ArtsJournal Classic

AJ Four Ways: Text Only (by date) | headlines only

DANCE

    IDEAS

    • Culture Diplomacy like in Olden Days

      Good Morning,

      France is lending Britain the Bayeux Tapestry, and the interesting question isn’t conservation but motive. A thousand-year-old cloth stitched about a conquest is now the material argument for a relationship — proof, fiber by fiber, that England and the continent were never separable (The New York Times). Culture as diplomacy. Like in olden times.

      That’s one way of deciding what heritage is for. Another: the president posting on Truth Social that the Smithsonian should install a colossus of George Washington — a request only in the sense that it isn’t yet an order (The Guardian). Meanwhile France’s actual custodians are less worried about symbolism than about crowbars: gangs are hitting small museums in daylight, and nobody is sure the country can protect what it owns (The New York Times).

      The Music Hall of Williamsburg is closing, which prompts the question: what does a city lose when it loses a cheap room (The New York Times)? Not headliners — the place where people became headliners. And on YouTube, anime reaction creators say a copyright enforcer is wielding takedowns as a weapon rather than a shield (The Verge).

      Finally, a labor story for the ages: 121 years ago, Russian printers went on strike because they were paid by the letter and punctuation didn’t count (LitHub). Every comma is somebody’s work.

      All of our stories below.

    • Anime Reaction YouTubers Are At War With Their Platform

      You see, reaction videos are based on copyrighted material. You’d think that fair use applied here, and, well, yes, but some reaction vid makers say “the way Remove Your Media has been going after creators is abusive and unrelated to any legitimate interest in protecting copyrighted IP.” – The Verge

    • A MacArthur Genius Leaves New York For Paris, But Can’t Resist A Return

      Justin Vivian Bond “came back to see not only friends, but also her fans, who are increasingly Gen Z. ‘They’re learning about their queer elders, and their trans elders are really showing up for them.’” – The New York Times

    • Do We Really Need A Four-Hour Documentary On Elon Musk?

      “The penchant for treating founders as god-kings whose companies are mere extensions of their visionary genius is a large part of the story underlying Musk’s (and others’) precipitous rise, but it’s not only a credulous media and easily swayed investors who are to blame.” – Slate

    • At The Venice Film Fest, ‘Woman Unknown’ Wins Big

      “The film, a period drama set in Denmark, follows a servant about to marry her factory-owner employer in the uneasy years after World War II.” – The New York Times

    ISSUES

    MEDIA

    MUSIC

    PEOPLE

    • Culture Diplomacy like in Olden Days

      Good Morning,

      France is lending Britain the Bayeux Tapestry, and the interesting question isn’t conservation but motive. A thousand-year-old cloth stitched about a conquest is now the material argument for a relationship — proof, fiber by fiber, that England and the continent were never separable (The New York Times). Culture as diplomacy. Like in olden times.

      That’s one way of deciding what heritage is for. Another: the president posting on Truth Social that the Smithsonian should install a colossus of George Washington — a request only in the sense that it isn’t yet an order (The Guardian). Meanwhile France’s actual custodians are less worried about symbolism than about crowbars: gangs are hitting small museums in daylight, and nobody is sure the country can protect what it owns (The New York Times).

      The Music Hall of Williamsburg is closing, which prompts the question: what does a city lose when it loses a cheap room (The New York Times)? Not headliners — the place where people became headliners. And on YouTube, anime reaction creators say a copyright enforcer is wielding takedowns as a weapon rather than a shield (The Verge).

      Finally, a labor story for the ages: 121 years ago, Russian printers went on strike because they were paid by the letter and punctuation didn’t count (LitHub). Every comma is somebody’s work.

      All of our stories below.

    • Anime Reaction YouTubers Are At War With Their Platform

      You see, reaction videos are based on copyrighted material. You’d think that fair use applied here, and, well, yes, but some reaction vid makers say “the way Remove Your Media has been going after creators is abusive and unrelated to any legitimate interest in protecting copyrighted IP.” – The Verge

    • A MacArthur Genius Leaves New York For Paris, But Can’t Resist A Return

      Justin Vivian Bond “came back to see not only friends, but also her fans, who are increasingly Gen Z. ‘They’re learning about their queer elders, and their trans elders are really showing up for them.’” – The New York Times

    • Do We Really Need A Four-Hour Documentary On Elon Musk?

