Nope. “That analogy needs to die. It needs to be drowned in the world’s largest bathtub. It needs a George R.R. Martin–esque bloodbath of a demise.”
“After just five years our students now play as regulars or ‘deps’ – or stand-ins – in pretty much all of the main North American period instrument orchestras, as well as in Europe and in their own new groups. Will it one day reach saturation point? I don’t know. But we certainly haven’t come close to that yet.”
“In hearing the texts we focused on the words, their meanings and — importantly — their ideas on their own. We listened attentively during these spoken passages and then, with the texts fresh in our minds, we listened more actively to the music that both singer and pianist produced. And, as Blythe wanted, we were looking at her and she at us.”
“They were charged with unlawful posting of advertisements for projecting images critical of Koch and the Metropolitan Museum of Art. Even someone who’s not a lawyer can tell that there are two problems with that charge. The statute defines ‘posting’ as sticking to something. Images and projections don’t stick, and no advertisements were involved.”
UNESCO warnings about Palmyra go back as far as 2013, predating the rise of ISIS. Historian Eleanor Robson said that throughout the four-year Syrian civil war, the city’s antiquities have been imperiled by “members of the Assad regime, rebels, criminals, and opportunists.” She added, “It’s been chaos for years.”
“When Toronto was at a particular low point in the 2000s, Luminato was conceived by business leaders as the kind of high-level, multiarts smorgasbord that would attract international cultural tourists while also providing enough free, fun and family events to entertain the city. It was planned without sufficient consultation with Canadian arts groups and has often felt like a top-down exercise, a perception that repeatedly hiring Europeans will only reinforce.”
“The resulting image shows the young Irish art student, the belt of his tweed overcoat flapping as he moves at speed, grappling with the heavy gilt frame containing Berthe Morisot’s Jour d’Eté and two large pieces of card attempting to cover the image of two French ladies on a boating lake. After jumping into a taxi, Mr Hogan realised he had no idea where to take his loot and instructed the driver to head to the only place he could think of – Piccadilly Circus.”
“Overall, controlling for things like a user’s follower count and the popularity of the larger stream in which a given photo sits, “filtered photos are 21% more likely to be viewed and 45% more likely to be commented on” than unfiltered ones. As for which filters have which effects, the authors examined five.”
“The provocative project, created inside a long-unused Catholic church, serves as Iceland’s national pavilion for the 56th Venice Biennale and was intended in part to highlight the absence of a mosque in the historic heart of Venice, a city whose art and architecture were deeply influenced by Islamic trade and culture.”
“The subject is sensitive, awkward and uncomfortable but also, a growing priority for even the most established theater companies in Chicago, many of which are still relatively new at what museums and universities have been doing for decades: discretely shimmying up to cherished, aging supporters and gently wondering if they might leave the theater a little something in their wills some day. But there is an art to the ask.
“According to a 2014 study of theatrical market statistics by the Motion Picture Association of America, the number of “frequent moviegoers” in the 60-plus demographic (that is, those who attend the cinema at least once a month) jumped almost 30 percent last year from 2013, to 5.3 million viewers. That is the highest level for the 60-plus demographic since 2010. Over the same period, attendance by frequent moviegoers ages 18 to 24 and 25 to 39 — still the dominant age groups, with annual attendance about 7 million each — continued to slide. But the pickings are sometimes slim for mature audiences looking for characters their age appearing in quality fare.”
Right now, at the Gagosian Gallery in New York, you can purchase someone’s Instagram photo for around $100,000. The money won’t go to the photographer, however, it will go to “artist” Richard Prince, who has blown up and made prints of other people’s Instagram photos for his exhibit, “New Portraits.”
According to his legal papers, “By operating a subsidiary that massively pirates Nina Simone recordings, at price points generally lower than those at which Sony sells her RCA recordings, [this] has the natural tendency to displace Sony’s sales, thereby depriving Claimants of the full royalties they would otherwise earn under the New Artist Agreement.”
The city contains the ruins of what, according to UNESCO, “was one of the most important cultural centers of the ancient world” — an important Silk Road hub where East met West more 2,000 years ago. A World Heritage Site, Palmyra is heralded by experts as having some of the finest Roman-era ruins in existence.
“English National Ballet (ENB) is to move to a new “state of the art” home in east London, its artistic director Tamara Rojo has announced. The company will share the building – on the new London City Island development, close to the Canning Town railway interchange – with the English National Ballet School.”
Immanuel Kant defined the Enlightenment as the “progress of mankind toward improvement” through the “freedom to make public use of one’s reason on every point,” and Vincenzo Ferrone claims it is this critical process that has driven public opinion and politics, giving us the language of human rights, tolerance, and individual liberty.
“I teach Dante to American undergraduates, and I struggle to convey to them his place in Italian culture. The obvious comparison is to Shakespeare, but this is like trying to make sense of Mozart by means of Coltrane: the number of centuries that divide Dante from Shakespeare is practically as large as the number that separates Shakespeare from us.”
“Both Paparelli and his theater company — the two were inseparable — were at their creative peak. During Paparelli’s seven-year tenure, ATC produced a slew of highly regarded world premieres, including that of Ayad Akhtar’s “Disgraced” which moved to Broadway and went on to win the Pulitzer Prize for drama.”
“Refining earlier research, a newly published study finds innovative people are indeed more likely than most to cross ethical boundaries—but only after they have been engaged in creative work. According to a research team led by Ke Michael Mai, a creative frame of mind enables one to come up with compelling justifications for bad behavior.”