ArtsJournal Classic

AJ Four Ways: Text Only (by date) | headlines only

DANCE

    IDEAS

    • Good Morning

      Today’s AJ highlights: In a move that signals a return to aggressive media management, the Trump White House is targeting late-night hosts like Stephen Colbert and Jimmy Kimmel, calling for “equal time” provisions that could chill political satire on network TV (Los Angeles Times ). This battle over content is mirrored in Russia, where the show Heated Rivalry has become a surprise hit despite—or perhaps because of—calls to purge it from the internet for violating LGBTQ+ censorship laws (Washington Post (MSN) ).

      Domestically, institutions are shedding their history and their homes. The Academy Museum has dissolved its oral history project and laid off staff, a move the union calls a “reckless choice” that abandons the preservation of film legacy (Los Angeles Times (MSN) ). Meanwhile, Sundance is holding its final festival in Park City, preparing to leave its home of 40 years for Boulder without its late founder, Robert Redford (San Francisco Chronicle ).

      We mark the end of an era with the passing of two titans: Marian Goodman, the gallery owner who championed the European avant-garde and prioritized museums over private mansions (The New York Times ), and Beatriz González, the Colombian artist who turned mass-produced culture into critiques of violence (The New York Times ).

      Finally, a check on the digital frontier: Meta has paused teen access to its AI characters, admitting that the current iteration lacks sufficient parental controls (The Verge (Archive Today) ).

      All our stories below.

    • Tom Stoppard’s ‘Leopoldstadt’ Helped This Religion Reporter Uncover Her Own Lost History

      “Stoppard wasn’t telling a story of Nazis and gas chambers; he was exploring the psychological danger of hiding one’s Jewish identity. A month after seeing the play, I decided to fly to London in search of some of my own hidden pieces.” – The Atlantic

    • What To Read Now

      At least according to Ali Smith, whose 2024 book Gliff is such a good, terrifying book about the surveillance state that you’ll think it’s nonfiction. (Her comfort read, should anyone be looking for such a thing for some reason, is Tove Jansson’s The Summer Book.) – The Guardian (UK)

    • Seattle Rep Has Rare Paid Apprenticeships, And Washington State Approves

      “Apprentices can study one of five tracks: directing and artistic programs, lighting design, production management, scenic paint or stage management. The apprenticeships are about 10 months long.” – Seattle Times

    • Marian Goodman, Renowned New York Art Who Helped Bring Post-War European Avant-Garde To Prominence, Has Died At 97

      “Famously loyal to her artists, Ms. Goodman aimed to place their work in museum collections rather than in private mansions. Her priorities could amount to a thorn in the side of collectors.” – The New York Times

    ISSUES

    • Restoring “America’s Notre-Dame” — Which Is In, Of All Places, Kentucky

      The Cathedral Basilica of the Assumption in Covington (across the Ohio River from Cincinnati) is a scaled-down copy of Notre-Dame de Paris on the outside, while the interior is modeled on the French cathedral in St.-Denis. It’s a product of America’s turn-of-the-20th-century Gothic Revival, getting its first restoration in its 125 years. – AP

    • Comic Con Bans AI Art

      “Material created by Artificial Intelligence (A.I.) either partially or wholly, is not allowed in the art show. If there are questions, the Art Show coordinator will be the sole judge of acceptability.” – Artnet

    • Curator Resigns After Nan Goldin Acquisition Voted Down

      A senior curator and two collections committee volunteers have resigned their posts at the Art Gallery of Ontario after the institution voted against acquiring a new slideshow work by the artist Nan Goldin. The purchase was defeated after several members expressed concern about Goldin’s remarks denouncing Israel’s attacks on Gaza as genocide. – Artnet

    • The Remarkable Art In A Building The Federal Government Has Marked For Sale

      What would happen to the murals is an open question, as removing them may prove difficult. Advocates for the building fear that without protections put in place ahead of a sale, the buyer would have no incentive to maintain the historical features inside. – Washington Post

    • The Real Battle For The Smithsonian

      Americans argue about the Smithsonian far more than we would if only its possessions mattered. When our museums of record tell us a story, that story matters enormously. – The Atlantic

    MEDIA

    MUSIC

    PEOPLE

    • Good Morning

      Today’s AJ highlights: In a move that signals a return to aggressive media management, the Trump White House is targeting late-night hosts like Stephen Colbert and Jimmy Kimmel, calling for “equal time” provisions that could chill political satire on network TV (Los Angeles Times ). This battle over content is mirrored in Russia, where the show Heated Rivalry has become a surprise hit despite—or perhaps because of—calls to purge it from the internet for violating LGBTQ+ censorship laws (Washington Post (MSN) ).

      Domestically, institutions are shedding their history and their homes. The Academy Museum has dissolved its oral history project and laid off staff, a move the union calls a “reckless choice” that abandons the preservation of film legacy (Los Angeles Times (MSN) ). Meanwhile, Sundance is holding its final festival in Park City, preparing to leave its home of 40 years for Boulder without its late founder, Robert Redford (San Francisco Chronicle ).

      We mark the end of an era with the passing of two titans: Marian Goodman, the gallery owner who championed the European avant-garde and prioritized museums over private mansions (The New York Times ), and Beatriz González, the Colombian artist who turned mass-produced culture into critiques of violence (The New York Times ).

