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Terry Teachout on the arts in New York City

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Archives for December 14, 2003

TT: In our hands

December 14, 2003 by Terry Teachout

This is absolutely, positively not a political blog and never will be, but the most art-relevant story I read this weekend appeared in the Washington Post‘s “Outlook” section. It’s a piece by Everett Ehrlich, Bill Clinton’s undersecretary of commerce for economic affairs, on the economic reasons why the Internet is bringing about the decline of the two major political parties:

To an economist, the “trick” of the
Internet is that it drives the cost of information down to virtually
zero. So…smaller information-gathering
costs mean smaller organizations. And that’s why the Internet has made
it easier for small folks, whether small firms or dark-horse
candidates such as Howard Dean, to take on the big ones….


Say you want to buy an appliance, or a vacation. You know
there are bargains out there, but it takes time and energy to find
them. That’s what economists call the “transaction cost” of a
purchase. This cost of acquiring information is everywhere: the time
it takes to call a friend or to learn something in a newspaper. Or the
time and resources it takes a company to find out where to find parts
and to make sure they show up at an assembly line on time.


Back when it cost a great deal to learn and know things — when
transaction costs were very high — big corporations had to solve the
problem of coordinating information, such as what customers wanted to
buy, what parts were being produced and shipped, how to make sure
prices covered costs, and so on. The advent of mass production and
similar “process” technologies let firms produce and sell things —
cars, steel, oil, chemicals, food — on a much larger scale, so there
was suddenly much more information to coordinate.


Companies solved this problem by creating massive bureaucratic
pyramids… Now, however, with internal communications networks and the speed of
the Internet, you don’t need a horde of people in a big pyramid to
handle all that information. Firms have become “flatter” and “faster,”
and the “networked” or “virtual” company has come into being — groups
of firms that use shared networks to behave as if they were part of
the same company….


Now anyone with a Web site and a server, a satellite
transponder and about $100 million can have — in a matter of months
— much of what the political parties have taken generations to build.
Technology, of course, has changed politics before. Television changed
the two parties, for example, but it didn’t make the parties obsolete.
In fact, in the day of Richard M. Nixon and John F. Kennedy,
television strengthened the two-party duopoly (the economist’s term
for a shared monopoly), as only those two parties had the resources to
use it competitively.


But the Internet doesn’t reinforce the parties — instead, it
questions their very rationale. You don’t need a political party to
keep the ball rolling — you can have a virtual party do it just as
easily.

Read the whole thing here. Then think about how it applies to the myriad ways in which the Internet has already transformed the world of art, from the decline of the classical recording industry to eBay’s inadvertent creation of a worldwide “single market” for art auctions to the inauguration of artsjournal.com and its associated blogs.


I can’t say it often enough: The Web changes everything. Any artist who doesn’t understand that, and isn’t acting on the knowledge, is going to get left behind. Likewise any arts journalist. Even if economicspeak makes your eyes glaze over, read Everett Ehrlich’s piece (which is written in plain English, not jargon) and you’ll see exactly what I’m talking about. Believe me, your time will be well spent.

TT: Sooner or (much) later

December 14, 2003 by Terry Teachout

Fred Kaplan has a great story in this morning’s New York Times on why so many classic films have yet to show up on DVD:

Sometimes films are not on DVD for less Byzantine reasons. Older films especially are often in poor condition. The negative has deteriorated, if not vanished; existing prints are scratched or worse. Repairing the damage, and finding the best film and archival materials for bonus extras take much time and money.


A few years ago, only specialty houses like the boutique Criterion Collection bothered with the effort. Now many big studios are following its example.


In a recent industry survey by the Consumer Electronics Association, asking people what they liked best about DVD’s, “picture quality” was the highest-scoring reply, cited by 81 percent of respondents. Studios that may once have rushed a disc to market are now taking greater care, even at some expense. “The marketing people have told us that picture quality is a premium,” said MGM’s Mr. Grossman.


Paramount knows there’s demand for a DVD of “The African Queen,” but the studio is in no rush, letting its archivists search for better film materials.


Then again, the ascending power of the marketing departments works both ways. To boost profits, they encourage better-looking DVD’s. Yet for the same reason, they prevent many films from becoming DVD’s at all.


“A lot of old films, including some well-known old films, don’t sell in large volume,” Mr. Grossman said. “If you’re going to have to spend big money for restoration, and then you’ve got the costs of packaging and advertising, it’s a barely break-even proposition.”


Another video-distribution executive agreed: “Unless it’s `Casablanca’ or `Citizen Kane,’ the studios will sell 100 times more copies of a bad action film made three years ago than they’ll sell of a great film that they’ve dug out of the archive.”

(Read the whole thing here.)


Sigh. Of course we all knew that, but it’s still discouraging to hear, especially given the fact that none of the Budd Boetticher-Randolph Scott Westerns have made it to DVD yet–and only one of them, Comanche Station, was transferred to videocassette. (Copies now sell for $90 and up.) These films are universally admired by critics, yet they never even turn up on TV. Would somebody at the Criterion Collection please get with the program? I guarantee that DVDs of Seven Men From Now, The Tall T, Decision at Sundown, Buchanan Rides Alone, Ride Lonesome and Comanche Station would get plenty of ink, from me and plenty of other cinephiles.


P.S. My essay on the Boetticher-Scott films will appear in A Terry Teachout Reader–yet another reason to order your copy in advance!

TT: Almanac

December 14, 2003 by Terry Teachout

“A further reason for my hatred of National Socialism and other ideologies is quite a primitive one. I have an aversion to killing people for the fun of it. What the fun is, I did not quite understand at the time, but in the intervening years the ample exploration of revolutionary consciousness has cast some light on this matter. The fun consists in gaining a pseudo-identity through asserting one’s power, optimally by killing somebody–a pseudo-identity that serves as a substitute for the human self that has been lost.”


Eric Voegelin, Autobiographical Reflections

Terry Teachout

Terry Teachout, who writes this blog, is the drama critic of The Wall Street Journal and the critic-at-large of Commentary. In addition to his Wall Street Journal drama column and his monthly essays … [Read More...]

About

About “About Last Night”

This is a blog about the arts in New York City and the rest of America, written by Terry Teachout. Terry is a critic, biographer, playwright, director, librettist, recovering musician, and inveterate blogger. In addition to theater, he writes here and elsewhere about all of the other arts--books, … [Read More...]

About My Plays and Opera Libretti

Billy and Me, my second play, received its world premiere on December 8, 2017, at Palm Beach Dramaworks in West Palm Beach, Fla. Satchmo at the Waldorf, my first play, closed off Broadway at the Westside Theatre on June 29, 2014, after 18 previews and 136 performances. That production was directed … [Read More...]

About My Podcast

Peter Marks, Elisabeth Vincentelli, and I are the panelists on “Three on the Aisle,” a bimonthly podcast from New York about theater in America. … [Read More...]

About My Books

My latest book is Duke: A Life of Duke Ellington, published in 2013 by Gotham Books in the U.S. and the Robson Press in England and now available in paperback. I have also written biographies of Louis Armstrong, George Balanchine, and H.L. Mencken, as well as a volume of my collected essays called A … [Read More...]

The Long Goodbye

To read all three installments of "The Long Goodbye," a multi-part posting about the experience of watching a parent die, go here. … [Read More...]

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