ArtsJournal (text by date)

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  • Venues In England Are Scared To Program South Asian Dance: Arts Council Report

    Managers of smaller venues fear that they would lose too much money presenting unfamiliar performers in an unfamiliar genre, said the report, which also flags the lack of university- or conservatory-level training in South Asian classical dance forms in England. – Hyphen (UK)

  • A Frequent Book-Prize Juror Explains How These Awards Actually Work

    Rebecca Makkai has judged six major awards in the past eight years (a pace she does not recommend), and she shares some things she’s learned that she thinks most people don’t realize. For instance, she explains, the process is both purer and more random than you’d guess. – SubMakk

  • Pace Gallery Cuts 50 Artists, 50 Staff

    “The whole art gallery art system became too big, too commercial, too impersonal and too corporate,” Marc Glimcher, the chief executive, said in an interview this week.  – The New York Times

  • Hollywood Is Using AI – Like It Or Not

    The AI revolution in Hollywood is not just real, but taking form in tangible projects that people can now see. Whether it’s animated shorts, experimental theatrical projects or full-blown movies and shows, AI is showing that it can not only cut down on costs and production time, but push the boundaries of storytelling. – The Wrap (MSN)

  • Chaos At 60 Minutes

    If Bilton stays, as he presumably will, the organization will try to muddle its way forward, damaged and listing and leaking to the gossip columns. Meanwhile, no answers were forthcoming about why Weiss was so determined to burn “60 Minutes” down. – The Wrap (MSN)

  • City Of Chicago Launches New Fund For Emerging Theater Companies

    “The program, Next Stage Chicago, will provide a maximum of $50,000 to up to eight nonprofit theater companies that have been in business for at least three years but no more than 10.” – WBEZ (Chicago)

  • All 11 Edinburgh Festivals Propose A Common Ticket Platform

    The festivals involved in the plan, including the main international festival, will soon invite bidders to investigate how to merge the ticketing operations and data of all 11 events, which in 2024 sold nearly 4m tickets in total. Others include the book festival and the film festival. – The Guardian

  • Are The Arts Simply Incompatible With Right Wing Government?

    A belief that what is good will be paid for by consumers, and that the state should stand back and play as small a part as possible. Applying this to the arts means that they are not a public good but instead a sector that should be shaped by market principles, competition, and measurable returns. – The Big Idea

  • Japan Embraces ‘Zines

    “I think print media is incredibly open. You can hand it to someone, you can read it together,” Obara says, calling mobile phones “very insular.” – Japan Times

  • The Leading AI Music-Generation Company, Suno, Has More Than Doubled Its Market Value To $5.4 Billion

    “The (latest) funding round” — a sale of stock which raised $400 million — “comes just six months after Suno previously announced a $250 million funding round that had valued the company at $2.45 billion.” – The Hollywood Reporter

  • Why Trump’s Arch Is So Wrong

    Triumphal arches are thuggish. They’re the architectural equivalent of a domestic abuser standing, arms crossed, legs athwart, in front of the bedroom door. I prefer the democratic, American tradition of modest, respectful, open-air monuments.  – The Atlantic

  • Monet Heirs Case Against Wildenstein Allowed To Continue

    The complex case revolves around a 2004 transaction, in which Monet’s great-nephew agreed to relinquish a rare Monet painting depicting the artist’s father, Adolphe, to the internationally renowned Wildenstein gallery, in exchange for several paintings of lesser value. – ARTnews

  • Venice Biennale Artists Protest Awards Inclusions

    More than 100 artists are threatening legal action against the Venice Biennale Foundation for ignoring their demands that the foundation withdraw their names from consideration for the “Visitors’ Lion” awards at the current edition over the inclusion of national pavilions by Israel and Russia. – ARTnews

  • They’re Going To Extraordinary Lengths To Move The Bayeux Tapestry To London Safely

    After two dry runs with facsimiles, France’s culture ministry is confident that the fragile 900-year-old textile will be fine. They’ve developed an ingenious container contraption to absorb all shocks on the roads, and the date and details of the transport are a closely-guarded secret. – BBC (Yahoo!)

  • This Year London’s Serpentine Pavilion Is Actually Serpentine

    “Isabel Abascal and Alessandro Arienzo (of Mexico City’s Lanza Atelier) have gone back to basics and produced one of the most literal Serpentine pavilions in years, featuring an actual serpentine, expressed as a wavy wall of rust-coloured brick.” – The Guardian

  • YouTube Now Has, On Average, More Daily Viewers Than Netflix

    “Average daily usage per YouTube account (worldwide) rose from 87.2 minutes in 2024 to 99.1 in 2025, according to analysis conducted by the Digital i agency across 20 international markets. The figure for Netflix dropped from 100.5 to 93.4 minutes.” – The Guardian

  • New Jersey PBS Finally Finds Its New Operator: Montclair State University

    “A consortium led by Montclair State University has won a competitive process to take over New Jersey’s public television station.” The move comes months after New York PBS station WNET declined to renew its contract to run the New Jersey outlet. – New Jersey Globe

  • Colorado Passes Landmark Law: Artists Can Now Protect Their Rights By Becoming Corporations

    “Senate Bill 133 creates Colorado Artist Companies, or A Corps, a new subset of limited liability corporations that guides artists through the complexities of setting up a business while ensuring they retain creative control over their work, which can include everything from songs, paintings and poems, to less obvious output, like creative coursework.” – The Colorado Sun

  • Artists Say They’ll Sue Venice Biennale If They’re Included In Public-Vote Prizes

