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DANCE

  • A Year Into The Pandemic, Dancers Talk About How They’ve Adjusted Their Movement And Approach For Online Performance

    “How are dancers developing performance energy? How can artistry best be communicated through the camera? What is the best angle to present technique? Dance Theatre of Harlem’s Derek Brockington explains that dancing for film is ‘about acknowledging that it’s not going to be the same experience — it’s a different way of dancing.’ Below, Brockington and several other dancers share their takeaways after a year of dancing on camera.” – Pointe Magazine

  • What I’ve Learned Watching Dance Online For A Year

    Work filmed or streamed that is performed with a live audience present cannot replicate the exchange of energy, delight, sorrow, laughter, and tears of being physically present in the theater – yet it does satisfy somewhat my craving for watching dancing. – Oregon Arts Watch

  • The Great Depression’s Dance Marathons Were An Exploitative Craze

    They might sound like yet another fun thing for young people to have done back in the day, but no. They were even deadly, with reports of at least two dancers dying near the dance floor as others simply passed out. “Dance marathons, also called walkathons to avoid legal and moral scrutiny, were essentially the Netflix dating show of that era. As an emcee entertained the audience with dancers’ biographies over live music, the couples danced, stumbled and dragged each other for weeks on almost no sleep in the pursuit of money and glory.” – San Francisco Chronicle

  • Dancers Are Still Trying Everything To Make It Through The Pandemic

    Real talk: “Kathleen Tiernan, a trainee at Ballet Austin, fears that the pandemic will financially stunt the ballet industry for years to come. ‘I don’t know that I would wanna risk going to one of those small companies that could be very close to shutting down,’ said Tiernan, who is still in auditions season. ‘And I don’t know how they’re surviving because those types of companies were already struggling before the pandemic and already paid their dancers unlivable wages.'” – The Dispatch

  • Twyla Tharp Talks Dance With Terry Gross

    “This last year, with the pandemic and its disruptions in terms of routine, discipline, just ordinary day-to-day activities, the body doesn’t know itself at the moment. So I can’t tell you what I can ask it to do until I refamiliarize myself. And I’m in the process of doing that. … Whenever I’ve finished one of these big projects, I’m out of shape, and that’s just a given. So I’ve been in this position before, not at this age, but I know that it is a commitment to get back into shape. It’s not going to happen on its own accord.” – NPR

IDEAS

  • How Big Tech Has “Weaponized” Design Patents

    Introduced in 1842, the US design patent law saw just 14 designs registered in its first year, including a typeface, a bathtub and a “corpse preserver”. By 1930, the patent office was issuing 3,000 design patents a year, and 6,500 by 1941, a figure that wasn’t exceeded until 1989. That number has now mushroomed to around 35,000 – good news for lawyers, but maybe less so for innovators. – The Guardian

  • What The Closing Of The Arclight Theatres Means For Movie Theatres

    The truth is, the cinema experience as we know it, is likely doomed. While it isn’t going to disappear entirely, it will become a “nice to have” option for the populace, versus the “must have” it was through much of the 20th century. Look forward to much more expensive tickets and far fewer movie houses, more like what happened with live theater and Broadway. – Forbes

  • Awards Shows Used To Be Ratings Gold. Now They Struggle

    The Emmy Awards — already in a ratings tailspin in recent years as it no longer celebrates mass-appeal hits — showed how far audience levels can drop, sinking 9% to 6.1 million viewers Sept. 20. Other shows, such as the American Music Awards, the Country Music Assn. Awards and the Billboard Music Awards, hit all-time lows as well. – Los Angeles Times

  • What TikTok Has Taught Us About Learning

    A recent Harvard study showed that students actually learn more when education is built on “active learning,” which promotes working collaboratively on projects. And now, the COVID-19 pandemic has accelerated the disruption of education as kids and young adults have been forced to learn from home. In the collective reckoning on what learning should look like going forward, I’ve found that the social media platform TikTok offers some surprising insights. – Fast Company

  • How Did A Cranky Old Scholar Come To Own An Indigenous Language?

    Frank Siebert’s writing system was an obstacle for people who were eager to learn the language. “It was a giant pain for everyone,” he said. “Why did this white guy come in and introduce such a nonintuitive alphabet? It was really off-putting. Like, ‘This is the language my grandmother spoke, and now there’s all this technical stuff I have to learn?’ ” – The New Yorker

ISSUES

  • What TikTok Has Taught Us About Learning

    A recent Harvard study showed that students actually learn more when education is built on “active learning,” which promotes working collaboratively on projects. And now, the COVID-19 pandemic has accelerated the disruption of education as kids and young adults have been forced to learn from home. In the collective reckoning on what learning should look like going forward, I’ve found that the social media platform TikTok offers some surprising insights. – Fast Company

