ArtsJournal Classic

AJ Four Ways: Text Only (by date) | headlines only

DANCE

    IDEAS

    • San Francisco Has Not Paid Artists The City Grants They Were Awarded This Year

      “In typical years, grant agreements are sent in early July, with artists getting money in hand within four weeks. As of October, multiple artists still haven’t received a dime, and at least two received their grant agreements only after the Chronicle wrote the commission to ask about the delay.” – San Francisco Chronicle (Yahoo!)

    • Philadelphia Orchestra Raises $344 Million

      “The Philadelphia Orchestra and Ensemble Arts has coasted past the dollar goal in one of the city’s largest-ever fundraising campaigns for a cultural organization, … bringing in $344 million to support operations, build endowment, and fund special artistic initiatives.” One couple anonymously donated $55 million. – The Philadelphia Inquirer (MSN)

    • Historic City Hall Is Burned Down During French Riots

      In Limoges, the 19th-century Hôtel de Ville, which had historic landmark status, was destroyed by arson during the violence that has convulsed much of France in recent days. One suspect has been arrested. – Euronews

    • BBC Three And BBC Scotland To Be Taken Off The Air

      As the Corporation tries to save £500 million ($670 million) over the next two years, it is ending over-the-air transmission of these two television stations as well as BBC Radio 4 Extra. As of next spring, programming from those outlets will be made for streaming only. – The Guardian

    • Hey Kennedy Center, I want my art back!

      Good Morning,

      Computer analysis of Edward III, published anonymously in 1596, assigns 23 segments to Shakespeare and nine to Christopher Marlowe, the first serious case that the two rivals wrote a play together (The Guardian).

      Missy Mazzoli’s Lincoln in the Bardo opens at the Met this week; no opera won a Pulitzer or reached the finals between 1962 and 2000, so this one’s a milestone (SF Classical Voice). The Met also commissioned The Mothers of Kherson, an opera about Russia’s war on Ukraine. It had its first full performance Friday in Warsaw (The New York Times).

      The Bayeux Tapestry hung vertically at home and lies flat at the British Museum; it will return next summer on a slanted table, after conservators found two breaks a few millimeters long (ARTnews).

      Donors to the Kennedy Center are trying to reclaim their gifts after learning of a plan that listed “destruction” among the options for its art; one said, “I want to get that sculpture out of there” (ARTnews).

      Lawrence Lessig, the Harvard copyright scholar, marks fifty years of the 1976 Copyright Act, which made protection automatic: a law written for publishers now covers every photo you email a friend (Lawrence Lessig).

      Ann Hornaday, Washington Post film critic for more than 20 years and a 2008 Pulitzer finalist, has died at 66; she wrote, the Post says, from the viewpoint of a popcorn-eating moviegoer (The Washington Post).

      All of our stories below.

    ISSUES

    MEDIA

    MUSIC

    PEOPLE

    • San Francisco Has Not Paid Artists The City Grants They Were Awarded This Year

      “In typical years, grant agreements are sent in early July, with artists getting money in hand within four weeks. As of October, multiple artists still haven’t received a dime, and at least two received their grant agreements only after the Chronicle wrote the commission to ask about the delay.” – San Francisco Chronicle (Yahoo!)

    • Philadelphia Orchestra Raises $344 Million

      “The Philadelphia Orchestra and Ensemble Arts has coasted past the dollar goal in one of the city’s largest-ever fundraising campaigns for a cultural organization, … bringing in $344 million to support operations, build endowment, and fund special artistic initiatives.” One couple anonymously donated $55 million. – The Philadelphia Inquirer (MSN)

    • Historic City Hall Is Burned Down During French Riots

      In Limoges, the 19th-century Hôtel de Ville, which had historic landmark status, was destroyed by arson during the violence that has convulsed much of France in recent days. One suspect has been arrested. – Euronews

    • BBC Three And BBC Scotland To Be Taken Off The Air

      As the Corporation tries to save £500 million ($670 million) over the next two years, it is ending over-the-air transmission of these two television stations as well as BBC Radio 4 Extra. As of next spring, programming from those outlets will be made for streaming only. – The Guardian

    • Hey Kennedy Center, I want my art back!

      Good Morning,

      Computer analysis of Edward III, published anonymously in 1596, assigns 23 segments to Shakespeare and nine to Christopher Marlowe, the first serious case that the two rivals wrote a play together (The Guardian).

      Missy Mazzoli’s Lincoln in the Bardo opens at the Met this week; no opera won a Pulitzer or reached the finals between 1962 and 2000, so this one’s a milestone (SF Classical Voice). The Met also commissioned The Mothers of Kherson, an opera about Russia’s war on Ukraine. It had its first full performance Friday in Warsaw (The New York Times).

