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DANCE

    IDEAS

    • A $125,000 Offer Saved The Muppet Show

      Good Morning,

      The Muppet Show, which turned 50 last month, was made in England because Lew Grade, a British producer with an empty studio outside London, offered Jim Henson $125,000 for one episode, on condition he shoot there. Henson had two failed ABC pilots and a stalled CBS deal behind him (Variety).

      Daniel Weiss, 69, became director of the Philadelphia Museum of Art a month after the board fired Sasha Suda; vice chair Osagie Imasogie says a search would have been “performative” (ARTnews).

      In 1947 the Minneapolis Institute of Art paid $10,000 for a “King Chak Mool” later exposed as a forgery. The dealer, Earl Stendahl, also ran looted Mesoamerican objects into Los Angeles collections, according to a new Getty Research Institute book (Hyperallergic).

      Quebec novelist Thélyson Orélien admits plagiarism in articles he wrote in 2012-14 but denies using AI for C’était ça ou mourir, which the Goncourt jury dropped on September 25 (The Canadian Press).

      La Scala’s workers voted to strike on October 20, opening night of Gounod’s Faust, with one vote against among more than 450, over a 15 percent raise (Moto Perpetuo).

      One Minnesota school pulled 80 books last year, including The Handmaid’s Tale, after the state outlawed book bans (Star Tribune). South Grand Prairie High School in Texas canceled Little Shop of Horrors because a girl was cast as Seymour (Fort Worth Star-Telegram).

      All of our stories below.

    • “The Muppet Show” Is Now 50. It Almost Didn’t Happen At All.

      After the success of Sesame Street, Jim Henson badly wanted to make a his own show. But there were two failed pilots for ABC and development plans at CBS stalled. Things looked hopeless — until producer Lew Grade came along. (One perhaps-surprising fact: all five seasons of the show were shot in England.) – Variety

    • Meghan O’Gieblyn On The Limits And Opportunities Of Knowing Ourselves

      When we read her work, we come to understand her in part through her acts of self-discovery, how, not unlike Montaigne, she comes to know herself by reckoning with the ways in which she may have remained unknown to herself. – The Point

    • Daniel Weiss Is A Mr. Fix-It. Can He Fix The Philadelphia Museum Of Art?

      He has been fixing institutions for his entire career, from his very first job, at the Kennedy Center’s gift shop, to the Metropolitan Museum, which, when he became CEO, had issues not dissimilar to those at the PMA when he became director last year. So far, the staff appears to be happier. – ARTnews

    • The Art Trafficker Who Flooded LA Museums

      The Stendahl Art Galleries were a key driver in the illegal looting, smuggling, and sale of these objects to its Los Angeles clientele. The Galleries’ archive is now housed at the Getty Research Institute (which published this book), allowing for a deep investigation into the shady dealings of an art dealer. – Hyperallergic

    ISSUES

    MEDIA

    MUSIC

    PEOPLE

    • A $125,000 Offer Saved The Muppet Show

      Good Morning,

      The Muppet Show, which turned 50 last month, was made in England because Lew Grade, a British producer with an empty studio outside London, offered Jim Henson $125,000 for one episode, on condition he shoot there. Henson had two failed ABC pilots and a stalled CBS deal behind him (Variety).

      Daniel Weiss, 69, became director of the Philadelphia Museum of Art a month after the board fired Sasha Suda; vice chair Osagie Imasogie says a search would have been “performative” (ARTnews).

      In 1947 the Minneapolis Institute of Art paid $10,000 for a “King Chak Mool” later exposed as a forgery. The dealer, Earl Stendahl, also ran looted Mesoamerican objects into Los Angeles collections, according to a new Getty Research Institute book (Hyperallergic).

      Quebec novelist Thélyson Orélien admits plagiarism in articles he wrote in 2012-14 but denies using AI for C’était ça ou mourir, which the Goncourt jury dropped on September 25 (The Canadian Press).

      La Scala’s workers voted to strike on October 20, opening night of Gounod’s Faust, with one vote against among more than 450, over a 15 percent raise (Moto Perpetuo).

      One Minnesota school pulled 80 books last year, including The Handmaid’s Tale, after the state outlawed book bans (Star Tribune). South Grand Prairie High School in Texas canceled Little Shop of Horrors because a girl was cast as Seymour (Fort Worth Star-Telegram).

