ArtsJournal Classic

AJ Four Ways: Text Only (by date) | headlines only

DANCE

    IDEAS

    • The Washington Ballet At 50

      “Go-Go 50,” the upcoming mixed-bill program assembled to celebrate the anniversary, “exemplifies some of the company’s hallmarks: a willingness to gamble on new work, an embrace of diverse repertoire, and an ability to capitalize on the culture and cachet of its hometown.” – The Washington Post (MSN)

    • Donors Are Trying To Save Artworks At The Kennedy Center

      Donors who have given artwork to the institution are trying to reclaim their gifts, fearing for their safety amid a renovation and in the wake of layoffs. They are not convinced that the leadership, largely appointed by Trump, values the artworks as part of the institution’s holdings. – ARTnews

    • What Got The Hollywood Establishment To Join The Vertical Microdrama Boom? SAG-AFTRA

      “SAG-AFTRA’s independent Verticals Agreement helped open the door for producers to hire union performers for the format’s notoriously small-scale productions. They’ve also brought some structure and legitimacy to the medium. … Bigger-name talent is now more open to verticals thanks to the protections the agreement brings.” – TheWrap (MSN)

    • How Intuition Works

      The key is to see that intuition works in much the same way as perception, in that both can directly present something to us as actual. Once we understand what gives perception this feature, we can see why intuitions might involve exercising the same basic kind of cognitive capacity. – Aeon

    • Shakespeare And The Work Of Black Women

      In the Folger’s newest exhibition To Hear Her Speak: Black Women and Shakespeare, curated by Akhimie, more than 400 years of Black women’s engagement with Shakespeare is collectively explored for the first time, illuminating the ways in which Black women have claimed and reimagined the works of Shakespeare through scholarship and craft. – The Guardian

    ISSUES

    MEDIA

    MUSIC

    PEOPLE

    • The Washington Ballet At 50

      “Go-Go 50,” the upcoming mixed-bill program assembled to celebrate the anniversary, “exemplifies some of the company’s hallmarks: a willingness to gamble on new work, an embrace of diverse repertoire, and an ability to capitalize on the culture and cachet of its hometown.” – The Washington Post (MSN)

    • Donors Are Trying To Save Artworks At The Kennedy Center

      Donors who have given artwork to the institution are trying to reclaim their gifts, fearing for their safety amid a renovation and in the wake of layoffs. They are not convinced that the leadership, largely appointed by Trump, values the artworks as part of the institution’s holdings. – ARTnews

    • What Got The Hollywood Establishment To Join The Vertical Microdrama Boom? SAG-AFTRA

      “SAG-AFTRA’s independent Verticals Agreement helped open the door for producers to hire union performers for the format’s notoriously small-scale productions. They’ve also brought some structure and legitimacy to the medium. … Bigger-name talent is now more open to verticals thanks to the protections the agreement brings.” – TheWrap (MSN)

    • How Intuition Works

      The key is to see that intuition works in much the same way as perception, in that both can directly present something to us as actual. Once we understand what gives perception this feature, we can see why intuitions might involve exercising the same basic kind of cognitive capacity. – Aeon

    • Shakespeare And The Work Of Black Women

      In the Folger’s newest exhibition To Hear Her Speak: Black Women and Shakespeare, curated by Akhimie, more than 400 years of Black women’s engagement with Shakespeare is collectively explored for the first time, illuminating the ways in which Black women have claimed and reimagined the works of Shakespeare through scholarship and craft. – The Guardian

    PEOPLE

    • The Washington Ballet At 50

      “Go-Go 50,” the upcoming mixed-bill program assembled to celebrate the anniversary, “exemplifies some of the company’s hallmarks: a willingness to gamble on new work, an embrace of diverse repertoire, and an ability to capitalize on the culture and cachet of its hometown.” – The Washington Post (MSN)

    • Donors Are Trying To Save Artworks At The Kennedy Center

      Donors who have given artwork to the institution are trying to reclaim their gifts, fearing for their safety amid a renovation and in the wake of layoffs. They are not convinced that the leadership, largely appointed by Trump, values the artworks as part of the institution’s holdings. – ARTnews

    • What Got The Hollywood Establishment To Join The Vertical Microdrama Boom? SAG-AFTRA

      “SAG-AFTRA’s independent Verticals Agreement helped open the door for producers to hire union performers for the format’s notoriously small-scale productions. They’ve also brought some structure and legitimacy to the medium. … Bigger-name talent is now more open to verticals thanks to the protections the agreement brings.” – TheWrap (MSN)

    • How Intuition Works

      The key is to see that intuition works in much the same way as perception, in that both can directly present something to us as actual. Once we understand what gives perception this feature, we can see why intuitions might involve exercising the same basic kind of cognitive capacity. – Aeon

    • Shakespeare And The Work Of Black Women

      In the Folger’s newest exhibition To Hear Her Speak: Black Women and Shakespeare, curated by Akhimie, more than 400 years of Black women’s engagement with Shakespeare is collectively explored for the first time, illuminating the ways in which Black women have claimed and reimagined the works of Shakespeare through scholarship and craft. – The Guardian

    THEATRE

      VISUAL

      • How Intuition Works

        The key is to see that intuition works in much the same way as perception, in that both can directly present something to us as actual. Once we understand what gives perception this feature, we can see why intuitions might involve exercising the same basic kind of cognitive capacity. – Aeon

      • Brewster Kahle: Why The Internet Needs A Memory

        Many people assume that once something is published online, it will remain forever retrievable. The saying that “the internet never forgets” has produced a dangerously false sense of permanence. In reality, the internet forgets continuously. Websites are constantly revised, deleted, and abandoned altogether. – The Atlantic

      • The Harms Of Zombie Copyright

        Fifty years ago today, copyright law in America changed fundamentally. That change was an accidental disaster for both creators and the culture they create. – Lawrence Lessig

      • Does AI Collapse The Need To Get Bigger?

        AI is making enterprise-grade capabilities available to companies that are a fraction of the size and without all of the bureaucratic weight that historically came along with it. If Goldberg is right, the rules of competition are changing for good, and companies no longer need to be big to compete. – Wired

      • Creating Art In A Time Of International And Creative Crisis

        Elif Shafak’s latest book “arose out of our own historical moment, which Shafak has dubbed ‘The age of three As: Angst, Anger and AI.’” – The Guardian (UK)

      WORDS