ArtsJournal Classic

AJ Four Ways: Text Only (by date) | headlines only

DANCE

    IDEAS

    • The Infinity Machine Starts Pressing Vinyl

      Good Morning,

      Suno, valued at $5.4 billion and buried in lawsuits, announced two things. It will start watermarking the songs made on its platform (TechCrunch). And it opened a waitlist to press those songs onto 12-inch records (MusicBusinessWorldwide). The machine built to make music infinite is now selling physical artifacts. Guess it knows where the value is?

      The demand side is arriving at the same place from the other direction. Digital cameras, wired headphones and iPods are selling again, largely because they don’t send notifications (BBC). Researchers who asked people why they rewatch the same films found intent rather than habit: viewers knew which emotion they were shopping for and skipped the twenty minutes of scrolling (Silicon Canals) trying to find something new (and chancy). Constraint chosen on purpose.

      Meanwhile, Andrew Lloyd Webber marked the closing of Cats: The Jellicle Ball by suggesting Broadway might finally reckon with what it now costs to run a new show (Variety) — an optimistic thing to read into a closing notice.

      Meanwhile, everything is turning beige. Since the late 2000s, colorless colors have taken over houses, cars, couches and refrigerators (The Atlantic). The interesting question is why.

      And a British radio station accidentally broadcast the death of King Charles. The staffer responsible “panicked and left the premises” (BBC).

      All of our stories below.

    • This AI Moment Could Be Clarifying For How We Think About Culture. Or…

      “Our contention is that, if we fail to think through and delimit the role of AI in our lives, we risk undermining the intelligibility of our own guiding cultural concepts, and thus initiating a period in our own society of which it may someday be possible to say that “nothing happened.” – The Point

    • Why Are America’s Houses Turning Gray?

      Today, almost no one seems to be looking to the hues of jelly beans for inspiration for their home—or car or couch or fridge or practically anything else. Since the late 2000s, essentially colorless colors—think white, beige, gray—have taken over.  – The Atlantic

    • Trump Arch “Horribly Flawed” Says Cultural Landscape Foundation

      “The process for the selection and siting of the Triumphal Arch has been horrifically flawed from the outset. Remarkably, there was no design competition, which is a dangerous and radical decision for what would be the second largest monument in the Monumental Core after the Washington Monument.” – Los Angeles Times

    • Uffizi Unveils Its Most Extensive Renovation Plans Ever

      Described as one of the Uffizi’s most ambitious projects to date, the nearly $58-million effort will leave virtually every space with new infrastructure or a fresh look. – Smithsonian

    ISSUES

    • Why Are America’s Houses Turning Gray?

      Today, almost no one seems to be looking to the hues of jelly beans for inspiration for their home—or car or couch or fridge or practically anything else. Since the late 2000s, essentially colorless colors—think white, beige, gray—have taken over.  – The Atlantic

    • Trump Arch “Horribly Flawed” Says Cultural Landscape Foundation

      “The process for the selection and siting of the Triumphal Arch has been horrifically flawed from the outset. Remarkably, there was no design competition, which is a dangerous and radical decision for what would be the second largest monument in the Monumental Core after the Washington Monument.” – Los Angeles Times

    • Uffizi Unveils Its Most Extensive Renovation Plans Ever

      Described as one of the Uffizi’s most ambitious projects to date, the nearly $58-million effort will leave virtually every space with new infrastructure or a fresh look. – Smithsonian

    • Stolen Picasso Suddenly Turns Up

      The Spanish artist’s 1949 etching — “Torero,” or “Bullfighter” — was hanging in the lobby of DeLind Fine Art Appraisals in downtown Milwaukee when it vanished in February 2018. – Washington Post

    • Was An All-Night Art Heist In Italy Some Kind Of Revenge?

      “About 30 artworks belonging to Lilli Petroli owner Mauro Lilli were stolen in the unusual heist, including bas-reliefs attributed to Pablo Picasso, a bronze ballerina sculpture by Giacomo Manzù, paintings by Bruno d’Arcevia of the Italian Manner movement, and pieces by sculptor Mario Moretto.” – ARTnews

    MEDIA

    MUSIC

    PEOPLE

    • The Infinity Machine Starts Pressing Vinyl

      Good Morning,

      Suno, valued at $5.4 billion and buried in lawsuits, announced two things. It will start watermarking the songs made on its platform (TechCrunch). And it opened a waitlist to press those songs onto 12-inch records (MusicBusinessWorldwide). The machine built to make music infinite is now selling physical artifacts. Guess it knows where the value is?

