ArtsJournal Classic

AJ Four Ways: Text Only (by date) | headlines only

DANCE

    IDEAS

    • Prove You’re Art, Says South Carolina

      Good Morning,

      The Philadelphia Fringe is now the largest in the country by venue count — 350-plus shows in 100-plus spaces (Philadelphia Magazine). The model runs on one premise: nobody has to prove anything to get in.

      South Carolina is testing the opposite premise. Its arts commission funded all but two of the nearly 180 applicants its own panel approved, then asked the Greenville Gay Men’s Chorus and Proud Mary Theatre Company for extra evidence of “artistic merit” (The Post and Courier). A merit test applied to only two applicants is… concerning. Lonnie Bunch, who ran the Smithsonian through the campaign to purge “improper ideology” from its museums, is retiring (The Washington Post). And David Rubenstein, fired as Kennedy Center chair, bought the Joel Shapiro sculpture the Center carted off last week and is loaning it to the National Gallery (The New York Times). Removed art doesn’t have to vanish. It can relocate.

      The day’s other gatekeeping fight is corporate. Court documents describe Anthropic’s “Project Panama,” an effort to “destructively scan all the books in the world” for training data (The New Yorker); now authors say publishers are claiming too big a slice of the settlement (TechCrunch). The books were pulped for a machine and the humans are fighting over the scraps.

      The Met auditioned boa constrictors for Così fan tutte and cast a sun-glow boa named Princess (AP).

      All of our stories below.

    • The Dance-Pop Singer That Argentines Treat As A Saint, Complete With Prayers, Shrines And Miracles

      Miriam Alejandra Bianchi, known by the stage name Gilda, died 30 years ago in a highway collision, and she’s since become one of Argentina’s many folk saints, not officially recognized by the Vatican but venerated by ordinary people nevertheless. Gilda’s wrecked tour bus has even become a pilgrimage site. – AP

    • What Does A Healthy Arts Ecosystem Look Like?

      A healthy cultural ecosystem needs not just the creation and presentation of art. It needs education, access, discovery, interpretation and criticism, documentation, advocacy, funding, participation, connection, preservation and audience development. – Culture OC

    • Fans Are Angry That This Season’s “Dancing With The Stars” Features Stars Who Can Already Dance

      “Why do you keep adding professionally trained dancers to the cast?” tweeted one fan in response to the news that the next crop of celebrity competitors — Jenna Dewan, Julia Stiles, and Harry Shum Jr. — have all at some point danced for their livelihood. – The Independent (UK)

    • Hollywood’s Record Summer Box Office Has Analysts Dreaming Of A $10B Year

      The summer’s total was a nearly 30% improvement on the lackluster 2025 season. Notably, this summer’s tally was 9% higher than that of the same period in 2019 — before the COVID-19 pandemic and the 2023 writers’ and actors’ strikes upended the industry — though when accounting for inflation, this summer ends up ranking below. – Los Angeles Times

    ISSUES

    • The Making Of A de Kooning

      Like Balanchine, de Kooning made images for the mind about the body as it was expressed in the streets of the city. Sometimes, when I watch Balanchine’s choreography, I can’t help imagining “Monumental Woman” and other drawings from the “Women” series flashing behind the dancers as they embody de Kooning’s symphony of flesh. – The New Yorker

    • Today In French Museum Robberies: Thieves Take Renoirs From Museum On Riviera

      Just a few days after the question of whether Pierre-Auguste Renoir was even a good artist re-entered public discussion, some “well-equipped” and “well-informed” burglars made off with two paintings from Renoir’s home in Cagnes-sur-Mer. (In their rush to escape, the thieves left two other works in the garden.) – AP

    • Kennedy Center Chairman That Trump Fired Buys Sculpture That Trump Had Removed

      David Rubenstein, the billionaire philanthropist who was chair of the Kennedy Center’s board until Trump ousted him in early 2025, has purchased the Joel Shapiro sculpture Blue, which was carted away from the Center’s grounds last week. Rubenstein will loan the work to the National Gallery’s Sculpture Garden. – The New York Times