      Finally, a check on the digital frontier: Meta has paused teen access to its AI characters, admitting that the current iteration lacks sufficient parental controls (The Verge (Archive Today) ).

      All our stories below.

    • Tom Stoppard’s ‘Leopoldstadt’ Helped This Religion Reporter Uncover Her Own Lost History

      “Stoppard wasn’t telling a story of Nazis and gas chambers; he was exploring the psychological danger of hiding one’s Jewish identity. A month after seeing the play, I decided to fly to London in search of some of my own hidden pieces.” – The Atlantic

    • What To Read Now

      At least according to Ali Smith, whose 2024 book Gliff is such a good, terrifying book about the surveillance state that you’ll think it’s nonfiction. (Her comfort read, should anyone be looking for such a thing for some reason, is Tove Jansson’s The Summer Book.) – The Guardian (UK)

    • Seattle Rep Has Rare Paid Apprenticeships, And Washington State Approves

      “Apprentices can study one of five tracks: directing and artistic programs, lighting design, production management, scenic paint or stage management. The apprenticeships are about 10 months long.” – Seattle Times

    • Marian Goodman, Renowned New York Art Who Helped Bring Post-War European Avant-Garde To Prominence, Has Died At 97

      “Famously loyal to her artists, Ms. Goodman aimed to place their work in museum collections rather than in private mansions. Her priorities could amount to a thorn in the side of collectors.” – The New York Times

    PEOPLE

    • Good Morning

      Today’s AJ highlights: In a move that signals a return to aggressive media management, the Trump White House is targeting late-night hosts like Stephen Colbert and Jimmy Kimmel, calling for “equal time” provisions that could chill political satire on network TV (Los Angeles Times ). This battle over content is mirrored in Russia, where the show Heated Rivalry has become a surprise hit despite—or perhaps because of—calls to purge it from the internet for violating LGBTQ+ censorship laws (Washington Post (MSN) ).

      Domestically, institutions are shedding their history and their homes. The Academy Museum has dissolved its oral history project and laid off staff, a move the union calls a “reckless choice” that abandons the preservation of film legacy (Los Angeles Times (MSN) ). Meanwhile, Sundance is holding its final festival in Park City, preparing to leave its home of 40 years for Boulder without its late founder, Robert Redford (San Francisco Chronicle ).

      We mark the end of an era with the passing of two titans: Marian Goodman, the gallery owner who championed the European avant-garde and prioritized museums over private mansions (The New York Times ), and Beatriz González, the Colombian artist who turned mass-produced culture into critiques of violence (The New York Times ).

      Finally, a check on the digital frontier: Meta has paused teen access to its AI characters, admitting that the current iteration lacks sufficient parental controls (The Verge (Archive Today) ).

      All our stories below.

    • Tom Stoppard’s ‘Leopoldstadt’ Helped This Religion Reporter Uncover Her Own Lost History

      “Stoppard wasn’t telling a story of Nazis and gas chambers; he was exploring the psychological danger of hiding one’s Jewish identity. A month after seeing the play, I decided to fly to London in search of some of my own hidden pieces.” – The Atlantic

    • What To Read Now

      At least according to Ali Smith, whose 2024 book Gliff is such a good, terrifying book about the surveillance state that you’ll think it’s nonfiction. (Her comfort read, should anyone be looking for such a thing for some reason, is Tove Jansson’s The Summer Book.) – The Guardian (UK)

    • Seattle Rep Has Rare Paid Apprenticeships, And Washington State Approves

      “Apprentices can study one of five tracks: directing and artistic programs, lighting design, production management, scenic paint or stage management. The apprenticeships are about 10 months long.” – Seattle Times

    • Marian Goodman, Renowned New York Art Who Helped Bring Post-War European Avant-Garde To Prominence, Has Died At 97

      “Famously loyal to her artists, Ms. Goodman aimed to place their work in museum collections rather than in private mansions. Her priorities could amount to a thorn in the side of collectors.” – The New York Times

    THEATRE

      VISUAL

      • Delroy Lindo Is Getting His First Oscar Nomination At 73

        Many observers expected the actor to get a nod for Da 5 Bloods (as did the actor). There’s an easy answer about why he didn’t get a nod – it even has a hashtag – but there’s a more complex question about his characters and the movies he starred in. – The Root

      • AI Art’s Predictable Problem: The Cliché Machine Cranks On

        As algorithms churn out endless variations on tired themes, human artists are discovering their secret weapon isn’t perfection—it’s the beautiful, messy unpredictability that no code can replicate. — Aeon

      • Justice System Meets Its Deepfake Moment

        When seeing is no longer believing, Canadian courts face an existential crisis: how do you prove what’s real when reality itself can be manufactured? The legal system’s analog truth tests meet digital deception. — The Walrus

      • Why Movies Launch And Music Drops

        A key reason why it’s now more complicated to promote an album than, say, a theatrically released film, is the ephemeral, immaterial nature of contemporary music consumption.  By comparison, most films that see a theatrical release maintain a predictable, streamlined promotional schedule. – The New Yorker

      • How We Lost The Art Of Paying Attention

        Most of us are by now familiar with the broad mechanisms of the “attention economy” – the hijacking and monetising of consumer attention through addictive channels. The ravages of this system are ever more apparent. – The Observer

      WORDS