      All of our stories below.

    • “The Muppet Show” Is Now 50. It Almost Didn’t Happen At All.

      After the success of Sesame Street, Jim Henson badly wanted to make a his own show. But there were two failed pilots for ABC and development plans at CBS stalled. Things looked hopeless — until producer Lew Grade came along. (One perhaps-surprising fact: all five seasons of the show were shot in England.) – Variety

    • Meghan O’Gieblyn On The Limits And Opportunities Of Knowing Ourselves

      When we read her work, we come to understand her in part through her acts of self-discovery, how, not unlike Montaigne, she comes to know herself by reckoning with the ways in which she may have remained unknown to herself. – The Point

    • Daniel Weiss Is A Mr. Fix-It. Can He Fix The Philadelphia Museum Of Art?

      He has been fixing institutions for his entire career, from his very first job, at the Kennedy Center’s gift shop, to the Metropolitan Museum, which, when he became CEO, had issues not dissimilar to those at the PMA when he became director last year. So far, the staff appears to be happier. – ARTnews

    • The Art Trafficker Who Flooded LA Museums

      The Stendahl Art Galleries were a key driver in the illegal looting, smuggling, and sale of these objects to its Los Angeles clientele. The Galleries’ archive is now housed at the Getty Research Institute (which published this book), allowing for a deep investigation into the shady dealings of an art dealer. – Hyperallergic

    PEOPLE

    • A $125,000 Offer Saved The Muppet Show

      Good Morning,

      The Muppet Show, which turned 50 last month, was made in England because Lew Grade, a British producer with an empty studio outside London, offered Jim Henson $125,000 for one episode, on condition he shoot there. Henson had two failed ABC pilots and a stalled CBS deal behind him (Variety).

      Daniel Weiss, 69, became director of the Philadelphia Museum of Art a month after the board fired Sasha Suda; vice chair Osagie Imasogie says a search would have been “performative” (ARTnews).

      In 1947 the Minneapolis Institute of Art paid $10,000 for a “King Chak Mool” later exposed as a forgery. The dealer, Earl Stendahl, also ran looted Mesoamerican objects into Los Angeles collections, according to a new Getty Research Institute book (Hyperallergic).

      Quebec novelist Thélyson Orélien admits plagiarism in articles he wrote in 2012-14 but denies using AI for C’était ça ou mourir, which the Goncourt jury dropped on September 25 (The Canadian Press).

      La Scala’s workers voted to strike on October 20, opening night of Gounod’s Faust, with one vote against among more than 450, over a 15 percent raise (Moto Perpetuo).

      One Minnesota school pulled 80 books last year, including The Handmaid’s Tale, after the state outlawed book bans (Star Tribune). South Grand Prairie High School in Texas canceled Little Shop of Horrors because a girl was cast as Seymour (Fort Worth Star-Telegram).

      All of our stories below.

    • “The Muppet Show” Is Now 50. It Almost Didn’t Happen At All.

      After the success of Sesame Street, Jim Henson badly wanted to make a his own show. But there were two failed pilots for ABC and development plans at CBS stalled. Things looked hopeless — until producer Lew Grade came along. (One perhaps-surprising fact: all five seasons of the show were shot in England.) – Variety

    • Meghan O’Gieblyn On The Limits And Opportunities Of Knowing Ourselves

      When we read her work, we come to understand her in part through her acts of self-discovery, how, not unlike Montaigne, she comes to know herself by reckoning with the ways in which she may have remained unknown to herself. – The Point

    • Daniel Weiss Is A Mr. Fix-It. Can He Fix The Philadelphia Museum Of Art?

      He has been fixing institutions for his entire career, from his very first job, at the Kennedy Center’s gift shop, to the Metropolitan Museum, which, when he became CEO, had issues not dissimilar to those at the PMA when he became director last year. So far, the staff appears to be happier. – ARTnews

    • The Art Trafficker Who Flooded LA Museums

      The Stendahl Art Galleries were a key driver in the illegal looting, smuggling, and sale of these objects to its Los Angeles clientele. The Galleries’ archive is now housed at the Getty Research Institute (which published this book), allowing for a deep investigation into the shady dealings of an art dealer. – Hyperallergic

    THEATRE

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