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Terry Teachout on the arts in New York City

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If it can’t be good…

October 6, 2016 by Terry Teachout

In today’s Wall Street Journal “Sightings” column I speak out in support of shorter theatrical performances—and cutting the classics. Here’s an excerpt.

* * *

The Metropolitan Opera will be broadcasting its much-discussed new production of Richard Wagner’s “Tristan und Isolde” in movie theaters on Oct. 8. Not being a Wagner buff, I won’t be there, but even if I did care to see it, I’d likely find it daunting that the official running time of the telecast is five hours and 15 minutes. Even with popcorn, that’s a long, long slog. Most popular operas, of course, are considerably shorter: The Met’s production of Puccini’s “La Bohème” runs for a hair under three hours, counting two half-hour intermissions. But given the fact that today’s audiences have more claims on their time and attention than ever before, it’s hard not to suspect that grand opera—like the performing arts in general—is swimming upstream against a rising tide of impatience….

sweeney-todd-voMy own taste for terseness has been shaped by the fact that I attend some 100 plays each year in my capacity as The Wall Street Journal’s drama critic, which often leads me to utter what I call the Drama Critic’s Prayer: “Dear God, if it can’t be good, let it be short.” You don’t have to be a critic to feel that way. Terence Rattigan, England’s master of the well-made play, predicted back in the ‘50s that younger playgoers conditioned by movies and TV would eventually start to chafe at the three-hour-two-intermission running time that was then the theatrical norm. According to Michael Darlow, his biographer, Rattigan “forecast the development of generally shorter plays…with running times of 60 to 80 minutes.” Sure enough, it’s now common for straight plays to run for an hour and a half with no intermission….

It’s worth keeping in mind, incidentally, that Shakespeare’s longer plays are normally staged in abridged versions. To see an uncut four-and-a-half-hour “Hamlet” is an extreme rarity. Now that the plays of such notoriously long-winded writers as Eugene O’Neill and George Bernard Shaw are going out of copyright, it’s becoming increasingly common for them to also be presented in shortened versions, a development of which I wholeheartedly approve. I’ve seen Shaw’s “Heartbreak House” and O’Neill’s “Long Day’s Journey Into Night” done both ways, and I think they work far better with cuts.

So why not abridge longer operas as well? In fact, it used to be customary for opera houses to do so, and the practice continues to this day in many houses….

* * *

Read the whole thing here.

So you want to see a show?

October 6, 2016 by Terry Teachout

Here’s my list of recommended Broadway, off-Broadway, and out-of-town shows, updated weekly. In all cases, I gave these shows favorable reviews (if sometimes qualifiedly so) in The Wall Street Journal when they opened. For more information, click on the title.

BROADWAY:
• An American in Paris (musical, G, too complex for small children, closes Jan. 1, reviewed here)
• The Color Purple (musical, PG-13, some performances sold out last week, reviewed here)
20150908-tdv-theencounter-csamuel_rubio-29-hr• The Encounter (one-man immersive drama, PG-13, many performances sold out last week, closes Jan. 8, reviewed here)
• Hamilton (musical, PG-13, Broadway transfer of off-Broadway production, all performances sold out last week, reviewed here)
• Matilda (musical, G, closes Jan. 1, reviewed here)
• On Your Feet! (jukebox musical, G, reviewed here)

OFF BROADWAY:
• The Fantasticks (musical, G, suitable for children capable of enjoying a love story, reviewed here)
• Sense & Sensibility (serious romantic comedy, G, remounting of 2014 off-Broadway production, closes Nov. 20, original production reviewed here)

CLOSING SOON IN WASHINGTON, D.C.:
• Sense & Sensibility (serious romantic comedy, G, remounting of 2014 off-Broadway production, closes Oct. 30, original production reviewed here)

CLOSING SOON OFF BROADWAY:
• A Day by the Sea (drama, G, not suitable for children, newly extended through Oct. 30, reviewed here)
• A Taste of Honey (drama, PG-13, newly extended through Oct. 30, reviewed here)

CLOSING NEXT WEEK IN TYSON, VA.:
• Lobby Hero (drama, PG-13, closes Oct. 16, reviewed here)

CLOSING SUNDAY IN CHICAGO:
• Tug of War: Civil Strife (Shakespeare, PG-13, six-hour marathon staging of Henry VI, Parts Two and Three and Richard III, reviewed here)

CLOSING TONIGHT OFF BROADWAY:
• Fiorello! (musical, G, off-Broadway transfer of 2016 regional revival, original production reviewed here)

Almanac: Louis Armstrong on retirement

October 6, 2016 by Terry Teachout

INK BOTTLE“I get outa that bed every day, see? I make a good salary and my horn still sounds good. And I feel good. So I don’t think nobody in the world any richer than I am. Musicians don’t retire. They stop when there’s no more work. We never thought about that in New Orleans. Like we say there, ‘That our hustle,’ you know, a day’s work. But anybody sit down with their money and look at the four walls, they don’t live long; they die. There’s nothin’ I can say other than I’ve set myself up to be a happy man. And—I made it.”

Louis Armstrong (quoted in Ricky Riccardi, What a Wonderful World: The Magic of Louis Armstrong’s Later Years)

Terry Teachout

Terry Teachout, who writes this blog, is the drama critic of The Wall Street Journal and the critic-at-large of Commentary. In addition to his Wall Street Journal drama column and his monthly essays … [Read More...]

About

About “About Last Night”

This is a blog about the arts in New York City and the rest of America, written by Terry Teachout. Terry is a critic, biographer, playwright, director, librettist, recovering musician, and inveterate blogger. In addition to theater, he writes here and elsewhere about all of the other arts--books, … [Read More...]

About My Plays and Opera Libretti

Billy and Me, my second play, received its world premiere on December 8, 2017, at Palm Beach Dramaworks in West Palm Beach, Fla. Satchmo at the Waldorf, my first play, closed off Broadway at the Westside Theatre on June 29, 2014, after 18 previews and 136 performances. That production was directed … [Read More...]

About My Podcast

Peter Marks, Elisabeth Vincentelli, and I are the panelists on “Three on the Aisle,” a bimonthly podcast from New York about theater in America. … [Read More...]

About My Books

My latest book is Duke: A Life of Duke Ellington, published in 2013 by Gotham Books in the U.S. and the Robson Press in England and now available in paperback. I have also written biographies of Louis Armstrong, George Balanchine, and H.L. Mencken, as well as a volume of my collected essays called A … [Read More...]

The Long Goodbye

To read all three installments of "The Long Goodbye," a multi-part posting about the experience of watching a parent die, go here. … [Read More...]

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