An encore presentation (aka a rerun) of about a dozen Foot pieces from 2008

Because I won’t have much new to offer in the next few weeks.

u A feature and exclusive interviews with Mikhail Baryshnikov, Wendy Whelan, and Damian Woetzel on Jerome Robbins (April).

u Sidi Larbi Cherkaoui and Akram Khan’s “Zero Degrees”–a powerfully helpless melancholy in the face of a senselessly violent world (April).

u War dances and a new inertia (May).

u Julian Barnett’s “Sound Memory” and other odes to retro habits (June).

u A cornucopia of New York premieres reviewed: Ratmansky’s “Concerto Dsch” at NYCB, Twyla Tharp’s “Rabbit and Rogue” at ABT, and onetime bad boy Michael Clark at Lincoln Center’s Great Performances (June).

u Neil Greenberg’s inward dances (June).

u Alvin Ailey’s 50th anniversary, from the inside out (by Theresa Ruth Howard, July).

u Jerome Robbins’ controversial “Goldberg Variations,” back and front.

u Lovecat: tribute to kitty love (August)

u Thoughts on Forsythe, the controversy around Veronika Part, and ABT’s Romantic “Giselle”  (August).

u The adored and despised Ann Liv Young, performance artist (October).

u How to watch a Wheeldon ballet (October).

u Antony Tudor, Gillian Murphy, and “Pillar of Fire” (November).

u Being Somebody (on Faye Driscoll’s “837 Venice Blvd,” December).

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