ArtsJournal Classic

AJ Four Ways: Text Only (by date) | headlines only

DANCE

    IDEAS

    • The frictionless feed

      We have more culture available to us than any humans in history, and The Guardian wants to know why the dominant feeling is boredom. Its answer is that frictionless pleasure erodes the appetite it feeds.

      College students have stopped reading whole books (The Conversation), though a sharp rebuttal argues the panic is aimed in the wrong direction (Trevor Aleo) — we built an excerpt economy, and now are blaming 19-year-olds for living in it. Video’s format keeps turning vertical because that’s how a hand holds a phone (The Verge). Pop’s big transformations now happen in the fan apparatus rather than in the music (The Conversation). Form follows medium.

      Then the literal version: AI companies are buying rare books and cutting the spines off to scan them (Futurism). The books are destroyed so the text can be ingested.

      Against all that, 32 Vancouver arts organizations just proposed four new concert halls (Daily Hive), and Pacific Northwest Ballet’s school is taking a big new space in SODO (Seattle Times).

      Hadestown‘s filmed version did surprisingly well enough in theaters to earn an extended run (Deadline). The return to theatres continues.

      All of our stories below.

    • American Classical Music at 250 — Take Three: The Orchestra Gap: Europe vs. the US

      The Metropolitan Opera Orchestra going through the motions of Wagner’s “Liebestod” – “diminished motivation: as if the music

    • Pop Music’s Biggest Transformations Are No Longer About The Music

      On social media, fans don’t just follow an era – they help bring it to life. Through videos, memes, fashion, conversations and creative interpretations, they shape the meanings that come to define a project and extend an album beyond the music itself. – The Conversation

    • Literary Crisis? I Think Not

      I don’t want to totally wave away the issues these pieces are gesturing towards, but I’d argue the fear that we’re sliding into a post-literate society rests on a category error that feels endemic at this point. – Becoming Literary

    • With So Much Abundance, Why Are We Bored?

      For anyone with an Internet connection and a little discretionary income, the contemporary moment offers a superabundance of seductive distractions. Why then the pervasive mood of emptiness? Why are so many at once overstimulated and bored? – The Guardian

    ISSUES

    MEDIA

    MUSIC

    PEOPLE

    • The frictionless feed

      We have more culture available to us than any humans in history, and The Guardian wants to know why the dominant feeling is boredom. Its answer is that frictionless pleasure erodes the appetite it feeds.

      College students have stopped reading whole books (The Conversation), though a sharp rebuttal argues the panic is aimed in the wrong direction (Trevor Aleo) — we built an excerpt economy, and now are blaming 19-year-olds for living in it. Video’s format keeps turning vertical because that’s how a hand holds a phone (The Verge). Pop’s big transformations now happen in the fan apparatus rather than in the music (The Conversation). Form follows medium.

      Then the literal version: AI companies are buying rare books and cutting the spines off to scan them (Futurism). The books are destroyed so the text can be ingested.

      Against all that, 32 Vancouver arts organizations just proposed four new concert halls (Daily Hive), and Pacific Northwest Ballet’s school is taking a big new space in SODO (Seattle Times).

      Hadestown‘s filmed version did surprisingly well enough in theaters to earn an extended run (Deadline). The return to theatres continues.

      All of our stories below.

    • American Classical Music at 250 — Take Three: The Orchestra Gap: Europe vs. the US

      The Metropolitan Opera Orchestra going through the motions of Wagner’s “Liebestod” – “diminished motivation: as if the music

    • Pop Music’s Biggest Transformations Are No Longer About The Music

      On social media, fans don’t just follow an era – they help bring it to life. Through videos, memes, fashion, conversations and creative interpretations, they shape the meanings that come to define a project and extend an album beyond the music itself. – The Conversation

    • Literary Crisis? I Think Not

      I don’t want to totally wave away the issues these pieces are gesturing towards, but I’d argue the fear that we’re sliding into a post-literate society rests on a category error that feels endemic at this point. – Becoming Literary

    • With So Much Abundance, Why Are We Bored?

      For anyone with an Internet connection and a little discretionary income, the contemporary moment offers a superabundance of seductive distractions. Why then the pervasive mood of emptiness? Why are so many at once overstimulated and bored? – The Guardian

    PEOPLE

    • The frictionless feed

      We have more culture available to us than any humans in history, and The Guardian wants to know why the dominant feeling is boredom. Its answer is that frictionless pleasure erodes the appetite it feeds.

      College students have stopped reading whole books (The Conversation), though a sharp rebuttal argues the panic is aimed in the wrong direction (Trevor Aleo) — we built an excerpt economy, and now are blaming 19-year-olds for living in it. Video’s format keeps turning vertical because that’s how a hand holds a phone (The Verge). Pop’s big transformations now happen in the fan apparatus rather than in the music (The Conversation). Form follows medium.

      Then the literal version: AI companies are buying rare books and cutting the spines off to scan them (Futurism). The books are destroyed so the text can be ingested.

      Against all that, 32 Vancouver arts organizations just proposed four new concert halls (Daily Hive), and Pacific Northwest Ballet’s school is taking a big new space in SODO (Seattle Times).

      Hadestown‘s filmed version did surprisingly well enough in theaters to earn an extended run (Deadline). The return to theatres continues.

      All of our stories below.

    • American Classical Music at 250 — Take Three: The Orchestra Gap: Europe vs. the US

      The Metropolitan Opera Orchestra going through the motions of Wagner’s “Liebestod” – “diminished motivation: as if the music

    • Pop Music’s Biggest Transformations Are No Longer About The Music

      On social media, fans don’t just follow an era – they help bring it to life. Through videos, memes, fashion, conversations and creative interpretations, they shape the meanings that come to define a project and extend an album beyond the music itself. – The Conversation

    • Literary Crisis? I Think Not

      I don’t want to totally wave away the issues these pieces are gesturing towards, but I’d argue the fear that we’re sliding into a post-literate society rests on a category error that feels endemic at this point. – Becoming Literary

    • With So Much Abundance, Why Are We Bored?

      For anyone with an Internet connection and a little discretionary income, the contemporary moment offers a superabundance of seductive distractions. Why then the pervasive mood of emptiness? Why are so many at once overstimulated and bored? – The Guardian

    THEATRE

      VISUAL

      WORDS