      The Bayeux Tapestry hung vertically at home and lies flat at the British Museum; it will return next summer on a slanted table, after conservators found two breaks a few millimeters long (ARTnews).

      Donors to the Kennedy Center are trying to reclaim their gifts after learning of a plan that listed “destruction” among the options for its art; one said, “I want to get that sculpture out of there” (ARTnews).

      Lawrence Lessig, the Harvard copyright scholar, marks fifty years of the 1976 Copyright Act, which made protection automatic: a law written for publishers now covers every photo you email a friend (Lawrence Lessig).

      Ann Hornaday, Washington Post film critic for more than 20 years and a 2008 Pulitzer finalist, has died at 66; she wrote, the Post says, from the viewpoint of a popcorn-eating moviegoer (The Washington Post).

      All of our stories below.

    PEOPLE

    • San Francisco Has Not Paid Artists The City Grants They Were Awarded This Year

      “In typical years, grant agreements are sent in early July, with artists getting money in hand within four weeks. As of October, multiple artists still haven’t received a dime, and at least two received their grant agreements only after the Chronicle wrote the commission to ask about the delay.” – San Francisco Chronicle (Yahoo!)

    • Philadelphia Orchestra Raises $344 Million

      “The Philadelphia Orchestra and Ensemble Arts has coasted past the dollar goal in one of the city’s largest-ever fundraising campaigns for a cultural organization, … bringing in $344 million to support operations, build endowment, and fund special artistic initiatives.” One couple anonymously donated $55 million. – The Philadelphia Inquirer (MSN)

    • Historic City Hall Is Burned Down During French Riots

      In Limoges, the 19th-century Hôtel de Ville, which had historic landmark status, was destroyed by arson during the violence that has convulsed much of France in recent days. One suspect has been arrested. – Euronews

    • BBC Three And BBC Scotland To Be Taken Off The Air

      As the Corporation tries to save £500 million ($670 million) over the next two years, it is ending over-the-air transmission of these two television stations as well as BBC Radio 4 Extra. As of next spring, programming from those outlets will be made for streaming only. – The Guardian

    • Hey Kennedy Center, I want my art back!

      Good Morning,

      Computer analysis of Edward III, published anonymously in 1596, assigns 23 segments to Shakespeare and nine to Christopher Marlowe, the first serious case that the two rivals wrote a play together (The Guardian).

      Missy Mazzoli’s Lincoln in the Bardo opens at the Met this week; no opera won a Pulitzer or reached the finals between 1962 and 2000, so this one’s a milestone (SF Classical Voice). The Met also commissioned The Mothers of Kherson, an opera about Russia’s war on Ukraine. It had its first full performance Friday in Warsaw (The New York Times).

      The Bayeux Tapestry hung vertically at home and lies flat at the British Museum; it will return next summer on a slanted table, after conservators found two breaks a few millimeters long (ARTnews).

      Donors to the Kennedy Center are trying to reclaim their gifts after learning of a plan that listed “destruction” among the options for its art; one said, “I want to get that sculpture out of there” (ARTnews).

      Lawrence Lessig, the Harvard copyright scholar, marks fifty years of the 1976 Copyright Act, which made protection automatic: a law written for publishers now covers every photo you email a friend (Lawrence Lessig).

      Ann Hornaday, Washington Post film critic for more than 20 years and a 2008 Pulitzer finalist, has died at 66; she wrote, the Post says, from the viewpoint of a popcorn-eating moviegoer (The Washington Post).

      All of our stories below.

    THEATRE

      VISUAL

      • How Intuition Works

        The key is to see that intuition works in much the same way as perception, in that both can directly present something to us as actual. Once we understand what gives perception this feature, we can see why intuitions might involve exercising the same basic kind of cognitive capacity. – Aeon

      • Brewster Kahle: Why The Internet Needs A Memory

        Many people assume that once something is published online, it will remain forever retrievable. The saying that “the internet never forgets” has produced a dangerously false sense of permanence. In reality, the internet forgets continuously. Websites are constantly revised, deleted, and abandoned altogether. – The Atlantic

      • The Harms Of Zombie Copyright

        Fifty years ago today, copyright law in America changed fundamentally. That change was an accidental disaster for both creators and the culture they create. – Lawrence Lessig

      • Does AI Collapse The Need To Get Bigger?

        AI is making enterprise-grade capabilities available to companies that are a fraction of the size and without all of the bureaucratic weight that historically came along with it. If Goldberg is right, the rules of competition are changing for good, and companies no longer need to be big to compete. – Wired

      • Creating Art In A Time Of International And Creative Crisis

        Elif Shafak’s latest book “arose out of our own historical moment, which Shafak has dubbed ‘The age of three As: Angst, Anger and AI.’” – The Guardian (UK)

      WORDS