ArtsJournal Classic

AJ Four Ways: Text Only (by date) | headlines only

DANCE

    IDEAS

    • Hostage Culture, Now With Fencing

      Good Afternoon,

      The Kennedy Center is closed, fenced, and flashing “Emergency alert” where the show listings used to be (Washington Post). The president says it gets “ripped down” unless his name goes on it (ABC News), and photographers caught him aboard Air Force One studying a poster reading “Kennedy Center DEMOLISHED” (The New York Times). The Atlantic calls it a shakedown: the leverage isn’t law, it’s the board’s affection for the institution (The Atlantic). Down the Mall, the administration is printing signs to accuse the Smithsonian Museum of American History of bias (The Atlantic). Same play: seize the building, relabel the contents.

      Buildings are having a moment elsewhere too. AI companies, having lost copyright fights over pirated files, are now buying physical books printed before 2022 and destroying them — the last stock of text guaranteed untouched by machines, treated as ore (ARTnews).

      The demand side keeps refusing the decline script: 89% of British adults say they’d attend an orchestral concert, up ten points since 2018, with the young leading (Gramophone). And Singapore will pay you 80 cents to read for 50 days (The Guardian). Cheaper than a fence.

      Peter Max, who put the ’60s on coffee mugs and cruise ships, has died at 88 (Washington Post).

      All of our stories below.

    • Photogs Get Picture Of Trump Studying Headlines About Demolishing Kenned Center

      Late Wednesday night, photojournalists captured images through the windows of Air Force One that showed President Trump reviewing a large poster board with what looked like a rendering of a construction site beneath three very visible words: “Kennedy Center DEMOLISHED.” – The New York Times

    • Singapore Is Paying Its People To Read Books

      “Under the scheme, readers accrue points that can be redeemed for a few cents. People will have to log 50 daily reading sessions (of 15 minutes or more) on a government website to earn S$1 (80 cents US). … One reading session is allowed daily.” – The Guardian

    • AI Companies Are Destroying Books. What Does That Mean For Art?

      AI companies, after losing copyright lawsuits over using pirated books found in digital formats, found a way forward, since the law doesn’t prohibit them from buying physical books and destroying them. In another ironic twist, they are looking only for books printed before 2022, because they want books that definitely have not been produced using AI. – ARTnews

    • How Marcello Angelini Remade Tulsa Ballet

      “During Angelini’s (31-year) tenure as artistic director, Tulsa Ballet has grown from a well-regarded regional troupe — best known for its efforts to preserve the Ballet Russe traditions championed by its founders, Roman Jasinski and Moscelyne Larkin — into a versatile dance company that many critics consider among the best in the United States.” – Tulsa Flyer

    ISSUES

    • AI Companies Are Destroying Books. What Does That Mean For Art?

      AI companies, after losing copyright lawsuits over using pirated books found in digital formats, found a way forward, since the law doesn’t prohibit them from buying physical books and destroying them. In another ironic twist, they are looking only for books printed before 2022, because they want books that definitely have not been produced using AI. – ARTnews

    • Madrid’s Thyssen-Bornemisza Museum To Add A Second Location

      Because of overcrowding in the main building’s galleries, the museum will acquire an additional space a few blocks away: the Ice and Automobile Palace, which has been vacant since 2007 and will undergo a €70 million ($81 million) renovation.  When it opens, the new branch will display 21st-century works. – ARTnews

    • Spaceship Lucas: LA’s New Museum Of Narrative Art

      It is a Goliath of a building, 700 feet long with 300,000 square feet of space. In terms of massiveness, visual impact and sheer joyous bravado, it offers as much spectacle as any of his films. But it is not so much its size that amazes, but its uncanny shape. – The Wall Street Journal

    • The Problem With Museum Wall Texts – And How To Fix Them

      Good texts take time. The field of visitor studies even recommends workshopping texts with an audience. Curators working on relentless deadlines don’t have that kind of luxury. Yet the particular genre of bad text I am thinking of, paradoxically, seems worst at the most elite levels of the industry. – Artnet

    • Russia’s Most Famous Medieval Icon Has Suffered Exactly The Damage Conservators Warned About

