“It surely must be tempting to think that this compulsion for games and movies to feed into and off each other is a sign that they are artistically tied together, that they are both destined to lift one another to higher and better things and that they have something important in common that means they can both learn from each other. But no; games are games and movies are movies.”
New Statesman Published:07.31.15
“On Thursday Ai disclosed that the British embassy in Beijing had turned down his request for a business visa, saying he had failed to disclose a criminal conviction. Instead it gave him a visa covering 20 days in September, when a major exhibition of Ai’s work is opening at London’s Royal Academy.”
Yahoo! (AP) Published:07.31.15
“It’s less than three years since Netflix debuted its first original series — Lilyhammer, recently cancelled after three seasons — and Netflix chief content officer Ted Sarandos said the service expects to roll out 16 scripted dramas, nine original documentaries, three documentary series, 12 comedy specials and 17 children’s series in 2015 for a total of 475 hours of original programming in the United States.”
Toronto Star Published:07.31.15
“My own fear about drama getting smaller in regular public schools like Lakeshore is that it limits the ability of kids to stumble upon it – and that affects not just future theatre professionals, but future theatre audiences.”
The Globe and Mail (Canada) Published:07.31.15
“Two people who work at Rolling Stone parent company Wenner Media said that Peter Travers had been asked to move from a staff position to a contractor by company founder and chief Jann Wenner. Travers, a 26-year-veteran of the magazine, bristled at the suggestion and threatened to leave the publication entirely.”
Los Angeles Times Published:07.31.15
“After the initial celebration, he quickly lost favor, his argument often treated as little more than a rhetorical punching bag. Commentators of varying leanings could all agree that the end of history thesis was willfully naive, a relic of post-1989 triumphalism that had been rapidly overtaken by harsher political realities. Fukuyama, for his part, turned to somewhat more modest topics in the years after End of History, writing books on trust, biotechnology and U.S. foreign policy.”
The Point Published:07.15
“As Thomas Heatherwick’s projects have grown larger, and entangle private wealth with government financing, they present the public with a quandary: Should communities accept the unasked-for gift of a design perhaps more ambitious than what might result from limited public funds, developed in a public process?”
The New York Times Published:07.31.15
“The question naturally arises, then, of what to do in terms of contemporary programming — because the irony, at least in terms of the permanent collection, is that the institution can’t actually do anything. Unlike other large museums, the Barnes cannot rotate objects in and out of active display or organize special shows using these works to bring particular artists or styles to light. Each piece must remain exactly where it is, forever.”
“We’re at a media moment where media consumers expect media to find them. They are not going to go to media. They’re not going to go out and find shows in general. Now, it’s to the point where appointment viewing for most people can be narrowed down to a select two or three or four shows that people make sure they always catch.”
“Sergei Filin, the Bolshoi Ballet artistic director whose sight was maimed two years ago by an acid attack organized by a disgruntled dancer, will lose his job when his contract expires next spring. Bolshoi Theatre chief Vladimir Urin announced yesterday in Moscow that he is abolishing Filin’s position and replacing it with a more management-focused director, indicating that artistic decision-making is to be taken ‘jointly’ with the theatre directorate.”
The Arts Desk (London) Published:07.31.15
“The question, then, is why? What motivates Palmer and other trophy hunters, as they’re called, to fly thousands of miles and spend tens of thousands of dollars, all for the sake of killing an animal like Cecil? The answer is complex, but, largely, it can be thought of as a demonstration of power and prestige, says Amy Fitzgerald, a sociologist at the University of Windsor.”
Science of Us Published:07.30.15
“What was once a series content to celebrate simple boy-racer pleasures, the seventh Fast & Furious fell prey to a recent tentpole-film affliction: ridiculously over-complicated plotting.”
The Guardian Published:07.30.15
“The dissident Chinese artist Ai Weiwei has accused British authorities of turning their backs on human rights defenders after UK immigration officials rejected his application for a six-month business visa, claiming he had not declared a criminal conviction in his home country.”
