ArtsJournal Classic

AJ Four Ways: Text Only (by date) | headlines only

DANCE

    IDEAS

    • Seattle Symphony Appoints New CEO

      Jeremy Rothman, who for 18 seasons has been artistic administrator at the Philadelphia Orchestra, will begin in Seattle as of September 1. He succeeds Krishna Thiagarajan, who departed last year after a stormy tenure. – The Seattle Times

    • When Cutting the Cord Pays Off

      Good Morning,

      Watch the money this morning. Three arts institutions on two continents are rewriting survival, and none of them is doing it a traditional way. Wigmore Hall walked away from Arts Council England’s portfolio and says ticket sales are up 25% year-on-year since (The Stage). Opera Australia, $10.6 million in the red two years ago, broke even after a 29% jump at the box office (Limelight). And Sydney Dance Company, four straight deficits deep, is closing the gap by selling classes to the public (Australian Financial Review). Earned income, not grants.

      Which makes the Heinz Endowments’ recent move worth a look: it’s pulling back from individual artists and one-off projects to fund organizations and infrastructure instead (WESA). The safety net is reorganizing around buildings, not people. Meanwhile the West End shows why the math is so brutal in the first place: it now costs £3 to £10 million just to raise the curtain on a musical (WhatsOnStage).

      Elsewhere, jazz is taking stock of Sonny Rollins, the last man standing from “A Great Day in Harlem” (Richard Brody at the The New Yorker, Nate Chinen at The Gig).

      And the virally successful Savannah Bananas now want to be Disney (The Guardian). Some empires you can see coming.

      All of our stories below. See you tomorrow,

      Doug

    • Why The U.S. Radio Industry Opposes Year-Round Daylight Savings Time

      You know how numerous radio stations have to reduce their broadcast power, and a few even have to go off the air, during non-daylight hours? Now, think about morning drive-time up north in December and January … – Inside Radio

    • Knoxville Reverses Its Ban Of Alex Haley’s “Roots” From School Libraries

      “Knox County Schools Superintendent Jon Rysewyk said the district will return the (Pulitzer-winning) 1976 novel to school library shelves, walking back a decision that (led to) … weeks of community backlash, board member pressure, and statewide criticism.” – Tennessee Lookout

    • Miles Davis’ “Kind Of Blue” Is The Best-Selling Jazz Album Of All Time. He Thought It Was A Failure

      When I tell people that I missed what I was trying to do on Kind of Blue, that I missed getting the exact sound of the African finger piano up in that sound, they just look at me like I’m crazy. – The Conversation

    ISSUES

    MEDIA

    MUSIC

    PEOPLE

    • Seattle Symphony Appoints New CEO

      Jeremy Rothman, who for 18 seasons has been artistic administrator at the Philadelphia Orchestra, will begin in Seattle as of September 1. He succeeds Krishna Thiagarajan, who departed last year after a stormy tenure. – The Seattle Times

    • When Cutting the Cord Pays Off

      Good Morning,

      Watch the money this morning. Three arts institutions on two continents are rewriting survival, and none of them is doing it a traditional way. Wigmore Hall walked away from Arts Council England’s portfolio and says ticket sales are up 25% year-on-year since (The Stage). Opera Australia, $10.6 million in the red two years ago, broke even after a 29% jump at the box office (Limelight). And Sydney Dance Company, four straight deficits deep, is closing the gap by selling classes to the public (Australian Financial Review). Earned income, not grants.

      Which makes the Heinz Endowments’ recent move worth a look: it’s pulling back from individual artists and one-off projects to fund organizations and infrastructure instead (WESA). The safety net is reorganizing around buildings, not people. Meanwhile the West End shows why the math is so brutal in the first place: it now costs £3 to £10 million just to raise the curtain on a musical (WhatsOnStage).

      Elsewhere, jazz is taking stock of Sonny Rollins, the last man standing from “A Great Day in Harlem” (Richard Brody at the The New Yorker, Nate Chinen at The Gig).

      And the virally successful Savannah Bananas now want to be Disney (The Guardian). Some empires you can see coming.

      All of our stories below. See you tomorrow,

      Doug

    • Why The U.S. Radio Industry Opposes Year-Round Daylight Savings Time

      You know how numerous radio stations have to reduce their broadcast power, and a few even have to go off the air, during non-daylight hours? Now, think about morning drive-time up north in December and January … – Inside Radio

    • Knoxville Reverses Its Ban Of Alex Haley’s “Roots” From School Libraries

      “Knox County Schools Superintendent Jon Rysewyk said the district will return the (Pulitzer-winning) 1976 novel to school library shelves, walking back a decision that (led to) … weeks of community backlash, board member pressure, and statewide criticism.” – Tennessee Lookout

    • Miles Davis’ “Kind Of Blue” Is The Best-Selling Jazz Album Of All Time. He Thought It Was A Failure

      When I tell people that I missed what I was trying to do on Kind of Blue, that I missed getting the exact sound of the African finger piano up in that sound, they just look at me like I’m crazy. – The Conversation

    PEOPLE

    • Seattle Symphony Appoints New CEO

      Jeremy Rothman, who for 18 seasons has been artistic administrator at the Philadelphia Orchestra, will begin in Seattle as of September 1. He succeeds Krishna Thiagarajan, who departed last year after a stormy tenure. – The Seattle Times

    • When Cutting the Cord Pays Off

      Good Morning,

      Watch the money this morning. Three arts institutions on two continents are rewriting survival, and none of them is doing it a traditional way. Wigmore Hall walked away from Arts Council England’s portfolio and says ticket sales are up 25% year-on-year since (The Stage). Opera Australia, $10.6 million in the red two years ago, broke even after a 29% jump at the box office (Limelight). And Sydney Dance Company, four straight deficits deep, is closing the gap by selling classes to the public (Australian Financial Review). Earned income, not grants.

      Which makes the Heinz Endowments’ recent move worth a look: it’s pulling back from individual artists and one-off projects to fund organizations and infrastructure instead (WESA). The safety net is reorganizing around buildings, not people. Meanwhile the West End shows why the math is so brutal in the first place: it now costs £3 to £10 million just to raise the curtain on a musical (WhatsOnStage).

      Elsewhere, jazz is taking stock of Sonny Rollins, the last man standing from “A Great Day in Harlem” (Richard Brody at the The New Yorker, Nate Chinen at The Gig).

      And the virally successful Savannah Bananas now want to be Disney (The Guardian). Some empires you can see coming.

      All of our stories below. See you tomorrow,

      Doug

    • Why The U.S. Radio Industry Opposes Year-Round Daylight Savings Time

      You know how numerous radio stations have to reduce their broadcast power, and a few even have to go off the air, during non-daylight hours? Now, think about morning drive-time up north in December and January … – Inside Radio

    • Knoxville Reverses Its Ban Of Alex Haley’s “Roots” From School Libraries

      “Knox County Schools Superintendent Jon Rysewyk said the district will return the (Pulitzer-winning) 1976 novel to school library shelves, walking back a decision that (led to) … weeks of community backlash, board member pressure, and statewide criticism.” – Tennessee Lookout

    • Miles Davis’ “Kind Of Blue” Is The Best-Selling Jazz Album Of All Time. He Thought It Was A Failure

      When I tell people that I missed what I was trying to do on Kind of Blue, that I missed getting the exact sound of the African finger piano up in that sound, they just look at me like I’m crazy. – The Conversation

    THEATRE

      VISUAL

      WORDS