ArtsJournal Classic

AJ Four Ways: Text Only (by date) | headlines only

DANCE

    IDEAS

    • “Dog on a Cold Stone Floor,” or When Nonprofit Arts Organizations Obsess About the Art More Than the People
      Art is a universal good. No argument. Nonprofit arts organizations are not art, and therefore are not a universal good. No argument there, either.
    • Good Morning

      OpenAI killed Sora this week, taking Disney’s $1 billion equity bet down with it (Variety). Three months after the two companies struck a “groundbreaking” deal licensing 200 Disney characters for AI video generation, the app is just gone — no explanation offered (Ars Technica). The Patreon CEO has a phrase for the pattern: AI companies call it fair use when training on independent creators, then cut multimillion-dollar deals with Disney and Warner Music when they need the brands (Fortune). Apparently the same creative property is both free and worth paying for — depending on who’s asking.

      Control over creative work is slipping elsewhere, too. Producers of the Broadway Dog Day Afternoon adaptation threw playwright Stephen Adly Guirgis out of rehearsals weeks before opening after a clash with a Warner Bros. exec (The New York Times). The Boston Symphony, having fired Andris Nelsons, still doesn’t seem to have a plan for what comes next (Boston Globe). And Tacoma Arts Live has filed for receivership, preparing to sell the historic Tacoma Armory on its way out (Seattle Times).

      The inaugural Hilary Mantel Prize went to Anna Dempsey for an unpublished novel called This Is About an Alligator and Nothing Else (The Guardian). A title Mantel herself would have appreciated.

      All of our stories below.

    • Disney Bails On $1B Investment In OpenAI After AI Company Pulls Plug On Sora

      Disney and OpenAI announced the blockbuster three-year licensing deal in December, saying that over 200 Disney-owned characters would be available for use in Sora-generated videos. At the same time, Disney said it would be making a $1 billion equity investment in the AI company. – Ars Technica

    • This Chicago Symphony Musician Took Her Baby On An Orchestra Tour

      Second flutist Emma Gerstein didn’t want to miss Klaus Mäkelä’s first tour with the CSO, which was to the East Coast last month. Neither did she want to stop nursing her ten-month-old, Ronan. So he came along with his mom, who kept a diary about the experience. – WBEZ (Chicago)

    • Lion King Composer Sues Comedian For Misrepresenting “Circle Of Life”

      A Grammy-award winning South African composer who wrote and performed the iconic opening chant in “Circle of Life” for Disney’s “The Lion King” movies is suing a comedian for allegedly damaging his reputation by intentionally misrepresenting the song’s meaning on a podcast and in his stand-up routine. – AP News

    ISSUES

    MEDIA

    MUSIC

    PEOPLE

    • “Dog on a Cold Stone Floor,” or When Nonprofit Arts Organizations Obsess About the Art More Than the People
      Art is a universal good. No argument. Nonprofit arts organizations are not art, and therefore are not a universal good. No argument there, either.
    • Good Morning

      OpenAI killed Sora this week, taking Disney’s $1 billion equity bet down with it (Variety). Three months after the two companies struck a “groundbreaking” deal licensing 200 Disney characters for AI video generation, the app is just gone — no explanation offered (Ars Technica). The Patreon CEO has a phrase for the pattern: AI companies call it fair use when training on independent creators, then cut multimillion-dollar deals with Disney and Warner Music when they need the brands (Fortune). Apparently the same creative property is both free and worth paying for — depending on who’s asking.

      Control over creative work is slipping elsewhere, too. Producers of the Broadway Dog Day Afternoon adaptation threw playwright Stephen Adly Guirgis out of rehearsals weeks before opening after a clash with a Warner Bros. exec (The New York Times). The Boston Symphony, having fired Andris Nelsons, still doesn’t seem to have a plan for what comes next (Boston Globe). And Tacoma Arts Live has filed for receivership, preparing to sell the historic Tacoma Armory on its way out (Seattle Times).