    “Dozens of artists participating in this year’s Venice Biennale contemporary art show are threatening legal action if their names are not removed from the ballot allowing visitors to vote for the best national pavilion and overall participants in the absence of a jury” — they all resigned — “to award the prestigious Golden Lions.” – AP

  • Marjane Satrapi, Creator Of “Persepolis,” Is Dead At 56

    She achieved international fame for the graphic memoir of her girlhood in Khomeini’s Iran, and then for co-directing the animated film adaptation. Based in Paris, she went on to direct other films, animated and live-action, and publish graphic works, and remained a lifelong advocate for the rights of Iranians, particularly women. – Deadline

  • Is Trump’s Wreckage of the Kennedy Center an Opportunity for Something Better?
    The Kennedy Center is a treasure. Not just for what it has been, but because of what it represents. But the practicalities of providing a roof for a bunch of artistic enterprises that essentially have nothing much to do with one another — or worse, having to squabble dysfunctionally among themselves for resources — are an argument for the need for something better.
  • Juilliard Flunks the Government’s New Math

    Good Morning,

    The Education Department wants to judge college programs by what their graduates earn — and by that measure, Juilliard fails. So do Yale’s master’s programs in visual arts and music, and Harvard’s in museum studies (The New York Times). Programs that flunk could lose access to federal student loans entirely (ARTnews). It’s the purest version yet of a familiar demand: culture, prove your worth on somebody else’s terms.

    The New School is cutting roughly a third of its full-time faculty (Chronicle of Higher Education). New York added $150 million to its theater tax credit, and much of it is landing on shows backed by Disney and billionaires (Bloomberg Law News). When money follows metrics, the metrics favor whoever was already big.

    Australia just recorded the highest arts attendance in its history (Creative Australia). Demand isn’t the problem. And in Mississippi, a gospel radio station says a new data center forced it off the air (Inside Radio).

    All of our stories below.

    Doug

  • The Composer-Conductor Who Pioneered European Opera In Japan

    Manfred Gurlitt was reluctant to leave Germany when the Nazis came to power, but he ultimately had to flee and ended up in Tokyo. By 1941 he was music director of the Tokyo Philharmonic; a decade later, he had founded his own opera company and taught most of Japan’s opera singers. – Bachtrack

  • The New School Makes Some Painful Cuts

    The New School will employ 65 fewer full-time faculty members in the fall than it did last year, Kessler said. Based on the most recent federal data, that reduction would amount to roughly 36 percent of its 2024 full-time faculty work force. – Chronicle of Higher Education

  • Radio Station Says New Data Center Has Forced It Off The Air

    “Rainey Broadcasting has told the FCC that development surrounding a massive data center and semiconductor manufacturing project forced gospel WFQY Jackson, MS (970 AM) from its longtime location. Yet … a rival broadcaster (is) arguing the Commission should determine whether the station had already been silent before the site was lost.” – Inside Radio

  • Getting Students Inside Dance

    “That’s the entire mission of the school Not ‘You come to us’ but ‘We bring dance to you.’ And we want people in the room who can say, ‘I was just like you and now I’m out in the world dancing.’” – The New York Times

  • A Story Of Gay Life In Early America

    The two women lived openly as a same-sex couple from 1807 to 1851 in Weybridge, VT, where they ran a successful tailoring business. Despite some local misgivings, they were largely accepted. Neighborhood children apprenticed with them, and Sylvia served as a deacon in the local Congregational Church. – ArtsFuse

  • Will The Smithsonian’s Smallest Museum Survive?

    Anacostia, since renamed the Anacostia Community Museum, was the first federally funded museum focused on Black history, as well as the first federally funded community museum; it is still the only Smithsonian to archive and document daily life in the nation’s capital. – The Atlantic

  • Stadtlichter Presse Makes My Heart Beat Stronger
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  • Here’s What Trump’s Washington Arch Would Look Like

    Much of the public debate around the arch has centered on how it would affect other nearby memorials, particularly the Lincoln Memorial and Arlington National Cemetery. – Washington Post

  • A New Wave Of Women’s Ragebait Lit

    “These books may have inspired more than their share of hot takes … but the conversations around them allow us to question where we are and what our feminist ideals have become … (now that) so many of the problems that felt like they were somehow close to being solved … have become drastically worse.” – Harper’s Bazaar

  • Ben Folds: The National Symphony Is In Peril

    The NSO doesn’t even know if it has a home, given the previously announced two-year closure of the Kennedy Center. This is a very bad sign. Further, the tools for survival are entangled in the Kennedy Center’s legal and financial troubles. – Variety

  • Trump Administration’s Plans To Cancel Student Loans For Almost All College Arts Programs

    Yale University’s master’s programs in visual arts and music would fail. Harvard University’s master’s degree in museum studies would fail. The Juilliard School’s undergraduate and graduate programs in music would fail. – The New York Times

  • Crystal Bridges Completes Major Expansion

    This component of a long-running plan for the site adds two galleries and 114,00 square feet (10,590 square metres) of space for a recent major gift and the subsequent reinterpretation of its collection. The museum’s footprint has expanded by half since its opening in 2011. – Dezeen

  • Second-Generation Cambodian-American, Trained Only In U.S., Becomes Skilled Teacher Of Khmer Classical Dance

    Peter Veth has never studied in Cambodia — only in his hometown of Lowell, Mass., a center of the diaspora. But from sixth grade on he took classes with visiting Cambodian masters and at Lowell’s Angkor Dance Troupe, where he now teaches the art form to younger dancers. – Dance Teacher