ArtsJournal Classic

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DANCE

    IDEAS

    • John Clapp shares strategies for successful inclusion efforts

      John Clapp, Chief Orchestra & Production Officer of the Cincinnati Symphony, shares the sustainable strategy that drives their inclusion efforts.

    • Nobody Endows a Wing Called “It’s Complicated”

      This Week’s Highlights:

      The Kennedy Center closed its doors this week, its board voting to shut down indefinitely after a presidential phone call and weeks of pressure to put his name on the building (The New Republic). Philip Kennicott made the point that deserves attention: this was arguably the country’s most authentically populist arts center, caricatured as elitist by the man starving it (Washington Post). The Wall Street Journal’s remedy for such capture — privatize — runs into Josh Goldblum’s harder observation: donors underwrite celebration, not complication (Josh Goldblum). Every funder edits. The question is which edits you can live with.

      The week’s other story is labor. Philadelphia Orchestra musicians will earn $200,000 a year under a tentative deal (Philadelphia Inquirer) while San Francisco Opera’s orchestra struck for a week over how much opera the company intends to make (San Francisco Chronicle), and staff at the Whitney, the Brooklyn Museum and the Folk Art Museum voted to strike over pay below what a single adult needs to live in New York (ARTnews). Museum-worker-organizing in action.

      A UK survey (conducted by a London orchestra) reported that interest in orchestral music is at a six-year high, led by the young (Gramophone).

      And writers are going to extraordinary lengths to prove their work is human says the The Wall Street Journal. The audience is asking for presence and provenance, and proving it is getting harder.

      All this week’s stories below, organized by topic.

    • Fashion Week Just Wanted to Touch Grass

      Good Morning,

      Culture registers a shift before policy does. At New York Fashion Week, an unusual number of designers sent out clothes yearning for wilderness and open air — the runway as a collective request to log off (Washington Post). In at least 36 states, people aren’t waiting for city councils to regulate license-plate cameras; they’re taking them down themselves (The Conversation). Universities that spent three years pushing students toward AI now face studies suggesting it dulls thinking, and can’t decide which way to lean (The New York Times). Pull back, touch something real.

      Philip Kennicott argues the “elite” caricature of the Kennedy Center gets it exactly backwards — it was the most authentically populist major arts center in the country (Washington Post). A federal judge has now ordered 30 days’ notice before anyone demolishes it (AP). Meanwhile the New Deal’s “Sistine Chapel,” the Cohen Building murals, may be rescued by a Freedom Caucus Republican (The New Republic). Buildings make strange allies.

      San Francisco Opera and its orchestra reached a deal, ending the strike that darkened opening week (San Francisco Chronicle). And Duncan Sheik, who escaped MTV heartthrob status by writing Spring Awakening, has died at 56 (The New York Times).

      All of our stories below.

    • Prolific Theatre And Film Director Anthony Page Has Died At 90

      He directed more than 35 titles for film and TV, including The Lady Vanishes and Middlemarch, but had even greater impact in theatre: he staged numerous classics in London and New York, notably by Beckett and Albee, and won a Tony for directing Janet McTeer in Ibsen’s A Doll’s House. – Playbill

    • NPR Has An Aggressive Plan For Its Digital Future

      Katherine Maher said the organization is fundamentally reimagining its digital presence, looking for more ways to capitalize on its network of 243 newsrooms and member stations, and expanding its programming portfolio beyond what audiences traditionally associate with NPR. – Inside Radio

    ISSUES

    • Interesting: Fashion Week Suggests A Cohesive Theme For Our Times

      Rarely does such a cohesive, poignant theme emerge from any given New York Fashion Week. But this September, a surprising number of designers showed work that seemed to yearn for a breath of fresh air, for the obliviating embrace of the wilderness and the natural world. – Washington Post

    • “The Sistine Chapel Of The New Deal” Might Be Saved Thanks To A Republican Congressman

      “The sponsor of the bill to save it is Representative Scott Perry, Republican of Pennsylvania and former chairman of the hard-right Freedom Caucus, whose mission statement expressing support for ‘limited government’ is the very antithesis of the social welfare programs celebrated in the Cohen building’s artworks.” – The New Republic

    • Madrid Gets A New Stellar Museum

      The real game-changer is a landmark donation of over 180 works worth more than €16 million ($18.5 million) from the Thyssen-Bornemisza family, plus a loan of 180 more, worth €10 million ($11.5 million). – Artnet

    • AI Companies Are Destroying Books. What Does That Mean For Art?

