Technologists Race To Save 3D Images Of Ancient Historical Sites Before ISIS Smashes Them


“As ancient sites across Syria and Iraq crumble under bombs and mortar from the region’s battles, archaeologists and technologists are racing to be able to one day reproduce them. In the coming months, they will be distributing thousands of low-cost, high-quality 3D cameras across the Middle East that will hopefully capture these ancient sites before they disappear.”

Six Questions About The Future Of Television

future of tv

With ever more material out there, how do viewers find what’s good? How do you get people to keep paying for what they watch instead of getting it from torrent sites and/or blocking ads? And what will and won’t constitute success?

Five Television Shows They’ll Never Stop Making

5 tv shows

“What about the things that come back year after year, with slight variations, sometimes to great acclaim and sometimes to quick cancellation? Let’s take a tour of some of the conceptual habits that seem hardest to break” – such as item one, “The Adventures Of Mr. Superabilities And Detective Ladyskeptic.”

Here’s How To Revitalize Classical Music, Says Wunderkind Music Director Of Louisville Orchestra

teddy abrams

Teddy Abrams: “All major arts organizations should not only have musicians on staff but there should also be a department of composition; people who are composing for the moment. In Bach’s time there was a department of composition in every church and state office; there was a constant need for new music. … Granted that might be a huge expense. But think of the effect.”

Should Galleries Be Paying Artists Less? Five Voices From The Noisy Debate

should galleries pay artists less

“A Twitterstorm erupted in the US last month over the findings of survey of 8,000 art galleries based in the US, UK and Germany.” Magnus Resch recommended “that most artists should be paid only 30% of sales not the traditional 50/50 split of most galleries (superstar artists aside). It probably hasn’t helped that he divides artists into some all-too-pithy categories.”

Royal Shakespeare’s Company’s New App Puts A Hip-Hop Spin On ‘Much Ado’

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RSC education director Jacqui O’Hanlon says that the app, designed for students aged 11 to 16, “would act as a ‘trail of breadcrumbs’ to the original work. The app’s rap lyrics are derived from Shakespeare’s insults, and his characters’ amorous exchanges. It challenges users to spot the difference between the Shakespeare rap and those of modern hip-hop artists.”

When Disaster Strikes, Museums Call In The A-Team Of Conservation

a team conservators

“You’ve got a muddy 18th century chest of drawers. Who you gonna call? The American Institute for Conservation Collections Emergency Response Team, also known as AIC-CERT. Okay, it’s not quite as catchy as Ghostbusters. But for workers at cultural institutions, the AIC-CERT is a disaster relief A-Team, solving problems ranging from a a burst pipe to a tsunami.”

With Misty Copeland On Board, Broadway’s ‘On The Town’ More Than Doubles Its Box Office Take

misty on the town

“The first African-American woman to be named a principal in the 75-year history of American Ballet Theater provided a jolt to On the Town during her first week in the musical. The show, which is closing on Sunday, immediately went from a laggard to a leader: It grossed $914,434 in the week that ended Sunday, up from $395,379 the week before.”

Lucinda Childs Revives Her Legendary 1983 Collaboration With Frank Gehry And John Adams

lucinda childs

The choreographer originally created Available Light, now seen as a Minimalist milestone in both dance and music, as a site-specific piece for Gehry’s Temporary Contemporary at Los Angeles’s Museum of Contemporary Art. This past spring at MASS MoCA, she and Gehry revised Available Light for a proscenium stage; the work was just presented in Berlin and (finally!) makes its East Coast premiere this week at the Philly Fringe Festival.

New Broad Museum’s Online Reservation System Crashes On First Day


“The public’s enthusiasm was apparent – maybe a little too apparent – on Monday when the Broad Museum began booking online reservations for its Sept. 20 opening and beyond. By midafternoon, the Web page for reservations to the new contemporary art museum in downtown Los Angeles carried an announcement in red type: ‘Due to overwhelming demand, our ticketing system is currently down.'”

The Lessons Of Times Square: A Great Public Space Requires Paying Attention


“The lesson is that painting the pavement blue and closing it to cars is a start, but reclaiming space alone is not sufficient to create the sort of vibrant public plaza we’d all like. That requires real stewardship. Civic culture needs cultivating and curating. Unless we do so, public space can become a public nuisance.”

Boston’s Institute Of Contemporary Art At The Crossroads


“Approaching the 10-year mark in its handsome waterfront building, will the ICA (which was founded in 1936 as the Boston Museum of Modern Art) step up to the next level? Will it galvanize both artists and the public, embarrassing older, slower museums with its fleetness of foot, its largeness of vision, its willingness to provoke, surprise, and seduce? Or will it continue to strike large slabs of its potential audience as fiddly and pinched, a place of pretension, predictability, and underwhelming exhibits?”

LA’s New Broad Museum – Ideas And Compromises


“The result is a streamlined ratio of exhibition to ancillary space, something increasingly rare in an age of museum bloat. The Broad has 50,000 square feet of gallery space — 35,000 on the third floor and 15,000 more on the first — in a building totaling 120,000 square feet. Renzo Piano’s new Whitney Museum in New York has the same amount of interior exhibition space in a building covering 220,000 square feet.”

Study: How Music Can Manipulate You – And In The Wrong Hands…


The researchers report in the online journal PLoS One that, compared to silence, the sound of their favorite songs increased risk-taking, while disliked music decreased it. Specifically, they write, “the frequency for accepting a gamble is 54.1 percent for favorite music, vs. 47.4 percent for disliked music. When no music was playing, the acceptance rate is 51.4 percent.”

Digital Program Books – Is Something Essential Lost When You Abandon Paper?


“We’re bringing the audience closer than ever before through new innovations like interactive program books. We are also going green by cutting back on all paper, ink and waste as a result of traditional methods. … Removing the wasted paper of printed books is the first step in our relationship with the opera-goers of the future.”