“Student attendance at major college football games is declining across the country. By how much varies greatly at each institution, but a recent Wall Street Journal analysis of turnstile data at 50 public colleges with top football programs found that average student attendance is down more than 7 percent since 2009.”
“Me experiences” are different from “bigger-than-me experiences.” Me experiences are about voice; they help students express themselves. The underlying question they begin with is, “What do I have to say?” BTM experiences are about insight; they start with, “What don’t I know?” Voice comes after reflection.
Don Draper, Tony Soprano, Walter White – “Each of these tragic exemplars of ‘adulthood’ is destroyed exactly because of his failure to behave like an adult. … In the main they are frauds who merely assume the trappings of ‘adulthood’ in order to participate in a society that would reject them if it knew the truth. … It’s not to do with having ‘killed off all the grown-ups’ as [A.O.] Scott has it: quite the contrary. It’s adulthood defined for the audience by its very absence on the screen.”
Andrew O’Hehir: “Well, if [A.O.] Scott gets to play frustrated English professor in his article, I get to play former college Marxist in mine … There really is something beneath his ‘death of adulthood’ premise, whether or not you like the prejudicial phrase. But to coin a phrase: It’s the economy, stupid.”
Last week, Mark Shenton wrote in passing “There are plenty of budding actors, writers, directors and even critics (though no jobs for the latter), …” To which journalist Matt Trueman responded, “Mark, saying no jobs for young critics does a disservice to young critics making a living from their writing.” Well, disservice or no, here’s Shenton’s response.
“Scots who consider themselves to be artists living in the land of their birth are increasingly uneasy about the instrumentalism of all this, how the arts are fine as long as they earn, and as long as it’s seen as definitively Scottish. … That’s okay while when there’s still an enthusiastic cultural traffic between Scotland and the rest of the UK, but the Scot Nats want to end it on Thursday.”
“Belfast’s Lyric Theatre, Grand Opera House and Ulster Orchestra are among the 31 arts organisations that will receive a cut of at least 2.3% this autumn from the Arts Council of Northern Ireland, the funding body has confirmed today. The ACNI said the decision” – the result of a mid-year budget cut from the provincial government – “would mainly impact on education and outreach programmes.”
Alex Ross: “As in previous years, the  selection demonstrates the degree to which the awards have diverged from their original mission – to pay tribute to luminaries of theatre, dance, classical music, and show business – and instead become one more temple of celebrity culture, magnifying the fame of already familiar faces. … The logic that has taken hold of the Honors is one of pop triumphalism: it’s not enough for pop culture to dominate the mainstream; it must colonize the spaces occupied by older genres and effectively drive them from the field.”
Vanessa Vitiello Urquhart (who says she’s “dancing on the grave of gay culture”): “As our culture evolves toward a more humane, accepting attitude toward gay people and their relationships, it makes sense to ask: Is there any place for a gay culture in this bright new future? … Should the wider LGBTQ community really be spending time, energy, and emotional bandwidth on pleas to preserve gay spaces?”
June Thomas: “It’s perfectly possible, normal even, to treat queer culture like a drop-in center: read a gay novel now and then; go out on a jaunt with a lesbian bird-watching group occasionally; take in a drag show once every decade. Those things will continue to exist and thrive if enough people are interested in them. Otherwise, they’ll disappear, only to be memorialized in queer studies monographs; collected in lesbian herstory archives; and remembered with fondness by the folks who enjoyed them in their heyday.”
“This tragedy will bring a wellspring of creativity in spoken word, dance, film, and stage. I hope to see more workshops of this kind come to St. Louis with more frequency. Workshops like this should be done on a regular basis to keep artists in touch with the community at large, our artistic counterparts, and colleagues.”
“Dissenting cultural figures have become the new focus of pro-Kremlin witch hunts, with state media treating them as a political force and accusing them of treachery. The practice has echoes of Soviet times, when cultural figures perceived as a threat to the regime … were subjected to vicious smear campaigns.”