ArtsJournal Classic

AJ Four Ways: Text Only (by date) | headlines only

DANCE

    IDEAS

    • Nobody Boos At A Screen

      Good Morning,

      The U.S. has lost a fifth of its movie theaters and nearly a third of its bowling alleys since 2001 (Fortune). That’s not a taste story, it’s an infrastructure one — the places where strangers used to end up sitting next to each other are disappearing.

      The consequence shows up inside the rooms still standing: moviegoing has stopped being habit meeting spontaneity, and the question of what to see has collapsed into whether to go at all (The Atlantic). Instagram, meanwhile, is building a TV app on the theory that private scrolling becomes a shared activity if you move it to the big screen (The Atlantic).

      But a room still does something a feed can’t. Bayreuth audiences booed the AI-assembled projections in a Wagner staging (Los Angeles Times). Some additional evidence: remembering sequences, processing music and staying present with other people is exactly the demand researchers think helps hold dementia off (Harper’s Bazaar).

      All of our stories below.

    • A Boston Symphony Lesson: Limits Of A Music Critic?

      The answer cannot simply be that the critic is more objective. Objectivity is valuable, but proximity matters as well. Critics attend performances. Audiences hear concerts. Administrators oversee institutions. But only the musicians experience the entire artistic relationship. – Orlando Alonso

    • Sonny Rollins — A Generation Of Change

      He was the last major figure to work in almost every era of jazz history: swing, bebop, hard bop, free, fusion. He was the terminal representative of the American music we call jazz, the final titan to fall. It’s unclear whether the music can still sustain the spontaneity and power that he and his peers represented. – n+1

    • Guardrails For AI Didn’t Work. So Bring In The Philosophers

      “Efforts [to stop the generation of harmful content] were initially focused around putting in simple black-and-white guardrails, such as forbidding a model from talking about bombs entirely. But these proved clumsy and easy to circumvent. Now, companies are pursuing methods that lean heavily on a philosophical understanding of right and wrong.” – The AI Humanist

    • Bayreuth Audiences Boo Use Of AI In Wagner Performance

      The collage that the technology projected onstage puzzled the audience, DPA reported, with images including late former German Chancellor Helmut Kohl, the towers of the World Trade Center after the Sept. 11, 2001, attacks, and a special postage stamp marking German reunification in 1990. – Los Angeles Times

    ISSUES

    MEDIA

    MUSIC

    PEOPLE

    • Nobody Boos At A Screen

      Good Morning,

      The U.S. has lost a fifth of its movie theaters and nearly a third of its bowling alleys since 2001 (Fortune). That’s not a taste story, it’s an infrastructure one — the places where strangers used to end up sitting next to each other are disappearing.

      The consequence shows up inside the rooms still standing: moviegoing has stopped being habit meeting spontaneity, and the question of what to see has collapsed into whether to go at all (The Atlantic). Instagram, meanwhile, is building a TV app on the theory that private scrolling becomes a shared activity if you move it to the big screen (The Atlantic).

      But a room still does something a feed can’t. Bayreuth audiences booed the AI-assembled projections in a Wagner staging (Los Angeles Times). Some additional evidence: remembering sequences, processing music and staying present with other people is exactly the demand researchers think helps hold dementia off (Harper’s Bazaar).

      All of our stories below.

    • A Boston Symphony Lesson: Limits Of A Music Critic?

      The answer cannot simply be that the critic is more objective. Objectivity is valuable, but proximity matters as well. Critics attend performances. Audiences hear concerts. Administrators oversee institutions. But only the musicians experience the entire artistic relationship. – Orlando Alonso

    • Sonny Rollins — A Generation Of Change

      He was the last major figure to work in almost every era of jazz history: swing, bebop, hard bop, free, fusion. He was the terminal representative of the American music we call jazz, the final titan to fall. It’s unclear whether the music can still sustain the spontaneity and power that he and his peers represented. – n+1

    • Guardrails For AI Didn’t Work. So Bring In The Philosophers

      “Efforts [to stop the generation of harmful content] were initially focused around putting in simple black-and-white guardrails, such as forbidding a model from talking about bombs entirely. But these proved clumsy and easy to circumvent. Now, companies are pursuing methods that lean heavily on a philosophical understanding of right and wrong.” – The AI Humanist

