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    • Museums Are Under Fire. Remaining Silent Is Not An Option

      Museums serving audiences of color are becoming targets of immigration agents. Amid these changes, the voices of some directors and curators seem to have dimmed both here in the U.S. and internationally, perhaps reasonably seeking to avoid unwanted attention. As much as I understand this impulse, I cannot embrace it; instead, I choose to speak. – Artnet

    • He Bought Sotheby’s. Trouble Followed

      For those caught up in the experiment, it has been torrid in the extreme. Since 2019, hundreds of employees have left Sotheby’s—up to a quarter of the workforce, according to some estimates—including dozens of specialists who bring in the consignments essential to the company’s bottom line. – The New Yorker

    • Old Master Portrait Looted By Nazis Spotted In Real Estate Ad, Then Disappears

      Portrait of a Lady, by Baroque artist Giuseppe Ghislandi, was part of the trove of works belonging to Amsterdam art dealer Jacques Goudstikker which Hermann Goering bought up in a forced sale. Dutch journalists noticed the painting in a real-estate-listing photo in Argentina, but it was gone when police arrived to search. – AP

    • Minneapolis Institute Of Art To Hold Its First-Ever Exhibition Of Crop Art

      Crop art — works using corn kernels, sunflower seeds, or other agricultural products as their media — has long been a feature of the Minnesota State Fair. Next month, nine works, the pick of this year’s (ahem) crop, will be on display at the museum. – The Minnesota Star Tribune

    • How Are We Defining Art Movements In The 21st Century?

      Gone for the most part are the -isms that defined artistic movements in the 20th century: Cubism, Surrealism, Fauvism, Abstract Expressionism, Minimalism. Manifestos too are increasingly rare. – ARTnews

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