ArtsJournal Classic

AJ Four Ways: Text Only (by date) | headlines only

DANCE

    IDEAS

    • Good Morning

      Today’s AJ Highlights: The backlash to AI art is growing. An art student in Alaska was arrested for eating an AI-generated artwork in protest (ArtNews ). And we learn about confronting the “brain-anesthetizing” effects of predictable, LLM-assisted thought (The Atlantic ).

      Institutional shifts are taking on a surprisingly resilient tone. The Washington National Opera, following its departure from the Kennedy Center, has seen an influx of donations from more than 500 supporters and has secured a temporary spring home at George Washington University (The New York Times ). Meanwhile, Sundance has tapped a former Universal chair as its new CEO as it prepares for its final Park City run before moving to Boulder (The Hollywood Reporter ).

      And we look at the intersection of history, politics, and survival: Disney ignited a brief firestorm with a deleted social media thread of movie quotes that were pointedly anti-fascist (The Verge (Archive Today)), and historians uncover the dark legacy of Nazi-stolen fragments of the Bayeux Tapestry (BBC ).

      We also note the passing of pathbreaking opera director Rhoda Levine (The New York Times ) and former Nickelodeon star Kianna Underwood (Los Angeles Times ).

      All of our stories below.

    • In An Attempt To Beat AI, Matthew McConaughey Trademarks His Phrase

      “McConaughey has had eight trademark applications approved over the past few months, and the actor said in an email ..r that he wants to, quote, ‘create a clear perimeter around ownership with consent and attribution the norm in an AI world.’” – NPR

    • Rhoda Levine, Pathbreaking Opera Director, Has Died At 93

      Perhaps her “most significant contributions to the repertoire were the premieres [of] … Viktor Ullmann’s Der Kaiser von Atlantis, an anti-Hitler allegory composed in the Theresienstadt concentration camp before Mr. Ullmann was murdered at Auschwitz, and Anthony Davis’s X: The Life and Times of Malcolm X.” – The New York Times

    • In The US, We Write Essays, And Often Think, Backwards

      We think we already know what we want to find, and that enables LLMs to “hElP” with predictable, middling, brain-anesthetizing results. “But a chief delight of being human is witnessing the world’s capacity to surprise.” – The Atlantic

    • The Washington National Opera, Which Had A Donor Renewal After Leaving The Kennedy Center, Finds A Temporary Home

      The opera, which “received an influx of donations, from more than 500 donors, after its announcement last Friday that it would seek a new home … will host two operas this spring season at George Washington University, where the organization got its start nearly 70 years ago.” – The New York Times

    ISSUES

    MEDIA

    MUSIC

    PEOPLE

    • Good Morning

      Today’s AJ Highlights: The backlash to AI art is growing. An art student in Alaska was arrested for eating an AI-generated artwork in protest (ArtNews ). And we learn about confronting the “brain-anesthetizing” effects of predictable, LLM-assisted thought (The Atlantic ).

      Institutional shifts are taking on a surprisingly resilient tone. The Washington National Opera, following its departure from the Kennedy Center, has seen an influx of donations from more than 500 supporters and has secured a temporary spring home at George Washington University (The New York Times ). Meanwhile, Sundance has tapped a former Universal chair as its new CEO as it prepares for its final Park City run before moving to Boulder (The Hollywood Reporter ).

      And we look at the intersection of history, politics, and survival: Disney ignited a brief firestorm with a deleted social media thread of movie quotes that were pointedly anti-fascist (The Verge (Archive Today)), and historians uncover the dark legacy of Nazi-stolen fragments of the Bayeux Tapestry (BBC ).

      We also note the passing of pathbreaking opera director Rhoda Levine (The New York Times ) and former Nickelodeon star Kianna Underwood (Los Angeles Times ).

      All of our stories below.

    • In An Attempt To Beat AI, Matthew McConaughey Trademarks His Phrase

      “McConaughey has had eight trademark applications approved over the past few months, and the actor said in an email ..r that he wants to, quote, ‘create a clear perimeter around ownership with consent and attribution the norm in an AI world.’” – NPR

    • Rhoda Levine, Pathbreaking Opera Director, Has Died At 93

      Perhaps her “most significant contributions to the repertoire were the premieres [of] … Viktor Ullmann’s Der Kaiser von Atlantis, an anti-Hitler allegory composed in the Theresienstadt concentration camp before Mr. Ullmann was murdered at Auschwitz, and Anthony Davis’s X: The Life and Times of Malcolm X.” – The New York Times

    • In The US, We Write Essays, And Often Think, Backwards

      We think we already know what we want to find, and that enables LLMs to “hElP” with predictable, middling, brain-anesthetizing results. “But a chief delight of being human is witnessing the world’s capacity to surprise.” – The Atlantic

    • The Washington National Opera, Which Had A Donor Renewal After Leaving The Kennedy Center, Finds A Temporary Home

      The opera, which “received an influx of donations, from more than 500 donors, after its announcement last Friday that it would seek a new home … will host two operas this spring season at George Washington University, where the organization got its start nearly 70 years ago.” – The New York Times

    PEOPLE

    • Good Morning

      Today’s AJ Highlights: The backlash to AI art is growing. An art student in Alaska was arrested for eating an AI-generated artwork in protest (ArtNews ). And we learn about confronting the “brain-anesthetizing” effects of predictable, LLM-assisted thought (The Atlantic ).

      Institutional shifts are taking on a surprisingly resilient tone. The Washington National Opera, following its departure from the Kennedy Center, has seen an influx of donations from more than 500 supporters and has secured a temporary spring home at George Washington University (The New York Times ). Meanwhile, Sundance has tapped a former Universal chair as its new CEO as it prepares for its final Park City run before moving to Boulder (The Hollywood Reporter ).

      And we look at the intersection of history, politics, and survival: Disney ignited a brief firestorm with a deleted social media thread of movie quotes that were pointedly anti-fascist (The Verge (Archive Today)), and historians uncover the dark legacy of Nazi-stolen fragments of the Bayeux Tapestry (BBC ).

      We also note the passing of pathbreaking opera director Rhoda Levine (The New York Times ) and former Nickelodeon star Kianna Underwood (Los Angeles Times ).

      All of our stories below.

    • In An Attempt To Beat AI, Matthew McConaughey Trademarks His Phrase

      “McConaughey has had eight trademark applications approved over the past few months, and the actor said in an email ..r that he wants to, quote, ‘create a clear perimeter around ownership with consent and attribution the norm in an AI world.’” – NPR

    • Rhoda Levine, Pathbreaking Opera Director, Has Died At 93

      Perhaps her “most significant contributions to the repertoire were the premieres [of] … Viktor Ullmann’s Der Kaiser von Atlantis, an anti-Hitler allegory composed in the Theresienstadt concentration camp before Mr. Ullmann was murdered at Auschwitz, and Anthony Davis’s X: The Life and Times of Malcolm X.” – The New York Times

    • In The US, We Write Essays, And Often Think, Backwards

      We think we already know what we want to find, and that enables LLMs to “hElP” with predictable, middling, brain-anesthetizing results. “But a chief delight of being human is witnessing the world’s capacity to surprise.” – The Atlantic

    • The Washington National Opera, Which Had A Donor Renewal After Leaving The Kennedy Center, Finds A Temporary Home

      The opera, which “received an influx of donations, from more than 500 donors, after its announcement last Friday that it would seek a new home … will host two operas this spring season at George Washington University, where the organization got its start nearly 70 years ago.” – The New York Times

    THEATRE

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