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DANCE

    IDEAS

    • L.A. Could Lose 4,500 Film/TV Jobs And Billions In Economy From Paramount-Warner Merger: Study

      “Overall, the economic impact of losing these jobs would be $1.26 billion in wages, $2.78 billion in economic value, $4.06 billion in total business output and $547 million in tax revenue, including $78.6 million in local taxes — most of which (63%) comes from property taxes.” – TheWrap

    • Who Vouches For The Work Now?

      Good Morning,

      Google has built a tool that tells fact-checkers whether an image was machine-made, whether it’s been altered, and where else it has surfaced (Nieman Lab). Provenance as a service — infrastructure for a question that didn’t really need infrastructure five years ago.

      Which makes the day’s other verification story more difficult. Harvard is closing its writing center, and faculty read the timing as of a piece with the university’s enthusiasm for AI on campus (The Atlantic). We’re building machines to certify authorship while shutting the institutions where people learn to earn it. Small wonder 52% of Americans now say AI worries them more than it excites them, up from 37% in 2021 (Pew Research). The anxiety isn’t about capability. It’s about not knowing who made what, or who answers for it when it goes wrong.

      No algorithm would have caught the first L.A. Jazz Festival, which imploded on opening day and left the scene that had lent it credibility furious (Los Angeles Times).

      What people do trust: a place with something happening in it. Ragtime closed as the highest-grossing production in Lincoln Center Theater’s history (Deadline). And Gia Kourlas watched a champion surfer and saw a dancer (The New York Times). The map of what counts as choreography just got a little bigger.

      The rest of today’s stories below.

    • Could Disney Actually Win Its Lawsuit Against FCC Over Threats To ABC’s License?

      “Disney has a far stronger case against (Trump-appointed FCC chairman Brendan) Carr than Carr has against Disney,” a former FCC chief of staff said. “I doubt any court would uphold Carr’s failure to renew Disney’s license.” Alas, it’s not quite that simple. – TheWrap (Yahoo!)

    • In Russia: The Publishers’ Plot

      In May 2025, ten people affiliated with Eksmo, Russia’s publishing behemoth, were detained in Moscow. Three of them, Pavel Ivanov, Dmitry Protopopov and Artyom Vakhlyaev, were charged with ‘organising activities of an extremist organisation’. Their crime was distributing LGBT-themed books. – London Review of Books

    • Why Ever More Of Hollywood’s Production Is Happening Anywhere But Hollywood

      “Los Angeles and California continue to struggle to keep movies, television series and even game shows from fleeing elsewhere. … The story of how L.A. steadily lost much of its homegrown industry to other locales is a tale of hubris, escalating costs, political inaction and fierce competition (from other locales).” – Los Angeles Times (MSN)

    ISSUES

    MEDIA

    MUSIC

    • In Russia: The Publishers’ Plot

      In May 2025, ten people affiliated with Eksmo, Russia’s publishing behemoth, were detained in Moscow. Three of them, Pavel Ivanov, Dmitry Protopopov and Artyom Vakhlyaev, were charged with ‘organising activities of an extremist organisation’. Their crime was distributing LGBT-themed books. – London Review of Books

    • Why The Closing Of Harvard’s Writing Center Matters

      A Harvard faculty member who requested anonymity so that he could speak openly told me he worried that the elimination of the center could be seen as part of a broader trend of “real boosterism” of AI on campus—one that students feel acutely. – The Atlantic

    • How Melancholy Became Hungary’s Literary Brand

       Melancholy, an affinity with oblivion without a concrete cause, suffuses the Hungarian fiction translated for foreign audiences over the past 30 years, from the tortured tales of Sándor Márai to the taut novels of Magda Szabó. – The Guardian

    • Did Smartphones Really Kill Reading?

      It is tempting to blame smartphones for this condition and conclude that some kind of ban would solve the problem. But a historical perspective shows that this is not enough: reading was in decline before the smartphone appeared. – LitHub

    • New Website Tracks Author Events

      LitCircle’s database will track author readings and signings, as well as book clubs and literary festivals across the country, and alert readers to upcoming literary programming in their vicinity. George partnered with Patrick DiMichele, a technology consultant and a longtime Volumes customer, to build the platform. – Publishers Weekly

    PEOPLE

    • L.A. Could Lose 4,500 Film/TV Jobs And Billions In Economy From Paramount-Warner Merger: Study

      “Overall, the economic impact of losing these jobs would be $1.26 billion in wages, $2.78 billion in economic value, $4.06 billion in total business output and $547 million in tax revenue, including $78.6 million in local taxes — most of which (63%) comes from property taxes.” – TheWrap

    • Who Vouches For The Work Now?

      Good Morning,

      Google has built a tool that tells fact-checkers whether an image was machine-made, whether it’s been altered, and where else it has surfaced (Nieman Lab). Provenance as a service — infrastructure for a question that didn’t really need infrastructure five years ago.

