AJ Four Ways: Text Only (by date) | headlines only
DANCE
IDEAS
- Dance Jumps Into Lincoln Center In A Big Way

In the years since American Dance Theater, the descendants of modern dance have performed at Lincoln Center with varying frequency. But the new festival counts as the center’s biggest commitment since the early years and part of the reason this year’s Summer for the City series is being called Summer of Dance. – The New York Times
- New Owners Roxane Gay And Debbie Millman Relaunch Online Lit Magazine The Rumpus

“We’ll still be covering, with the same rigor and integrity, fiction, essays, poetry, book reviews, author interviews, and so forth,” said Millman. “But we’re also going to include more design criticism, art criticism, and overall cultural coverage. The soul of the writing … will be very similar; topically, it will be different.” – Publishers Weekly
- Have New Books Gotten More Expensive? Yes, But …

Hardcovers which for years cost around $20 are now routinely marked at $30 or more. However, both publishing executives and booksellers maintain that the price of new books has not kept up with post-2020 inflation in the economy as a whole (including their own supply chains). – USA Today
- Why Fox Bought Roku

Ever since the old Fox sold off most of its entertainment assets to Disney, Lachlan Murdoch — son of Rupert and CEO of Fox Corp. — has been using the money from that deal to rebuild his father’s TV empire for the streaming era. – Vulture (MSN)
- The Hague’s Mauritshuis Museum May Keep Its Rembrandts, Rules Judge

Abraham Bredius, museum director from 1889 to 1909, bequeathed the Mauritshuis 25 of his own Old Master paintings — pieces by Rembrandt, Jan Steen, and others — on condition that the works be displayed and not lent out. Because the museum doesn’t display all of them all the time, Bredius’s heirs sued — and lost. – ArtDependence
ISSUES
- The Hague’s Mauritshuis Museum May Keep Its Rembrandts, Rules Judge

Abraham Bredius, museum director from 1889 to 1909, bequeathed the Mauritshuis 25 of his own Old Master paintings — pieces by Rembrandt, Jan Steen, and others — on condition that the works be displayed and not lent out. Because the museum doesn’t display all of them all the time, Bredius’s heirs sued — and lost. – ArtDependence
- The Art Commissioned By The Obama Presidential Library

For the Obama Presidential Center on the South Side of Chicago, Barack and Michelle Obama commissioned original works by 30 artists from diverse backgrounds, a bold move never seen at such scale at a presidential library. – The Guardian
- 11th-Century Cathedral In Kyiv Set On Fire By Russian Missiles

“A massive Russian missile and drone attack on Kyiv has badly damaged the Dormition Cathedral in the Pechersk Lavra monastery complex, a UNESCO world heritage site and one of Ukraine’s most significant religious and cultural sites.” – The Guardian
- Sagrada Familia Might Have Topped Out, But Big Challenges Ahead

“The biggest [challenge] will be Glory Facade, which is the main facade. Maybe it will take 10 years, but we don’t yet have a fixed schedule.” – Dezeen
- Behold The New Obama Library

