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Terry Teachout on the arts in New York City

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Archives for October 14, 2005

TT: Terror, up close and personal

October 14, 2005 by Terry Teachout

Friday again, and time for this week’s Wall Street Journal drama-column teaser. Today I reviewed three plays, one off-off-Broadway production (The Caterers) and two out-of-town shows (King Lear in Boston and Leading Ladies in Washington, D.C.). I gave all three a thumbs-up:

Talk about timely: I saw “The Caterers,” Jonathan Leaf’s new play about an Islamic terrorist and his three hostages, a British filmmaker and a pair of Jewish caterers, a couple of hours after Mayor Bloomberg warned New Yorkers of a possible terrorist assault on the local subway system. The news was still so hot that I had trouble getting a cab to the theater–and “The Caterers” is so nightmarishly believable a portrait of terrorism in action that the friend with whom I saw it had a panic attack when it was over.


Part of my friend’s anxiety arose from the fact that “The Caterers” is being performed by a very fine cast (Judith Hawking is especially strong) in an Off-Off Broadway theater small enough that you can smell the powder whenever Mohammed (Brian Wallace) fires his pistol. But Mr. Leaf’s play, which was inspired by a real-life incident, is wholly plausible in its own right…


Alvin Epstein is best known in Manhattan for his appearances in the plays of Samuel Beckett. He first attracted attention a half-century ago in the Broadway premiere of “Waiting for Godot” and was most recently heard from this February in the Irish Repertory Theatre’s splendid revival of “Endgame.” Now he’s up in Boston, guesting with the Actors’ Shakespeare Project in the best “King Lear” I’ve ever seen on stage….


I have a weakness for the vanilla-ice-cream farces of Ken Ludwig, the latest of which, “Leading Ladies,” is now playing at Washington’s Ford’s Theatre (yes, that Ford’s Theatre). As usual with Mr. Ludwig, this tale of Clark & Gable (Ian Kahn and JD Cullum), two fourth-rate Shakespearean actors who dress up in drag to swindle a small-town heiress (Karen Ziemba) out of an inheritance, is silly, sentimental and efficient to a fault, the fault being that you can see the denouement coming two miles off.


Fortunately, “Leading Ladies” is also funny in a sweet, old-fashioned way that may not have much to do with its purported genre (Mr. Ludwig is too nice a guy to write six-door farce, which thrives on unbridled cruelty) but is agreeable all the same….

As usual, no link. To read the whole thing, buy a copy of this morning’s Journal, or go here to subscribe to the Online Journal, Web-based journalism’s best bargain.


UPDATE: The Journal has just posted a free link to this review. Go here to read the whole thing.

TT: Terror, up close and personal

October 14, 2005 by Terry Teachout

Friday again, and time for this week’s Wall Street Journal drama-column teaser. Today I reviewed three plays, one off-off-Broadway production (The Caterers) and two out-of-town shows (King Lear in Boston and Leading Ladies in Washington, D.C.). I gave all three a thumbs-up:

Talk about timely: I saw “The Caterers,” Jonathan Leaf’s new play about an Islamic terrorist and his three hostages, a British filmmaker and a pair of Jewish caterers, a couple of hours after Mayor Bloomberg warned New Yorkers of a possible terrorist assault on the local subway system. The news was still so hot that I had trouble getting a cab to the theater–and “The Caterers” is so nightmarishly believable a portrait of terrorism in action that the friend with whom I saw it had a panic attack when it was over.


Part of my friend’s anxiety arose from the fact that “The Caterers” is being performed by a very fine cast (Judith Hawking is especially strong) in an Off-Off Broadway theater small enough that you can smell the powder whenever Mohammed (Brian Wallace) fires his pistol. But Mr. Leaf’s play, which was inspired by a real-life incident, is wholly plausible in its own right…


Alvin Epstein is best known in Manhattan for his appearances in the plays of Samuel Beckett. He first attracted attention a half-century ago in the Broadway premiere of “Waiting for Godot” and was most recently heard from this February in the Irish Repertory Theatre’s splendid revival of “Endgame.” Now he’s up in Boston, guesting with the Actors’ Shakespeare Project in the best “King Lear” I’ve ever seen on stage….


I have a weakness for the vanilla-ice-cream farces of Ken Ludwig, the latest of which, “Leading Ladies,” is now playing at Washington’s Ford’s Theatre (yes, that Ford’s Theatre). As usual with Mr. Ludwig, this tale of Clark & Gable (Ian Kahn and JD Cullum), two fourth-rate Shakespearean actors who dress up in drag to swindle a small-town heiress (Karen Ziemba) out of an inheritance, is silly, sentimental and efficient to a fault, the fault being that you can see the denouement coming two miles off.


Fortunately, “Leading Ladies” is also funny in a sweet, old-fashioned way that may not have much to do with its purported genre (Mr. Ludwig is too nice a guy to write six-door farce, which thrives on unbridled cruelty) but is agreeable all the same….

As usual, no link. To read the whole thing, buy a copy of this morning’s Journal, or go here to subscribe to the Online Journal, Web-based journalism’s best bargain.


UPDATE: The Journal has just posted a free link to this review. Go here to read the whole thing.

TT: Why I’m not answering the phone today

October 14, 2005 by Terry Teachout

1. I went to bed at two a.m. on Thursday morning.


2. I got up at six-thirty to write my “Sightings” column for Saturday’s Wall Street Journal.


3. At nine-fifteen, just as I was starting to draft the last sentence of the column, I received a terse e-mail from Eric Gibson, my editor at the Journal: “Think we need you to comment on Pinter’s Nobel for Sightings stedda agreed topic. Can do?”


