AJ Four Ways: Text Only (by date) | headlines only
DANCE
IDEAS
- What Got The Hollywood Establishment To Join The Vertical Microdrama Boom? SAG-AFTRA
“SAG-AFTRA’s independent Verticals Agreement helped open the door for producers to hire union performers for the format’s notoriously small-scale productions. They’ve also brought some structure and legitimacy to the medium. … Bigger-name talent is now more open to verticals thanks to the protections the agreement brings.” – TheWrap (MSN)
- How Intuition Works
The key is to see that intuition works in much the same way as perception, in that both can directly present something to us as actual. Once we understand what gives perception this feature, we can see why intuitions might involve exercising the same basic kind of cognitive capacity. – Aeon
- Shakespeare And The Work Of Black Women
In the Folger’s newest exhibition To Hear Her Speak: Black Women and Shakespeare, curated by Akhimie, more than 400 years of Black women’s engagement with Shakespeare is collectively explored for the first time, illuminating the ways in which Black women have claimed and reimagined the works of Shakespeare through scholarship and craft. – The Guardian
- Scholars Conclude That Shakespeare Was Primary (But Not Sole) Author Of “Edward III”
The history play was published without a named author in 1596, and it was long believed that Shakespeare had written a few scenes. New analysis shows “beyond doubt” that he wrote “the lion’s share,” 23 segments of the script, while Christopher Marlowe wrote nine. – The Guardian
- Why Has Netflix Hit A Wall?
The ousters of two of the company’s top creative executives are a sign that the streaming giant’s leaders feel the service needs to overhaul its content offerings. – The Wall Street Journal
ISSUES
- Auction House Phillips Appears To Be Reinventing Its Business
In conversations with several people with intimate knowledge of Phillips, past and present, it appears Phillips has decided it doesn’t want to be the same company it spent the last decade trying to become. – ARTnews
- While Partly Closed For Construction, Broad Museum In L.A. Will Lend Scores Of Artworks To Paris
“The museum announced Tuesday that it’s shipping 164 works to the Frank Gehry-designed Fondation Louis Vuitton in Paris for its most extensive exhibition ever mounted outside Los Angeles. The show will open April 21 and run through Aug. 30,” as the Broad finishes major construction on a new extension. – Los Angeles Times (Yahoo!)
- Bayeux Tapestry Will Return Home Next Summer To A Completely Different Display Format
Before the 770-pound, 220-foot-long embroidery left its eponymous museum in France for London, it was hung vertically. At the British Museum, the enormous textile is lying flat in a display case in a darkened room, a format which the post-renovation Bayeux Museum will (mostly) adopt. – ARTnews
- Louvre Temporarily Closes During French Protests
- Pilot Draws Mona Lisa In The Sky
After four hours of these intricate aerobatics, he had sketched a version of the Mona Lisa instantly recognizable to anyone tracking his flight online. – The New York Times
MEDIA
- What’s Behind The Current Wave Of Theater, Film, Literature, And Other Art About AIDS
Much of the new work being done has a sense of mission — a feeling that, 45 years after the epidemic first broke out, something many gay people today are too young to remember — a struggle that changed our world cannot be permitted to recede into mere abstraction. – T — The New York Times Style Magazine
- Did Drought Really Cause The Collapse Of Ancient Maya? New Studies Cast Doubt
Taken together, the research is part of a shift in how researchers have come to consider one of antiquity’s great mysteries, awakening yet another fierce debate in academia over the effects of climate on civilizations, and why they fray. – Washington Post
- Ticket Broker Sued In $120M Ticket Bot Scheme
The DOJ and FTC allege that REPS & Co violated the Better Online Ticket Sales (BOTS) Act by opening thousands of accounts across Ticketmaster, AXS and other ticket services and circumventing the ticket platforms’ purchase limits. – The Hollywood Reporter
- Will Humans Still Know How To Clean It Up When AI Flubs Major Tasks?
“As people become less involved in a task, they can become less prepared to step in when needed. Researchers have called this the out-of-the-loop performance problem.” – The Conversation
- Saturday Night Live UK Ripped Into US SNL For Shane Gillis’s Blithering Misogyny
“A representative for [Lorne] Michaels did not immediately respond to a request for comment on Sunday.” – The New York Times
MUSIC
- YouTube Intends To Start Offering Audiobooks
“YouTube has weighed bundling the product in its ad-free YouTube Premium service, which starts at $15.99 a month and includes access to music and videos, the people said. Like other streaming platforms vying for consumers’ attention, YouTube has packaged offerings together to make lucrative subscriptions more appealing.” – The Wall Street Journal (MSN)
- Writers Are Struggling To Prove They’re Human
As AI-generated writing floods the internet, more people are trying to detect which creators are using such tools to spin up copy. That means writers penning all their own work—and people who acknowledge using chatbots for help—are trying to master something they never worried about before: how to sound human. – The Wall Street Journal
- What If Climate Fiction And Movies Have Been Hitting The Wrong Buttons?