    • UK Loans Parthenon Pieces To Germany

      The British Museum will lend two fragments of the Parthenon sculptures to an exhibition in Frankfurt, Germany, while Greece has rejected a request to lend nine Parthenon fragments from the Acropolis Museum for the same exhibition. – Greek Reporter

    • The Lucas Museum’s Populist Bet

      It would be easy to describe the Lucas Museum of Narrative Art, which opens Sept. 22, as “unconventional,” a description the museum’s leaders seem to favor, though “oppositional” also comes to mind. – Los Angeles Times

    MEDIA

    MUSIC

    PEOPLE

    • Prove You’re Art, Says South Carolina

      Good Morning,

      The Philadelphia Fringe is now the largest in the country by venue count — 350-plus shows in 100-plus spaces (Philadelphia Magazine). The model runs on one premise: nobody has to prove anything to get in.

      South Carolina is testing the opposite premise. Its arts commission funded all but two of the nearly 180 applicants its own panel approved, then asked the Greenville Gay Men’s Chorus and Proud Mary Theatre Company for extra evidence of “artistic merit” (The Post and Courier). A merit test applied to only two applicants is… concerning. Lonnie Bunch, who ran the Smithsonian through the campaign to purge “improper ideology” from its museums, is retiring (The Washington Post). And David Rubenstein, fired as Kennedy Center chair, bought the Joel Shapiro sculpture the Center carted off last week and is loaning it to the National Gallery (The New York Times). Removed art doesn’t have to vanish. It can relocate.

      The day’s other gatekeeping fight is corporate. Court documents describe Anthropic’s “Project Panama,” an effort to “destructively scan all the books in the world” for training data (The New Yorker); now authors say publishers are claiming too big a slice of the settlement (TechCrunch). The books were pulped for a machine and the humans are fighting over the scraps.

      The Met auditioned boa constrictors for Così fan tutte and cast a sun-glow boa named Princess (AP).

      All of our stories below.

    • The Dance-Pop Singer That Argentines Treat As A Saint, Complete With Prayers, Shrines And Miracles

      Miriam Alejandra Bianchi, known by the stage name Gilda, died 30 years ago in a highway collision, and she’s since become one of Argentina’s many folk saints, not officially recognized by the Vatican but venerated by ordinary people nevertheless. Gilda’s wrecked tour bus has even become a pilgrimage site. – AP

    • What Does A Healthy Arts Ecosystem Look Like?

      A healthy cultural ecosystem needs not just the creation and presentation of art. It needs education, access, discovery, interpretation and criticism, documentation, advocacy, funding, participation, connection, preservation and audience development. – Culture OC

    • Fans Are Angry That This Season’s “Dancing With The Stars” Features Stars Who Can Already Dance

      “Why do you keep adding professionally trained dancers to the cast?” tweeted one fan in response to the news that the next crop of celebrity competitors — Jenna Dewan, Julia Stiles, and Harry Shum Jr. — have all at some point danced for their livelihood. – The Independent (UK)

    • Hollywood’s Record Summer Box Office Has Analysts Dreaming Of A $10B Year

      The summer’s total was a nearly 30% improvement on the lackluster 2025 season. Notably, this summer’s tally was 9% higher than that of the same period in 2019 — before the COVID-19 pandemic and the 2023 writers’ and actors’ strikes upended the industry — though when accounting for inflation, this summer ends up ranking below. – Los Angeles Times

    PEOPLE

    • Prove You’re Art, Says South Carolina

      Good Morning,

      The Philadelphia Fringe is now the largest in the country by venue count — 350-plus shows in 100-plus spaces (Philadelphia Magazine). The model runs on one premise: nobody has to prove anything to get in.

