Lovecat
Among the many absurd and badly paying jobs I've had--ghostwriting a mail-in Ph.D. on economics, wrapping holiday Crate and Barrel purchases in enough paper to have kept little Jesus warm, translating Richard III into easy English--one I recall without shuddering is as an all-purpose office assistant to some all-purpose Israeli émigrés in the Bay Area. Their various schemes included buying rundown apartment buildings, renovating them for cheap, and then renting the units at a steep markup. This being only a few years after the quake of '89, another project was to retrofit houses to withstand the next big quake. (Retrofitting, said my sister, a structural engineer, is pure construction quackery.)
The Ashkenazis owned the apartments and fomented the plans, while the Sephardis
did the dirty work, as they always had, they said--these swarthy, stocky,
beautiful men whose families arrived in Israel from Egypt and Morocco or merely
stayed put in what they had known as Palestine. Up until the late '60s, the Sephardis
were called blacks--after the American situation--and were kept down.
Which somehow led to cats--what was wrong with them. Cats, as opposed to
dogs (read Israeli women?), would never do anything for you: no fetching of
slippers, no ingratiating wagging of tail. The arrogant bastards lived entirely
for themselves.
I am not a "cat person," as people like to put it, any more than I'm a
"people person," so I knew what the man meant. I have witnessed many a cat get what
she wants while remaining largely impervious to the person giving it.
But not Noodles, not Lump-Lumps--not Alfredo Fettuccine Scherr, who died
on July 17 after a run of sixteen years.
WHENEVER WE WENT TO THE VET, I'd exclaim, "Isn't he beautiful!?" and the doctor would say yes--what choice did she have? But she also
said, unprompted, "What a good cat. What a sweet cat."

Alfredo was impressionable. He was responsive. He ventured into
territory he would never entirely understand simply because it was where I was.
For example, there was the dance. It began 12 years ago, with him meeting
me at the front door and racing through our railroad apartment to the bedroom
in the back, where he executed quasi-Aikido rolls that finished with his bunny
feet flopping up into the air as he landed heavily on his side. He did this one move
until he calmed down enough to let me rub his belly. Within a month I
could summon the belly-rub desire with, "Do the Dance, Alfredo. Do the Dance." In
the weeks before he died, when he hardly had a belly to rub or much to feel
pleasure about, he was still falling to his side to await my giant hand.
IN THE LAST MONTHS on the way to the bathroom, he fell into flamenco deep song, with the keening descending chords expiring in an exhalation of despair. If he was silent, I'd start us off--and Alfredo, king of suffering, would sing louder and longer to drown me out.
My life revolved around twenty-seven droppers a day, five to seven at
a shot, timed as well as my work would allow to keep his nausea at bay. I had a
job away from home now that often held me late; on the subway back to Queens, I
scrawled my schedule on the backs of envelopes:
feed alfredo
pet alfredo
do stretches
feed alfredo
dinner
feed alfredo
bed
It is possible that a person trapped in such close quarters with me for sixteen
years would also eventually have shown he felt my love, that I mattered, that I
had touched him: proof that I am not alone. But it probably wouldn't have been
so clear. Person-to-person love
can seem awfully like self-duplication or self-betrayal--and vice versa. With
Alfredo, there was no danger of getting mired in a hall of mirrors: however many of my habits he took on, I would never mistake him for me. You can tell you've touched him, but you don't worry about the you or the him. It's
a wonderful paradox that, in being so alien, an animal allows you the same unself-consciousness
he glories in. You find yourself
in him without even knowing it's you.
Alfredo changed me--the ideas I live by. More and more, I imagined the luxurious
fruitlessness of lying all day on bed or carpet, in soft holes in backyards, on
piles of dirty clothes in closets that reeked of cat at his mustiest, with nothing
much to think about or worry over. My wretched food would be provided for, and the special lady's enormous face would rub against my whiskers. Shaded in
melancholy, Alfredo proved the perfect source for daydream: I wouldn't have to relinquish
my muddy mix of feeling to be in his place.
But he couldn't have said how he felt, like I can. It's an old question,
what humans gain from our keen consciousness. And for me it's had a particular
New York cast to it for the last ten years. I moved across the country, to a
room with a view of pigeon-shitted brick, because I didn't want to be an office
assistant for scheming Israelis forever. I wanted work that mattered.
Now that I'm older and more defeated (that's a New York state of mind,
too), I'm not sure any work could matter as much as a big, soft hole.
The month
Alfredo died, I added another absurd job to the roster. The week at the
office ends with the usual ritual questions about what you're doing this weekend.
People understand that those two leftover days may say more about you than anything
over the last five. When, a few Fridays ago, a colleague asked me, I said, "I'm
going to lie around with my kitty."
For Alfredo, in a warm,
soft hole
Categories:
AJ Ads
AJ Arts Blog Ads
Now you can reach the most discerning arts blog readers on the internet. Target individual blogs or topics in the ArtsJournal ad network.
Advertise Here
AJ Blogs
AJBlogCentral | rssculture
Terry Teachout on the arts in New York City
Andrew Taylor on the business of arts & culture
rock culture approximately
Rebuilding Gulf Culture after Katrina
Richard Kessler on arts education
Douglas McLennan's blog
Art from the American Outback
For immediate release: the arts are marketable
No genre is the new genre
John Rockwell on the arts
Jan Herman - arts, media & culture with 'tude
dance
Apollinaire Scherr talks about dance
Tobi Tobias on dance et al...
jazz
Howard Mandel's freelance Urban Improvisation
Focus on New Orleans. Jazz and Other Sounds
Doug Ramsey on Jazz and other matters...
media
Jeff Weinstein's Cultural Mixology
Martha Bayles on Film...
classical music
Greg Sandow performs a book-in-progress
Exploring Orchestras w/ Henry Fogel
Harvey Sachs on music, and various digressions
Kyle Gann on music after the fact
Greg Sandow on the future of Classical Music
Norman Lebrecht on Shifting Sound Worlds
publishing
Jerome Weeks on Books
Scott McLemee on books, ideas & trash-culture ephemera
theatre
Wendy Rosenfield: covering drama, onstage and off
Chloe Veltman on how culture will save the world
Elizabeth Zimmer on time-based art forms
visual
Public Art, Public Space
John Perreault's art diary
Lee Rosenbaum's Cultural Commentary
Tyler Green's modern & contemporary art blog

5 Comments
Leave a comment