Fear spreads its message more quickly – but it also paralyzes most people to inaction, exactly not what most writers of climate fiction would prefer. – The Guardian (UK)
- Three Recent Films Demonstrate How We See Poetry – And Poets
Ouf. “Is it wistful or cruel, the movies looking at poets only to find them pitiable, even or especially when they’re howling at the moon? The last artists who can’t make money, who have a pressing and practical concern about old books and what’s in them.” – LitHub
- Isabel Allende, Writing Under A Pseudonym, Wins A Major Literary Prize In Spain
“The prize is open to unpublished manuscripts, with the option of submitting under a pseudonym, and Allende entered under the name Luz Ventura, with the fictional title Los que faltan.” – The Guardian (UK)
PEOPLE
- What Got The Hollywood Establishment To Join The Vertical Microdrama Boom? SAG-AFTRA
“SAG-AFTRA’s independent Verticals Agreement helped open the door for producers to hire union performers for the format’s notoriously small-scale productions. They’ve also brought some structure and legitimacy to the medium. … Bigger-name talent is now more open to verticals thanks to the protections the agreement brings.” – TheWrap (MSN)
- How Intuition Works
The key is to see that intuition works in much the same way as perception, in that both can directly present something to us as actual. Once we understand what gives perception this feature, we can see why intuitions might involve exercising the same basic kind of cognitive capacity. – Aeon
- Shakespeare And The Work Of Black Women
In the Folger’s newest exhibition To Hear Her Speak: Black Women and Shakespeare, curated by Akhimie, more than 400 years of Black women’s engagement with Shakespeare is collectively explored for the first time, illuminating the ways in which Black women have claimed and reimagined the works of Shakespeare through scholarship and craft. – The Guardian
- Scholars Conclude That Shakespeare Was Primary (But Not Sole) Author Of “Edward III”
The history play was published without a named author in 1596, and it was long believed that Shakespeare had written a few scenes. New analysis shows “beyond doubt” that he wrote “the lion’s share,” 23 segments of the script, while Christopher Marlowe wrote nine. – The Guardian
- Why Has Netflix Hit A Wall?
The ousters of two of the company’s top creative executives are a sign that the streaming giant’s leaders feel the service needs to overhaul its content offerings. – The Wall Street Journal
PEOPLE
- What Got The Hollywood Establishment To Join The Vertical Microdrama Boom? SAG-AFTRA
“SAG-AFTRA’s independent Verticals Agreement helped open the door for producers to hire union performers for the format’s notoriously small-scale productions. They’ve also brought some structure and legitimacy to the medium. … Bigger-name talent is now more open to verticals thanks to the protections the agreement brings.” – TheWrap (MSN)
- How Intuition Works
The key is to see that intuition works in much the same way as perception, in that both can directly present something to us as actual. Once we understand what gives perception this feature, we can see why intuitions might involve exercising the same basic kind of cognitive capacity. – Aeon
- Shakespeare And The Work Of Black Women
In the Folger’s newest exhibition To Hear Her Speak: Black Women and Shakespeare, curated by Akhimie, more than 400 years of Black women’s engagement with Shakespeare is collectively explored for the first time, illuminating the ways in which Black women have claimed and reimagined the works of Shakespeare through scholarship and craft. – The Guardian
- Scholars Conclude That Shakespeare Was Primary (But Not Sole) Author Of “Edward III”
The history play was published without a named author in 1596, and it was long believed that Shakespeare had written a few scenes. New analysis shows “beyond doubt” that he wrote “the lion’s share,” 23 segments of the script, while Christopher Marlowe wrote nine. – The Guardian
- Why Has Netflix Hit A Wall?
The ousters of two of the company’s top creative executives are a sign that the streaming giant’s leaders feel the service needs to overhaul its content offerings. – The Wall Street Journal
THEATRE
VISUAL
- How Intuition Works
The key is to see that intuition works in much the same way as perception, in that both can directly present something to us as actual. Once we understand what gives perception this feature, we can see why intuitions might involve exercising the same basic kind of cognitive capacity. – Aeon
- Brewster Kahle: Why The Internet Needs A Memory
Many people assume that once something is published online, it will remain forever retrievable. The saying that “the internet never forgets” has produced a dangerously false sense of permanence. In reality, the internet forgets continuously. Websites are constantly revised, deleted, and abandoned altogether. – The Atlantic
- The Harms Of Zombie Copyright
Fifty years ago today, copyright law in America changed fundamentally. That change was an accidental disaster for both creators and the culture they create. – Lawrence Lessig
- Does AI Collapse The Need To Get Bigger?
AI is making enterprise-grade capabilities available to companies that are a fraction of the size and without all of the bureaucratic weight that historically came along with it. If Goldberg is right, the rules of competition are changing for good, and companies no longer need to be big to compete. – Wired
- Creating Art In A Time Of International And Creative Crisis
Elif Shafak’s latest book “arose out of our own historical moment, which Shafak has dubbed ‘The age of three As: Angst, Anger and AI.’” – The Guardian (UK)