      In 2023, on Putin’s personal orders, the 15th-century icon of the Trinity by Andrei Rublev, Russia’s most revered icon painter, was moved from Moscow’s Tretyakov Gallery and is now at the Trinity-St. Sergius Monastery. Conservators said that, without museum-quality climate controls, the piece could be severely damaged. Well, guess what’s happened. – Meduza (Moscow/Riga)

    MEDIA

    • Photogs Get Picture Of Trump Studying Headlines About Demolishing Kenned Center

      Late Wednesday night, photojournalists captured images through the windows of Air Force One that showed President Trump reviewing a large poster board with what looked like a rendering of a construction site beneath three very visible words: “Kennedy Center DEMOLISHED.” – The New York Times

    • What Happens Now For The Kennedy Center?

      Outside, digital signs that typically advertise upcoming performances instead flashed a red “Emergency alert” announcing the building was closed to the public. Guards stood at the doors. On Wednesday, fencing was erected around the building. – Washington Post

    • Why Academic History Matters

      Academic history matters. It matters for honing critical engagement, for challenging all-encompassing technological vapidity, for strengthening individuality. It matters because it shows us that process cannot be separated from what we produce. – History Today

    • Trump’s Shakedown Of The Kennedy Center

      “Trump is taking the Center hostage and threatening to in effect kill it unless he gets his way.” The president is counting on the board’s civic spirit and affection for the institution—neither of which he evidently possesses—to strong-arm it into giving him what the law and courts would not allow. – The Atlantic

    • Trump Administration Wants To Put Up Signs Accusing The Smithsonian Of Bias

      The Trump administration is currently preparing temporary signs that will accuse the National Museum of American History of ideological bias, according to a letter I obtained sent by Interior Secretary Doug Burgum. – The Atlantic

    MUSIC

    PEOPLE

    • Hostage Culture, Now With Fencing

      Good Afternoon,

      The Kennedy Center is closed, fenced, and flashing “Emergency alert” where the show listings used to be (Washington Post). The president says it gets “ripped down” unless his name goes on it (ABC News), and photographers caught him aboard Air Force One studying a poster reading “Kennedy Center DEMOLISHED” (The New York Times). The Atlantic calls it a shakedown: the leverage isn’t law, it’s the board’s affection for the institution (The Atlantic). Down the Mall, the administration is printing signs to accuse the Smithsonian Museum of American History of bias (The Atlantic). Same play: seize the building, relabel the contents.

      Buildings are having a moment elsewhere too. AI companies, having lost copyright fights over pirated files, are now buying physical books printed before 2022 and destroying them — the last stock of text guaranteed untouched by machines, treated as ore (ARTnews).

      The demand side keeps refusing the decline script: 89% of British adults say they’d attend an orchestral concert, up ten points since 2018, with the young leading (Gramophone). And Singapore will pay you 80 cents to read for 50 days (The Guardian). Cheaper than a fence.

      Peter Max, who put the ’60s on coffee mugs and cruise ships, has died at 88 (Washington Post).

      All of our stories below.

    • Photogs Get Picture Of Trump Studying Headlines About Demolishing Kenned Center

      Late Wednesday night, photojournalists captured images through the windows of Air Force One that showed President Trump reviewing a large poster board with what looked like a rendering of a construction site beneath three very visible words: “Kennedy Center DEMOLISHED.” – The New York Times

    • Singapore Is Paying Its People To Read Books

      “Under the scheme, readers accrue points that can be redeemed for a few cents. People will have to log 50 daily reading sessions (of 15 minutes or more) on a government website to earn S$1 (80 cents US). … One reading session is allowed daily.” – The Guardian

    • AI Companies Are Destroying Books. What Does That Mean For Art?

