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    IDEAS

    • The Met Opera Needed a Director Yesterday

      Good Morning,

      The Met Opera opens its season Tuesday with a new Macbeth directed by Louisa Proske, co-founder of Heartbeat Opera, the small New York company she has run since 2014. She got the job less than a year out, after the original director withdrew; new Met productions are normally planned two or more years ahead (The New York Times).

      Arts Council England’s new chair, Dawn Airey, a former Channel 5 chief, released the council’s first survey of children’s cultural life: in the past year 52% had been to a museum, 26% to a gallery, 22% to a live music event, and 32% named cost as what kept them away. Not good enough, she says. She found the ACE office “quiet, a little bit subdued” and wants it to “be loud” (The Guardian).

      MrBeast, with 515 million YouTube subscribers, and James Patterson, with 425 million books sold, published a novel together. It sold 22,646 copies in its first week; Patterson’s previous co-written book, with Viola Davis, sold 57,454 (Ben Liebmann, LinkedIn). So the world’s biggest YouTube star doesn’t translate into books?

      Jared Harbour, a theatre writer on Substack, obtained the capitalization documents for Second Stage’s The Fantasticks: investors’ $1 million is booked as a “non-recourse loan” to the nonprofit, and their 25.6% profit share is exactly $1 million divided by the $3.91 million budget (Jared Harbour). What, he asks, actually is the business model for non-profit theatre?

      More than 100 children auditioned for José Mateo Ballet Theatre’s 38th Nutcracker in Cambridge, Massachusetts. One 7-year-old’s dream role is a rat: “it makes you laugh a lot” (Boston Globe).

      All of our stories below.

    • Court Rules Investigators Overstepped In Seizing Art Institute Of Chicago Drawing

      In a blow to New York investigators, an appellate court has found they inappropriately cited a penal law to seize an Egon Schiele drawing from the Art Institute of Chicago. – The New York Times

    • New UK Company Will Recreate Famous Concerts With Hyper-Realistic Digital Avatars In Any Space

      The former chief executive of Andrew Lloyd Webber’s entertainment group has obtained a near-£15m investment for his UK music tech startup that hopes to recreate classic concerts by manifesting musicians as digital avatars. – The Guardian

    • Daily Mirror Publisher Cuts Jobs As Web Traffic Plummets Because Of AI

      The company said earlier this year that a slump in overall digital page views had been driven by a 46% year-on-year decline in traffic from Google as features such as Google’s AI Mode and AI Overviews negate the need for readers to click through to its websites. – The Guardian

    • One Man’s Quest To Understand Theatre Economics

      If these institutions were really facing an existential financial situation, “they’re acting commercial” wasn’t much of a fair, nor novel, accusation. The question soon turned to: Once commercial capital entered the nonprofit stream, whose risk did the nonprofit’s advantages reduce, and who captured the resulting value? – Jared Harbour

    ISSUES

    MEDIA

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    PEOPLE

    • The Met Opera Needed a Director Yesterday

      Good Morning,

      The Met Opera opens its season Tuesday with a new Macbeth directed by Louisa Proske, co-founder of Heartbeat Opera, the small New York company she has run since 2014. She got the job less than a year out, after the original director withdrew; new Met productions are normally planned two or more years ahead (The New York Times).

      Arts Council England’s new chair, Dawn Airey, a former Channel 5 chief, released the council’s first survey of children’s cultural life: in the past year 52% had been to a museum, 26% to a gallery, 22% to a live music event, and 32% named cost as what kept them away. Not good enough, she says. She found the ACE office “quiet, a little bit subdued” and wants it to “be loud” (The Guardian).

      MrBeast, with 515 million YouTube subscribers, and James Patterson, with 425 million books sold, published a novel together. It sold 22,646 copies in its first week; Patterson’s previous co-written book, with Viola Davis, sold 57,454 (Ben Liebmann, LinkedIn). So the world’s biggest YouTube star doesn’t translate into books?

      Jared Harbour, a theatre writer on Substack, obtained the capitalization documents for Second Stage’s The Fantasticks: investors’ $1 million is booked as a “non-recourse loan” to the nonprofit, and their 25.6% profit share is exactly $1 million divided by the $3.91 million budget (Jared Harbour). What, he asks, actually is the business model for non-profit theatre?