After standing in the glow of this new South Side landmark, I admittedly feel like a buzzkill focusing on documents, kind of like visiting the Sistine Chapel and contemplating the plumbing. – The Atlantic
MEDIA
- Preservationists Sue To Block Trump’s “National Garden Of American Heroes”
“Congress has made clear that the National Mall is … not a personal sandbox for each President to renovate however he likes,” argues the lawsuit. “To that end, Congress has decreed that no new ‘commemorative work’ shall be located within ‘the great cross-axis of the Mall’.” – USA Today
- Federal Court Orders Kennedy Center To Make A Plan For Staying Open And Offering Programming
“Judge Christopher R. Cooper of Federal District Court in Washington asked for a status report from the Kennedy Center that would include plans for ‘public access and ongoing programming, activities and operations’ should the center stay open past July 4, which the president proposed as a closing date.” – The New York Times
- A Professor Despairs Of What AI Reveals About Students
There will always be idealistic, ink-stained people who want to devote their lives to scholarly pursuits—their role to inspire young people to love ideas as they do. But this transfer, more than anything else in the academy, has been increasingly blocked by A.I. in the classroom. – The New Yorker
- What We Learned About How To Celebrate A Divided America’s Birthday From The Bicentennial
Philadelphia, as the cradle of American independence, was supposed to be the center of attention 50 years ago. From the beginning, deliberations involved arguably the most important architect of the late 20th century, Louis I. Kahn. – Architecture and the City
- Kennedy Center Establishes A New Endowment, One Named After Donald Trump
“(Its) establishment comes less than two weeks after a judge ruled the Kennedy Center’s board acted unlawfully in adding the president’s name. … A source with knowledge of the plans for the endowment” — called the Trump Kennedy Center Fund — “suggested it will focus on the ‘physical disrepair’ of the building.” – CBS News
MUSIC
- New Owners Roxane Gay And Debbie Millman Relaunch Online Lit Magazine The Rumpus
“We’ll still be covering, with the same rigor and integrity, fiction, essays, poetry, book reviews, author interviews, and so forth,” said Millman. “But we’re also going to include more design criticism, art criticism, and overall cultural coverage. The soul of the writing … will be very similar; topically, it will be different.” – Publishers Weekly
- Have New Books Gotten More Expensive? Yes, But …
Hardcovers which for years cost around $20 are now routinely marked at $30 or more. However, both publishing executives and booksellers maintain that the price of new books has not kept up with post-2020 inflation in the economy as a whole (including their own supply chains). – USA Today
- “Graphic Journalist” Joe Sacco Says Penguin Random House India Censored His Book On Sectarian Riots
The Indian subsidiary of the publishing giant has withdrawn Sacco’s The Once and Future Riot, an account of the 2013 street battles between Hindus and Muslims in Muzaffarnagar. Sacco says the publisher sent him a list of edits that amounted to “finding excuses” not to release the book. – The Wire (India)
- Are Most Children’s Books “Crud”?
“There are so many bad kids’ books,” Mac Barnett writes, “and kids’ books are bad in so many different ways.” He states that “a big reason for our low opinion of children’s books is simply that lots of children’s books are bad.” – The New Yorker
- The Problem With AI Writing (And The Opportunity For Human Literature)
If, as a French saying has it, “style is the man himself,” what does the style of AI writing tell us about it? For one thing, it has no fixed style, revealing that it has no fixed self. It’s happy to burn tokens saying the same thing in as many ways as you want. – The Atlantic
PEOPLE
- Dance Jumps Into Lincoln Center In A Big Way
In the years since American Dance Theater, the descendants of modern dance have performed at Lincoln Center with varying frequency. But the new festival counts as the center’s biggest commitment since the early years and part of the reason this year’s Summer for the City series is being called Summer of Dance. – The New York Times
- New Owners Roxane Gay And Debbie Millman Relaunch Online Lit Magazine The Rumpus
“We’ll still be covering, with the same rigor and integrity, fiction, essays, poetry, book reviews, author interviews, and so forth,” said Millman. “But we’re also going to include more design criticism, art criticism, and overall cultural coverage. The soul of the writing … will be very similar; topically, it will be different.” – Publishers Weekly
- Have New Books Gotten More Expensive? Yes, But …
Hardcovers which for years cost around $20 are now routinely marked at $30 or more. However, both publishing executives and booksellers maintain that the price of new books has not kept up with post-2020 inflation in the economy as a whole (including their own supply chains). – USA Today
- Why Fox Bought Roku
Ever since the old Fox sold off most of its entertainment assets to Disney, Lachlan Murdoch — son of Rupert and CEO of Fox Corp. — has been using the money from that deal to rebuild his father’s TV empire for the streaming era. – Vulture (MSN)
- The Hague’s Mauritshuis Museum May Keep Its Rembrandts, Rules Judge
Abraham Bredius, museum director from 1889 to 1909, bequeathed the Mauritshuis 25 of his own Old Master paintings — pieces by Rembrandt, Jan Steen, and others — on condition that the works be displayed and not lent out. Because the museum doesn’t display all of them all the time, Bredius’s heirs sued — and lost. – ArtDependence
PEOPLE
- Dance Jumps Into Lincoln Center In A Big Way
In the years since American Dance Theater, the descendants of modern dance have performed at Lincoln Center with varying frequency. But the new festival counts as the center’s biggest commitment since the early years and part of the reason this year’s Summer for the City series is being called Summer of Dance. – The New York Times
- New Owners Roxane Gay And Debbie Millman Relaunch Online Lit Magazine The Rumpus
“We’ll still be covering, with the same rigor and integrity, fiction, essays, poetry, book reviews, author interviews, and so forth,” said Millman. “But we’re also going to include more design criticism, art criticism, and overall cultural coverage. The soul of the writing … will be very similar; topically, it will be different.” – Publishers Weekly
- Have New Books Gotten More Expensive? Yes, But …
Hardcovers which for years cost around $20 are now routinely marked at $30 or more. However, both publishing executives and booksellers maintain that the price of new books has not kept up with post-2020 inflation in the economy as a whole (including their own supply chains). – USA Today
- Why Fox Bought Roku
Ever since the old Fox sold off most of its entertainment assets to Disney, Lachlan Murdoch — son of Rupert and CEO of Fox Corp. — has been using the money from that deal to rebuild his father’s TV empire for the streaming era. – Vulture (MSN)
- The Hague’s Mauritshuis Museum May Keep Its Rembrandts, Rules Judge
Abraham Bredius, museum director from 1889 to 1909, bequeathed the Mauritshuis 25 of his own Old Master paintings — pieces by Rembrandt, Jan Steen, and others — on condition that the works be displayed and not lent out. Because the museum doesn’t display all of them all the time, Bredius’s heirs sued — and lost. – ArtDependence
THEATRE
VISUAL
- “Teaser” Events Have Become A Powerful Way For Pop Stars To Introduce Their Projects
From a marketing perspective, this approach blends internet culture and storytelling to create a memorable experience for fans. These teaser releases are particularly effective at generating fan theories, sparking speculation, creating memes and helping create stories with fans. – The Conversation
- Mathematics And The Tools Of Reasoning That Ai Is Tackling
Understanding is a lively topic for philosophers, but not for the tech industry. In their race to the ultimate prize of AGI, Silicon Valley’s main players instead see the mechanization of reasoning as the main hurdle. For them, mathematics is the supreme AI challenge because it is the purest form of reasoning. – Boston Review
- Jurgen Habermas And The Public Sphere
Habermas’s death might mark the end of a mode of main-stage philosophizing that, in the German-speaking world, reaches back, by way of Adorno, Heidegger, Nietzsche, Marx, Schopenhauer, and Hegel, to Kant himself. – The New Yorker
- The Aesthetic That Fits Our Times: Tragicomic
This cockroach of forms—adaptive, resilient, unkillable—was named by the Roman dramatist Plautus in the second century BC, enjoyed its heyday in 17th-century Renaissance theater, and was revived in the 20th century to describe a slurry of existential despair and absurd farce. – ARTnews
- The Old Are Taking Over America
Samuel Moyn argues that the oldest Americans, because of their retrograde politics and ever-increasing presence, are profoundly reshaping our collective life. – The New Yorker


















