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  • Flynn Center for the Performing Arts seeks Chief Growth & Impact Officer

    Organization

    The Flynn is where the unexpected meets the familiar—where strangers become neighbors through shared wonder. We light up stages and communities alike with performances that inspire and moments that transform. Here, bold art feels personal—and belonging takes center stage.

    The Flynn welcomes international, national, and regional artists to its stages, presenting a diverse range of performances designed to create transformative experiences for audiences. Its programming includes world-class music, Broadway, theater, dance, family performances, intimate events in Flynn Space, the annual Burlington Discover Jazz Festival around the city, and statewide art in public space presentations throughout the year.

    The Flynn’s facilities include a 1,439-seat Main Stage theater, Flynn Space (a smaller black-box performance venue), education and dance studios, and a visual art gallery. These spaces support a wide range of performances, educational activities, and community events. In addition to presenting its own season and programs, the Flynn provides a performance venue for organizations such as the Vermont Symphony Orchestra, Vermont Youth Orchestra, Lyric Theatre, UVM Lane Series, and other local and touring groups.

    Education and community engagement are central to the Flynn’s work. The Flynn serves participants through programs such as the Student Matinee Series, which connects schools with live performances, as well as classes, camps, and workshops for children, teens, and adults. Outreach efforts extend beyond the building, bringing performances into schools, public spaces, and communities across Vermont. Initiatives such as artist residencies, public-space performances, and student ticket programs help remove barriers to access and ensure broad participation, including partnerships with social service agencies and opportunities for emerging and local artists. Welcoming more than 165,000 attendees each year through more than 100 performances and programs, the Flynn continues to be a cultural anchor for Vermont, presenting bold, diverse, and high-quality artistic experiences that celebrate global perspectives, elevate local voices, and invite the entire community to take part in the transformative power of live performance.

    The Flynn has a 22 member board of directors led by Board Chair Chiuho Sampson. The CGIO has four direct reports, including the Director of Advancement, Director of Marketing, Director of Strategic Communications, and the Director of Corporate Relations & Major Gifts, and reports to the Executive Director. For the fiscal year ending June 30, 2025, the Flynn reported $10.3 million in total revenue, including 53% from program services, 29% from contributions and grants, and 18% from investment income.

    Sources: edited from flynnvt.org; propublica.org

    Community

    Burlington, Vermont, is a welcoming, highly livable lakeside city, combining neighborhood character, civic engagement, cultural activity, and abundant outdoor amenities on the shores of Lake Champlain. With a 2024 estimated population of 44,432, Burlington is a highly educated community, where 60.5% of residents age 25 and older hold a bachelor’s degree or higher. The City’s comprehensive planning work, known as planBTV, serves as Burlington’s principal guide for land use policy, long-range decision-making, and future public and private investment. Through planBTV 2050, Burlington is advancing a unified citywide vision that brings together planning, transportation, parks and recreation, and community and economic development to reflect how Burlingtonians live, work, and move through the city.

    Burlington’s community life is shaped by its waterfront, parks, downtown, and arts infrastructure. The City’s Department of Parks, Recreation and Waterfront oversees more than 35 parks, more than 550 acres of open space, four public beaches, street trees and greenways, community gardens, Miller Recreation Center, Leddy Ice Arena, North Beach Campground, the Community Boathouse Marina, and a wide range of recreation programs. Residents enjoy year round access to biking and walking paths, sailing and paddling on the lake, and easy proximity to Vermont’s renowned skiing and outdoor recreation areas.

    Local food culture, farmers’ markets, independent shops, and a strong sense of neighborhood identity contribute to Burlington’s appeal as a place where residents can enjoy both small city accessibility and a rich, creative community life. In this setting, Burlington offers the scale and accessibility of a close-knit Vermont city with the quality of life, natural beauty, and cultural energy of a community actively shaping an inclusive and sustainable future.