      “The penchant for treating founders as god-kings whose companies are mere extensions of their visionary genius is a large part of the story underlying Musk’s (and others’) precipitous rise, but it’s not only a credulous media and easily swayed investors who are to blame.” – Slate

    • At The Venice Film Fest, ‘Woman Unknown’ Wins Big

      “The film, a period drama set in Denmark, follows a servant about to marry her factory-owner employer in the uneasy years after World War II.” – The New York Times

    PEOPLE

    • Culture Diplomacy like in Olden Days

      Good Morning,

      France is lending Britain the Bayeux Tapestry, and the interesting question isn’t conservation but motive. A thousand-year-old cloth stitched about a conquest is now the material argument for a relationship — proof, fiber by fiber, that England and the continent were never separable (The New York Times). Culture as diplomacy. Like in olden times.

      That’s one way of deciding what heritage is for. Another: the president posting on Truth Social that the Smithsonian should install a colossus of George Washington — a request only in the sense that it isn’t yet an order (The Guardian). Meanwhile France’s actual custodians are less worried about symbolism than about crowbars: gangs are hitting small museums in daylight, and nobody is sure the country can protect what it owns (The New York Times).

      The Music Hall of Williamsburg is closing, which prompts the question: what does a city lose when it loses a cheap room (The New York Times)? Not headliners — the place where people became headliners. And on YouTube, anime reaction creators say a copyright enforcer is wielding takedowns as a weapon rather than a shield (The Verge).

      Finally, a labor story for the ages: 121 years ago, Russian printers went on strike because they were paid by the letter and punctuation didn’t count (LitHub). Every comma is somebody’s work.

      All of our stories below.

    • Anime Reaction YouTubers Are At War With Their Platform

      You see, reaction videos are based on copyrighted material. You’d think that fair use applied here, and, well, yes, but some reaction vid makers say “the way Remove Your Media has been going after creators is abusive and unrelated to any legitimate interest in protecting copyrighted IP.” – The Verge

    • A MacArthur Genius Leaves New York For Paris, But Can’t Resist A Return

      Justin Vivian Bond “came back to see not only friends, but also her fans, who are increasingly Gen Z. ‘They’re learning about their queer elders, and their trans elders are really showing up for them.’” – The New York Times

    • Do We Really Need A Four-Hour Documentary On Elon Musk?

      “The penchant for treating founders as god-kings whose companies are mere extensions of their visionary genius is a large part of the story underlying Musk’s (and others’) precipitous rise, but it’s not only a credulous media and easily swayed investors who are to blame.” – Slate

    • At The Venice Film Fest, ‘Woman Unknown’ Wins Big

      “The film, a period drama set in Denmark, follows a servant about to marry her factory-owner employer in the uneasy years after World War II.” – The New York Times

    THEATRE

      VISUAL

      • Is Talk Of Extinction Simply Meant To Distract Us From The True Threats Of AI?

        Timnit Gebru: Sometimes “I read quotes to people about artificial intelligence that I’ve gathered in my research, and I ask, What decade was this statement made in? Sometimes people get it right, but a lot of times they do not, because it all sounds the same.” – Wired

      • Cockroach Milk, Underpants Soil Testing, A Scientific Definition Of Kissing: The 2026 Ig Nobel Prizes

        “Winning work highlighted during the 36th annual award ceremony” (which was in Zurich this year rather than Boston) “included hilarious research on the aerodynamics of nose blowing, gently stepping on venomous snakes, confirming that teenagers do indeed smell worse than babies and other side-splitting scientific undertakings.” – Smithsonian Magazine

      • Flock’s Vision Of Surveillance Everywhere

        Flock was reported to have a valuation of more than eight billion dollars, with its biggest investor being the venture-capital firm Andreessen Horowitz. Around forty per cent of the United States’ law-enforcement agencies now have contracts with the company, and a reported hundred and thirty thousand cameras monitor roads in every state but Alaska. – The New Yorker

      • Today’s Tech Billionaires Learned The Wrong Lessons From Science Fiction

        As young people, the future billionaires were spending hours (under their covers with flashlights, I imagine) consuming stories about killer robots or Mars colonies. What they seemed not to get—maybe couldn’t get—was that these were cautionary tales, stories that projected deep societal worries into space or onto a future many millennia away. – The Atlantic

      • What Jonathan Swift Warned Us About Reading

        “Far from merely raising a reactionary fist in the air at the new science, Swift identified an attitude that is still around today — and one that has created many of the greatest challenges now facing educators.” – The Dial

      WORDS