    • Bayreuth Audiences Boo Use Of AI In Wagner Performance

      The collage that the technology projected onstage puzzled the audience, DPA reported, with images including late former German Chancellor Helmut Kohl, the towers of the World Trade Center after the Sept. 11, 2001, attacks, and a special postage stamp marking German reunification in 1990. – Los Angeles Times

    PEOPLE

    • Nobody Boos At A Screen

      Good Morning,

      The U.S. has lost a fifth of its movie theaters and nearly a third of its bowling alleys since 2001 (Fortune). That’s not a taste story, it’s an infrastructure one — the places where strangers used to end up sitting next to each other are disappearing.

      The consequence shows up inside the rooms still standing: moviegoing has stopped being habit meeting spontaneity, and the question of what to see has collapsed into whether to go at all (The Atlantic). Instagram, meanwhile, is building a TV app on the theory that private scrolling becomes a shared activity if you move it to the big screen (The Atlantic).

      But a room still does something a feed can’t. Bayreuth audiences booed the AI-assembled projections in a Wagner staging (Los Angeles Times). Some additional evidence: remembering sequences, processing music and staying present with other people is exactly the demand researchers think helps hold dementia off (Harper’s Bazaar).

      All of our stories below.

    • A Boston Symphony Lesson: Limits Of A Music Critic?

      The answer cannot simply be that the critic is more objective. Objectivity is valuable, but proximity matters as well. Critics attend performances. Audiences hear concerts. Administrators oversee institutions. But only the musicians experience the entire artistic relationship. – Orlando Alonso

    • Sonny Rollins — A Generation Of Change

      He was the last major figure to work in almost every era of jazz history: swing, bebop, hard bop, free, fusion. He was the terminal representative of the American music we call jazz, the final titan to fall. It’s unclear whether the music can still sustain the spontaneity and power that he and his peers represented. – n+1

    • Guardrails For AI Didn’t Work. So Bring In The Philosophers

      “Efforts [to stop the generation of harmful content] were initially focused around putting in simple black-and-white guardrails, such as forbidding a model from talking about bombs entirely. But these proved clumsy and easy to circumvent. Now, companies are pursuing methods that lean heavily on a philosophical understanding of right and wrong.” – The AI Humanist

    • Bayreuth Audiences Boo Use Of AI In Wagner Performance

      The collage that the technology projected onstage puzzled the audience, DPA reported, with images including late former German Chancellor Helmut Kohl, the towers of the World Trade Center after the Sept. 11, 2001, attacks, and a special postage stamp marking German reunification in 1990. – Los Angeles Times

    THEATRE

      VISUAL

      • Guardrails For AI Didn’t Work. So Bring In The Philosophers

        “Efforts [to stop the generation of harmful content] were initially focused around putting in simple black-and-white guardrails, such as forbidding a model from talking about bombs entirely. But these proved clumsy and easy to circumvent. Now, companies are pursuing methods that lean heavily on a philosophical understanding of right and wrong.” – The AI Humanist

      • America Is Losing Its Public Gathering Spaces

        According to its Quarterly Census of Employment and Wages—which counts business establishments by industry down to the county level going back to 1990—the U.S. has lost a fifth of its movie theaters and nearly a third of its bowling alleys since 2001. – Fortune

      • Google Briefly Allowed AI Manipulation Of Google Earth Satellite Images. Bad Idea

        Google briefly allowed anyone to create AI-modified versions of satellite imagery available in Google Earth—before quickly reversing its decision as people shared examples of AI-generated pictures that illustrated the potential for misinformation and disinformation. – Ars Technica

      • Question: Is It Even Possible To Make Non-Creepy Smart Glasses?

        Sure, everyone has phones, but “the phone still needs to be pulled out, held up, and have its camera activated to capture a photo or film a video. Smart glasses, with small built-in cameras and the user’s ability to obfuscate the recording notification, are much sneakier.” – Wired

      • The Power Of Images, Or, How Fake Towns On Maps Sometimes Became Real

        “The logic is simple: two cartographers might easily draw the same real town, but two cartographers can’t independently dream up the same fake one. So if a rival’s map contains the same invented place, it all but proves they copied the map.” – Open Culture

      WORDS