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DANCE

    IDEAS

    • Good Morning

      The Writers Guild has a new deal — four years, notably longer than the three-year contracts that have been Hollywood’s norm since the 1940s (The Hollywood Reporter). What the guild is really buying is time to figure out how AI reshapes the work before the next negotiation.

      That question is all over today’s feed. A NYT freelancer used AI to write a book review, prompting the obvious rejoinder: criticism is a human conversation, not a summary job (The Conversation). Meanwhile, accusations that everything is AI-generated are proliferating so fast that “Proudly Human” verification badges are now a thing — though verifying humanness turns out to be its own problem (The Verge).

      Elsewhere, the contraction continues. Portland State has eliminated its once-storied dance program (Oregon ArtsWatch). An Atlanta theatre that just lost its lease is asking its audience for real-estate leads (American Theatre). And the Smithsonian’s board sits with empty seats as the White House stalls appointments (The New York Times).

      After 11 years in court, heirs have finally reclaimed a Modigliani looted by the Nazis (The New York Times).

      All of our stories below.

    • “Blows Off the Dust of History”

      Reviewing my new novel The Disciple: A Wagnerian Tale of the Gilded Age,” the British critic Clive Paget writes in “Musical America” that it’s “a richly detailed depiction of [New York] at the apogee of the Gilded Age and its embrace of all things Wagnerian.” His review reads in part:

    • The Writers Guild Has Reached A Tentative Four-Year Deal With Studios

      “If given the stamp of approval, the deal will be notable for its unusually long term. Three-year deals have generally been the norm since at least the 1940s for Hollywood unions,” but the extended 2023 strikes changed things. – The Hollywood Reporter

    • Heists Are So Hot Right Now, From Art To KitKats, But Why Are We Fascinated?

      “What is it about these heists that people like, as long as nobody gets hurt?” – The Guardian (UK)

    • This Guy Was Set Up By An Amazon Comedy Wherein He, Accidentally, Played The Part To Perfection

      Anthony Norman thought he was just doing a job. But no, says a writer for the weirdly Truman Show-like series: “It was so much more than we ever could have hoped for. … He’s a true hero.” – The New York Times

    ISSUES

    MEDIA

    MUSIC

    PEOPLE

    • Good Morning

      The Writers Guild has a new deal — four years, notably longer than the three-year contracts that have been Hollywood’s norm since the 1940s (The Hollywood Reporter). What the guild is really buying is time to figure out how AI reshapes the work before the next negotiation.

      That question is all over today’s feed. A NYT freelancer used AI to write a book review, prompting the obvious rejoinder: criticism is a human conversation, not a summary job (The Conversation). Meanwhile, accusations that everything is AI-generated are proliferating so fast that “Proudly Human” verification badges are now a thing — though verifying humanness turns out to be its own problem (The Verge).

      Elsewhere, the contraction continues. Portland State has eliminated its once-storied dance program (Oregon ArtsWatch). An Atlanta theatre that just lost its lease is asking its audience for real-estate leads (American Theatre). And the Smithsonian’s board sits with empty seats as the White House stalls appointments (The New York Times).

      After 11 years in court, heirs have finally reclaimed a Modigliani looted by the Nazis (The New York Times).

      All of our stories below.

    • “Blows Off the Dust of History”

      Reviewing my new novel The Disciple: A Wagnerian Tale of the Gilded Age,” the British critic Clive Paget writes in “Musical America” that it’s “a richly detailed depiction of [New York] at the apogee of the Gilded Age and its embrace of all things Wagnerian.” His review reads in part:

    • The Writers Guild Has Reached A Tentative Four-Year Deal With Studios

      “If given the stamp of approval, the deal will be notable for its unusually long term. Three-year deals have generally been the norm since at least the 1940s for Hollywood unions,” but the extended 2023 strikes changed things. – The Hollywood Reporter

    • Heists Are So Hot Right Now, From Art To KitKats, But Why Are We Fascinated?

      “What is it about these heists that people like, as long as nobody gets hurt?” – The Guardian (UK)

    • This Guy Was Set Up By An Amazon Comedy Wherein He, Accidentally, Played The Part To Perfection

      Anthony Norman thought he was just doing a job. But no, says a writer for the weirdly Truman Show-like series: “It was so much more than we ever could have hoped for. … He’s a true hero.” – The New York Times

    PEOPLE

    • Good Morning

      The Writers Guild has a new deal — four years, notably longer than the three-year contracts that have been Hollywood’s norm since the 1940s (The Hollywood Reporter). What the guild is really buying is time to figure out how AI reshapes the work before the next negotiation.

      That question is all over today’s feed. A NYT freelancer used AI to write a book review, prompting the obvious rejoinder: criticism is a human conversation, not a summary job (The Conversation). Meanwhile, accusations that everything is AI-generated are proliferating so fast that “Proudly Human” verification badges are now a thing — though verifying humanness turns out to be its own problem (The Verge).

      Elsewhere, the contraction continues. Portland State has eliminated its once-storied dance program (Oregon ArtsWatch). An Atlanta theatre that just lost its lease is asking its audience for real-estate leads (American Theatre). And the Smithsonian’s board sits with empty seats as the White House stalls appointments (The New York Times).

      After 11 years in court, heirs have finally reclaimed a Modigliani looted by the Nazis (The New York Times).

      All of our stories below.

    • “Blows Off the Dust of History”

      Reviewing my new novel The Disciple: A Wagnerian Tale of the Gilded Age,” the British critic Clive Paget writes in “Musical America” that it’s “a richly detailed depiction of [New York] at the apogee of the Gilded Age and its embrace of all things Wagnerian.” His review reads in part:

    • The Writers Guild Has Reached A Tentative Four-Year Deal With Studios

      “If given the stamp of approval, the deal will be notable for its unusually long term. Three-year deals have generally been the norm since at least the 1940s for Hollywood unions,” but the extended 2023 strikes changed things. – The Hollywood Reporter

    • Heists Are So Hot Right Now, From Art To KitKats, But Why Are We Fascinated?

      “What is it about these heists that people like, as long as nobody gets hurt?” – The Guardian (UK)

    • This Guy Was Set Up By An Amazon Comedy Wherein He, Accidentally, Played The Part To Perfection

      Anthony Norman thought he was just doing a job. But no, says a writer for the weirdly Truman Show-like series: “It was so much more than we ever could have hoped for. … He’s a true hero.” – The New York Times

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