AJ Four Ways: Text Only (by date) | headlines only
DANCE
IDEAS
- What Hudson Williams Does When He’s Not Busy Promoting Heated Rivalry

The man loves reading and writing, basically. “I love Joan Didion, and she once said she journals so that when she gets really old, she can pick up her books and find her way back to herself again.” – CBC
- It’s Not Easy Designing The World’s Biggest Stage

At the halftime show for the Super Bowl, “the stage must be assembled in about eight minutes, using rolling carts equipped with pneumatic tires. The field … can hold only so much additional weight. After the 12-minute performance, the stage must be torn down quickly.” – The New York Times
- Toronto’s Royal Conservatory Of Music Accused Of Enabling A Predatory Piano Educator

“I was left with a feeling of tremendous shame. Even after gathering the courage to speak up, I was ashamed that I was a victim, ashamed that I was unable to stop it. Ashamed that even after finally speaking up, I was disregarded, ignored, discarded.” – Toronto Star
- Good Morning
This week’s AJ highlights: One of the most visceral blows to our cultural ecosystem is the continuing hollowing out of legacy media expertise. The Washington Post has laid off its entire photography staff and Pulitzer Prize-winning art critic Sebastian Smee, a retreat from curated record-keeping that leaves the nation’s capital with fewer professional observers. The media contraction is a national trend, as the Atlanta Journal-Constitution has simultaneously cut 15% of its staff, targeting nearly half of those cuts in the newsroom.
But there is also good news. Alvin Ailey American Dance Theater has secured a dedicated $10 million endowment for its artistic director position, a signal of private faith in the company. This institutional strength is mirrored on Broadway, where the jukebox musical & Juliet has defied the post-pandemic slump to become one of only four new musicals to fully recoup its investment—proving that sophisticated pop-theatricality still has a viable economic engine.
While a legal battle erupts in Philadelphia over the removal of a memorial to the enslaved people of George Washington’s household—an act of erasure many view as a direct attack on historical honesty—the judiciary is increasingly pushing back. Judge Fred Biery’s recent ruling is being celebrated as a “passionate, erudite, and mischievous” piece of writing that marshals literature and history to defend civil liberties against executive power.
And further good news. From the launch of the massive new Los Angeles Jazz Festival—hoping to draw 250,000 fans to a city recognizing its own musicians—to the surge of “Resistance Theater” rising across the country, the week’s stories suggest that our artists are resilient.
Lastly, my observation that the shuttering of the Kennedy Center and the decimation of the Washington Post are neither isolated nor unrelated happenings. They represent a break in the connective tissue that used to unite Americans. This is part of a larger systemic uncoupling of our civic, political and cultural institutions from the engine that sustains civic life. My theory: Why the Death of American Leadership may run through your Local Orchestra on Diacritical.
All of this week’s stories below.
- Why the Death of American Leadership may run through your Local Orchestra

ISSUES
- Buffalo AKG Art Museum Gave Its Director A Low-Interest $335K Loan For A House. It Hasn’t Been Repaid.

“Janne Sirén, director … since 2013, used a museum loan to help finance a $710,000 home — more than half of which remains unpaid, including accrued interest, according to a state review.” – ARTnews
- Washington Post Lays Off Art Critic Sebastian Smee And Entire Photography Staff

All eight of the paper’s in-house photographers have lost their jobs, as has the Pulitzer Prize winner Smee, who has been with the Post for eight years. His colleague Philip Kennicott (another Pulitzer laureate) will remain on staff. – Hyperallergic
- Crypto Investors Pay $300K To Create Gold Trump Statue

At 15 feet tall, the statue of President Trump, mounted on its 7,000-pound pedestal, is about the height of a two-story building — a giant effigy cast in bronze and finished with a thick layer of gold leaf. – The New York Times
- Critics Hate Proposed Plans For British Museum Spruce-Up

New security buildings in the grounds of the British Museum would look “too flashy” and resemble “a shop and wine bar”, opponents to the plans have said. – BBC
- Michelangelo And Titian: A Contemporary Odd Couple