The Guardian Published:07.30.15
“The barber offers Beckett haircuts; a local coffee shop sells Krapp (banana and nutella) and Endgame (I didn’t investigate) sandwiches named after his plays. Events take place in theaters, churches, halls, at the Portora School, on the small islands that surround the town and in other improbable places, often kept a secret until a bus deposits audiences at the spot. All of this creates a festive and buoyant atmosphere that works strangely well with Beckett’s famously dark, difficult and often mordantly humorous oeuvre.”
New York Times Published:07.31.15
“One unusual sequence in the documentary Listen to Me Marlon shows a seemingly low-tech digital version of the actor Marlon Brando quoting Macbeth. His head floats in black space and the image looks three-dimensional yet still raw. These visuals were constructed by the filmmakers from a series of scans of Brando’s head that were made around 20 years ago.” (includes video)
New York Times Published:07.30.15
“[Charles] Pregger, a ballet teacher, said Farm to Ballet was born after he led outdoor classes at Oakledge Park in Burlington. He saw that alfresco ballet was possible and joked that he’d like to do something like a flash-mob-styled performance halfway up Mount Philo. That lighthearted thought became a more meaningful and concrete plan to bring dance to Vermont farms.”
Burlington Free Press Published:07.29.15
Five actors and four dancers will be leaving the 19-person cast of Dusty, a new show about the singer Dusty Springfield, by the end of August. The producers of the show, which began performances in an Off-West End theatre in late May, keep postponing the press night.
The Stage (UK) Published:07.30.15
“No one converts the uninitiated into devout believers as suddenly and as vertiginously as Clarice Lispector, the Latin American visionary, Ukrainian-Jewish mystic, and middle-class housewife and mother so revered by her Brazilian fans … She writes like a medieval saint who time-traveled to a high-rise apartment building in Rio and took up chain-smoking and visiting fortune-tellers.”
The New Republic Published:07.27.15
“Unlike Joyce’s innovations, Hemingway’s experimental fusion of fiction and nonfiction [in Green Hills of Africa] remained largely at the level of theory – but it has proven to be even more enduringly influential. Hemingway’s stream has become hard to recognize and to distinguish, because it has become the mainstream.”
The New Yorker Published:07.29.15
Archaeology Frauds – They’re A Lot Of Trouble, So Why Would Scientists, Even Crooked Ones, Go To The Bother Of Perpetrating Them?
“There is a reason that we keep buying into hoaxes such as the ‘Shroud of Turin’ or the ‘Wife of Jesus’ fragment.” (Note: This article begins with an actual three-archaeologists-walk-into-a-bar joke – it’s a recently excavated prehistoric bar, of course.)
A millennium after the Greeks created European civilization’s first written culture, the scholar Alcuin and his monks at Charlemagne’s court fused Roman and Celtic scripts to create the alphabet we use today – and established standards and rules such as leaving a space between words and beginning sentences with a capital letter.
Lapham's Quarterly Published:07.29.15
“I find a variety store-bar called the Sans-Souci. Inside is a drunk loudmouth of about 50 and a platinum blonde who looks like she’s been thru all the mills and talks tough. The drunk is saying: Well, if you waz ever in a war, you’d see something. She says: I ain’t gettin near no war! I’m not thinkin of wars, I’m thinkin of prisons!”
Peter Brant’s Brands: Whither ARTnews and Art in America?
AJBlog: CultureGrrl Published 2015-07-30
The Whole-Tone Hypothesis
AJBlog: PostClassic Published 2015-07-30
So you want to see a show?
AJBlog: About Last Night Published 2015-07-30
“Whatever happens with the merged magazines, it looks bad. You can read it as another chapter in the sad decline of print. But scrutinizing the tea leaves, you can also see it as another augury that the discourse of art is more and more subordinate to fashion-obsessed celebrity and short-term finance.”
