ArtsJournal Classic

AJ Four Ways: Text Only (by date) | headlines only

DANCE

    IDEAS

    • Good Morning

      Today’s AJ highlights a culture war that has moved from rhetoric to the physical infrastructure of our institutions, where national monuments are being scrubbed of history and the raw materials of knowledge are being shredded for data.

      The epicenter is Washington. Philip Glass has withdrawn the world premiere of his Symphony No. 15 from the Kennedy Center, explicitly stating that the institution’s current values are in “direct conflict” with his portrait of Abraham Lincoln (The Washington Post (Yahoo!)). Donald Trump has taken to Truth Social to wash his hands of the Center’s “massive deficits,” claiming he merely tried to save it (The Daily Beast). The erasing of unwanted narratives is spreading: National Parks have been ordered to remove displays related to climate change and the mistreatment of Native Americans to comply with directives on “restoring truth” (Washington Post).

      In the digital realm, the cost of “synthetic” culture is becoming real. Court filings reveal that Anthropic spent millions to slice the spines off books to feed its AI models (Washington Post), a stunningly destructive act. And for what — researchers say this ingestion has produced synthetic culture akin to “visual elevator music”—polished, pleasant, and ultimately stagnant (The Conversation).

      Finally, the economic landscape is forcing a patchwork of hard choices. While museums across the U.S. are rethinking their strategies amid funding cuts and attendance drops (The Art Newspaper), and the Cliburn Amateur Piano Competition is shutting down for good (The Violin Channel), Broadway has found a rare exception: “The Outsiders” has defied the odds for new musicals by officially turning a profit (The New York Times).

      All of today’s stories below.

    • Finally, A New Broadway Musical Is Turning A Profit

      The Outsiders, … which opened in April 2024 and won the Tony Award for best new musical two months later, has recouped its $22 million capitalization costs. … The milestone, though occasionally achieved by plays and musical revivals, is an increasingly rare one for new musicals.” – The New York Times

    • Study: AI “Creativity” Leads To Cultural Stagnation

      The researchers called the outcomes “visual elevator music” – pleasant and polished, yet devoid of any real meaning. – The Conversation

    • Trump Tries To Shift Blame For “Massive Deficit” At Kennedy Center

      He posted on Truth Social, referring to cascading cancellations and plummeting ticket sales, “People don’t realize that The Trump Kennedy Center suffered massive deficits for many years and, like everything else, I merely came in to save it and, if possible, make it far better than ever before!” – The Daily Beast

    • It’s An Old Question, But Let’s Consider Art Versus Entertainment

      Entertainment is about diversion and pleasure. Fun. It occupies our attention, distracts us from boredom, and amuses. But many things in life can do that: food, games, conversation, idle distractions. If we define art solely as entertainment, we risk conflating it with any activity that gives pleasure, and end up with nothing distinctive about art. – 3Quarks Daily

    ISSUES

    MEDIA

    MUSIC

    PEOPLE

    • Good Morning

      Today’s AJ highlights a culture war that has moved from rhetoric to the physical infrastructure of our institutions, where national monuments are being scrubbed of history and the raw materials of knowledge are being shredded for data.

      The epicenter is Washington. Philip Glass has withdrawn the world premiere of his Symphony No. 15 from the Kennedy Center, explicitly stating that the institution’s current values are in “direct conflict” with his portrait of Abraham Lincoln (The Washington Post (Yahoo!)). Donald Trump has taken to Truth Social to wash his hands of the Center’s “massive deficits,” claiming he merely tried to save it (The Daily Beast). The erasing of unwanted narratives is spreading: National Parks have been ordered to remove displays related to climate change and the mistreatment of Native Americans to comply with directives on “restoring truth” (Washington Post).

      In the digital realm, the cost of “synthetic” culture is becoming real. Court filings reveal that Anthropic spent millions to slice the spines off books to feed its AI models (Washington Post), a stunningly destructive act. And for what — researchers say this ingestion has produced synthetic culture akin to “visual elevator music”—polished, pleasant, and ultimately stagnant (The Conversation).

      Finally, the economic landscape is forcing a patchwork of hard choices. While museums across the U.S. are rethinking their strategies amid funding cuts and attendance drops (The Art Newspaper), and the Cliburn Amateur Piano Competition is shutting down for good (The Violin Channel), Broadway has found a rare exception: “The Outsiders” has defied the odds for new musicals by officially turning a profit (The New York Times).