The two men couldn’t have been more different. Titian was a painter while Michelangelo, though renowned both as a painter and a sculptor, saw himself exclusively as the latter. They lived hundreds of miles apart—the former in Venice, the latter in Florence and Rome—and inhabited vastly different aesthetic universes. – The Wall Street Journal
MEDIA
- Japanese City Cancels Major Cherry-Blossom Festival Because Tourists Behave So Badly
City officials in Fujiyoshida, not far from Mount Fuji, said residents had been littering, entering private homes to use the bathroom, and even defecating in people’s yards and getting belligerent when confronted. The weeks-long event had attracted about 200,000 visitors each year for the past decade. – The Guardian
- San Francisco’s Top Arts Official Retires As Mayor Rethinks Arts Policy
The exit, announced Monday, Feb. 2, comes just days after Mayor Daniel Lurie posted a job description for an executive director of arts and culture to oversee all three of the city’s arts agencies, which includes Grants for the Arts and the Film Commission, in addition to SFAC. – San Francisco Chronicle (Yahoo)
- What Trump’s Kennedy Center Fiasco Shows Us Abut MAGA’s Culture Wars
- Whitewashing History In Philadelphia
To many Philadelphians who having been coming daily ever since to leave protest messages, it felt like an attack on a hard-won monument, and even on the city itself. Within hours of the removal, the city filed a lawsuit in federal court contesting it. – The New York Times
- Something Is Not Working In Sacramento’s Arts
This struggle, we have found, applies across the board and includes live music venues, theater groups, performance arts, galleries, and does not discriminate between small and new or legacy organizations. But sometimes we don’t miss something until it’s gone. – CapRadio
MUSIC
- How Typists Have Shaped Literary Masterpieces
The typewriter, from its birth, has been tied to a set of assumptions about gender and skill. These assumptions persist to the present and color our cultural understanding of typists’ labor. – Public Domain Review
- Reimagining Shakespeare In Shanghai
Instead of Venice and Cyprus, Shakespeare’s setting for “Othello,” the Shanghai version takes place on an island at the mouth of the Yangtze River, where an American has been hired to help fight the Taiping rebellion, a bloody revolt in the 19th century. – The New York Times
- Farewell To The Mass-Market Paperback Book
First introduced in the 1930s, mass-market books (once called “pulps”) sold in huge quantities for decades. Yet sales have been slowly-but-steadily sinking since the 1990s, displaced by ebooks and (more expensive) trade paperbacks, and the wire racks filled with the inexpensive titles in supermarkets, drugstores, and the like have almost disappeared. – The New York Times
- Newspaper Bloodbath Continues As Atlanta Journal-Constitution Lays Of 15% Of Its Staff
“About 50 AJC employees (will) be losing their jobs, with about half of the cuts coming from the newsroom.” – SaportaReport (Atlanta)
- A.O. Scott Annotates The Court Order Freeing The Five-Year-Old Held By ICE
“Judge Biery’s decision … is much more than dry judicial reasoning. It’s a passionate, erudite, at times mischievous piece of prose. … In fewer than 500 words, Judge Biery marshals literature, history, folk wisdom and Scripture to challenge the theory of executive power that has defined Trump’s second presidency.” – The New York Times
PEOPLE
- What Hudson Williams Does When He’s Not Busy Promoting Heated Rivalry
The man loves reading and writing, basically. “I love Joan Didion, and she once said she journals so that when she gets really old, she can pick up her books and find her way back to herself again.” – CBC
- It’s Not Easy Designing The World’s Biggest Stage
At the halftime show for the Super Bowl, “the stage must be assembled in about eight minutes, using rolling carts equipped with pneumatic tires. The field … can hold only so much additional weight. After the 12-minute performance, the stage must be torn down quickly.” – The New York Times
- Toronto’s Royal Conservatory Of Music Accused Of Enabling A Predatory Piano Educator
“I was left with a feeling of tremendous shame. Even after gathering the courage to speak up, I was ashamed that I was a victim, ashamed that I was unable to stop it. Ashamed that even after finally speaking up, I was disregarded, ignored, discarded.” – Toronto Star
- Good Morning
This week’s AJ highlights: One of the most visceral blows to our cultural ecosystem is the continuing hollowing out of legacy media expertise. The Washington Post has laid off its entire photography staff and Pulitzer Prize-winning art critic Sebastian Smee, a retreat from curated record-keeping that leaves the nation’s capital with fewer professional observers. The media contraction is a national trend, as the Atlanta Journal-Constitution has simultaneously cut 15% of its staff, targeting nearly half of those cuts in the newsroom.
But there is also good news. Alvin Ailey American Dance Theater has secured a dedicated $10 million endowment for its artistic director position, a signal of private faith in the company. This institutional strength is mirrored on Broadway, where the jukebox musical & Juliet has defied the post-pandemic slump to become one of only four new musicals to fully recoup its investment—proving that sophisticated pop-theatricality still has a viable economic engine.
While a legal battle erupts in Philadelphia over the removal of a memorial to the enslaved people of George Washington’s household—an act of erasure many view as a direct attack on historical honesty—the judiciary is increasingly pushing back. Judge Fred Biery’s recent ruling is being celebrated as a “passionate, erudite, and mischievous” piece of writing that marshals literature and history to defend civil liberties against executive power.
