ArtsJournal Classic

AJ Four Ways: Text Only (by date) | headlines only

DANCE

    IDEAS

    • Restoring “America’s Notre-Dame” — Which Is In, Of All Places, Kentucky

      The Cathedral Basilica of the Assumption in Covington (across the Ohio River from Cincinnati) is a scaled-down copy of Notre-Dame de Paris on the outside, while the interior is modeled on the French cathedral in St.-Denis. It’s a product of America’s turn-of-the-20th-century Gothic Revival, getting its first restoration in its 125 years. – AP

    • Darren Walker, Who Headed The Ford Foundation, Is Heading To Hollywood

      “On Friday, Walker, 66, was named president and chief executive of Anonymous Content, the production and management company” which produced, among others, the Oscar-winning film Spotlight and “whose lead investor is Emerson Collective, a company steered by the entrepreneur and philanthropist Laurene Powell Jobs.” – The New York Times

    • Comic Con Bans AI Art

      “Material created by Artificial Intelligence (A.I.) either partially or wholly, is not allowed in the art show. If there are questions, the Art Show coordinator will be the sole judge of acceptability.” – Artnet

    • Curator Resigns After Nan Goldin Acquisition Voted Down

      A senior curator and two collections committee volunteers have resigned their posts at the Art Gallery of Ontario after the institution voted against acquiring a new slideshow work by the artist Nan Goldin. The purchase was defeated after several members expressed concern about Goldin’s remarks denouncing Israel’s attacks on Gaza as genocide. – Artnet

    • Dallas Opera Raises Record $54M

      More than 100 donors contributed to the campaign, with recent significant gifts from the Perot family, the Hamon Foundation, the Vansickle Family Foundation, Cece and Ford Lacy, an anonymous donor and the TDO board, trustees and honorary directors. – Dallas Morning News

    ISSUES

    • Restoring “America’s Notre-Dame” — Which Is In, Of All Places, Kentucky

      The Cathedral Basilica of the Assumption in Covington (across the Ohio River from Cincinnati) is a scaled-down copy of Notre-Dame de Paris on the outside, while the interior is modeled on the French cathedral in St.-Denis. It’s a product of America’s turn-of-the-20th-century Gothic Revival, getting its first restoration in its 125 years. – AP

    • Comic Con Bans AI Art

      “Material created by Artificial Intelligence (A.I.) either partially or wholly, is not allowed in the art show. If there are questions, the Art Show coordinator will be the sole judge of acceptability.” – Artnet

    • Curator Resigns After Nan Goldin Acquisition Voted Down

      A senior curator and two collections committee volunteers have resigned their posts at the Art Gallery of Ontario after the institution voted against acquiring a new slideshow work by the artist Nan Goldin. The purchase was defeated after several members expressed concern about Goldin’s remarks denouncing Israel’s attacks on Gaza as genocide. – Artnet

    • The Remarkable Art In A Building The Federal Government Has Marked For Sale

      What would happen to the murals is an open question, as removing them may prove difficult. Advocates for the building fear that without protections put in place ahead of a sale, the buyer would have no incentive to maintain the historical features inside. – Washington Post

    • The Real Battle For The Smithsonian

      Americans argue about the Smithsonian far more than we would if only its possessions mattered. When our museums of record tell us a story, that story matters enormously. – The Atlantic

    MEDIA

    MUSIC

    PEOPLE

    • Restoring “America’s Notre-Dame” — Which Is In, Of All Places, Kentucky

      The Cathedral Basilica of the Assumption in Covington (across the Ohio River from Cincinnati) is a scaled-down copy of Notre-Dame de Paris on the outside, while the interior is modeled on the French cathedral in St.-Denis. It’s a product of America’s turn-of-the-20th-century Gothic Revival, getting its first restoration in its 125 years. – AP

    • Darren Walker, Who Headed The Ford Foundation, Is Heading To Hollywood

      “On Friday, Walker, 66, was named president and chief executive of Anonymous Content, the production and management company” which produced, among others, the Oscar-winning film Spotlight and “whose lead investor is Emerson Collective, a company steered by the entrepreneur and philanthropist Laurene Powell Jobs.” – The New York Times

