ArtsJournal Classic

AJ Four Ways: Text Only (by date) | headlines only

DANCE

    IDEAS

    • Win the case, lose the institution

      Good Morning,

      A federal judge ruled Thursday that DOGE’s cancellation of more than $100M in NEH grants was unconstitutional (AP) — a win, and a largely moot one. While the case worked its way through court, the administration eliminated more than half the NEH staff, terminated 97% of grants, and fired 22 of 26 advisory board members (Chronicle of Higher Education). The ruling feels beside the point.

      The same pattern surfaces in PEN America’s new report on book bans, which finds nonfiction titles are now being removed at twice last year’s rate — activism and social movements the most-targeted theme (The Hill, The Guardian). The legal wins are real. The action is happening upstream of them.

      The Venice Biennale is staging its own version. Several major pavilions — Austria, Belgium, Egypt, Japan, the Netherlands, South Korea — closed Friday in protest of Israel’s participation (The New York Times). And Hyperallergic reports that the Israeli pavilion artist threatened jurors with personal liability lawsuits days before they all resigned — institutional pressure that didn’t require winning anything in court.

      Elsewhere: Chicago Sinfonietta, founded in 1987 specifically to develop diverse talent, is pausing operations until 2027 (WBEZ). Pulitzer-winning critic Manuela Hoelterhoff has died at 77 (The New York Times). And David Attenborough turns 100 — still here, still narrating (AP).

      All of our stories below.

    • David Attenborough, Everyone’s Favorite Nature TV Host, Is Now 100

      “(He’s) the man who has brought frolicking gorillas, breaching whales and tiny poisonous frogs into living rooms around the world for more than 70 years. … Attenborough has illuminated the beauty, ferocity and sometimes downright weirdness of nature in a hushed melodic voice that conveys his own awe at what he is witnessing.” – AP

    • America’s First Baroque Dance Company Is Now 50

      “While early music enjoyed a strong following (since) the 1970s, historical dance needed help catching up — and the New York Baroque Dance Co., founded in 1976 by Catherine Turocy and Ann Jacoby, was seminal in jump-starting research, performance styles, and popularity.” – Early Music America

    • Claim: Figuring Out Consciousness Isn’t Difficult

      Amid the current cultural backlash against progressive ideas, today’s debate on consciousness reflects our human fears of belonging to the same family as inanimate matter and losing our dear, transcendent souls. – Noema

    • How Gawker Reshaped Our Media Landscape

      Gawker, which shut down 10 years ago this August, was guilty of lapses in judgment — former staffers interviewed for this story admit as much. It could be withering, puerile and gratuitously nasty. But, at its best, it rebelled against media piety and the growing, often indiscriminate power of the digital world. – The Hollywood Reporter

    ISSUES

    MEDIA

    MUSIC

    PEOPLE

    • Win the case, lose the institution

      Good Morning,

      A federal judge ruled Thursday that DOGE’s cancellation of more than $100M in NEH grants was unconstitutional (AP) — a win, and a largely moot one. While the case worked its way through court, the administration eliminated more than half the NEH staff, terminated 97% of grants, and fired 22 of 26 advisory board members (Chronicle of Higher Education). The ruling feels beside the point.

      The same pattern surfaces in PEN America’s new report on book bans, which finds nonfiction titles are now being removed at twice last year’s rate — activism and social movements the most-targeted theme (The Hill, The Guardian). The legal wins are real. The action is happening upstream of them.

      The Venice Biennale is staging its own version. Several major pavilions — Austria, Belgium, Egypt, Japan, the Netherlands, South Korea — closed Friday in protest of Israel’s participation (The New York Times). And Hyperallergic reports that the Israeli pavilion artist threatened jurors with personal liability lawsuits days before they all resigned — institutional pressure that didn’t require winning anything in court.

      Elsewhere: Chicago Sinfonietta, founded in 1987 specifically to develop diverse talent, is pausing operations until 2027 (WBEZ). Pulitzer-winning critic Manuela Hoelterhoff has died at 77 (The New York Times). And David Attenborough turns 100 — still here, still narrating (AP).

      All of our stories below.