“It’s not happening for altruistic reasons. In his keynote at the O’Reilly Open Source Conference in Portland, Oregon last week, Cloud Foundry Foundation CEO Sam Ramji argued that the shift is being driven by economics.”
At the Philbrook, Randall Suffolk boosted attendance by 63 percent and almost tripled participation in educational programs. “We’ve tried to reinvent our relationship with our community,” he said. Suffolk spearheaded the planning for Philbrook Downtown, a 30,000-square-foot satellite facility that opened in 2013.
Atlanta Journal-Constitution Published:07.29.15
Thanks to the “massification” or “democratization” of culture, we can all claim to be cultured even if we have never read a book, listened to a symphony, or attended an art gallery. Eliot said that “higher culture” is the domain of an elite. Vargas Llosa is in favor of putting an end to “morally repugnant” elites which are at variance with our egalitarian ideals. In doing so, however, we achieve “a pyrrhic victory” whereby we dumb down and become too all-inclusive: “everything is culture and nothing is.”
New Criterion Published:06.15
“It is an oft-repeated idea that philosophy in its modern, professional form has become detached from what was, in ancient times, a founding ideal: to teach people how to live well. In today’s university, the emphasis is on the search for the truth about whichever subject lies at hand, regardless of how, if at all, such truths change what you do when you leave the classroom. So while students often report finding philosophy “therapeutic,” they do so in passing, somewhat guiltily.”
Chronicle of Higher Education Published:07.27.15
A musical dancer helps you to see and feel the music in your own body; a dancer with a superior musicality goes even further, playing against the music, entering into a conversation with it, bending it to her own wishes. This is the kind of dancer Verdy was. Such musicality is innate.
The Nation Published:07.30.15
“We normally only respond like this to experiences that might ensure or endanger our survival – food, reproduction, or the terrifying plummet of a rollercoaster. How can music – hardly a life-or-death pursuit – move the mind and the body as powerfully as sex?”
“Why is one considered a beacon of acting talent for playing a disabled character convincingly? Why is it a common expectation that these actors will transform into characters whose experiences they can never truly understand? And, perhaps the most important question: if able-bodied actors continue to be cast in these roles, what opportunities are left for disabled actors?”
“Sometimes you have to think the unthinkable. If we want museums to prosper and thrive in a harsh economic climate with central government talking about 40% cuts, an entrance fee may be the best way forward. And it may have a good side.”
The Guardian Published:07.23.15
“I’ve been going to the Venice Biennale for at least a decade and always enjoy the stimulation of seeing the work of new and up-and-coming artists,” Allen, who co-founded Microsoft Corp. with Bill Gates, said in a telephone interview. “In 2013 I started thinking, ‘what’s keeping us from doing this in Seattle?’”
“When people were invited onstage at a recent performance of “Penn & Teller on Broadway,” many women looked as if they had stepped out of a jazzercise class, while men ambled around in hideous cargo shorts.”
New York Post Published:07.29.15
“Stage fright has been aptly described as ‘self-poisoning by adrenaline'” – the fight-or-flight response. “But what Cro-Magnon man needed upon finding a bear in his cave is not what a modern person needs in order to play King Lear. Without the release of abrupt action, the hyperactivation becomes, basically, a panic attack.”
The New Yorker Published:08.03.15
The bronze cast of Young Girl with Serpent was taken from a Beverly Hills home in 1991. The story of its discovery and restitution features an ace investigator, a sharp-eyed Rodin scholar, a recalcitrant dealer, and a filing mistake.
Los Angeles Times Published:07.29.15
The number-one film may come as something of a surprise …
Time Out New York Published:07.28.15
Now That Americans Are Eligible For The Booker Prize, There Are Five Of Them On This Year’s Longlist
That’s five out of 13 in total. (The Brits only got three.) One of those five is a literary agent, and another – possibly the least famous of the group – is the bookmakers’ early favorite to win.