  • A Lawsuit About AI And Intellectual Property Law Now Involves R2D2 And WALL-E

    An American company is suing a Chinese company in U.S. federal court for copyright, trademark, and other intellectual property violations. The goods in question? Interactive toy robots. And both the defendant’s motion to dismiss the case and the plaintiff’s response have invoked the famous movie robots. – The Hollywood Reporter

  • How To Help Students Catch Up After Lockdown? The Arts

    Research confirms that arts education contributes significantly to social-emotional well-being as well as college, career and citizenship readiness. – San Diego Union-Tribune

  • Scott Rudin’s Abusive Behavior Was An Open Secret

    Why did the media not come out and treat it as the truly awful (and unacceptable) fact that it was? “Unlike past stories, The Hollywood Reporter’s offers, for the first time in Rudin’s almost 40 years as a producer, an unromanticized affirmation of the seemingly endless anecdotes about him as a manager. It details his alleged misbehavior as well as his influence, which has arguably made the industry and the journalists who report on it more likely to accept workplace aggression as a condition of great art.” – The Atlantic

  • A New Cache Of Money For Strapped Venues – If Only The Website Would Work

    The Small Business Association opened a grant portal for arts venues closed down by the pandemic – and, after a few hours of deep misery for every arts venue trying to apply, took it all offline, indefinitely. “Anyone who tried to log on to apply for grants when the portal first opened was met with different error messages at each step. The SBA clarified in a tweet that they did not accept any applications or distribute any funding.” – NPR

MEDIA

  • What The Closing Of The Arclight Theatres Means For Movie Theatres

    The truth is, the cinema experience as we know it, is likely doomed. While it isn’t going to disappear entirely, it will become a “nice to have” option for the populace, versus the “must have” it was through much of the 20th century. Look forward to much more expensive tickets and far fewer movie houses, more like what happened with live theater and Broadway. – Forbes

  • Awards Shows Used To Be Ratings Gold. Now They Struggle

    The Emmy Awards — already in a ratings tailspin in recent years as it no longer celebrates mass-appeal hits — showed how far audience levels can drop, sinking 9% to 6.1 million viewers Sept. 20. Other shows, such as the American Music Awards, the Country Music Assn. Awards and the Billboard Music Awards, hit all-time lows as well. – Los Angeles Times

  • Two Beloved California Movie Theatre Chains To Close

    ArcLight’s stable includes the prized Cinerama Dome Hollywood. The Dome, built in 1963 by Pacific Theatres’ parent company the Decurion Corp., is the crown jewel of the small theater complex that was later reconstructed in the early 2000s. Throughout the decades, the Dome, in particular, has been a favorite site place to stage premieres — it timed its opening to the global launch of It’s a Mad, Mad, Mad, Mad World — and is beloved among many cinephiles. – The Hollywood Reporter

  • Nature Documentaries Are A Lot More Like Porn Than You’d Like To Think

    It’s not just that they’re wildly popular and can be addictive. It’s because nature documentaries have at least as much artifice as any studio-produced adult video and maybe more. (“Are these seabirds supposed to be majestic or comical as they enact their mating dance? The music tells us. Whom are we to root for in this interaction of predator and prey? Listen for the menacing strings.”) Emma Maris argues that “the solution to the way [nature docs] might warp our expectations is the same as it is for porn — not to ban them, but to diversify them.” – The Atlantic

  • The Surrealists Would Have Loved TikTok

    In fact, reporter Angela Watercutter compares the 15-second-video service old Surrealist game Exquisite Corpse: “The platform, thanks to its duetting and stitching functions, automates a lot of what the Surrealists were doing. It’ not exactly an exquisite corpse, since TikTok records the entire genealogy of any given work, and there is a want for continuity with what others have contributed before. But there is a similar spirit of spontaneous collaboration, and a kindred quest for the absurd.” – Wired

MUSIC

  • Singing By Hand: How To Translate Songs Into American Sign Language

    “A good A.S.L. performance prioritizes dynamics, phrasing and flow. The parameters of sign language — hand shape, movement, location, palm orientation and facial expression — can be combined with elements of visual vernacular, a body of codified gestures, allowing a skilled A.S.L. speaker to engage in the kind of sound painting that composers use to enrich a text.” Corinna da Fonseca-Wollheim watches how a couple of pros signed their own cover of the old Gladys Knight and the Pips song “Midnight Train to Georgia.” – The New York Times

  • When 1970s Boston Was A Hotbed Of Contemporary Music

    In its own buttoned-up New England way, it was a modernist hotbed. Each of those institutions was like a little fief, with eminent composers on the faculty. Each maintained active student ensembles, including many devoted exclusively to new music. – The New York Times