    • David Attenborough, Everyone’s Favorite Nature TV Host, Is Now 100

      “(He’s) the man who has brought frolicking gorillas, breaching whales and tiny poisonous frogs into living rooms around the world for more than 70 years. … Attenborough has illuminated the beauty, ferocity and sometimes downright weirdness of nature in a hushed melodic voice that conveys his own awe at what he is witnessing.” – AP

    • America’s First Baroque Dance Company Is Now 50

      “While early music enjoyed a strong following (since) the 1970s, historical dance needed help catching up — and the New York Baroque Dance Co., founded in 1976 by Catherine Turocy and Ann Jacoby, was seminal in jump-starting research, performance styles, and popularity.” – Early Music America

    • Claim: Figuring Out Consciousness Isn’t Difficult

      Amid the current cultural backlash against progressive ideas, today’s debate on consciousness reflects our human fears of belonging to the same family as inanimate matter and losing our dear, transcendent souls. – Noema

    • How Gawker Reshaped Our Media Landscape

      Gawker, which shut down 10 years ago this August, was guilty of lapses in judgment — former staffers interviewed for this story admit as much. It could be withering, puerile and gratuitously nasty. But, at its best, it rebelled against media piety and the growing, often indiscriminate power of the digital world. – The Hollywood Reporter

    PEOPLE

    • Win the case, lose the institution

      Good Morning,

      A federal judge ruled Thursday that DOGE’s cancellation of more than $100M in NEH grants was unconstitutional (AP) — a win, and a largely moot one. While the case worked its way through court, the administration eliminated more than half the NEH staff, terminated 97% of grants, and fired 22 of 26 advisory board members (Chronicle of Higher Education). The ruling feels beside the point.

      The same pattern surfaces in PEN America’s new report on book bans, which finds nonfiction titles are now being removed at twice last year’s rate — activism and social movements the most-targeted theme (The Hill, The Guardian). The legal wins are real. The action is happening upstream of them.

      The Venice Biennale is staging its own version. Several major pavilions — Austria, Belgium, Egypt, Japan, the Netherlands, South Korea — closed Friday in protest of Israel’s participation (The New York Times). And Hyperallergic reports that the Israeli pavilion artist threatened jurors with personal liability lawsuits days before they all resigned — institutional pressure that didn’t require winning anything in court.

      Elsewhere: Chicago Sinfonietta, founded in 1987 specifically to develop diverse talent, is pausing operations until 2027 (WBEZ). Pulitzer-winning critic Manuela Hoelterhoff has died at 77 (The New York Times). And David Attenborough turns 100 — still here, still narrating (AP).

      All of our stories below.

    • David Attenborough, Everyone’s Favorite Nature TV Host, Is Now 100

      “(He’s) the man who has brought frolicking gorillas, breaching whales and tiny poisonous frogs into living rooms around the world for more than 70 years. … Attenborough has illuminated the beauty, ferocity and sometimes downright weirdness of nature in a hushed melodic voice that conveys his own awe at what he is witnessing.” – AP

    • America’s First Baroque Dance Company Is Now 50

      “While early music enjoyed a strong following (since) the 1970s, historical dance needed help catching up — and the New York Baroque Dance Co., founded in 1976 by Catherine Turocy and Ann Jacoby, was seminal in jump-starting research, performance styles, and popularity.” – Early Music America

    • Claim: Figuring Out Consciousness Isn’t Difficult

      Amid the current cultural backlash against progressive ideas, today’s debate on consciousness reflects our human fears of belonging to the same family as inanimate matter and losing our dear, transcendent souls. – Noema

    • How Gawker Reshaped Our Media Landscape

      Gawker, which shut down 10 years ago this August, was guilty of lapses in judgment — former staffers interviewed for this story admit as much. It could be withering, puerile and gratuitously nasty. But, at its best, it rebelled against media piety and the growing, often indiscriminate power of the digital world. – The Hollywood Reporter

    THEATRE

      VISUAL

      • Claim: Figuring Out Consciousness Isn’t Difficult

        Amid the current cultural backlash against progressive ideas, today’s debate on consciousness reflects our human fears of belonging to the same family as inanimate matter and losing our dear, transcendent souls. – Noema

      • How Our Machines Are Getting In The Way Of Art

        From the original, nineteenth-century form popularized by Balzac, Zola, and Stendhal to the “lyrical” variant of today, the verisimilitude that realism pursues—not just lifelikeness, but worldlikeness—is meant to convince us the novel is, for want of a better term, natural. – Boston Review

      • Study: Using AI Could Make You Lazy And Dumber

        Some participants were given access to an AI assistant capable of solving the problem autonomously. When the AI helper was suddenly taken away, these people were significantly more likely to give up on the problem or flub their answers.  – Wired

      • What Research Tells Us About How Memory Works

        The idea of photographic memory is simple and powerful: Experience is captured objectively, stored completely and retrieved perfectly. See it once, keep it forever. There’s just one problem. There’s no scientific evidence it exists. – The Conversation

      • In An AI Economy, Human-Made Becomes Luxury Good

        We don’t value human creations solely for their beauty or their price tag. We also value them because they embody deliberate labour and expertise. – The Conversation

      WORDS