    Sources: edited from burlingtonvt.gov; census.gov

    Position Summary

    The Chief Growth & Impact Officer (CGIO) will be a visionary senior executive charged with elevating the Flynn Center for the Performing Arts’ (the Flynn) reach, relevance, and long-term sustainability. As the Flynn’s senior leader for organizational growth, the CGIO will shape and drive an integrated strategy to expand audiences, strengthen revenue, heighten visibility, and amplify the Flynn’s public impact. They will align Marketing, Development, and Strategic Communications around shared goals, disciplined execution, and measurable results. With a bold, community-centered approach to growth, the CGIO will ensure that every strategy advances the Flynn’s commitments to representation, dialogue, and belonging while deepening engagement, broadening participation, and inspiring greater support from the full diversity of the communities the Flynn serves.

    Roles and Responsibilities

    Organizational Growth Strategy
    • Develop and manage an integrated strategy to grow revenues and audiences by maximizing existing communication channels, technologies, and relationships, while identifying and activating new opportunities for expansion and engagement.
    • Partner with the Executive Director to set and steward growth priorities aligned with the strategic plan.
    • Translate long-term goals into integrated, multi-year growth strategies across income, audience reach, visibility, and impact.
    • Establish shared growth frameworks, planning rhythms, and performance benchmarks across departments, including alignment across systems, revenue channels, and related operational processes.
    • Ensure growth strategies support the full patron journey from awareness through conversion, engagement, and long-term support.
    • Connect the Executive Director’s vision for the Flynn’s artistic mission and organizational aspirations to practical, operational plans that can be implemented across teams.
    • Embrace other organizational growth strategy responsibilities as needed.

    Revenue Leadership & Accountability
    • Own and be accountable for combined earned and contributed revenue performance.
    • Oversee development on philanthropic strategy, pipeline health, and campaign execution.
    • Supervise the Director of Marketing on audience growth, ticket revenue, membership acquisition, and the performance of marketing campaigns that drive conversion and attendance.
    • Guide the Director of Corporate Relations & Major Gifts in expanding corporate sponsorship and partnership strategy and ensuring the development and stewardship of major gifts are aligned with organizational priorities and growth goals.
    • Ensure forecasting, goal-setting, and reporting are aligned, realistic, and data-informed.
    • Align earned, contributed, and other revenue channels to support coordinated planning, accountability, and growth.
    • Embrace other revenue leadership and accountability responsibilities as needed.

    Strategic Communications & Visibility
    • Oversee organizational visibility and reputation strategy in collaboration with the Director of Strategic Communications.
    • Ensure consistent narrative alignment across fundraising, marketing, public relations, and institutional storytelling.
    • Confirm alignment between organic and paid channel strategies, supporting coordinated planning, messaging, and performance across Marketing and Strategic Communications.
    • Support the Executive Director and senior leaders as visible, credible external voices.
    • Embrace other strategic communications and visibility responsibilities as needed.

    Leadership & Cross-Functional Alignment
    • Lead and support Directors within the Growth & Impact system, with clear boundaries between strategy ownership and execution.
    • Foster collaboration, shared planning, and integrated campaigns, eliminating siloing.
    • Build a culture of accountability, learning, and continuous improvement.
    • Support leadership transition by providing clarity, continuity, and coordination across affected teams.
    • Acknowledge and attend to the staff experience during periods of change, particularly for employees whose work or reporting relationships are directly impacted.
    • Embrace other leadership and cross-functional alignment responsibilities as needed.

    Measurement & Impact
    • Define and track KPIs that connect growth activity to organizational outcomes.
    • Use data and insight to adapt strategy, test new approaches, and inform decision-making.
    • Ensure systems, tools, and platforms evolve to support changing audience behaviors, technologies, and growth opportunities.
    • Communicate progress clearly to the Executive Director, senior team, and Board as appropriate.
    • Use performance data and shared reporting to support alignment across revenue channels, audience development, communications, and organizational priorities.
    • Embrace other measurement and impact responsibilities as needed.