      AI companies, after losing copyright lawsuits over using pirated books found in digital formats, found a way forward, since the law doesn’t prohibit them from buying physical books and destroying them. In another ironic twist, they are looking only for books printed before 2022, because they want books that definitely have not been produced using AI. – ARTnews

    • Madrid’s Thyssen-Bornemisza Museum To Add A Second Location

      Because of overcrowding in the main building’s galleries, the museum will acquire an additional space a few blocks away: the Ice and Automobile Palace, which has been vacant since 2007 and will undergo a €70 million ($81 million) renovation.  When it opens, the new branch will display 21st-century works. – ARTnews

    MEDIA

    MUSIC

    • PEN America Appoints New Leader After Internal Battles Of This Past Summer

      “(The literature-and-human-rights advocacy group) has named Phil Klay as its new president. … Klay’s appointment comes after novelist Dinaw Mengestu resigned from his post as president in July following the organization’s report on cultural boycotts and the ‘rising isolation and exclusion’ of Israeli and Jewish writers.” – Publishers Weekly

    • Singapore Is Paying Its People To Read Books

      “Under the scheme, readers accrue points that can be redeemed for a few cents. People will have to log 50 daily reading sessions (of 15 minutes or more) on a government website to earn S$1 (80 cents US). … One reading session is allowed daily.” – The Guardian

    • Barnes & Noble Buys Another Distressed Indie Bookseller

      Joseph-Beth Booksellers, which has two locations in metro Cincinnati, is the third independent retail business that B&N has acquired in three years. The chain bought Denver’s Tattered Cover in 2024 and the Bay Area’s Books Inc. last year; both companies had filed for bankruptcy. – Publishers Weekly

    • Bookstores Warn Of Threats To Publishers Of Left-Wing Literature

      The criminalization of left-wing literature and those who publish or distribute it, the booksellers said, should also concern mainstream bookstores, which should be able to carry “a broad range of viewpoints without fear of government scrutiny or interference. – Publishers Weekly

    • Writers Are Going To Extreme Lengths To Prove Their Work Is Human

      As AI-generated writing floods the internet, more people are trying to detect which creators are using such tools to spin up copy. That means writers penning all their own work—and people who acknowledge using chatbots for help—are trying to master something they never worried about before: how to sound human. – The Wall Street Journal

    PEOPLE

    • John Clapp shares strategies for successful inclusion efforts

      John Clapp, Chief Orchestra & Production Officer of the Cincinnati Symphony, shares the sustainable strategy that drives their inclusion efforts.

    • Nobody Endows a Wing Called “It’s Complicated”

      This Week’s Highlights:

      The Kennedy Center closed its doors this week, its board voting to shut down indefinitely after a presidential phone call and weeks of pressure to put his name on the building (The New Republic). Philip Kennicott made the point that deserves attention: this was arguably the country’s most authentically populist arts center, caricatured as elitist by the man starving it (Washington Post). The Wall Street Journal’s remedy for such capture — privatize — runs into Josh Goldblum’s harder observation: donors underwrite celebration, not complication (Josh Goldblum). Every funder edits. The question is which edits you can live with.

      The week’s other story is labor. Philadelphia Orchestra musicians will earn $200,000 a year under a tentative deal (Philadelphia Inquirer) while San Francisco Opera’s orchestra struck for a week over how much opera the company intends to make (San Francisco Chronicle), and staff at the Whitney, the Brooklyn Museum and the Folk Art Museum voted to strike over pay below what a single adult needs to live in New York (ARTnews). Museum-worker-organizing in action.

      A UK survey (conducted by a London orchestra) reported that interest in orchestral music is at a six-year high, led by the young (Gramophone).

      And writers are going to extraordinary lengths to prove their work is human says the The Wall Street Journal. The audience is asking for presence and provenance, and proving it is getting harder.

      All this week’s stories below, organized by topic.

    • Fashion Week Just Wanted to Touch Grass

      Good Morning,

      Culture registers a shift before policy does. At New York Fashion Week, an unusual number of designers sent out clothes yearning for wilderness and open air — the runway as a collective request to log off (Washington Post). In at least 36 states, people aren’t waiting for city councils to regulate license-plate cameras; they’re taking them down themselves (The Conversation). Universities that spent three years pushing students toward AI now face studies suggesting it dulls thinking, and can’t decide which way to lean (The New York Times). Pull back, touch something real.

      Philip Kennicott argues the “elite” caricature of the Kennedy Center gets it exactly backwards — it was the most authentically populist major arts center in the country (Washington Post). A federal judge has now ordered 30 days’ notice before anyone demolishes it (AP). Meanwhile the New Deal’s “Sistine Chapel,” the Cohen Building murals, may be rescued by a Freedom Caucus Republican (The New Republic). Buildings make strange allies.