  • Fabio Luisi, Dallas Symphony Music Director, Takes A Third Orchestra

    The Italian maestro, who is also chief conductor of the Danish National Symphony and is now winding up his term as music director of the Zurich Opera House, has been named chief conductor of the NHK Symphony, widely considered to be Japan’s leading orchestra, beginning with the 2022-23 season. – Dallas Morning News

  • Top Music Industry People Weigh In On The State Of Streaming

    Senior figures from Spotify, Apple and other streaming services have commended the virtues of streaming, and few in the world of music would dispute that the platforms saved the music industry. Music streaming in the UK now brings in more than £1bn a year in revenue. But the fact remains that artists can be paid as little as 13% of the income generated, receiving as little as £0.002 to about £0.0038 per stream on Spotify and about £0.0059 on Apple Music. – The Guardian

  • Dallas Symphony Invites Out-Of-Work Metropolitan Opera Orchestra Musicians To Play Joint Concert

    “Someone on our team said, ‘Wouldn’t it be fun if we could bring together musicians around the U.S. who are not working, for some project?’ It morphed into involving Fabio Luisi, who’s been really bummed out about the Met, which has had such a hard year. He thought about Mahler 1, and bringing in about half the Met Orchestra. – Dallas Morning News

PEOPLE

  • How Big Tech Has “Weaponized” Design Patents

    Introduced in 1842, the US design patent law saw just 14 designs registered in its first year, including a typeface, a bathtub and a “corpse preserver”. By 1930, the patent office was issuing 3,000 design patents a year, and 6,500 by 1941, a figure that wasn’t exceeded until 1989. That number has now mushroomed to around 35,000 – good news for lawyers, but maybe less so for innovators. – The Guardian

  • What The Closing Of The Arclight Theatres Means For Movie Theatres

    The truth is, the cinema experience as we know it, is likely doomed. While it isn’t going to disappear entirely, it will become a “nice to have” option for the populace, versus the “must have” it was through much of the 20th century. Look forward to much more expensive tickets and far fewer movie houses, more like what happened with live theater and Broadway. – Forbes

  • Awards Shows Used To Be Ratings Gold. Now They Struggle

    The Emmy Awards — already in a ratings tailspin in recent years as it no longer celebrates mass-appeal hits — showed how far audience levels can drop, sinking 9% to 6.1 million viewers Sept. 20. Other shows, such as the American Music Awards, the Country Music Assn. Awards and the Billboard Music Awards, hit all-time lows as well. – Los Angeles Times

  • What TikTok Has Taught Us About Learning

    A recent Harvard study showed that students actually learn more when education is built on “active learning,” which promotes working collaboratively on projects. And now, the COVID-19 pandemic has accelerated the disruption of education as kids and young adults have been forced to learn from home. In the collective reckoning on what learning should look like going forward, I’ve found that the social media platform TikTok offers some surprising insights. – Fast Company

  • How Did A Cranky Old Scholar Come To Own An Indigenous Language?

    Frank Siebert’s writing system was an obstacle for people who were eager to learn the language. “It was a giant pain for everyone,” he said. “Why did this white guy come in and introduce such a nonintuitive alphabet? It was really off-putting. Like, ‘This is the language my grandmother spoke, and now there’s all this technical stuff I have to learn?’ ” – The New Yorker

PEOPLE

  • How Big Tech Has “Weaponized” Design Patents

    Introduced in 1842, the US design patent law saw just 14 designs registered in its first year, including a typeface, a bathtub and a “corpse preserver”. By 1930, the patent office was issuing 3,000 design patents a year, and 6,500 by 1941, a figure that wasn’t exceeded until 1989. That number has now mushroomed to around 35,000 – good news for lawyers, but maybe less so for innovators. – The Guardian

  • What The Closing Of The Arclight Theatres Means For Movie Theatres

    The truth is, the cinema experience as we know it, is likely doomed. While it isn’t going to disappear entirely, it will become a “nice to have” option for the populace, versus the “must have” it was through much of the 20th century. Look forward to much more expensive tickets and far fewer movie houses, more like what happened with live theater and Broadway. – Forbes

  • Awards Shows Used To Be Ratings Gold. Now They Struggle

    The Emmy Awards — already in a ratings tailspin in recent years as it no longer celebrates mass-appeal hits — showed how far audience levels can drop, sinking 9% to 6.1 million viewers Sept. 20. Other shows, such as the American Music Awards, the Country Music Assn. Awards and the Billboard Music Awards, hit all-time lows as well. – Los Angeles Times

  • What TikTok Has Taught Us About Learning

    A recent Harvard study showed that students actually learn more when education is built on “active learning,” which promotes working collaboratively on projects. And now, the COVID-19 pandemic has accelerated the disruption of education as kids and young adults have been forced to learn from home. In the collective reckoning on what learning should look like going forward, I’ve found that the social media platform TikTok offers some surprising insights. – Fast Company

  • How Did A Cranky Old Scholar Come To Own An Indigenous Language?

