ArtsJournal Classic

AJ Four Ways: Text Only (by date) | headlines only

DANCE

    IDEAS

    • Barbara Rubin Was The Teenage Filmmaker Who Stitched Manhattan’s Underground Together

      “She filmed the scenes she helped create. Her best known and only surviving film, shot intermittently between 1963 and 1965, began with an unprintable working title before she borrowed its name from a line in the poet Arthur Rimbaud’s ‘A Season in Hell’: Christmas on Earth.” – The New York Times

    • The Accomplishments Of Ancient Greece Are Not Just The History Of White People

      “There is nothing wrong with taking pride in one’s ancestors. … Honoring and celebrating the past achievements of those ancestors, however, is different from taking credit for them.” – The Atlantic

    • What’s the price of a book?

      This Week’s Highlights:

      A judge finally approved Anthropic’s settlement with writers this week, establishing the price of a book ingested by AI: it’s roughly $3,000 a book, the going rate under the $1.5 billion Anthropic copyright settlement (AP). Uh huh. I guess $3 is something, when you didn’t expect to see the money or if your book didn’t sell all that well. BUT – it establishes a baseline rate for what AI scrapers took. Not enough? We won’t know for a few more years. Meanwhile, AI-generated biographies of real people are piling up on Amazon by the thousands (The New York Times). How bizarre to read your life as authored by machine.

      But watch what audiences did with their own money. LA theaters raced to resurrect the nearly lost craft of 70mm projection for Christopher Nolan’s Odyssey (Los Angeles Times). Publishers competed over who could make the most lavish foil-stamped edition of Homer (The New York Times). British fanzines are suddenly surging in popularity (The Guardian), and Gen Z is buying up 20-year-old digital cameras (NPR) because they’re cool. When AI abundance costs nothing, provenance and craft become what people pay for. A market forming?

      Trump, meanwhile, is testing a different theory of cultural value, ordering warning signs outside the Smithsonian (Washington Post). And a national book-ban bill now in both houses of Congress (Publishers Weekly). Government is shifting from funding culture to adjudicating (and sometimes outlawing) it.

      All this week’s stories below, organized by topic.

    • Rachel Thompson talks about the ways to build curricular ties between students and arts institutions

      Rachel Thompson, Program Manager at the Curb Center for Art, Enterprise & Public Policy at Vanderbilt, talks about building curricular ties between students and the arts and art institutions.

    • Trump Orders “Warning” Signs Outside Smithsonian Museum

      President Donald Trump on Friday ordered the installation of signs outside the Smithsonian National Museum of American History that warn of “inaccurate” exhibits and direct people to “accurate information regarding America’s history.” – Washington Post

    ISSUES

    MEDIA

    MUSIC

    PEOPLE

    • Barbara Rubin Was The Teenage Filmmaker Who Stitched Manhattan’s Underground Together

      “She filmed the scenes she helped create. Her best known and only surviving film, shot intermittently between 1963 and 1965, began with an unprintable working title before she borrowed its name from a line in the poet Arthur Rimbaud’s ‘A Season in Hell’: Christmas on Earth.” – The New York Times

    • The Accomplishments Of Ancient Greece Are Not Just The History Of White People

      “There is nothing wrong with taking pride in one’s ancestors. … Honoring and celebrating the past achievements of those ancestors, however, is different from taking credit for them.” – The Atlantic

    • What’s the price of a book?

      This Week’s Highlights:

      A judge finally approved Anthropic’s settlement with writers this week, establishing the price of a book ingested by AI: it’s roughly $3,000 a book, the going rate under the $1.5 billion Anthropic copyright settlement (AP). Uh huh. I guess $3 is something, when you didn’t expect to see the money or if your book didn’t sell all that well. BUT – it establishes a baseline rate for what AI scrapers took. Not enough? We won’t know for a few more years. Meanwhile, AI-generated biographies of real people are piling up on Amazon by the thousands (The New York Times). How bizarre to read your life as authored by machine.

      But watch what audiences did with their own money. LA theaters raced to resurrect the nearly lost craft of 70mm projection for Christopher Nolan’s Odyssey (Los Angeles Times). Publishers competed over who could make the most lavish foil-stamped edition of Homer (The New York Times). British fanzines are suddenly surging in popularity (The Guardian), and Gen Z is buying up 20-year-old digital cameras (NPR) because they’re cool. When AI abundance costs nothing, provenance and craft become what people pay for. A market forming?