      All of today’s stories below.

    • Finally, A New Broadway Musical Is Turning A Profit

      The Outsiders, … which opened in April 2024 and won the Tony Award for best new musical two months later, has recouped its $22 million capitalization costs. … The milestone, though occasionally achieved by plays and musical revivals, is an increasingly rare one for new musicals.” – The New York Times

    • Study: AI “Creativity” Leads To Cultural Stagnation

      The researchers called the outcomes “visual elevator music” – pleasant and polished, yet devoid of any real meaning. – The Conversation

    • Trump Tries To Shift Blame For “Massive Deficit” At Kennedy Center

      He posted on Truth Social, referring to cascading cancellations and plummeting ticket sales, “People don’t realize that The Trump Kennedy Center suffered massive deficits for many years and, like everything else, I merely came in to save it and, if possible, make it far better than ever before!” – The Daily Beast

    • It’s An Old Question, But Let’s Consider Art Versus Entertainment

      Entertainment is about diversion and pleasure. Fun. It occupies our attention, distracts us from boredom, and amuses. But many things in life can do that: food, games, conversation, idle distractions. If we define art solely as entertainment, we risk conflating it with any activity that gives pleasure, and end up with nothing distinctive about art. – 3Quarks Daily

    PEOPLE

    • Good Morning

      Today’s AJ highlights a culture war that has moved from rhetoric to the physical infrastructure of our institutions, where national monuments are being scrubbed of history and the raw materials of knowledge are being shredded for data.

      The epicenter is Washington. Philip Glass has withdrawn the world premiere of his Symphony No. 15 from the Kennedy Center, explicitly stating that the institution’s current values are in “direct conflict” with his portrait of Abraham Lincoln (The Washington Post (Yahoo!)). Donald Trump has taken to Truth Social to wash his hands of the Center’s “massive deficits,” claiming he merely tried to save it (The Daily Beast). The erasing of unwanted narratives is spreading: National Parks have been ordered to remove displays related to climate change and the mistreatment of Native Americans to comply with directives on “restoring truth” (Washington Post).

      In the digital realm, the cost of “synthetic” culture is becoming real. Court filings reveal that Anthropic spent millions to slice the spines off books to feed its AI models (Washington Post), a stunningly destructive act. And for what — researchers say this ingestion has produced synthetic culture akin to “visual elevator music”—polished, pleasant, and ultimately stagnant (The Conversation).

      Finally, the economic landscape is forcing a patchwork of hard choices. While museums across the U.S. are rethinking their strategies amid funding cuts and attendance drops (The Art Newspaper), and the Cliburn Amateur Piano Competition is shutting down for good (The Violin Channel), Broadway has found a rare exception: “The Outsiders” has defied the odds for new musicals by officially turning a profit (The New York Times).

      All of today’s stories below.

    • Finally, A New Broadway Musical Is Turning A Profit

      The Outsiders, … which opened in April 2024 and won the Tony Award for best new musical two months later, has recouped its $22 million capitalization costs. … The milestone, though occasionally achieved by plays and musical revivals, is an increasingly rare one for new musicals.” – The New York Times

    • Study: AI “Creativity” Leads To Cultural Stagnation

      The researchers called the outcomes “visual elevator music” – pleasant and polished, yet devoid of any real meaning. – The Conversation

    • Trump Tries To Shift Blame For “Massive Deficit” At Kennedy Center

      He posted on Truth Social, referring to cascading cancellations and plummeting ticket sales, “People don’t realize that The Trump Kennedy Center suffered massive deficits for many years and, like everything else, I merely came in to save it and, if possible, make it far better than ever before!” – The Daily Beast

    • It’s An Old Question, But Let’s Consider Art Versus Entertainment

      Entertainment is about diversion and pleasure. Fun. It occupies our attention, distracts us from boredom, and amuses. But many things in life can do that: food, games, conversation, idle distractions. If we define art solely as entertainment, we risk conflating it with any activity that gives pleasure, and end up with nothing distinctive about art. – 3Quarks Daily

    THEATRE

      VISUAL

      WORDS