A musical dancer helps you to see and feel the music in your own body; a dancer with a superior musicality goes even further, playing against the music, entering into a conversation with it, bending it to her own wishes. This is the kind of dancer Verdy was. Such musicality is innate.
“Why is one considered a beacon of acting talent for playing a disabled character convincingly? Why is it a common expectation that these actors will transform into characters whose experiences they can never truly understand? And, perhaps the most important question: if able-bodied actors continue to be cast in these roles, what opportunities are left for disabled actors?”
“I’ve been going to the Venice Biennale for at least a decade and always enjoy the stimulation of seeing the work of new and up-and-coming artists,” Allen, who co-founded Microsoft Corp. with Bill Gates, said in a telephone interview. “In 2013 I started thinking, ‘what’s keeping us from doing this in Seattle?’”
“Stage fright has been aptly described as ‘self-poisoning by adrenaline'” – the fight-or-flight response. “But what Cro-Magnon man needed upon finding a bear in his cave is not what a modern person needs in order to play King Lear. Without the release of abrupt action, the hyperactivation becomes, basically, a panic attack.”
Threesome, by Yussef El Guindi, “begins as a bawdy bedroom comedy whose main characters, a heterosexual Egyptian-American couple, invite a white American man into their bed. Over two acts it transforms into something darker, as all three grapple with the fallout of sexual assault, infidelity, war and the pain of lost hope, both political and personal.”
“In some ways, reading all this Arabic literature in English has been like listening in on a foreign-language recording when one understands the words’ meanings, but not the allusions, nor the jokes, nor the underlying rhythms. Some of this woodenness can be blamed on inadequate translations. But some of it falls to our historical blind spots.”
“Forced into ballet as a child in Mao’s China, Li Cunxin defected to the US and had to work as a stockbroker to support his family back home. But he never quit dancing. As he brings the Queensland Ballet to Britain, he talks about his traumas and triumphs – and shock at seeing people take their privileged lives for granted.”
Tonja Carter, who rediscovered the manuscript of Go Set a Watchman and sued the local museum over its gift shop’s Mockingbird-themed merchandise, has formed a company to produce the stage adaptation of the novel in the town’s historic courthouse – taking the rights away from the museum, which had presented the play for years.
“Today, Kubota … [is] better remembered for her 1965 performance Vagina Painting, in which Kubota attached a paintbrush to her skirt, squatted, and moved around over a canvas.” More notable was her work, by herself and with husband Nam June Paik, developing the genre of video art in general and combining video and sculpture in particular.
After a two-year hiatus, the erstwhile Center City Opera has re-emerged with a new name (that doesn’t include the word opera) and mission, a four-shows-in-18-days summer festival format, a new home (the Prince
Music Theater, itself recently brought back from the dead), a world premiere, two local premieres, and the musical version of Heathers.
Besides spending four decades as the Boston Symphony’s principal tympanist (Seiji Ozawa called him “the single greatest percussionist anywhere in the world”), he decided in the 1960s to design and build his own sticks, feeling that what was on the market was inadequate for the subtleties of serious symphonic and ensemble music. Little did he know then that he was setting the gold standard for percussionists in all genres all over the world.
AftA Thoughts 2015: Self-Perpetuating Boards
AJBlog: Engaging Matters Published 2015-07-29
Now This, For A Big Museum, Would Be Experimental
AJBlog: Real Clear Arts Published 2015-07-29
Philbrook Museum Director Randall Suffolk Gets High (Museum, that is)
AJBlog: CultureGrrl Published 2015-07-29
An Oxymoronically Postminimalist Improviser
AJBlog: PostClassic Published 2015-07-29
An indefatigable operagoer
AJBlog: OperaSleuth Published 2015-07-29<
“Awadagin Pratt, who was dismissed by executive director and CEO Mark Ernster on July 8, will continue in the role of artistic director. The competition also announced on Wednesday that Ernster resigned from his position on July 20. Board chair Jack Rouse, who had resigned on July 8, returned as chairman on July 26.”
Alex Farquharson is the choice. “The 45-year-old founded the £20m Nottingham Contemporary in 2009 with an exhibition of David Hockney’s work from the 1960s. That same year he was on the selection committee for the British Pavilion at the Venice Biennale, where the UK was represented by 12 Years a Slave director Steve McQueen. In its first five years, Nottingham Contemporary has attracted more than a million visitors.”
“The enormous, disruptive creativity of Silicon Valley is unlike anything since the genius of the great 19th-century inventors. Its triumph is to be celebrated. But the accumulation of so much wealth so fast comes with risks. The 1990s saw a financial bubble that ended in a spectacular bust. This time the danger is insularity. The geeks live in a bubble that seals off their empire from the world they are doing so much to change.”
“Netflix next year is poised to expand its lineup to more than two dozen series, blowing past both HBO and TV’s most prolific basic-cable programmer, FX/FXX. A service until recently known mostly for repurposing other people’s movies and TV shows will thus achieve a major milestone: It will boast the biggest collection of first-run scripted content of any other subscription-based network in America, cable or streaming.”
“The subsidised sector is without doubt the research and development arm of the commercial sector, where new productions, new work and new talent are developed. Ultimately, cuts of this magnitude would see the demise of the West End and regional touring as we know it, with far-reaching social, reputational, tourism and economic consequences.”