      Trump, meanwhile, is testing a different theory of cultural value, ordering warning signs outside the Smithsonian (Washington Post). And a national book-ban bill now in both houses of Congress (Publishers Weekly). Government is shifting from funding culture to adjudicating (and sometimes outlawing) it.

      All this week’s stories below, organized by topic.

    • Rachel Thompson talks about the ways to build curricular ties between students and arts institutions

      Rachel Thompson, Program Manager at the Curb Center for Art, Enterprise & Public Policy at Vanderbilt, talks about building curricular ties between students and the arts and art institutions.

    • Trump Orders “Warning” Signs Outside Smithsonian Museum

      President Donald Trump on Friday ordered the installation of signs outside the Smithsonian National Museum of American History that warn of “inaccurate” exhibits and direct people to “accurate information regarding America’s history.” – Washington Post

    PEOPLE

    • Barbara Rubin Was The Teenage Filmmaker Who Stitched Manhattan’s Underground Together

      “She filmed the scenes she helped create. Her best known and only surviving film, shot intermittently between 1963 and 1965, began with an unprintable working title before she borrowed its name from a line in the poet Arthur Rimbaud’s ‘A Season in Hell’: Christmas on Earth.” – The New York Times

    • The Accomplishments Of Ancient Greece Are Not Just The History Of White People

      “There is nothing wrong with taking pride in one’s ancestors. … Honoring and celebrating the past achievements of those ancestors, however, is different from taking credit for them.” – The Atlantic

    • What’s the price of a book?

      This Week’s Highlights:

      A judge finally approved Anthropic’s settlement with writers this week, establishing the price of a book ingested by AI: it’s roughly $3,000 a book, the going rate under the $1.5 billion Anthropic copyright settlement (AP). Uh huh. I guess $3 is something, when you didn’t expect to see the money or if your book didn’t sell all that well. BUT – it establishes a baseline rate for what AI scrapers took. Not enough? We won’t know for a few more years. Meanwhile, AI-generated biographies of real people are piling up on Amazon by the thousands (The New York Times). How bizarre to read your life as authored by machine.

      But watch what audiences did with their own money. LA theaters raced to resurrect the nearly lost craft of 70mm projection for Christopher Nolan’s Odyssey (Los Angeles Times). Publishers competed over who could make the most lavish foil-stamped edition of Homer (The New York Times). British fanzines are suddenly surging in popularity (The Guardian), and Gen Z is buying up 20-year-old digital cameras (NPR) because they’re cool. When AI abundance costs nothing, provenance and craft become what people pay for. A market forming?

      Trump, meanwhile, is testing a different theory of cultural value, ordering warning signs outside the Smithsonian (Washington Post). And a national book-ban bill now in both houses of Congress (Publishers Weekly). Government is shifting from funding culture to adjudicating (and sometimes outlawing) it.

      All this week’s stories below, organized by topic.

    • Rachel Thompson talks about the ways to build curricular ties between students and arts institutions

      Rachel Thompson, Program Manager at the Curb Center for Art, Enterprise & Public Policy at Vanderbilt, talks about building curricular ties between students and the arts and art institutions.

    • Trump Orders “Warning” Signs Outside Smithsonian Museum

      President Donald Trump on Friday ordered the installation of signs outside the Smithsonian National Museum of American History that warn of “inaccurate” exhibits and direct people to “accurate information regarding America’s history.” – Washington Post

    THEATRE

      VISUAL

      • How Hierarchy Hides in How We Think

        The question is not whether the technological revolution already underway will abolish hierarchy. It will not. The question is different: what will the new currency of rank be, and will it better recognise ability, responsibility, and work, or give old advantages a new language? – 3 Quarks Daily

      • Reality Is Breaking Down

        The rapidly degenerating digital culture is the third leg of the stool of the “reality distortion field” that has engulfed the U.S. – Artnet

      • The Power Of Coffee Houses To Change History

        It was debated whether coffeehouses were truly a place of creativity or frivolous laziness. Many resolved to leave the coffeehouse behind, as if it were a vice, and then failed to kick the habit. – Aeon

      • Why Costco Is Thriving As The Antithesis Of Amazon

        While most retailers today assume that consumers want ever greater assortment, Costco’s popularity speaks to a countervailing desire for less choice. Indeed, the pre-selection of items for sale in their warehouses is part of the value proposition. – The Walrus

      • A Short History Of Being Burned Out

        Burnout’s meaning shifted from literal to figurative over time. It began as a description of candles burning out or fuel being used up, then shifted to a barn burning down and a worker’s energy or body being depleted in the rebuilding. Eventually it came to simply describe a worker’s exhaustion. – The Conversation

      WORDS