    Traits and Characteristics

    The Chief Growth & Impact Officer will be an engaging and people oriented leader who values communication, collaboration, and relationship building across the organization. This individual will bring versatility and adaptability, navigating shifting priorities, structural change, and cross departmental needs with confidence and ease. Grounded in intuition, practical judgment, and a clear sense of purpose, the CGIO will demonstrate a balanced and motivating leadership style that fosters trust, alignment, and stability during a period of organizational evolution. They will be resourceful and receptive, combining data informed thinking with openness to new ideas, methods, and opportunities that strengthen the Flynn’s revenue systems, audience growth, and community impact. The CGIO will also be innovative and strategic, drawing on broad experience across marketing and development to advance integrated communications, support team cohesion, and champion approaches that enhance the Flynn’s long term success.

    Other key competencies include:

    Time and Priority Management and Teamwork – The aptitude to ascertain competing priorities, resolve difficulties, overcome obstacles, and maximize the use of time and resources to attain the desired outcomes, while cooperating with others to meet those objectives
    • Conceptual Thinking and Problem Solving – The ability to define, analyze, and diagnose key components of a problem to formulate a solution, while analyzing hypothetical courses of action to ensure that work is completed effectively.
    Flexibility and Personal Accountability – The acumen to be answerable for personal actions, readily modifying, responding, and adapting to change with minimal resistance.
    Futuristic Thinking – The foresight to envision expanded possibilities, championing cutting-edge ideas and concepts, and crafting an environment where creative thinking is the norm, not the exception.
    Diplomacy – The aptitude to handle situations gracefully and with sensitivity, and communicate effectively by listening, observing, and appreciating cultural and personal perspectives.

    Qualifications

    A minimum of 10 years of senior-level leadership experience in growth, revenue, advancement, marketing, and/or communications is desired, along with demonstrated success leading integrated revenue strategies that include both earned and contributed income. Senior leadership experience as an Executive Director, Development Director, or comparable advancement, marketing, or revenue leader is strongly preferred, with demonstrated ability to translate strategy into effective tactics and execution. Experience leading or partnering closely across development, marketing, and communications functions is essential. Capital campaign experience is strongly preferred. Proven ability to align multiple functional teams around shared goals, metrics, and performance outcomes is essential. Strong strategic thinking, comfort with data, forecasting, digital tools, audience engagement, and performance management, and exceptional communication, judgment, and relationship-building skills are required. Experience helping an organization strengthen or transform its revenue, advancement, marketing, or growth strategy is highly desirable. Experience in arts, culture, nonprofit, or other mission-driven organizations is preferred as is experience in New England and/or Vermont or comparable regional fundraising markets. A bachelor’s degree is highly desirable, and an advanced degree is preferred.

    Compensation and Benefits

    The Flynn offers a comprehensive compensation and benefits package, including an annual salary range of $140,000 to $150,000, and a benefits package that includes health, dental, and vision insurance coverage, Safe Harbor 401(k) contributions, and paid time off.

    Applications and Inquiries

    To submit a cover letter and resume with a summary of demonstrable accomplishments (electronic submissions preferred), please visit https://artsconsulting.com/opensearches/flynn-center-for-the-performing-arts-seeks-chief-growth-impact-officer/

    The Flynn is committed to creating an inclusive workplace that promotes and values diversity. We strive to be diverse in age, gender identity, race, sexual orientation, physical or mental ability, ethnicity, and perspective. Our goal is to build and maintain an organization where everyone can do their best work. We believe that people of color, people from working class backgrounds, women, and LGBTQ people must be centered in the work we do, we strongly encourage applications from people with these identities or who are members of other marginalized communities.

    MORE

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    The conductor Ettore Panizza. Credit:.The New York Times

    The New York Times invited me to attempt a succinct assessment

  • When background music doesn’t help

    Good Morning:

    New York’s Little Island has cut its performance schedule in half (The New York Times), and Nicholas Hytner’s Bridge Theatre has been swallowed by a commercial chain (The Guardian).