      AI companies, after losing copyright lawsuits over using pirated books found in digital formats, found a way forward, since the law doesn’t prohibit them from buying physical books and destroying them. In another ironic twist, they are looking only for books printed before 2022, because they want books that definitely have not been produced using AI. – ARTnews

    • How Marcello Angelini Remade Tulsa Ballet

      “During Angelini’s (31-year) tenure as artistic director, Tulsa Ballet has grown from a well-regarded regional troupe — best known for its efforts to preserve the Ballet Russe traditions championed by its founders, Roman Jasinski and Moscelyne Larkin — into a versatile dance company that many critics consider among the best in the United States.” – Tulsa Flyer

    PEOPLE

    • Hostage Culture, Now With Fencing

      Good Afternoon,

      The Kennedy Center is closed, fenced, and flashing “Emergency alert” where the show listings used to be (Washington Post). The president says it gets “ripped down” unless his name goes on it (ABC News), and photographers caught him aboard Air Force One studying a poster reading “Kennedy Center DEMOLISHED” (The New York Times). The Atlantic calls it a shakedown: the leverage isn’t law, it’s the board’s affection for the institution (The Atlantic). Down the Mall, the administration is printing signs to accuse the Smithsonian Museum of American History of bias (The Atlantic). Same play: seize the building, relabel the contents.

      Buildings are having a moment elsewhere too. AI companies, having lost copyright fights over pirated files, are now buying physical books printed before 2022 and destroying them — the last stock of text guaranteed untouched by machines, treated as ore (ARTnews).

      The demand side keeps refusing the decline script: 89% of British adults say they’d attend an orchestral concert, up ten points since 2018, with the young leading (Gramophone). And Singapore will pay you 80 cents to read for 50 days (The Guardian). Cheaper than a fence.

      Peter Max, who put the ’60s on coffee mugs and cruise ships, has died at 88 (Washington Post).

      All of our stories below.

    • Photogs Get Picture Of Trump Studying Headlines About Demolishing Kenned Center

      Late Wednesday night, photojournalists captured images through the windows of Air Force One that showed President Trump reviewing a large poster board with what looked like a rendering of a construction site beneath three very visible words: “Kennedy Center DEMOLISHED.” – The New York Times

    • Singapore Is Paying Its People To Read Books

      “Under the scheme, readers accrue points that can be redeemed for a few cents. People will have to log 50 daily reading sessions (of 15 minutes or more) on a government website to earn S$1 (80 cents US). … One reading session is allowed daily.” – The Guardian

    • AI Companies Are Destroying Books. What Does That Mean For Art?

      AI companies, after losing copyright lawsuits over using pirated books found in digital formats, found a way forward, since the law doesn’t prohibit them from buying physical books and destroying them. In another ironic twist, they are looking only for books printed before 2022, because they want books that definitely have not been produced using AI. – ARTnews

    • How Marcello Angelini Remade Tulsa Ballet

      “During Angelini’s (31-year) tenure as artistic director, Tulsa Ballet has grown from a well-regarded regional troupe — best known for its efforts to preserve the Ballet Russe traditions championed by its founders, Roman Jasinski and Moscelyne Larkin — into a versatile dance company that many critics consider among the best in the United States.” – Tulsa Flyer

    THEATRE

      VISUAL

      • Doomsday Days: The Growing Awareness Of AI Dangers

        Jacob Coxon, the engineer who recently resigned from Anthropic to protest its safety policies, says A.I. could “kill us all by the end of the decade.” But if A.I. is so outrageously dangerous, why should we accept modest proposals to “pace” its development? Why not call in the Turing cops, and pull the plug? – The New Yorker

      • How Threats Of A Dismal Future Are Shaping Gen Z

        Their perception is that jobs that feel meaningful are being slashed by government or stolen by AI. As a result, she reported, members of Gen Z may just need to find meaning in their hobbies and interests outside of work and pursue jobs that allow them to fully check out at the end of the day. – 3 Quarks Daily

      • Why Italianness Is A State Of Mind

        Descendants of Italian migrants generally express an intense pride in their heritage, and many continue to live by its sociocultural tenets in spite of decades, or more, of absence. It is as if time away from Italy, and geographical distance, only amplify a yearning for it. – Aeon

      • Study: Why Our Brains Mix Up Memories

        Scientists already know that confusing memories happens more often than forgetting them altogether. What’s less clear is how the brain gets confused. – The Conversation

      • Angela Duckworth Takes On Will Power

        High-profile authors are obviously under pressure to offer novel frameworks, but rarely do these second acts feel like an about-face. Duckworth insists that “Situated” is not a reversal but an expansion of her earlier research; as an account of individual success, grit is “necessary but not sufficient,” and must be complemented by the larger picture. – The New Yorker

      WORDS