Should Artists Own The Copyrights For Public Art?

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“How can a work of public art, located on public land and funded by taxpayer money, be the intellectual property of an individual artist? Actually, it’s not that uncommon. Portland was a leader in first allowing artists to retain copyright on all public art, but other cities, from Seattle to Miami, have followed suit.”

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One Of France’s Best Little Museums Was Founded (Surprise, Surprise) By A Hedge Fund Manager

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“Mr. Levett became a voracious buyer, assembling one of the world’s largest private collections of ancient arms and armor. Today, his scores of Greek hoplite helmets, Roman greaves and shields, along with Egyptian sarcophagi, Greek statues and ancient glass, are the crown jewels of his Musée d’art classique de Mougins.”

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The Rubber Duckie Must Be Stopped

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“How so many cities became ensorcelled by a gimmicky bath toy is really beside the point. Rubber Duck sends an infantilizing message about the role of public art in cities.”

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China Finally Gets Its Own Fine Art Photography Fair

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“The big question is whether that curiosity will translate into sales as the market for fine art photography in China is still developing. Many visitors just seemed excited to see so much quality photography in one place.”

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Changing The Architecture Of Berlin’s Nightlife

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“The plans foresee a technology center for start-ups, a student dormitory, a shopping village, a market, a trail along the river bank, warehouse space for music studios and workshops, a restaurant, a nightclub, a hotel, a fish farm, a gardening area and, given that everyone is getting a little older, a daycare center.”

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The Idea Of The Ideal Bust

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“The bust, in short, is really a form of sculptural shorthand. A bust hints to the body, gestures to the existence of a full person without considering the rest necessary. The bust suggests that, in essence, human beings are heads with just enough fleshy stuff underneath to do the dirty work.”

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Should We Break Up The Biggest Museums To Save Them?

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Hrag Vartanian, on the crowding that afflicts such museums as the Louvre, the Met, the Hermitage, the Tate, and the National Gallery (both U.S. and U.K.): “We need to break up the major museums. That may sound radical to some, but it’s an idea whose time has come. I’m suggesting not that museums sell off their collections but that more museums consider aggressively building outposts or prioritizing longer-term partnerships with smaller or newer institutions that could benefit from such relationships.”

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Oldest-Known Neanderthal Art Discovered (But Is It Really Art?)

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“The engraved lines found on Gibraltar are said to be 40,000 years old, making them older than the the oldest-known cave paintings by Homo sapiens,which can be seen in the Chauvet-Pont-d’Arc Cave in southern France. It certainly seems that the capacity for symbolic thought is not unique to Homo sapiens, but do the incised lines of Gibraltar really prove a capacity for advanced thought? Can we call them “art” at all?”

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A Rebellion At The Venice Architecture Biennale

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“As a result of this unanticipated and welcome rebellion, this year’s Biennale offers an unforgettably wide-ranging, if scattershot, survey of modern and contemporary 
architectural history that will forever demolish the popular notion of what modernism in architecture was.”

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Planned Ground Zero Arts Center Drops Frank Gehry Design

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But nobody told Gehry – who, when notified by a reporter, said of the center’s CEO, “She says I build models. She doesn’t have a clue as to what I do or how I do it. It’s fine. It’s a new group. They should do what they want. I don’t want to go where I’m not wanted.”

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“I Don’t Think I’m Zorro,” Says Director Hired To Rescue Paris’s Picasso Museum

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“When the state appointed him president in June and dispatched him on this emergency mission, French headlines hailed [Laurent] Le Bon in the name of that fictional masked outlaw who battled tyrannical officials. And riffing on an English translation of his last name and his reputation for diplomacy, curators in the international art world called him Larry the Good.”

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Is South African Artist’s “Human Zoo” Piece Racist?

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“The Barbican in London plans to show Exhibit B at the end of September but, as I write, 12,801 people have signed a statement calling for it to be withdrawn. The petitioners describe the Barbican’s involvement as ‘an outrageous act of complicit racism’ because the show is an ‘exercise in white racial privilege’.”

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Asheville Art Museum Flirting With Financial Disaster, Says Former Mayor

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“Former Asheville mayor and city manager Ken Michalove, who has been dogging the footsteps of the Asheville Art Museum for nearly two years, now says it is headed for bankruptcy unless it ramps up its own fundraising, sticks to its original goals and stops trying to adjust its game plan and financial reports so as to qualify for city and county money.”

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The Un-Reinvention Of The Sao Paulo Biennial

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“The challenge of developing and executing a coherent artistic agenda—a show that succeeds on its own terms—in the rickety, transitory, financially and organisationally opaque world of biennials is the default theme of the hardy breed of curators whose line of work this is.”

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The Artist Who Reinvented Blue

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Maybe Yves Klein was an attention whore. (There was that time he took an empty gallery and called it an exhibition, and the time he had naked models covered in paint roll around on canvas.) But he created (and patented) an ultramarine pigment that countless artists before him had tried without success to stabilize.

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Look, Great Art Belongs In The Capital, Not The Provinces

Tate Britain

“I didn’t invent London. It has dominated British culture since the 18th century and has never exerted more global cultural power than today. Tourists from all over the world are flocking, right now, to London for its renowned galleries. It is a stage on which artists are made and ruined.”

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