There is “an expanding cadre of high-level physicists, engineers and other scientists, including many former NASA employees, who have left careers in aerospace and academia to work in the movie business. Demand for their services has grown as animated movies, once created by hand, push the boundaries of what can be created on a computer screen.”
“The demands for censorship speak to the illiberal tendencies of much of the art world and their self-important overestimation of the impact of cultural boycotts. They are the kind of artists who call for artistic freedom for themselves, and for those whose opinions they approve of, but deny it to those who they disapprove of, or, in this case, those whose countries they disapprove of.”
“In its nearly 80-year history, the Cinecittà film studio lured the world’s greatest directors and biggest movie stars to this Italian capital, earning it the title of Hollywood on the Tiber. Now the studio, its fortunes in decline and its edges fraying, is hoping to attract some less famous visitors when Cinecittà World, a new theme park dedicated to its golden era, opens on Thursday.”
“Done well, jukebox musicals, which are by nature about popular music, can have great music and dramatic insight, too. I propose that we stop being embarrassed by them, and I hope that producers and librettists continue to make the genre better. Great pop music can be celebrated well and enjoyably.” Sarah Lawson explains how, with examples.
Megumi Igarishi, a 42-year-old sculptor and illustrator who uses the professional name Rokudenashiko (roughly “little good-for-nothing”), spent a week in custody after being arrested for distributing obscene materials. She had sent contributors to a crowdfunding campaign a file for 3D printer that would produce a replica of her vagina.
“Our system of elite education manufactures young people who are smart and talented and driven, yes, but also anxious, timid, and lost, with little intellectual curiosity and a stunted sense of purpose: trapped in a bubble of privilege, heading meekly in the same direction, great at what they’re doing but with no idea why they’re doing it.”
“The problem is, the only thing newsworthy about Magic in the Moonlight – an unexceptional, oddly slack late-period Allen picture – is that it’s his first release after decades-old allegations of sexual abuse resurfaced last winter … And now we were all being told to pretend like this ubiquitous scandal never happened.” Jason Bailey eased up to the issue, sort of, and Allen answered like a practiced politician.
“‘The real curse is that too few scholars have devoted attention to the contents of the tomb,’ says [curator] Paul Collins, … [who] believes that specialists have shied away from serious study of the boy king’s tomb because he ‘so quickly became imbued with glamour and mystery’ in the public imagination.”
“North Korea has asked China to stop the spread of a video clip lampooning leader Kim Jong-un. … [The DPRK government] feels the clip, which shows Kim dancing and Kung-Fu fighting [with various world leaders], ‘seriously compromises Kim’s dignity and authority’. Beijing was unable to oblige.” (includes video)
And Here’s Another New Contemporary Art Museum
AJBlog: Real Clear Arts | Published 2014-07-23
AJBlog: Dancebeat | Published 2014-07-22
Footloose and Fancy Free
AJBlog: Dancebeat | Published 2014-07-22
The Composer as Cripple
(alias, Musicology as Schadenfreude)
AJBlog: PostClassic | Published 2014-07-22
“The way we look at this violin, from an investment point of view, is that this is a store of value,” Allain said. “We are big investors in gold. That’s a store of value, to the extent that someone is saying it’s worth something, just as we think bitcoin is worth something. This Stradivarius—it’s a finite supply. It’s musical gold.”
Judith Weir says there is still a sneaking suspicion that the world of classical music is carved up by a few big institutions and a handful of powerful cultural leaders. That really is an establishment; but Weir does not need the role of the master for access to classical music’s top table. The opportunity of the role, she says, “is to avoid all that – and go and meet the other people”.
“What is unhappiness? Your intuition might be that it is simply the opposite of happiness, just as darkness is the absence of light. That is not correct. Happiness and unhappiness are certainly related, but they are not actually opposites. Images of the brain show that parts of the left cerebral cortex are more active than the right when we are experiencing happiness, while the right side becomes more active when we are unhappy.”
“Poet Voice,” is the pejorative, informal name given to this soft, airy reading style that many poets use for reasons that are unclear to me. The voice flattens the musicality and tonal drama inherent within the language of the poem, and it also sounds overly stuffy and learned. In this way, Poet Voice does a disservice to the poem, the poet and poetry. It must be stopped.”