      Which makes the day’s other verification story more difficult. Harvard is closing its writing center, and faculty read the timing as of a piece with the university’s enthusiasm for AI on campus (The Atlantic). We’re building machines to certify authorship while shutting the institutions where people learn to earn it. Small wonder 52% of Americans now say AI worries them more than it excites them, up from 37% in 2021 (Pew Research). The anxiety isn’t about capability. It’s about not knowing who made what, or who answers for it when it goes wrong.

      No algorithm would have caught the first L.A. Jazz Festival, which imploded on opening day and left the scene that had lent it credibility furious (Los Angeles Times).

      What people do trust: a place with something happening in it. Ragtime closed as the highest-grossing production in Lincoln Center Theater’s history (Deadline). And Gia Kourlas watched a champion surfer and saw a dancer (The New York Times). The map of what counts as choreography just got a little bigger.

      The rest of today’s stories below.

    • Could Disney Actually Win Its Lawsuit Against FCC Over Threats To ABC’s License?

      “Disney has a far stronger case against (Trump-appointed FCC chairman Brendan) Carr than Carr has against Disney,” a former FCC chief of staff said. “I doubt any court would uphold Carr’s failure to renew Disney’s license.” Alas, it’s not quite that simple. – TheWrap (Yahoo!)

    • In Russia: The Publishers’ Plot

      In May 2025, ten people affiliated with Eksmo, Russia’s publishing behemoth, were detained in Moscow. Three of them, Pavel Ivanov, Dmitry Protopopov and Artyom Vakhlyaev, were charged with ‘organising activities of an extremist organisation’. Their crime was distributing LGBT-themed books. – London Review of Books

    • Why Ever More Of Hollywood’s Production Is Happening Anywhere But Hollywood

      “Los Angeles and California continue to struggle to keep movies, television series and even game shows from fleeing elsewhere. … The story of how L.A. steadily lost much of its homegrown industry to other locales is a tale of hubris, escalating costs, political inaction and fierce competition (from other locales).” – Los Angeles Times (MSN)

    PEOPLE

    • L.A. Could Lose 4,500 Film/TV Jobs And Billions In Economy From Paramount-Warner Merger: Study

      “Overall, the economic impact of losing these jobs would be $1.26 billion in wages, $2.78 billion in economic value, $4.06 billion in total business output and $547 million in tax revenue, including $78.6 million in local taxes — most of which (63%) comes from property taxes.” – TheWrap

    • Who Vouches For The Work Now?

      Good Morning,

      Google has built a tool that tells fact-checkers whether an image was machine-made, whether it’s been altered, and where else it has surfaced (Nieman Lab). Provenance as a service — infrastructure for a question that didn’t really need infrastructure five years ago.

      Which makes the day’s other verification story more difficult. Harvard is closing its writing center, and faculty read the timing as of a piece with the university’s enthusiasm for AI on campus (The Atlantic). We’re building machines to certify authorship while shutting the institutions where people learn to earn it. Small wonder 52% of Americans now say AI worries them more than it excites them, up from 37% in 2021 (Pew Research). The anxiety isn’t about capability. It’s about not knowing who made what, or who answers for it when it goes wrong.

      No algorithm would have caught the first L.A. Jazz Festival, which imploded on opening day and left the scene that had lent it credibility furious (Los Angeles Times).

      What people do trust: a place with something happening in it. Ragtime closed as the highest-grossing production in Lincoln Center Theater’s history (Deadline). And Gia Kourlas watched a champion surfer and saw a dancer (The New York Times). The map of what counts as choreography just got a little bigger.

      The rest of today’s stories below.

    • Could Disney Actually Win Its Lawsuit Against FCC Over Threats To ABC’s License?

      “Disney has a far stronger case against (Trump-appointed FCC chairman Brendan) Carr than Carr has against Disney,” a former FCC chief of staff said. “I doubt any court would uphold Carr’s failure to renew Disney’s license.” Alas, it’s not quite that simple. – TheWrap (Yahoo!)

    • In Russia: The Publishers’ Plot

      In May 2025, ten people affiliated with Eksmo, Russia’s publishing behemoth, were detained in Moscow. Three of them, Pavel Ivanov, Dmitry Protopopov and Artyom Vakhlyaev, were charged with ‘organising activities of an extremist organisation’. Their crime was distributing LGBT-themed books. – London Review of Books

    • Why Ever More Of Hollywood’s Production Is Happening Anywhere But Hollywood

      “Los Angeles and California continue to struggle to keep movies, television series and even game shows from fleeing elsewhere. … The story of how L.A. steadily lost much of its homegrown industry to other locales is a tale of hubris, escalating costs, political inaction and fierce competition (from other locales).” – Los Angeles Times (MSN)

    THEATRE

      VISUAL

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