      More than 100 children auditioned for José Mateo Ballet Theatre’s 38th Nutcracker in Cambridge, Massachusetts. One 7-year-old’s dream role is a rat: “it makes you laugh a lot” (Boston Globe).

      All of our stories below.

    • Court Rules Investigators Overstepped In Seizing Art Institute Of Chicago Drawing

      In a blow to New York investigators, an appellate court has found they inappropriately cited a penal law to seize an Egon Schiele drawing from the Art Institute of Chicago. – The New York Times

    • New UK Company Will Recreate Famous Concerts With Hyper-Realistic Digital Avatars In Any Space

      The former chief executive of Andrew Lloyd Webber’s entertainment group has obtained a near-£15m investment for his UK music tech startup that hopes to recreate classic concerts by manifesting musicians as digital avatars. – The Guardian

    • Daily Mirror Publisher Cuts Jobs As Web Traffic Plummets Because Of AI

      The company said earlier this year that a slump in overall digital page views had been driven by a 46% year-on-year decline in traffic from Google as features such as Google’s AI Mode and AI Overviews negate the need for readers to click through to its websites. – The Guardian

    • One Man’s Quest To Understand Theatre Economics

      If these institutions were really facing an existential financial situation, “they’re acting commercial” wasn’t much of a fair, nor novel, accusation. The question soon turned to: Once commercial capital entered the nonprofit stream, whose risk did the nonprofit’s advantages reduce, and who captured the resulting value? – Jared Harbour

    PEOPLE

    • The Met Opera Needed a Director Yesterday

      Good Morning,

      The Met Opera opens its season Tuesday with a new Macbeth directed by Louisa Proske, co-founder of Heartbeat Opera, the small New York company she has run since 2014. She got the job less than a year out, after the original director withdrew; new Met productions are normally planned two or more years ahead (The New York Times).

      Arts Council England’s new chair, Dawn Airey, a former Channel 5 chief, released the council’s first survey of children’s cultural life: in the past year 52% had been to a museum, 26% to a gallery, 22% to a live music event, and 32% named cost as what kept them away. Not good enough, she says. She found the ACE office “quiet, a little bit subdued” and wants it to “be loud” (The Guardian).

      MrBeast, with 515 million YouTube subscribers, and James Patterson, with 425 million books sold, published a novel together. It sold 22,646 copies in its first week; Patterson’s previous co-written book, with Viola Davis, sold 57,454 (Ben Liebmann, LinkedIn). So the world’s biggest YouTube star doesn’t translate into books?

      Jared Harbour, a theatre writer on Substack, obtained the capitalization documents for Second Stage’s The Fantasticks: investors’ $1 million is booked as a “non-recourse loan” to the nonprofit, and their 25.6% profit share is exactly $1 million divided by the $3.91 million budget (Jared Harbour). What, he asks, actually is the business model for non-profit theatre?

      More than 100 children auditioned for José Mateo Ballet Theatre’s 38th Nutcracker in Cambridge, Massachusetts. One 7-year-old’s dream role is a rat: “it makes you laugh a lot” (Boston Globe).

      All of our stories below.

    • Court Rules Investigators Overstepped In Seizing Art Institute Of Chicago Drawing

      In a blow to New York investigators, an appellate court has found they inappropriately cited a penal law to seize an Egon Schiele drawing from the Art Institute of Chicago. – The New York Times

    • New UK Company Will Recreate Famous Concerts With Hyper-Realistic Digital Avatars In Any Space

      The former chief executive of Andrew Lloyd Webber’s entertainment group has obtained a near-£15m investment for his UK music tech startup that hopes to recreate classic concerts by manifesting musicians as digital avatars. – The Guardian

    • Daily Mirror Publisher Cuts Jobs As Web Traffic Plummets Because Of AI

      The company said earlier this year that a slump in overall digital page views had been driven by a 46% year-on-year decline in traffic from Google as features such as Google’s AI Mode and AI Overviews negate the need for readers to click through to its websites. – The Guardian

    • One Man’s Quest To Understand Theatre Economics

      If these institutions were really facing an existential financial situation, “they’re acting commercial” wasn’t much of a fair, nor novel, accusation. The question soon turned to: Once commercial capital entered the nonprofit stream, whose risk did the nonprofit’s advantages reduce, and who captured the resulting value? – Jared Harbour

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