but shaping the conditions that allow it to actually change us. – Seattle Times

    MUSIC

    PEOPLE

    • Louisville Ballet CEO Steps Down After 3½ Years Of Turning The Company Around

      When Leslie Smart took the helm in early 2023, the company’s existence post-COVID was in doubt. She undertook both cost-cutting and fundraising campaigns, and she ultimately raised over $18.5 million and oversaw record-breaking ticket sales; just last week she announced a $9 million investment in the company’s expansion. – Louisville Courier Journal (AOL)

    • A Major New Humanities Center At Oxford

      Billed as Oxford’s largest and most programmatically ambitious academic project, the Schwarzman Centre yokes together seven humanities faculties, along with a 500-seat concert hall, a 250-seat theatre, a black-box immersive performance space, a white-box exhibition gallery, a dance studio, a cinema and a museum to house the Bate Collection of historic musical instruments. – The Guardian

    • EU Sanctions Director Of The Hermitage

      The Council of the European Union announced on April 23 that it is formally sanctioning Mikhail Piotrovsky, the long-time director of the State Hermitage Museum in St. Petersburg. The reasons given are that Piotrovsky is “a close associate of Vladimir Putin.” – ARTnews

    • Well, At Least The Australian Ballet Lost Fewer Millions Than It Did The Year Before

      The company’s operating loss for 2025 was AU$4.7 million, down from AU$6 million in 2024. Losses are due to the costs of a temporary venue change; the company’s usual home, the Ian Potter State Theatre in the Melbourne Arts Precinct, closed for renovations in March of 2024 and will reopen this October. – AAP

    • The Re-Relevance Of Yoko Ono

      In the past decade, the defining trend among curators has been to shine a light on artists who were previously “overlooked.” Various groups who were once misunderstood, neglected or ignored have been excavated and exhibited — artists of color, older women artists, women of Abstract Expressionism and so on (though “overlooked” is a deprecating term). – The New York Times

    PEOPLE

    • Louisville Ballet CEO Steps Down After 3½ Years Of Turning The Company Around

      When Leslie Smart took the helm in early 2023, the company’s existence post-COVID was in doubt. She undertook both cost-cutting and fundraising campaigns, and she ultimately raised over $18.5 million and oversaw record-breaking ticket sales; just last week she announced a $9 million investment in the company’s expansion. – Louisville Courier Journal (AOL)

    • A Major New Humanities Center At Oxford

      Billed as Oxford’s largest and most programmatically ambitious academic project, the Schwarzman Centre yokes together seven humanities faculties, along with a 500-seat concert hall, a 250-seat theatre, a black-box immersive performance space, a white-box exhibition gallery, a dance studio, a cinema and a museum to house the Bate Collection of historic musical instruments. – The Guardian

    • EU Sanctions Director Of The Hermitage

      The Council of the European Union announced on April 23 that it is formally sanctioning Mikhail Piotrovsky, the long-time director of the State Hermitage Museum in St. Petersburg. The reasons given are that Piotrovsky is “a close associate of Vladimir Putin.” – ARTnews

    • Well, At Least The Australian Ballet Lost Fewer Millions Than It Did The Year Before

      The company’s operating loss for 2025 was AU$4.7 million, down from AU$6 million in 2024. Losses are due to the costs of a temporary venue change; the company’s usual home, the Ian Potter State Theatre in the Melbourne Arts Precinct, closed for renovations in March of 2024 and will reopen this October. – AAP

    • The Re-Relevance Of Yoko Ono

      In the past decade, the defining trend among curators has been to shine a light on artists who were previously “overlooked.” Various groups who were once misunderstood, neglected or ignored have been excavated and exhibited — artists of color, older women artists, women of Abstract Expressionism and so on (though “overlooked” is a deprecating term). – The New York Times

    THEATRE

      VISUAL

      • Cory Doctorow: Why The World Is Suddenly Becoming Enshittified

        “The internet is getting worse, fast. The services we rely on, they’re all turning into piles of shit. Worse, the digital is merging with the physical, which means that the same forces that are wrecking our platforms are also wrecking our homes and our cars, the places where we work and shop. – Literary Review of Canada

      • AI: A Philosophy About Language

        The underlying intelligence of a large language model isn’t a function of its architecture, its parameter count, or the volume of compute thrown at its training. It is not even about the training data. It is a function of the social complexity of the civilization whose language it digested. – The Ideas Newsletter

      • New Google Paper Argues AI Will Never Be Conscious

        The paper shows the divergence between the self-serving narratives AI companies promote in the media and how they collapse under rigorous examination. – 404 Media

      • Why AI Is Struggling With Creativity

        Many generative AI programs geared toward creative fields have encountered a common problem: rapid initial adoption, followed by declining sustained engagement. – The Conversation

      • Why It’s So Difficult To Agree On Truth

        These different notions of truth shape everyday discourse as well as philosophical debate. They might help explain why some arguments feel pointless, why political debates circle endlessly, and why certain disagreements never quite meet on common ground. – Psyche

      WORDS