And further good news. From the launch of the massive new Los Angeles Jazz Festival—hoping to draw 250,000 fans to a city recognizing its own musicians—to the surge of “Resistance Theater” rising across the country, the week’s stories suggest that our artists are resilient.
Lastly, my observation that the shuttering of the Kennedy Center and the decimation of the Washington Post are neither isolated nor unrelated happenings. They represent a break in the connective tissue that used to unite Americans. This is part of a larger systemic uncoupling of our civic, political and cultural institutions from the engine that sustains civic life. My theory: Why the Death of American Leadership may run through your Local Orchestra on Diacritical.
All of this week’s stories below.
- Why the Death of American Leadership may run through your Local Orchestra
PEOPLE
- What Hudson Williams Does When He’s Not Busy Promoting Heated Rivalry
The man loves reading and writing, basically. “I love Joan Didion, and she once said she journals so that when she gets really old, she can pick up her books and find her way back to herself again.” – CBC
- It’s Not Easy Designing The World’s Biggest Stage
At the halftime show for the Super Bowl, “the stage must be assembled in about eight minutes, using rolling carts equipped with pneumatic tires. The field … can hold only so much additional weight. After the 12-minute performance, the stage must be torn down quickly.” – The New York Times
- Toronto’s Royal Conservatory Of Music Accused Of Enabling A Predatory Piano Educator
“I was left with a feeling of tremendous shame. Even after gathering the courage to speak up, I was ashamed that I was a victim, ashamed that I was unable to stop it. Ashamed that even after finally speaking up, I was disregarded, ignored, discarded.” – Toronto Star
- Good Morning
This week’s AJ highlights: One of the most visceral blows to our cultural ecosystem is the continuing hollowing out of legacy media expertise. The Washington Post has laid off its entire photography staff and Pulitzer Prize-winning art critic Sebastian Smee, a retreat from curated record-keeping that leaves the nation’s capital with fewer professional observers. The media contraction is a national trend, as the Atlanta Journal-Constitution has simultaneously cut 15% of its staff, targeting nearly half of those cuts in the newsroom.
But there is also good news. Alvin Ailey American Dance Theater has secured a dedicated $10 million endowment for its artistic director position, a signal of private faith in the company. This institutional strength is mirrored on Broadway, where the jukebox musical & Juliet has defied the post-pandemic slump to become one of only four new musicals to fully recoup its investment—proving that sophisticated pop-theatricality still has a viable economic engine.
While a legal battle erupts in Philadelphia over the removal of a memorial to the enslaved people of George Washington’s household—an act of erasure many view as a direct attack on historical honesty—the judiciary is increasingly pushing back. Judge Fred Biery’s recent ruling is being celebrated as a “passionate, erudite, and mischievous” piece of writing that marshals literature and history to defend civil liberties against executive power.
And further good news. From the launch of the massive new Los Angeles Jazz Festival—hoping to draw 250,000 fans to a city recognizing its own musicians—to the surge of “Resistance Theater” rising across the country, the week’s stories suggest that our artists are resilient.
Lastly, my observation that the shuttering of the Kennedy Center and the decimation of the Washington Post are neither isolated nor unrelated happenings. They represent a break in the connective tissue that used to unite Americans. This is part of a larger systemic uncoupling of our civic, political and cultural institutions from the engine that sustains civic life. My theory: Why the Death of American Leadership may run through your Local Orchestra on Diacritical.
All of this week’s stories below.
- Why the Death of American Leadership may run through your Local Orchestra
THEATRE
VISUAL
- We Think Cooperation Is The Ideal. In Fact A little Deceit Might Be Good
We evolved not to cooperate or compete, but with the capacity for both – and with the intelligence to hide competition when it suits us, or to cheat when we’re likely to get away with it. Cooperation is consequently something we need to promote, not presume. – Aeon
- Boosterism? Why, It Made America What It Is Today!
“Boosters don’t describe real things so much as what they hope will become real things, often presenting growth as inevitable and betting on optimism as a viable economic strategy. Perhaps unsurprisingly, boosterism has played a major role in American history. … The harsh truth is, boosterism sometimes works.” – Quartz
- The Difference Between Human Hierarchies And Other Primate Hierarchies
Evolutionary anthropologist Thomas Morgan: “People can be coercive, but unlike other species, we also create hierarchies of prestige – voluntary arrangements that allocate labor and decision-making power according to expertise.” – The Conversation
- Did Plato Espouse Ideas Leading To Totalitarianism?
In his massive The Open Society and Its Enemies—published just before his return to Europe in 1945—Popper in effect identifies Plato not just as the father of western philosophy, but also the father of the forces that had wrought the gulags and the gas chambers. – The American Scholar
- How The Arts Sector May Be Misreading The AI Revolution
“The sector is responding to AI as if it were a tool to be adopted responsibly within existing organisational life, often through skills development, guidance, and policy, rather than an environmental shift that invalidates many of its default ways of deciding, governing, and acting.” – Tammy Lee (LinkedIn)





















