“To watch her dance, especially to jazz music, is to watch historical distance collapse. Steps and attitudes separated by eras flow through her improvising body not as some premeditated fusion but as a single language she appears to have always known and yet is creating on the spot. The links are self-evident, unforced, authentic without a hint of the antiquarian. They’re active, present, a live circuit. The revelatory shock can make you laugh out loud.” – The New York Times
