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Breathtaking

liz lerman blog

If I'd known what I was going to see, I might not have believed it. Debussy's Afternoon of a Faun, played by the Symphony Orchestra at the University of Maryland School of Music, with choreography. But not choreography for dancers. Choreography for the musicians, who danced the piece as they played it (from memory), rising from the floor, flowing across it, falling, sometimes spinning, rarely grouped by sections, moving in ways organized visually, and also musically, with movements that began with the students improvising them. If someone … [Read more...]

More signs of the times

reinvent blog

Following up on a previous post, in which I talked about two concert series that used to be straight-down-the-middle classical, and how they're now going in new directions… Here's another example: the Opera Company of Philadelphia. Next season, they're presenting five operas: La bohème, The Magic Flute, Kevins Puts's Silent Night (which just won the Pulitzer Prize), Thomas Ades's Powder Her Face, and one of the least-performed Benjamin Britten operas, Owen Wingrave (in a student production by the Curtis Institute, which the opera company … [Read more...]

Signs of the times

Charles Lloyd - image from the Met Museum website

While we debate orchestra finances -- or re-re-re-redebate them -- the classical music world is changing. Changing quite a lot, I'd say. For instance: a press release arrived this week, announcing this year's Mostly Mozart Festival at Lincoln Center in New York. The first highlight cited is an exploration of birdsong, featuring three Messiaen concerts (Messiaen, of course, since he's the most prominent composer who loved and used bird songs). Plus preconcert birding tours in in Central Park, and a sound installation at the Park Avenue … [Read more...]

Two paths

change blog

Classical music is changing quite a bit. And in fact I've made a list of many innovations -- some not well known at all -- for my Juilliard course on the future of classical music. But here's a thought about the changes. They happen, I've been thinking, for two reasons. The obvious reason is that classical music is in crisis, and people worry about its future. And especially about whether, in the future, there will be any audience. So changes get made, in an attempt to make classical music more accessible, more interesting to people in our … [Read more...]

There will be summer in Colorado

From John P, in a comment he posted here: I’ve learned from a post on our “Save the Colorado Symphony Web Site” that summer concerts ARE scheduled. Why they weren’t announced, or even that the concerts would take place, weren’t announced, I don’t know. But according to a member of the orchestra, summer concerts ARE on the schedule. I think this refers to the "Save the Colorado Symphony" Facebook page, where someone from the orchestra posted a rather annoyed comment, saying that summer concerts in fact were going to be part of the … [Read more...]

Colorado footnotes, and advice

business mobel blog

First an apology. In my first recent post about the Colorado Symphony, I mangled the link to my January post on that orchestra. Which you can find here. And now a clarification, in case it's needed. I didn't slam the Colorado Symphony, in my last post, because they're high on any agenda I might have. They aren't. But if you read what I posted last January, you'll see that I was hopeful about the new direction they'd announced, both because they boldly stated what their problems were, and because they proposed some major changes. I hoped … [Read more...]

Colorado problem

businessplan blog

Following up on my last post, about Colorado Symphony's business plan… Yes, it's bold about the problem they're having. They're not taking in enough money. And that's because interest in classical music has fallen off, so that now the number of people who care about them is too small to give them the support they need. But now comes the part I'm surprised about. One big part of their plan to make themselves more viable is to get more connected to their community. And they want to do that by giving more diverse performances, which means … [Read more...]

Colorado Bold

blog colo 2

A while ago I blogged about the Colorado Symphony, and its bold plan to remake itself. It had to remake itself because it was running out of money, and to describe the bold plan, the Denver Post used these words: [T]he CSO plans to undergo nothing less than a complete culture change that rejects music-making offered with "little thought as to whether it truly was of interest and relevancy to a large part of the community" and plays up relaxed, consumer-friendly performances that meet audiences on their own terms and in their own towns. I … [Read more...]

Good news from Toronto

blog tso

I talk a lot about problems with classical music, and maybe don't say enough that what I really care about is classical music's rebirth. Which -- knock on any wood-like substance available -- seems to be happening. For instance: The Toronto Symphony says it has an amazingly young audience. More than one-third of it is younger than 35! I read this some months ago in a story that appeared late in June, in the Culture Monster page on the Los Angeles Times website. And then was surprised to see that the story -- in journalist-speak -- … [Read more...]

Another sign of trouble — and a solution?

blog colo 2

The David Gockley statement I blogged about was only one declaration of trouble in classical music that caught my attention recently. Another was a news story about the Colorado Symphony, an institution that feels it needs fundamental change. The emphasis is different here. David talked about the problems he faces. And the Colorado Symphony talks about solutions. But the solutions are needed, the story notes (if only in passing), because the Symphony is "cash-short" -- hurting for money. Which means it has, in essence, the same problem as … [Read more...]

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