“If an artist is a bad person, should that change the way audiences interact with his art? In this particular case, if the author is a rapist, should that change the way we read Philip Roth: The Biography? Arguably, no. A book has an existence apart from its author, a truism that is extra true in the case of biography. When the biographer turns out to be a contemptible human being, his subject comes under suspicion too: What drew the biographer to this guy and not someone else? We owe it to this guy to be fair-minded.” – The Atlantic