4. “Pinter’s Nobel?” I said to myself, puzzled.


5. I checked the wires and found out that Harold Pinter had just won the Nobel Prize for literature.


6. Oaths were uttered.


7. I put aside Column No. 1 and spent the next five hours drafting and polishing Column No. 2.


8. My assistant showed up fifteen minutes early for an afternoon work session, only to discover that I’d been so busy working on Column No. 2 that I never got around to putting my clothes on. (Yes, she has keys.)


9. More oaths were uttered.


10. I got dressed, quickly.


11. The column got finished and filed shortly thereafter.


12. I staggered to a press preview of Alan Ayckbourn’s Absurd Person Singular. It was raining.


13. I sloshed home after the show, took the phone off the hook, and fell into bed.


If you want to talk to me, call back tomorrow. Or Sunday.


P.S. Read “Sightings” in the “Pursuits” section of tomorrow’s Wall Street Journal.


P.P.S. You can always count on Mr. Alicublog to come out swinging!

TT: Why I’m not answering the phone today

October 14, 2005 by Terry Teachout

1. I went to bed at two a.m. on Thursday morning.


2. I got up at six-thirty to write my “Sightings” column for Saturday’s Wall Street Journal.


3. At nine-fifteen, just as I was starting to draft the last sentence of the column, I received a terse e-mail from Eric Gibson, my editor at the Journal: “Think we need you to comment on Pinter’s Nobel for Sightings stedda agreed topic. Can do?”


4. “Pinter’s Nobel?” I said to myself, puzzled.


5. I checked the wires and found out that Harold Pinter had just won the Nobel Prize for literature.


6. Oaths were uttered.


7. I put aside Column No. 1 and spent the next five hours drafting and polishing Column No. 2.


8. My assistant showed up fifteen minutes early for an afternoon work session, only to discover that I’d been so busy working on Column No. 2 that I never got around to putting my clothes on. (Yes, she has keys.)


9. More oaths were uttered.


10. I got dressed, quickly.


11. The column got finished and filed shortly thereafter.


12. I staggered to a press preview of Alan Ayckbourn’s Absurd Person Singular. It was raining.


13. I sloshed home after the show, took the phone off the hook, and fell into bed.


If you want to talk to me, call back tomorrow. Or Sunday.


P.S. Read “Sightings” in the “Pursuits” section of tomorrow’s Wall Street Journal.


P.P.S. You can always count on Mr. Alicublog to come out swinging!

TT: Rerun

October 14, 2005 by Terry Teachout

August 2004:

What would you do if you knew you had only a day to live? A week? A year? If a piece of unfinished work rested reproachfully on your desk, would you feel obliged to finish it? If you knew you couldn’t get it done in the time remaining, would you try to do as much as you could? Or would you put it aside, smiling wryly at the vanity of human wishes, and spend your last hours communing with better minds than your own?…

(If it’s new to you, read the whole thing here.)

TT: Rerun

October 14, 2005 by Terry Teachout

August 2004:

What would you do if you knew you had only a day to live? A week? A year? If a piece of unfinished work rested reproachfully on your desk, would you feel obliged to finish it? If you knew you couldn’t get it done in the time remaining, would you try to do as much as you could? Or would you put it aside, smiling wryly at the vanity of human wishes, and spend your last hours communing with better minds than your own?…

(If it’s new to you, read the whole thing here.)

TT: Number, please

October 14, 2005 by Terry Teachout

– Glenn Gould’s average fee for a solo recital in 1964, the last year he performed in public: $3,500


– The same amount in today’s dollars, courtesy of Inflation Calculator: $21, 124.58


(Source: Kevin Bazzana, Wondrous Strange)

TT: Number, please

October 14, 2005 by Terry Teachout

– Glenn Gould’s average fee for a solo recital in 1964, the last year he performed in public: $3,500


– The same amount in today’s dollars, courtesy of Inflation Calculator: $21, 124.58


(Source: Kevin Bazzana, Wondrous Strange)

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Terry Teachout

Terry Teachout, who writes this blog, is the drama critic of The Wall Street Journal and the critic-at-large of Commentary. In addition to his Wall Street Journal drama column and his monthly essays … [Read More...]

About

About “About Last Night”

This is a blog about the arts in New York City and the rest of America, written by Terry Teachout. Terry is a critic, biographer, playwright, director, librettist, recovering musician, and inveterate blogger. In addition to theater, he writes here and elsewhere about all of the other arts--books, … [Read More...]

About My Plays and Opera Libretti

Billy and Me, my second play, received its world premiere on December 8, 2017, at Palm Beach Dramaworks in West Palm Beach, Fla. Satchmo at the Waldorf, my first play, closed off Broadway at the Westside Theatre on June 29, 2014, after 18 previews and 136 performances. That production was directed … [Read More...]

About My Podcast

Peter Marks, Elisabeth Vincentelli, and I are the panelists on “Three on the Aisle,” a bimonthly podcast from New York about theater in America. … [Read More...]

About My Books

My latest book is Duke: A Life of Duke Ellington, published in 2013 by Gotham Books in the U.S. and the Robson Press in England and now available in paperback. I have also written biographies of Louis Armstrong, George Balanchine, and H.L. Mencken, as well as a volume of my collected essays called A … [Read More...]

The Long Goodbye

To read all three installments of "The Long Goodbye," a multi-part posting about the experience of watching a parent die, go here. … [Read More...]

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