The Guardian Published:07.29.15
Threesome, by Yussef El Guindi, “begins as a bawdy bedroom comedy whose main characters, a heterosexual Egyptian-American couple, invite a white American man into their bed. Over two acts it transforms into something darker, as all three grapple with the fallout of sexual assault, infidelity, war and the pain of lost hope, both political and personal.”
New York Times Published:08.02.15
“In some ways, reading all this Arabic literature in English has been like listening in on a foreign-language recording when one understands the words’ meanings, but not the allusions, nor the jokes, nor the underlying rhythms. Some of this woodenness can be blamed on inadequate translations. But some of it falls to our historical blind spots.”
The National (Abu Dhabi) Published:07.25.15
‘I Would Have Jumped Off A Roof For Mao': Li Cunxin, ‘Mao’s Last Dancer’, From The Cultural Revolution To The 21st-Century West
“Forced into ballet as a child in Mao’s China, Li Cunxin defected to the US and had to work as a stockbroker to support his family back home. But he never quit dancing. As he brings the Queensland Ballet to Britain, he talks about his traumas and triumphs – and shock at seeing people take their privileged lives for granted.”
The Guardian Published:07.30.15
Harper Lee’s Attorney Takes Over Another Piece Of The ‘Mockingbird’ Brand: The Annual Play In Monroeville
Tonja Carter, who rediscovered the manuscript of Go Set a Watchman and sued the local museum over its gift shop’s Mockingbird-themed merchandise, has formed a company to produce the stage adaptation of the novel in the town’s historic courthouse – taking the rights away from the museum, which had presented the play for years.
Wall Street Journal Published:07.28.15
“Today, Kubota … [is] better remembered for her 1965 performance Vagina Painting, in which Kubota attached a paintbrush to her skirt, squatted, and moved around over a canvas.” More notable was her work, by herself and with husband Nam June Paik, developing the genre of video art in general and combining video and sculpture in particular.
After a two-year hiatus, the erstwhile Center City Opera has re-emerged with a new name (that doesn’t include the word opera) and mission, a four-shows-in-18-days summer festival format, a new home (the Prince
MusicTheater, itself recently brought back from the dead), a world premiere, two local premieres, and the musical version of Heathers.
Philadelphia Inquirer Published:07.28.15
Besides spending four decades as the Boston Symphony’s principal tympanist (Seiji Ozawa called him “the single greatest percussionist anywhere in the world”), he decided in the 1960s to design and build his own sticks, feeling that what was on the market was inadequate for the subtleties of serious symphonic and ensemble music. Little did he know then that he was setting the gold standard for percussionists in all genres all over the world.
New York Times Published:07.29.15
“The biting satirical musical that mocks Mormons has finally come to the heart of Mormonlandia, starting a sold-out, two-week run Tuesday at a Salt Lake City theater two blocks from the church’s flagship temple and headquarters.”
Yahoo! (AP) Published:07.28.15
Today’s exhibit: the Fighting Gamecocks of the University of South Carolina. (includes video)
AftA Thoughts 2015: Self-Perpetuating Boards
AJBlog: Engaging Matters Published 2015-07-29
Now This, For A Big Museum, Would Be Experimental
AJBlog: Real Clear Arts Published 2015-07-29
Philbrook Museum Director Randall Suffolk Gets High (Museum, that is)
AJBlog: CultureGrrl Published 2015-07-29
An Oxymoronically Postminimalist Improviser
AJBlog: PostClassic Published 2015-07-29
An indefatigable operagoer
AJBlog: OperaSleuth Published 2015-07-29<
Peter Brant has sold his 100% ownership interest in Art in America magazine, founded in 1913, to the company that publishes rival Artnews, and he will in turn become the majority shareholder in that company.
New York Observer Published:07.29.15
“Awadagin Pratt, who was dismissed by executive director and CEO Mark Ernster on July 8, will continue in the role of artistic director. The competition also announced on Wednesday that Ernster resigned from his position on July 20. Board chair Jack Rouse, who had resigned on July 8, returned as chairman on July 26.”
Cincinnati Enquirer Published:05.29.15