    • Comic Con Bans AI Art

      “Material created by Artificial Intelligence (A.I.) either partially or wholly, is not allowed in the art show. If there are questions, the Art Show coordinator will be the sole judge of acceptability.” – Artnet

    • Curator Resigns After Nan Goldin Acquisition Voted Down

      A senior curator and two collections committee volunteers have resigned their posts at the Art Gallery of Ontario after the institution voted against acquiring a new slideshow work by the artist Nan Goldin. The purchase was defeated after several members expressed concern about Goldin’s remarks denouncing Israel’s attacks on Gaza as genocide. – Artnet

    • Dallas Opera Raises Record $54M

      More than 100 donors contributed to the campaign, with recent significant gifts from the Perot family, the Hamon Foundation, the Vansickle Family Foundation, Cece and Ford Lacy, an anonymous donor and the TDO board, trustees and honorary directors. – Dallas Morning News

    PEOPLE

    • Restoring “America’s Notre-Dame” — Which Is In, Of All Places, Kentucky

      The Cathedral Basilica of the Assumption in Covington (across the Ohio River from Cincinnati) is a scaled-down copy of Notre-Dame de Paris on the outside, while the interior is modeled on the French cathedral in St.-Denis. It’s a product of America’s turn-of-the-20th-century Gothic Revival, getting its first restoration in its 125 years. – AP

    • Darren Walker, Who Headed The Ford Foundation, Is Heading To Hollywood

      “On Friday, Walker, 66, was named president and chief executive of Anonymous Content, the production and management company” which produced, among others, the Oscar-winning film Spotlight and “whose lead investor is Emerson Collective, a company steered by the entrepreneur and philanthropist Laurene Powell Jobs.” – The New York Times

    • Comic Con Bans AI Art

      “Material created by Artificial Intelligence (A.I.) either partially or wholly, is not allowed in the art show. If there are questions, the Art Show coordinator will be the sole judge of acceptability.” – Artnet

    • Curator Resigns After Nan Goldin Acquisition Voted Down

      A senior curator and two collections committee volunteers have resigned their posts at the Art Gallery of Ontario after the institution voted against acquiring a new slideshow work by the artist Nan Goldin. The purchase was defeated after several members expressed concern about Goldin’s remarks denouncing Israel’s attacks on Gaza as genocide. – Artnet

    • Dallas Opera Raises Record $54M

      More than 100 donors contributed to the campaign, with recent significant gifts from the Perot family, the Hamon Foundation, the Vansickle Family Foundation, Cece and Ford Lacy, an anonymous donor and the TDO board, trustees and honorary directors. – Dallas Morning News

    THEATRE

      VISUAL

      • AI Art’s Predictable Problem: The Cliché Machine Cranks On

        As algorithms churn out endless variations on tired themes, human artists are discovering their secret weapon isn’t perfection—it’s the beautiful, messy unpredictability that no code can replicate. — Aeon

      • Justice System Meets Its Deepfake Moment

        When seeing is no longer believing, Canadian courts face an existential crisis: how do you prove what’s real when reality itself can be manufactured? The legal system’s analog truth tests meet digital deception. — The Walrus

      • Why Movies Launch And Music Drops

        A key reason why it’s now more complicated to promote an album than, say, a theatrically released film, is the ephemeral, immaterial nature of contemporary music consumption.  By comparison, most films that see a theatrical release maintain a predictable, streamlined promotional schedule. – The New Yorker

      • How We Lost The Art Of Paying Attention

        Most of us are by now familiar with the broad mechanisms of the “attention economy” – the hijacking and monetising of consumer attention through addictive channels. The ravages of this system are ever more apparent. – The Observer

      • The Death Of The 20th Century Mono-Culture (And What It Means)

        The implications for the battered-and-bruised entertainment industry are obvious. The impacts on our culture are just starting to fully materialize, but will be more significant. Instead of pulling us together, pop culture is another force dragging us apart. – The Wall Street Journal

      WORDS