ArtsJournal Classic

AJ Four Ways: Text Only (by date) | headlines only

DANCE

    IDEAS

    • Is Broadway Paying the price of Disneyfication?

      Good Morning,

      Major institutions are now partnering to buy works jointly and share them, swapping trophy acquisition for pooled expertise and a split invoice (Artnet). Pittsburgh is running the same play one level up, where the CLO and the Public Theater are merging instead of chasing the same subscribers and donors (Pittsburgh Post-Gazette).

      The Alex Theatre in Glendale hadn’t screened a first-run movie in 35 years and is now the top-grossing venue in the country for Christopher Nolan’s “Odyssey” (The Hollywood Reporter). London’s West End is out-drawing Broadway in part because mounting a show in New York costs three to five times what it does there (The Wall Street Journal) — roughly what John Caird means when he calls Broadway Disneyfied (The Stage).

      The day’s oddest story: someone has been buying used books in enormous quantities from shops around the world, and the likeliest culprits are AI companies short on training data (The Atlantic).

      And young Ivorians have invented biama, a competitive dance form fusing acrobatics with deliberate goofiness, built entirely out of TikTok challenges (The Guardian). No partnership agreement required.

      Doug

    • A Kinetic, Slightly Goofy New Form Of Competitive Dance Develops In Côte d’Ivoire

      “There is some debate over exactly when biama emerged, but it exploded in popularity after the coronavirus pandemic as young people turned to TikTok to post and respond to dance challenges that fused acrobatics with goofiness that pushed bodies to their limits.” – The Guardian

    • Why Are Theatres Still Ignoring (Mostly) The Deaf Audience?

      Most films are distributed with caption tracks, but cinemas, on average, caption only 1% of all showings. This is despite statistics showing that in the UK, one in seven people – approximately 14% of the population – are deaf or have hearing loss. – The Conversation

    • The Mystic Poet-Saints Of Kashmir, One Hindu And one Muslim

      The 14th-century Hindu poetess Lal Ded and the 15th-century Sufi Muslim poet Nund Rishi wrote not in the elegant, aristocratic court language, Persian, but with simple words and phrases in Kashmiri, the everyday language of ordinary people These mystics are seen by many Kashmiris as spiritual grandmother and grandfather, even today. – The Conversation

    • Rise Of The Neo-Luddites

      The label of “neo-Luddism” or “digital Luddite” is also being reclaimed by people concerned about labour conditions, society and democracy in an era of AI expansion twinned with personal profit. – The Conversation

    ISSUES

    • Company Turns AI On Art Fraud

      In practical terms, that means a knowledge graph representing thousands of artworks, with billions of nodes detailing the complex relationships its algorithms have identified between them. – Didginomica

    • The Big Estate Sales That Are Reshaping The Art Market

      The list of collectors whose art has arrived at auction over the past two years reads like the society pages of decades past. Some died; others have merely reached an age when keeping several hundred million dollars’ worth of paintings around no longer seems quite as important as it once did. – ARTnews

    • Major Museums Are Forming Partnerships To Buy And Share Artworks

      “Pooling resources now reflects a broader shift away from the competitive collection building of the 19th and 20th centuries. Increasing financial pressure plays an undeniable role, but so does a growing appetite for deeper institutional ties and shared expertise.” – Artnet

    • Contemporary Art Museum Of Raleigh Is Selling Its Building

      The museum paused its exhibitions and other activities last year due to financial troubles. The board and management have not announced any permanent closure; their statements indicate that they hope to keep operating without a permanent home. – The News and Observer (Raleigh, NC)

    • Fra Angelico’s First Major Altarpiece Restored After Five Centuries Of Disrepair

      The Fiesole Altarpiece, painted in the 1420s, suffered its first damage during an updating in 1501; it was subsequently broken up, had some of its parts looted or sold off, and was gnawed by wood-boring insects. The work has now been restored to roughly its 1501 condition with an ingenious spring-fitted wood frame. – Artnet

    MEDIA

    MUSIC

    PEOPLE

    • Is Broadway Paying the price of Disneyfication?

      Good Morning,

      Major institutions are now partnering to buy works jointly and share them, swapping trophy acquisition for pooled expertise and a split invoice (Artnet). Pittsburgh is running the same play one level up, where the CLO and the Public Theater are merging instead of chasing the same subscribers and donors (Pittsburgh Post-Gazette).

