ArtsJournal Classic

AJ Four Ways: Text Only (by date) | headlines only

DANCE

    IDEAS

    • When Tamara Rojo Danced With Robots

      Such an opportunity was bound to present itself to the director of San Francisco Ballet in the 2020s. It’s no surprise that she took the opportunity — but what she has to say about the experience, while quite perspicacious, isn’t much of a surprise either. – The Times (UK)

    • Netflix Challenges France’s Requirement On What It Spends On Production In France

      “These new rules cross a line,” claims the streaming giant. “They attempt to fix in law the exact genre balance of our slate, constrain our ability to back other types of French works – drama, comedy, unscripted – and do so only for streamers, while traditional broadcasters are spared.” – Deadline

    • White House’s “Report” Criticizing Smithsonian History Is Riddled With Errors

      The report often doesn’t even bother to engage with many of the claims it ridicules — like obvious and well-documented facts about anti-Chinese sentiment in post-Civil War America — or takes them as self-evident proof that the Smithsonian is misrepresenting history. – Washington Post

    • How AI Is Changing How Humans Write

      The problem is that not only does AI train on human writing, but humans are stylistically influenced by AI, the interplay creating a kind of linguistic hall of mirrors. Short of an author admitting it, it’s hard to say for certain whether an individual piece of writing is AI or not. That uncertainty is a recipe for paranoia. – The Guardian

    • This Year’s Black British Theatre Awards Are Cancelled

      In a statement released on social media, the organisers said: “To Our BBTA Community, due to unforeseen circumstances, we have made the difficult decision not to hold the Black British Theatre Awards ceremony in 2026. We know this will be disappointing news … and it was not a decision we took lightly.” – WhatsOnStage (UK)

    ISSUES

    MEDIA

    MUSIC

    PEOPLE

    • When Tamara Rojo Danced With Robots

      Such an opportunity was bound to present itself to the director of San Francisco Ballet in the 2020s. It’s no surprise that she took the opportunity — but what she has to say about the experience, while quite perspicacious, isn’t much of a surprise either. – The Times (UK)

    • Netflix Challenges France’s Requirement On What It Spends On Production In France

      “These new rules cross a line,” claims the streaming giant. “They attempt to fix in law the exact genre balance of our slate, constrain our ability to back other types of French works – drama, comedy, unscripted – and do so only for streamers, while traditional broadcasters are spared.” – Deadline

    • White House’s “Report” Criticizing Smithsonian History Is Riddled With Errors

      The report often doesn’t even bother to engage with many of the claims it ridicules — like obvious and well-documented facts about anti-Chinese sentiment in post-Civil War America — or takes them as self-evident proof that the Smithsonian is misrepresenting history. – Washington Post

    • How AI Is Changing How Humans Write

      The problem is that not only does AI train on human writing, but humans are stylistically influenced by AI, the interplay creating a kind of linguistic hall of mirrors. Short of an author admitting it, it’s hard to say for certain whether an individual piece of writing is AI or not. That uncertainty is a recipe for paranoia. – The Guardian

    • This Year’s Black British Theatre Awards Are Cancelled

      In a statement released on social media, the organisers said: “To Our BBTA Community, due to unforeseen circumstances, we have made the difficult decision not to hold the Black British Theatre Awards ceremony in 2026. We know this will be disappointing news … and it was not a decision we took lightly.” – WhatsOnStage (UK)

    PEOPLE

    • When Tamara Rojo Danced With Robots

      Such an opportunity was bound to present itself to the director of San Francisco Ballet in the 2020s. It’s no surprise that she took the opportunity — but what she has to say about the experience, while quite perspicacious, isn’t much of a surprise either. – The Times (UK)

    • Netflix Challenges France’s Requirement On What It Spends On Production In France

      “These new rules cross a line,” claims the streaming giant. “They attempt to fix in law the exact genre balance of our slate, constrain our ability to back other types of French works – drama, comedy, unscripted – and do so only for streamers, while traditional broadcasters are spared.” – Deadline

    • White House’s “Report” Criticizing Smithsonian History Is Riddled With Errors

      The report often doesn’t even bother to engage with many of the claims it ridicules — like obvious and well-documented facts about anti-Chinese sentiment in post-Civil War America — or takes them as self-evident proof that the Smithsonian is misrepresenting history. – Washington Post

    • How AI Is Changing How Humans Write

      The problem is that not only does AI train on human writing, but humans are stylistically influenced by AI, the interplay creating a kind of linguistic hall of mirrors. Short of an author admitting it, it’s hard to say for certain whether an individual piece of writing is AI or not. That uncertainty is a recipe for paranoia. – The Guardian

    • This Year’s Black British Theatre Awards Are Cancelled

      In a statement released on social media, the organisers said: “To Our BBTA Community, due to unforeseen circumstances, we have made the difficult decision not to hold the Black British Theatre Awards ceremony in 2026. We know this will be disappointing news … and it was not a decision we took lightly.” – WhatsOnStage (UK)

    THEATRE

      VISUAL

      WORDS