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DANCE

    IDEAS

    • Five Year-end Observations about the state of Arts and Culture in 2025
      We posted more than 6,000 stories across all forms of culture in 2025. When you pull back and look at them in aggregate, the individual crises—the closures in San Francisco, the lawsuits in D.C., the endless op-eds about the “death of cinema”—stop looking like isolated incidents. They resolve into a structural shift.
    • Artnet’s “The Worst Art We Saw In 2025”

      By no means is all of this bad art actually from 2025, though a fair bit of it is. In fact, one choice (this writer’s personal favorite) has been on display in Philadelphia for more than a century, and it just keeps on looking god-awful. – Artnet

    • The Walrus’ Year In Arts And Culture

      These were the economic and political forces shaping culture in 2025. From the decline of the middle-class musician and the digitization of art to critical reassessments of literary heavyweights and political cinema… – The Walrus

    • Twelve Stories That Defined 2025 For Museums

      In the U.S., a tense political climate and moves by the Trump administration to exert more control over the country’s cultural institutions is creating new challenges for museums, both financially and ideologically. – Artnet

    • In A Time Of Flattened Attention, It’s Time To Reconsider The Complications Of Saul Bellow

      The persistent cultural resistance to Bellow, who remains popularly read yet broadly under-appreciated by the taste-making classes, comes in several flavors. Over the decades he’s come to be categorized by critics as a hundred different kinds of “too much”… – The Metropolitan Review

    ISSUES

    • Artnet’s “The Worst Art We Saw In 2025”

      By no means is all of this bad art actually from 2025, though a fair bit of it is. In fact, one choice (this writer’s personal favorite) has been on display in Philadelphia for more than a century, and it just keeps on looking god-awful. – Artnet

    • Twelve Stories That Defined 2025 For Museums

      In the U.S., a tense political climate and moves by the Trump administration to exert more control over the country’s cultural institutions is creating new challenges for museums, both financially and ideologically. – Artnet

    • 2025’s Big Art World Controversies

      The (let’s say) unfortunate ways in which the Louvre’s inadequate security and deteriorating physical plant were revealed, a major gallery abruptly shutting down, two different arguments involving Vincent van Gogh, dissension among the heirs of one of Europe’s great art mystics, and, as usual, the Parthenon Marbles. – Artnet

    • Was The Bayeux Tapestry Meant To Be Lunchtime Reading For Monks?

      That’s the theory proposed by historian Benjamin Pohl. It’s fairly certain that the tapestry was conceived and designed by the monks of St. Augustine’s Abbey in Canterbury and stitched by skilled embroiderers nearby; Pohl argues that the 230-foot work was intended for, and first hung in, that abbey’s refectory. – Artnet

    • 2026’s Most-Anticipated Museum Openings

      Will the Guggenheim Abu Dhabi finally open its doors after all this time? That remains to be seen, but there’s certainly a chance! Here’s what you can look forward to in the coming months: – The Observer

    MEDIA

    MUSIC

    PEOPLE

    • Five Year-end Observations about the state of Arts and Culture in 2025
      We posted more than 6,000 stories across all forms of culture in 2025. When you pull back and look at them in aggregate, the individual crises—the closures in San Francisco, the lawsuits in D.C., the endless op-eds about the “death of cinema”—stop looking like isolated incidents. They resolve into a structural shift.
    • Artnet’s “The Worst Art We Saw In 2025”

      By no means is all of this bad art actually from 2025, though a fair bit of it is. In fact, one choice (this writer’s personal favorite) has been on display in Philadelphia for more than a century, and it just keeps on looking god-awful. – Artnet

    • The Walrus’ Year In Arts And Culture

      These were the economic and political forces shaping culture in 2025. From the decline of the middle-class musician and the digitization of art to critical reassessments of literary heavyweights and political cinema… – The Walrus

    • Twelve Stories That Defined 2025 For Museums

      In the U.S., a tense political climate and moves by the Trump administration to exert more control over the country’s cultural institutions is creating new challenges for museums, both financially and ideologically. – Artnet

    • In A Time Of Flattened Attention, It’s Time To Reconsider The Complications Of Saul Bellow

      The persistent cultural resistance to Bellow, who remains popularly read yet broadly under-appreciated by the taste-making classes, comes in several flavors. Over the decades he’s come to be categorized by critics as a hundred different kinds of “too much”… – The Metropolitan Review

    PEOPLE

    • Five Year-end Observations about the state of Arts and Culture in 2025
      We posted more than 6,000 stories across all forms of culture in 2025. When you pull back and look at them in aggregate, the individual crises—the closures in San Francisco, the lawsuits in D.C., the endless op-eds about the “death of cinema”—stop looking like isolated incidents. They resolve into a structural shift.
    • Artnet’s “The Worst Art We Saw In 2025”

      By no means is all of this bad art actually from 2025, though a fair bit of it is. In fact, one choice (this writer’s personal favorite) has been on display in Philadelphia for more than a century, and it just keeps on looking god-awful. – Artnet

    • The Walrus’ Year In Arts And Culture

      These were the economic and political forces shaping culture in 2025. From the decline of the middle-class musician and the digitization of art to critical reassessments of literary heavyweights and political cinema… – The Walrus

    • Twelve Stories That Defined 2025 For Museums

      In the U.S., a tense political climate and moves by the Trump administration to exert more control over the country’s cultural institutions is creating new challenges for museums, both financially and ideologically. – Artnet

    • In A Time Of Flattened Attention, It’s Time To Reconsider The Complications Of Saul Bellow

      The persistent cultural resistance to Bellow, who remains popularly read yet broadly under-appreciated by the taste-making classes, comes in several flavors. Over the decades he’s come to be categorized by critics as a hundred different kinds of “too much”… – The Metropolitan Review

    THEATRE

      VISUAL

      WORDS