ArtsJournal Classic

AJ Four Ways: Text Only (by date) | headlines only

DANCE

    IDEAS

    • Streaming Music Is Dominated By Old Music. Why?

      In the first half of 2026, almost two thirds of the music played (about 60%) was released five or more years ago. So, if we’re stuck in a streaming rut, what’s to blame? – BBC

    • Billionaire Tech Nedrs And Their Investment In Ending Democracy

      As Trump’s behaviour became increasingly authoritarian—openly defying laws, targeting his enemies with prosecutions, dispatching troops into Democratic cities, and turning US Immigration and Customs Enforcement (ICE) into a shock force to terrorize immigrant communities—many in Silicon Valley cashed in on the action. – The Walrus

    • Does The California Gold Rush Teach Us Anything About The Rush To AI?

      In 1849 alone, more than forty thousand people travelled overland to California, while roughly the same number headed there by sea. – The New Yorker

    • Why The Broadway Musical Survives

      Yet the Broadway musical persists, in its wholly impossible format, imposing eight big singing shows a week on its stars, which is, as any veteran will tell you, one of the most brutal workloads possible for a performer—and, when it occurs in long-running shows, mostly invisible as a personal triumph.  – The New Yorker

    • Has Substack “Fixed” Writing On The Internet?

      The company is, in essence, a crowdfunding e-commerce site, belonging to the same category as Kickstarter, Patreon, Gumroad, and OnlyFans. But it has out-evolved its ancestors and bested its competitors in its relevance to public discourse and in its direct commodification of online parasocial relationships.  – The New Yorker

    ISSUES

    MEDIA

    MUSIC

    • Has Substack “Fixed” Writing On The Internet?

      The company is, in essence, a crowdfunding e-commerce site, belonging to the same category as Kickstarter, Patreon, Gumroad, and OnlyFans. But it has out-evolved its ancestors and bested its competitors in its relevance to public discourse and in its direct commodification of online parasocial relationships.  – The New Yorker

    • Can An Immigrant From Scotland Really Be ‘An Irish Writer’?

      The writer herself has questions.”Writers are, often, to generalise, outsiders, observers, given to the long view, odd if not downright awkward. … How do these propensities relate to the construction of literature as an international sport?” – Irish Times

    • How To Write About People, And Place, Beyond War

      “Turning to fiction allowed for stories that would otherwise have disappeared into the chest of time, to live on, and slowly but surely they are educating, bringing forth that we all share this place together. The 24-hour news cycle leaves little room for reflection or deeper understanding.” – LitHub

    • What Makes For A Good Scary Story?

      The end, says Stephen Graham Jones.”The story is running along the top of a flat mesa, and it’s nighttime and 95% of it is even-footing. But then at the very end, you jump off into the night, into the darkness, and you trust.” – NPR

    • It’s Spooky Season, And Time To Acknowledge The Most Influential American Writer Ever

      Edgar Allan Poe “seems in deliberate, even flagrant, contrast with what were once regarded as the great themes of American literature: the freedom of self-reinvention promised by a new society and its frontier, exploration, rugged individualism, and the struggle to conquer nature.” – Slate

    PEOPLE

    • Streaming Music Is Dominated By Old Music. Why?

      In the first half of 2026, almost two thirds of the music played (about 60%) was released five or more years ago. So, if we’re stuck in a streaming rut, what’s to blame? – BBC

    • Billionaire Tech Nedrs And Their Investment In Ending Democracy

      As Trump’s behaviour became increasingly authoritarian—openly defying laws, targeting his enemies with prosecutions, dispatching troops into Democratic cities, and turning US Immigration and Customs Enforcement (ICE) into a shock force to terrorize immigrant communities—many in Silicon Valley cashed in on the action. – The Walrus

    • Does The California Gold Rush Teach Us Anything About The Rush To AI?

      In 1849 alone, more than forty thousand people travelled overland to California, while roughly the same number headed there by sea. – The New Yorker

    • Why The Broadway Musical Survives

      Yet the Broadway musical persists, in its wholly impossible format, imposing eight big singing shows a week on its stars, which is, as any veteran will tell you, one of the most brutal workloads possible for a performer—and, when it occurs in long-running shows, mostly invisible as a personal triumph.  – The New Yorker

    • Has Substack “Fixed” Writing On The Internet?

      The company is, in essence, a crowdfunding e-commerce site, belonging to the same category as Kickstarter, Patreon, Gumroad, and OnlyFans. But it has out-evolved its ancestors and bested its competitors in its relevance to public discourse and in its direct commodification of online parasocial relationships.  – The New Yorker

    PEOPLE

    • Streaming Music Is Dominated By Old Music. Why?

      In the first half of 2026, almost two thirds of the music played (about 60%) was released five or more years ago. So, if we’re stuck in a streaming rut, what’s to blame? – BBC

    • Billionaire Tech Nedrs And Their Investment In Ending Democracy

      As Trump’s behaviour became increasingly authoritarian—openly defying laws, targeting his enemies with prosecutions, dispatching troops into Democratic cities, and turning US Immigration and Customs Enforcement (ICE) into a shock force to terrorize immigrant communities—many in Silicon Valley cashed in on the action. – The Walrus

    • Does The California Gold Rush Teach Us Anything About The Rush To AI?

      In 1849 alone, more than forty thousand people travelled overland to California, while roughly the same number headed there by sea. – The New Yorker

    • Why The Broadway Musical Survives

      Yet the Broadway musical persists, in its wholly impossible format, imposing eight big singing shows a week on its stars, which is, as any veteran will tell you, one of the most brutal workloads possible for a performer—and, when it occurs in long-running shows, mostly invisible as a personal triumph.  – The New Yorker

    • Has Substack “Fixed” Writing On The Internet?

      The company is, in essence, a crowdfunding e-commerce site, belonging to the same category as Kickstarter, Patreon, Gumroad, and OnlyFans. But it has out-evolved its ancestors and bested its competitors in its relevance to public discourse and in its direct commodification of online parasocial relationships.  – The New Yorker

    THEATRE

      VISUAL

      WORDS