      San Francisco Opera and its orchestra reached a deal, ending the strike that darkened opening week (San Francisco Chronicle). And Duncan Sheik, who escaped MTV heartthrob status by writing Spring Awakening, has died at 56 (The New York Times).

      All of our stories below.

    • Prolific Theatre And Film Director Anthony Page Has Died At 90

      He directed more than 35 titles for film and TV, including The Lady Vanishes and Middlemarch, but had even greater impact in theatre: he staged numerous classics in London and New York, notably by Beckett and Albee, and won a Tony for directing Janet McTeer in Ibsen’s A Doll’s House. – Playbill

    • NPR Has An Aggressive Plan For Its Digital Future

      Katherine Maher said the organization is fundamentally reimagining its digital presence, looking for more ways to capitalize on its network of 243 newsrooms and member stations, and expanding its programming portfolio beyond what audiences traditionally associate with NPR. – Inside Radio

    PEOPLE

    • John Clapp shares strategies for successful inclusion efforts

      John Clapp, Chief Orchestra & Production Officer of the Cincinnati Symphony, shares the sustainable strategy that drives their inclusion efforts.

    • Nobody Endows a Wing Called “It’s Complicated”

      This Week’s Highlights:

      The Kennedy Center closed its doors this week, its board voting to shut down indefinitely after a presidential phone call and weeks of pressure to put his name on the building (The New Republic). Philip Kennicott made the point that deserves attention: this was arguably the country’s most authentically populist arts center, caricatured as elitist by the man starving it (Washington Post). The Wall Street Journal’s remedy for such capture — privatize — runs into Josh Goldblum’s harder observation: donors underwrite celebration, not complication (Josh Goldblum). Every funder edits. The question is which edits you can live with.

      The week’s other story is labor. Philadelphia Orchestra musicians will earn $200,000 a year under a tentative deal (Philadelphia Inquirer) while San Francisco Opera’s orchestra struck for a week over how much opera the company intends to make (San Francisco Chronicle), and staff at the Whitney, the Brooklyn Museum and the Folk Art Museum voted to strike over pay below what a single adult needs to live in New York (ARTnews). Museum-worker-organizing in action.

      A UK survey (conducted by a London orchestra) reported that interest in orchestral music is at a six-year high, led by the young (Gramophone).

      And writers are going to extraordinary lengths to prove their work is human says the The Wall Street Journal. The audience is asking for presence and provenance, and proving it is getting harder.

      All this week’s stories below, organized by topic.

    • Fashion Week Just Wanted to Touch Grass

      Good Morning,

      Culture registers a shift before policy does. At New York Fashion Week, an unusual number of designers sent out clothes yearning for wilderness and open air — the runway as a collective request to log off (Washington Post). In at least 36 states, people aren’t waiting for city councils to regulate license-plate cameras; they’re taking them down themselves (The Conversation). Universities that spent three years pushing students toward AI now face studies suggesting it dulls thinking, and can’t decide which way to lean (The New York Times). Pull back, touch something real.

      Philip Kennicott argues the “elite” caricature of the Kennedy Center gets it exactly backwards — it was the most authentically populist major arts center in the country (Washington Post). A federal judge has now ordered 30 days’ notice before anyone demolishes it (AP). Meanwhile the New Deal’s “Sistine Chapel,” the Cohen Building murals, may be rescued by a Freedom Caucus Republican (The New Republic). Buildings make strange allies.

      San Francisco Opera and its orchestra reached a deal, ending the strike that darkened opening week (San Francisco Chronicle). And Duncan Sheik, who escaped MTV heartthrob status by writing Spring Awakening, has died at 56 (The New York Times).

      All of our stories below.

    • Prolific Theatre And Film Director Anthony Page Has Died At 90

      He directed more than 35 titles for film and TV, including The Lady Vanishes and Middlemarch, but had even greater impact in theatre: he staged numerous classics in London and New York, notably by Beckett and Albee, and won a Tony for directing Janet McTeer in Ibsen’s A Doll’s House. – Playbill

    • NPR Has An Aggressive Plan For Its Digital Future

      Katherine Maher said the organization is fundamentally reimagining its digital presence, looking for more ways to capitalize on its network of 243 newsrooms and member stations, and expanding its programming portfolio beyond what audiences traditionally associate with NPR. – Inside Radio

    THEATRE

      VISUAL

      WORDS