      The demand side is arriving at the same place from the other direction. Digital cameras, wired headphones and iPods are selling again, largely because they don’t send notifications (BBC). Researchers who asked people why they rewatch the same films found intent rather than habit: viewers knew which emotion they were shopping for and skipped the twenty minutes of scrolling (Silicon Canals) trying to find something new (and chancy). Constraint chosen on purpose.

      Meanwhile, Andrew Lloyd Webber marked the closing of Cats: The Jellicle Ball by suggesting Broadway might finally reckon with what it now costs to run a new show (Variety) — an optimistic thing to read into a closing notice.

      Meanwhile, everything is turning beige. Since the late 2000s, colorless colors have taken over houses, cars, couches and refrigerators (The Atlantic). The interesting question is why.

      And a British radio station accidentally broadcast the death of King Charles. The staffer responsible “panicked and left the premises” (BBC).

      All of our stories below.

    • This AI Moment Could Be Clarifying For How We Think About Culture. Or…

      “Our contention is that, if we fail to think through and delimit the role of AI in our lives, we risk undermining the intelligibility of our own guiding cultural concepts, and thus initiating a period in our own society of which it may someday be possible to say that “nothing happened.” – The Point

    • Why Are America’s Houses Turning Gray?

      Today, almost no one seems to be looking to the hues of jelly beans for inspiration for their home—or car or couch or fridge or practically anything else. Since the late 2000s, essentially colorless colors—think white, beige, gray—have taken over.  – The Atlantic

    • Trump Arch “Horribly Flawed” Says Cultural Landscape Foundation

      “The process for the selection and siting of the Triumphal Arch has been horrifically flawed from the outset. Remarkably, there was no design competition, which is a dangerous and radical decision for what would be the second largest monument in the Monumental Core after the Washington Monument.” – Los Angeles Times

    • Uffizi Unveils Its Most Extensive Renovation Plans Ever

      Described as one of the Uffizi’s most ambitious projects to date, the nearly $58-million effort will leave virtually every space with new infrastructure or a fresh look. – Smithsonian

    PEOPLE

    • The Infinity Machine Starts Pressing Vinyl

      Good Morning,

      Suno, valued at $5.4 billion and buried in lawsuits, announced two things. It will start watermarking the songs made on its platform (TechCrunch). And it opened a waitlist to press those songs onto 12-inch records (MusicBusinessWorldwide). The machine built to make music infinite is now selling physical artifacts. Guess it knows where the value is?

      The demand side is arriving at the same place from the other direction. Digital cameras, wired headphones and iPods are selling again, largely because they don’t send notifications (BBC). Researchers who asked people why they rewatch the same films found intent rather than habit: viewers knew which emotion they were shopping for and skipped the twenty minutes of scrolling (Silicon Canals) trying to find something new (and chancy). Constraint chosen on purpose.

      Meanwhile, Andrew Lloyd Webber marked the closing of Cats: The Jellicle Ball by suggesting Broadway might finally reckon with what it now costs to run a new show (Variety) — an optimistic thing to read into a closing notice.

      Meanwhile, everything is turning beige. Since the late 2000s, colorless colors have taken over houses, cars, couches and refrigerators (The Atlantic). The interesting question is why.

      And a British radio station accidentally broadcast the death of King Charles. The staffer responsible “panicked and left the premises” (BBC).

      All of our stories below.

    • This AI Moment Could Be Clarifying For How We Think About Culture. Or…

      “Our contention is that, if we fail to think through and delimit the role of AI in our lives, we risk undermining the intelligibility of our own guiding cultural concepts, and thus initiating a period in our own society of which it may someday be possible to say that “nothing happened.” – The Point

    • Why Are America’s Houses Turning Gray?

      Today, almost no one seems to be looking to the hues of jelly beans for inspiration for their home—or car or couch or fridge or practically anything else. Since the late 2000s, essentially colorless colors—think white, beige, gray—have taken over.  – The Atlantic

    • Trump Arch “Horribly Flawed” Says Cultural Landscape Foundation

      “The process for the selection and siting of the Triumphal Arch has been horrifically flawed from the outset. Remarkably, there was no design competition, which is a dangerous and radical decision for what would be the second largest monument in the Monumental Core after the Washington Monument.” – Los Angeles Times

    • Uffizi Unveils Its Most Extensive Renovation Plans Ever

      Described as one of the Uffizi’s most ambitious projects to date, the nearly $58-million effort will leave virtually every space with new infrastructure or a fresh look. – Smithsonian

    THEATRE

      VISUAL

      WORDS