      The Alex Theatre in Glendale hadn’t screened a first-run movie in 35 years and is now the top-grossing venue in the country for Christopher Nolan’s “Odyssey” (The Hollywood Reporter). London’s West End is out-drawing Broadway in part because mounting a show in New York costs three to five times what it does there (The Wall Street Journal) — roughly what John Caird means when he calls Broadway Disneyfied (The Stage).

      The day’s oddest story: someone has been buying used books in enormous quantities from shops around the world, and the likeliest culprits are AI companies short on training data (The Atlantic).

      And young Ivorians have invented biama, a competitive dance form fusing acrobatics with deliberate goofiness, built entirely out of TikTok challenges (The Guardian). No partnership agreement required.

      Doug

    • A Kinetic, Slightly Goofy New Form Of Competitive Dance Develops In Côte d’Ivoire

      “There is some debate over exactly when biama emerged, but it exploded in popularity after the coronavirus pandemic as young people turned to TikTok to post and respond to dance challenges that fused acrobatics with goofiness that pushed bodies to their limits.” – The Guardian

    • Why Are Theatres Still Ignoring (Mostly) The Deaf Audience?

      Most films are distributed with caption tracks, but cinemas, on average, caption only 1% of all showings. This is despite statistics showing that in the UK, one in seven people – approximately 14% of the population – are deaf or have hearing loss. – The Conversation

    • The Mystic Poet-Saints Of Kashmir, One Hindu And one Muslim

      The 14th-century Hindu poetess Lal Ded and the 15th-century Sufi Muslim poet Nund Rishi wrote not in the elegant, aristocratic court language, Persian, but with simple words and phrases in Kashmiri, the everyday language of ordinary people These mystics are seen by many Kashmiris as spiritual grandmother and grandfather, even today. – The Conversation

    • Rise Of The Neo-Luddites

      The label of “neo-Luddism” or “digital Luddite” is also being reclaimed by people concerned about labour conditions, society and democracy in an era of AI expansion twinned with personal profit. – The Conversation

    PEOPLE

    • Is Broadway Paying the price of Disneyfication?

      Good Morning,

      Major institutions are now partnering to buy works jointly and share them, swapping trophy acquisition for pooled expertise and a split invoice (Artnet). Pittsburgh is running the same play one level up, where the CLO and the Public Theater are merging instead of chasing the same subscribers and donors (Pittsburgh Post-Gazette).

      The Alex Theatre in Glendale hadn’t screened a first-run movie in 35 years and is now the top-grossing venue in the country for Christopher Nolan’s “Odyssey” (The Hollywood Reporter). London’s West End is out-drawing Broadway in part because mounting a show in New York costs three to five times what it does there (The Wall Street Journal) — roughly what John Caird means when he calls Broadway Disneyfied (The Stage).

      The day’s oddest story: someone has been buying used books in enormous quantities from shops around the world, and the likeliest culprits are AI companies short on training data (The Atlantic).

      And young Ivorians have invented biama, a competitive dance form fusing acrobatics with deliberate goofiness, built entirely out of TikTok challenges (The Guardian). No partnership agreement required.

      Doug

    • A Kinetic, Slightly Goofy New Form Of Competitive Dance Develops In Côte d’Ivoire

      “There is some debate over exactly when biama emerged, but it exploded in popularity after the coronavirus pandemic as young people turned to TikTok to post and respond to dance challenges that fused acrobatics with goofiness that pushed bodies to their limits.” – The Guardian

    • Why Are Theatres Still Ignoring (Mostly) The Deaf Audience?

      Most films are distributed with caption tracks, but cinemas, on average, caption only 1% of all showings. This is despite statistics showing that in the UK, one in seven people – approximately 14% of the population – are deaf or have hearing loss. – The Conversation

    • The Mystic Poet-Saints Of Kashmir, One Hindu And one Muslim

      The 14th-century Hindu poetess Lal Ded and the 15th-century Sufi Muslim poet Nund Rishi wrote not in the elegant, aristocratic court language, Persian, but with simple words and phrases in Kashmiri, the everyday language of ordinary people These mystics are seen by many Kashmiris as spiritual grandmother and grandfather, even today. – The Conversation

    • Rise Of The Neo-Luddites

      The label of “neo-Luddism” or “digital Luddite” is also being reclaimed by people concerned about labour conditions, society and democracy in an era of AI expansion twinned with personal profit. – The Conversation

    THEATRE

      VISUAL

      WORDS