    More studies are showing that reading on paper yields measurably better comprehension than reading on screens (Time), and the playlist you put on to focus on your work mostly doesn’t work that way (The Conversation).

    Aeon argues we can’t yet measure most of what AI actually costs or delivers — the impacts only surface years behind the technology. A charred Vesuvius scroll has been fully deciphered for the first time (Smithsonian).

    And if you’re wondering why it’s Shrek 5 instead of Ratatouille at El Bulli, Vulture has theories.

    All of our stories below.

    Doug

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    The movie certainly helped over the 26 years since it was released: there are noticeably more boys in ballet classes than there used to be — especially where there are boys-only classes. But they still face trouble from peers at school. – The Sunday Times (UK)

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    Classical music in the United States is borrowed from Europe, and that borrowing was initially ambitious and impressive. An apex was attained around 1900. – The New York Times

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    When a tool reliably performs a cognitive operation, the internal capacity for that operation tends to weaken with disuse. People who know they can look up something on Google develop weaker memory for the information itself, and habitual GPS users show measurable decline in hippocampal-dependent spatial navigation. – Aeon

  • For The First Time, The Complete Text Of A Vesuvius Scroll Has Been Deciphered

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  • Alex Ross Is Leaving The New Yorker

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    Researchers generally agree that the relationship between music and learning is complex. The effects of music on studying and other cognitively demanding tasks appear to depend on the type of task performed, the kind of music and the students themselves. – The Conversation

  • Nicholas Hytner’s Bridge Theatre Bought By Major Commercial Theatre Owner

    “The Bridge Teatre in London, opened in 2017 by the former National Theatre duo Nicholas Hytner and Nick Starr, has been acquired by Trafalgar Entertainment,” which owns more than 20 venues in Britain and elsewhere – The Guardian

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    Oh, Brad Bird, say it ain’t so: “Ratatouille director Brad Bird revealed he’s putting the kibosh on any sequels to that delightful, delicious film.” (Could we at least get the musical? Remember that from the early days of the pandemic?) – Vulture

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    “The Cultural Fund will be forced to reduce the number of grants it had been expecting to distribute in the coming year, from 332 to 232. It has changed its eligibility requirements, eliminating grants to a pool of midsize organizations.” Mural Arts, meanwhile, is reducing its budget by 26%. – The Philadelphia Inquirer (MSN)

  • Film Archivists Plan To Edit And Complete Orson Welles’s Unfinished “Don Quixote”

    “Oja Kodar, the American film-maker’s partner and collaborator, has given her blessing to the project led by archives in France, Spain and Italy, along with the Munich film museum, to produce a coherent film out of 30 hours of footage scattered among them.” – The Guardian

  • Italy Acquires 2,400-Year-Old Frescoes From Ancient Etruscan Tomb

    “The Culture Ministry announced in May that it had acquired the fresco panels, dating from the 4th century, from members of the Torlonia family, one of Italy’s ancient noble families whose vast collection of antiquity has long been kept out of the public domain.” – AP

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    “In the late 1970s and early 1980s, (she became) one of Britain’s most popular comedy actresses through her work in the BBC sitcoms The Good Life and To the Manor Born: she was both convincing and funny when portraying imperious and autocratic ‘grand ladies’.” – The Telegraph (UK) (Yahoo!)

  • New York’s Little Island Has Cut Its Performance Schedule In Half

    Last summer the outdoor venue on stilts in the Hudson River presented 100 performances over four months; this year’s season is offering 56 performances over six weeks. The stated reason for the change is that funder Barry Diller “wants to take programming in a different direction.” – The New York Times

  • Comcast Is Splitting Itself In Two, Spinning NBCUniversal Into A Separate Company

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  • University Musical Society seeks Vice President and Chief Development Officer.