      The inaugural Hilary Mantel Prize went to Anna Dempsey for an unpublished novel called This Is About an Alligator and Nothing Else (The Guardian). A title Mantel herself would have appreciated.

      All of our stories below.

    • Disney Bails On $1B Investment In OpenAI After AI Company Pulls Plug On Sora

      Disney and OpenAI announced the blockbuster three-year licensing deal in December, saying that over 200 Disney-owned characters would be available for use in Sora-generated videos. At the same time, Disney said it would be making a $1 billion equity investment in the AI company. – Ars Technica

    • This Chicago Symphony Musician Took Her Baby On An Orchestra Tour

      Second flutist Emma Gerstein didn’t want to miss Klaus Mäkelä’s first tour with the CSO, which was to the East Coast last month. Neither did she want to stop nursing her ten-month-old, Ronan. So he came along with his mom, who kept a diary about the experience. – WBEZ (Chicago)

    • Lion King Composer Sues Comedian For Misrepresenting “Circle Of Life”

      A Grammy-award winning South African composer who wrote and performed the iconic opening chant in “Circle of Life” for Disney’s “The Lion King” movies is suing a comedian for allegedly damaging his reputation by intentionally misrepresenting the song’s meaning on a podcast and in his stand-up routine. – AP News

    PEOPLE

    • “Dog on a Cold Stone Floor,” or When Nonprofit Arts Organizations Obsess About the Art More Than the People
      Art is a universal good. No argument. Nonprofit arts organizations are not art, and therefore are not a universal good. No argument there, either.
    • Good Morning

      OpenAI killed Sora this week, taking Disney’s $1 billion equity bet down with it (Variety). Three months after the two companies struck a “groundbreaking” deal licensing 200 Disney characters for AI video generation, the app is just gone — no explanation offered (Ars Technica). The Patreon CEO has a phrase for the pattern: AI companies call it fair use when training on independent creators, then cut multimillion-dollar deals with Disney and Warner Music when they need the brands (Fortune). Apparently the same creative property is both free and worth paying for — depending on who’s asking.

      Control over creative work is slipping elsewhere, too. Producers of the Broadway Dog Day Afternoon adaptation threw playwright Stephen Adly Guirgis out of rehearsals weeks before opening after a clash with a Warner Bros. exec (The New York Times). The Boston Symphony, having fired Andris Nelsons, still doesn’t seem to have a plan for what comes next (Boston Globe). And Tacoma Arts Live has filed for receivership, preparing to sell the historic Tacoma Armory on its way out (Seattle Times).

      The inaugural Hilary Mantel Prize went to Anna Dempsey for an unpublished novel called This Is About an Alligator and Nothing Else (The Guardian). A title Mantel herself would have appreciated.

      All of our stories below.

    • Disney Bails On $1B Investment In OpenAI After AI Company Pulls Plug On Sora

      Disney and OpenAI announced the blockbuster three-year licensing deal in December, saying that over 200 Disney-owned characters would be available for use in Sora-generated videos. At the same time, Disney said it would be making a $1 billion equity investment in the AI company. – Ars Technica

    • This Chicago Symphony Musician Took Her Baby On An Orchestra Tour

      Second flutist Emma Gerstein didn’t want to miss Klaus Mäkelä’s first tour with the CSO, which was to the East Coast last month. Neither did she want to stop nursing her ten-month-old, Ronan. So he came along with his mom, who kept a diary about the experience. – WBEZ (Chicago)

    • Lion King Composer Sues Comedian For Misrepresenting “Circle Of Life”

      A Grammy-award winning South African composer who wrote and performed the iconic opening chant in “Circle of Life” for Disney’s “The Lion King” movies is suing a comedian for allegedly damaging his reputation by intentionally misrepresenting the song’s meaning on a podcast and in his stand-up routine. – AP News

    THEATRE

      VISUAL

      WORDS