Broad’s style — his power plays, his demands for control and fealty, and his determination to go it alone — meant that controversy and ill-feeling dogged many of his big projects. He fell out with the architects; he crossed swords with directors such as Los Angeles County Museum of Art’s Michael Govan; and his behavior stirred up resentments among fellow cultural philanthropists, many of whom refused to give to projects that had Broad’s name on them. – Washington Post