    ZRG Aspen Leadership Group is proud to partner with University Musical Society in the search for a Vice President and Chief Development Officer.

    Reporting to the President, the Vice President and Chief Development Officer will be a key institutional leader and strategic partner to the UMS President, with the responsibility of designing and leading a comprehensive fundraising program that includes annual, major, planned, and endowment giving; foundation and corporate giving; and donor engagement. This leader must be fluent in the fundamentals of each area, excited to craft their own vision, strategy, and roadmap for the function, and able to align resources to deliver the plan.

    The VP/CDO will be responsible for a portfolio of key donors and prospects, and will actively direct and support the President, Board, and key staff members in fundraising efforts. Additionally, the VP/CDO will work closely with the President on the Nominating and Development Committees of the Board and in advancing the Campaign Council.

    The position requires broad and comprehensive experience, of both high-level strategic planning and management of practical day-to-day operations, strong interpersonal skills and the
    ability to build authentic relationships with key stakeholders. The VP/CDO will be responsible for helping shape, then translating UMS’s vision, strategy, and commitment to U-M, Ann Arbor, and Southeast Michigan into a clear and compelling fundraising strategy, with achievable goals and performance objectives.

    Now in its 148th season, UMS is admired across the country for its boundary-pushing roster of artists and its curious and supportive audiences, showcasing traditional performing art forms and contemporary artists in a variety of venues ranging in size from 200-3,500. Based on the campus of the University of Michigan (U-M) in Ann Arbor, UMS is one of the oldest performing arts presenters in the country, committed to its mission of connecting audiences with performing artists from around the world in uncommon and engaging experiences.

    UMS is an affiliated partner of the University of Michigan but remains an independent 501(c)3 arts presenter, enabling the organization to both complement and leverage the resources of a world-class university, while also serving as a public-facing cultural hub for the entire community. UMS is financially healthy with an endowment of more than $50M and an annual budget of approximately $11M. UMS contributes to a vibrant cultural community in Southeast Michigan by presenting approximately 60-75 music, dance, and theater performances and more than 100 free educational activities for K-12 students, educators, university students, families, adults, and cultural and ethnic communities each season.

    Currently, the University Musical Society and the University of Michigan are exploring the building of a new performing arts space on Ann Arbor’s central campus. The building will be a place where students and audience members get to immerse themselves, experience remarkable artistry, and develop their own creative process; where world-renowned artists can rehearse, perform, innovate, and teach; and where the community can gather, be enriched and entertained, and share in the power of the arts – together.

    UMS approaches its 150th season in Fall 2028 operating with vision and confidence, marked by strategic financial and philanthropic models that support its programming, personnel, and capital aspirations. Through its diverse programming and strategic investment of resources, UMS continues to be a cultural leader, both as a destination for artistic innovation and as a presenter of live performing arts activities that are increasingly available and accessible to all.

    A bachelor’s degree or an equivalent combination of education and experience and a minimum of five years of experience in a significant role in development and fundraising for a nonprofit institution is required for this position. University Musical Society will consider candidates with a broad range of backgrounds. If you are excited about this role and feel that you can contribute to UMS, but your experience does not exactly align with every qualification listed above, we encourage you to apply. All applications must be accompanied by a cover letter and résumé. Cover letters should be responsive to the mission of University Musical Society and the responsibilities and qualifications specified in the position prospectus.

    The target salary for this position is $200,000. University Musical Society and the University of Michigan offer a comprehensive package of benefits, including medical, dental, and vision insurance, a combined 403(b) and 401(a) retirement plan with employer contribution, and generous paid time off.

    UMS is committed to the inclusion of all qualified candidates. If you require reasonable accommodation in completing this application, interviewing, or participating in the selection process, please contact Marianna DiVietro at mariannadivietro@aspenleadershipgroup.com.

    To apply for this position, visit: https://apptrkr.com/7274518.

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