    Frank Siebert’s writing system was an obstacle for people who were eager to learn the language. “It was a giant pain for everyone,” he said. “Why did this white guy come in and introduce such a nonintuitive alphabet? It was really off-putting. Like, ‘This is the language my grandmother spoke, and now there’s all this technical stuff I have to learn?’ ” – The New Yorker

THEATRE

  • Where Second City’s New Chief Means To Lead The Improv Institution

    Says Jon Carr, who came to the company’s Chicago headquarters from Dad’s Garage in Atlanta four months ago, “It’s a little strange, because there’s nothing routine happening at any of [our theatres] right now, so it’s a lot of rebuilding of things from scratch.” – American Theatre

  • Steven Leigh Morris On What Did In LA Stage Alliance

    “When members of the community say about LASA that they didn’t feel included or respected, my heart goes out to them. I ran the organization, and I often felt the same way.” – Stage Raw

  • Performers In South Africa Protest For More Government Help During The Pandemic

    For the performing arts community, the closure of Cape Town’s Fugard Theatre was something of a last straw. “In just a decade of existence the theatre, named after world-renowned playwright Athol Fugard, had become a much-loved venue that put on work by local writers as well as internationally known plays and musicals.” Artists are asking their government to do much, much more for them – and their strapped venues. – BBC

  • Where The World Of Comedy Throws Obstacles, These Women Have Forged Their Own Paths

    It’s not easy for a woman in comedy, and that’s doubly true for a Black woman. Ask Ziwe (who now has a series on Netflix). “You really have to create for yourself and create in that vacuum because you’re not going to get the instant gratification and validation.” – Variety

  • Back In The Theatre: “Necessity Is The Mother Of Devotion”

    I can report that once the rest of us were inside — 25 or so socially distanced in a black box theater that normally seats up to 99 — the evening unfolded exuberantly. It was the first of three live theatrical events I attended over the weekend, the first time in a year my schedule resembled something like the days before covid-19. I wore my mask throughout the shows, a feat that a year ago I had convinced myself would be too uncomfortable to tolerate. – Washington Post

VISUAL

  • New Director Of Pompeii Talks Culture Of Archaeology

    “I would like to reiterate the concept I have of archaeology not only as a study of beautiful objects or monuments but also of very ephemeral traces. The real discovery, in fact, was not the object itself but the landscape that has been transformed over the centuries. Today that landscape is still agricultural but in it we have found layers of history, of prehistory, showing the exploitation of agricultural resources by the Greek colonists and the subsequent modifications in medieval times.” – The Art Newspaper

  • The Saga Of The Jefferson Davis Chair Comes To An End (And No, It Wasn’t Really Used As A Toilet)

    A shadowy art/activist collective calling itself White Lies Matter made a bit of a stir earlier this month when it stole a chair dedicated to the first and only president of the Confederate States from a cemetery in Selma, Alabama and threatened to turn it into a commode if their demands weren’t met. Here’s an explainer covering what exactly the group demanded, why it chose the particular target it did, and what ultimately became of the 3,000-pound piece of outdoor furniture. – Slate

  • New Turn In Saudi Arabia-vs.-Louvre ‘Salvator Mundi’ Drama (It’s Still About Spite, Though)

    Last week several news outlets reported, based on a French TV documentary, that the world’s most expensive artwork wasn’t in the Louvre’s big 2019 Leonardo show because Crown Prince Mohammed bin Salman (reputedly the work’s buyer) was angry that the Louvre’s curators refused to guarantee that it was Leonardo’s work. Now David D. Kirkpatrick and Elaine Sciolino report that French experts did, in fact, determine that Salvator Mundi is genuine — and that the reason that the Saudis didn’t let the painting be included in the Louvre’s exhibition was rather more petty. – The New York Times

  • Benin Bronzes Are Not Safer Held In The West, Say Researchers

    “They have been equally unsafe in the hands of British, not least because of attack in 1897, which destroyed so much royal and sacred landscape,” said Dan Hicks, an archaeology professor at the University of Oxford in England who has written extensively on the Benin Bronzes. And, he added, many Benin Bronzes have headed to market in Europe, leaving their whereabouts and their safety uncertain. “The most important of the collections have been sold off in the West.” – ARTnews

  • Artist Rachel Whiteread Has Changed Her Art, And Her Life

    Whiteread won the Turner Prize when she was 30, the first woman, and youngest artist, ever to win – and she id it for casting an entire house in London. She’s been casting objects and the spaces around objects for three decades. But now? Now, she’s building new things. – The Guardian (UK)

WORDS

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