ArtsJournal Classic

AJ Four Ways: Text Only (by date) | headlines only

DANCE

    IDEAS

    • Listeners Are Turning Against AI Music

      Streaming services, notable musicians and fans are confronting the growing presence of AI-generated music and drawing lines in the sand. On Tuesday, Spotify announced it had removed about 50m songs considered AI slop from its recommendations to users over the past year. – The Guardian

    • Did Hollywood Really Need Netflix?

      “The movie business needed Netflix to wake up. They needed a real disruptor… Maybe we are now entering a period where the relationship works the other way around, with Netflix being inspired by the movie business. I think the two worlds are additive.” – Deadline

    • To Say Goodbye To Her Dance Company, Lucy Guerin Performs Onstage For First Time In 13 Years

      “I have found it incredibly confronting, to be honest,” she says, hours before the premiere. “Part of me thought I could still do all those things if I just got back in the studio and trained a bit. But I’m afraid that wasn’t the case.” – The Guardian

    • Netflix Is Making Money. That’s Not Enough

      For the year, Netflix said, it expects revenue growth to be 13 percent, roughly in line with its previous estimates. Shares dropped more than 5 percent in after-hours trading. The company acknowledged the undercurrent that led to the recent tumult: concern about stagnating attention time on its service. – The New York Times

    • The Battles Over Jimmy Buffet’s Estate

      Three years after Jimmy’s death, the family is locked in a legal dispute over that Margaritaville fortune. It has upended the fun-loving vibes the musician spent his life cultivating, with the family seeming rudderless without Jimmy as their figurehead, according to court documents and interviews. – The Wall Street Journal

    ISSUES

    MEDIA

    MUSIC

    • Will Wikipedia Survive AI?

      It was neither the first online encyclopedia—Britannica had a web presence by 1999—nor even the first that users could edit. Rather, its vitality arose from the community of obsessives whom it attracted, and its decline has coincided with the market’s capture of their creativity. – The New Yorker

    • Jeffrey Daunt And The Culture Of Reading

      Actually, in America, the reading of books is up. Sales of print books have increased nearly twenty-five per cent from a decade ago. The number of independent bookstores in the United States has climbed steeply since 2009, with a seventy-per-cent increase since 2020.

    • France Gets A New Literary Prize Specifically For Books Written With AI

      “The Prix Pascal will open for submissions on 2 November, inviting French-language writers to submit manuscripts alongside an initial prompt of no more than 100 words and a technical account of the language model and generation process used. The competition is open to non-professional writers and those working in the literary sector.” – Firstpost

    • YouTube Intends To Start Offering Audiobooks

      “YouTube has weighed bundling the product in its ad-free YouTube Premium service, which starts at $15.99 a month and includes access to music and videos, the people said. Like other streaming platforms vying for consumers’ attention, YouTube has packaged offerings together to make lucrative subscriptions more appealing.” – The Wall Street Journal (MSN)

    • Writers Are Struggling To Prove They’re Human

      As AI-generated writing floods the internet, more people are trying to detect which creators are using such tools to spin up copy. That means writers penning all their own work—and people who acknowledge using chatbots for help—are trying to master something they never worried about before: how to sound human. – The Wall Street Journal

    PEOPLE

    • Listeners Are Turning Against AI Music

      Streaming services, notable musicians and fans are confronting the growing presence of AI-generated music and drawing lines in the sand. On Tuesday, Spotify announced it had removed about 50m songs considered AI slop from its recommendations to users over the past year. – The Guardian

    • Did Hollywood Really Need Netflix?

      “The movie business needed Netflix to wake up. They needed a real disruptor… Maybe we are now entering a period where the relationship works the other way around, with Netflix being inspired by the movie business. I think the two worlds are additive.” – Deadline

    • To Say Goodbye To Her Dance Company, Lucy Guerin Performs Onstage For First Time In 13 Years

      “I have found it incredibly confronting, to be honest,” she says, hours before the premiere. “Part of me thought I could still do all those things if I just got back in the studio and trained a bit. But I’m afraid that wasn’t the case.” – The Guardian

    • Netflix Is Making Money. That’s Not Enough

      For the year, Netflix said, it expects revenue growth to be 13 percent, roughly in line with its previous estimates. Shares dropped more than 5 percent in after-hours trading. The company acknowledged the undercurrent that led to the recent tumult: concern about stagnating attention time on its service. – The New York Times

    • The Battles Over Jimmy Buffet’s Estate

      Three years after Jimmy’s death, the family is locked in a legal dispute over that Margaritaville fortune. It has upended the fun-loving vibes the musician spent his life cultivating, with the family seeming rudderless without Jimmy as their figurehead, according to court documents and interviews. – The Wall Street Journal

    PEOPLE

    • Listeners Are Turning Against AI Music

      Streaming services, notable musicians and fans are confronting the growing presence of AI-generated music and drawing lines in the sand. On Tuesday, Spotify announced it had removed about 50m songs considered AI slop from its recommendations to users over the past year. – The Guardian

    • Did Hollywood Really Need Netflix?

      “The movie business needed Netflix to wake up. They needed a real disruptor… Maybe we are now entering a period where the relationship works the other way around, with Netflix being inspired by the movie business. I think the two worlds are additive.” – Deadline

    • To Say Goodbye To Her Dance Company, Lucy Guerin Performs Onstage For First Time In 13 Years

      “I have found it incredibly confronting, to be honest,” she says, hours before the premiere. “Part of me thought I could still do all those things if I just got back in the studio and trained a bit. But I’m afraid that wasn’t the case.” – The Guardian

    • Netflix Is Making Money. That’s Not Enough

      For the year, Netflix said, it expects revenue growth to be 13 percent, roughly in line with its previous estimates. Shares dropped more than 5 percent in after-hours trading. The company acknowledged the undercurrent that led to the recent tumult: concern about stagnating attention time on its service. – The New York Times

    • The Battles Over Jimmy Buffet’s Estate

      Three years after Jimmy’s death, the family is locked in a legal dispute over that Margaritaville fortune. It has upended the fun-loving vibes the musician spent his life cultivating, with the family seeming rudderless without Jimmy as their figurehead, according to court documents and interviews. – The Wall Street Journal

    THEATRE

      VISUAL

      • How Intuition Works

        The key is to see that intuition works in much the same way as perception, in that both can directly present something to us as actual. Once we understand what gives perception this feature, we can see why intuitions might involve exercising the same basic kind of cognitive capacity. – Aeon

      • Brewster Kahle: Why The Internet Needs A Memory

        Many people assume that once something is published online, it will remain forever retrievable. The saying that “the internet never forgets” has produced a dangerously false sense of permanence. In reality, the internet forgets continuously. Websites are constantly revised, deleted, and abandoned altogether. – The Atlantic

      • The Harms Of Zombie Copyright

        Fifty years ago today, copyright law in America changed fundamentally. That change was an accidental disaster for both creators and the culture they create. – Lawrence Lessig

      • Does AI Collapse The Need To Get Bigger?

        AI is making enterprise-grade capabilities available to companies that are a fraction of the size and without all of the bureaucratic weight that historically came along with it. If Goldberg is right, the rules of competition are changing for good, and companies no longer need to be big to compete. – Wired

      • Creating Art In A Time Of International And Creative Crisis

        Elif Shafak’s latest book “arose out of our own historical moment, which Shafak has dubbed ‘The age of three As: Angst, Anger and AI.’” – The Guardian (UK)

      WORDS