Or at least the “unhappiest auteur” hates happy endings. Manohla Dargis dives deep on the director and his “beautiful bummers,” including, of course, the newish Mank, “a movie that, in its broadest strokes, enshrines its own loathing of the industry, partly through its strained relationship to the truth.” – The New York Times

Previous articleTheatremakers Want – And Need – A New New Deal
Next articleMarshall McKay, Who Steered Autry Museum Toward The West’s True Diversity, Has Died Of Covid At 68