      South Carolina is testing the opposite premise. Its arts commission funded all but two of the nearly 180 applicants its own panel approved, then asked the Greenville Gay Men’s Chorus and Proud Mary Theatre Company for extra evidence of “artistic merit” (The Post and Courier). A merit test applied to only two applicants is… concerning. Lonnie Bunch, who ran the Smithsonian through the campaign to purge “improper ideology” from its museums, is retiring (The Washington Post). And David Rubenstein, fired as Kennedy Center chair, bought the Joel Shapiro sculpture the Center carted off last week and is loaning it to the National Gallery (The New York Times). Removed art doesn’t have to vanish. It can relocate.

      The day’s other gatekeeping fight is corporate. Court documents describe Anthropic’s “Project Panama,” an effort to “destructively scan all the books in the world” for training data (The New Yorker); now authors say publishers are claiming too big a slice of the settlement (TechCrunch). The books were pulped for a machine and the humans are fighting over the scraps.

      The Met auditioned boa constrictors for Così fan tutte and cast a sun-glow boa named Princess (AP).

      All of our stories below.

    • The Dance-Pop Singer That Argentines Treat As A Saint, Complete With Prayers, Shrines And Miracles

      Miriam Alejandra Bianchi, known by the stage name Gilda, died 30 years ago in a highway collision, and she’s since become one of Argentina’s many folk saints, not officially recognized by the Vatican but venerated by ordinary people nevertheless. Gilda’s wrecked tour bus has even become a pilgrimage site. – AP

    • What Does A Healthy Arts Ecosystem Look Like?

      A healthy cultural ecosystem needs not just the creation and presentation of art. It needs education, access, discovery, interpretation and criticism, documentation, advocacy, funding, participation, connection, preservation and audience development. – Culture OC

    • Fans Are Angry That This Season’s “Dancing With The Stars” Features Stars Who Can Already Dance

      “Why do you keep adding professionally trained dancers to the cast?” tweeted one fan in response to the news that the next crop of celebrity competitors — Jenna Dewan, Julia Stiles, and Harry Shum Jr. — have all at some point danced for their livelihood. – The Independent (UK)

    • Hollywood’s Record Summer Box Office Has Analysts Dreaming Of A $10B Year

      The summer’s total was a nearly 30% improvement on the lackluster 2025 season. Notably, this summer’s tally was 9% higher than that of the same period in 2019 — before the COVID-19 pandemic and the 2023 writers’ and actors’ strikes upended the industry — though when accounting for inflation, this summer ends up ranking below. – Los Angeles Times

    THEATRE

      VISUAL

      • How Knowledge Is Assembled

        Just because something makes sense doesn’t mean that it’s true. Even valid reasoning cannot establish that its starting premises are correct. Even today, science continues to rely on experience, reasoning, and knowledge passed down by others. Much of the scientific process comes down to how we check our knowledge. – 3 Quarks Daily

      • How Neoliberal Policies Corroded Democracy (And How To Fix It)

        Promises of prosperity by Reagan, Thatcher and other advocates of neoliberalism were mistaken because it brought only fragility to previously prosperous democracies. – Aeon

      • How Art And AI Can Hold Each Other Accountable

        Beyond pushing our concepts of “who” can make art, AI provides a new medium for art experience — it is immersive and participatory.  – Stanford

      • It’s Not Just Physical Media

        Landlines are making a slightly abashed return. “The phone itself is a sleek black with gold trim, and the cord connecting the receiver is all coiled up—just like the ones I grew up with back in the ’90s.” – Maclean‘s

      • Why Christopher Nolan’s Odyssey Is Destined To Be Forgotten

        It’s “a nearly three-hour barn burner, racing from event to event with whirlwind kinetic energy. … Nolan’s reluctance to take a pause should, actually, give us pause. After all, Homer’s poem doesn’t just involve a lot of waiting. It is a postwar tale about waiting.” – Boston Globe

      WORDS