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DANCE

    IDEAS

    • The Dictator’s Paint Job Didn’t Hold

      Good Morning,

      For decades, Julio Escámez’s monumental mural in Chile was thought destroyed — Pinochet ordered it eliminated after the coup. Then conservators discovered it had only been painted over, and now it’s coming back into the light (Artnet). Worth remembering on a day when the wannabe censors are busy: both houses of Congress now have bills that would enable nationwide book bans in public schools (Publishers Weekly), and German broadcaster ZDF pulled an anti-fascist song by Igor Levit and Danger Dan — not on government orders, but out of caution (The Hollywood Reporter).

      Meanwhile, follow the money and you get a snapshot of Hollywood’s values: Netflix disclosed it paid $587 million — cash — for Ben Affleck’s AI visual-effects startup (The Hollywood Reporter), while Disney is cutting several hundred creative jobs, with Pixar among the hardest hit (Deadline).

      And a New York Times reporter joined ABT’s “Swan Lake” as a supernumerary, filing a dispatch from inside the sweat-and-velvet musk of the Met stage (The New York Times).

      All of our stories below.

    • Monumental Chilean Mural Painted Over By Pinochet Is Being Uncovered

      Beginning and End, a 452-square-foot mural painted by Julio Escámez, was unveiled in 1972 by the Allende-aligned government of the city of Chillán, 250 miles south of Santiago. After Pinochet’s coup, he ordered the mural destroyed, and it was thought lost; in 2021, conservators discovered that it had been only painted over. – Artnet

    • Disney Cutting Hundreds Of Creative Jobs

      Disney is cutting several hundred positions, with Pixar and National Geographic among the divisions most affected by the move. – Deadline

    • Many Theatregoers No Longer Know The Difference Between Previews And Post-Opening Night

      “The distinction between a preview and an official opening night, once a universally understood boundary, has become increasingly blurred. In an era dominated by instant social media reaction, some no longer seem to realise there is a difference at all.” – WhatsOnStage (UK)

    • Ten New Stadiums That Will Change The Form

      Stadiums are no longer just being designed for matchdays, with architects boldly pursuing novelty to create distinctive year-round landmarks. – Dezeen

    ISSUES

    • Monumental Chilean Mural Painted Over By Pinochet Is Being Uncovered

      Beginning and End, a 452-square-foot mural painted by Julio Escámez, was unveiled in 1972 by the Allende-aligned government of the city of Chillán, 250 miles south of Santiago. After Pinochet’s coup, he ordered the mural destroyed, and it was thought lost; in 2021, conservators discovered that it had been only painted over. – Artnet

    • Ten New Stadiums That Will Change The Form

      Stadiums are no longer just being designed for matchdays, with architects boldly pursuing novelty to create distinctive year-round landmarks. – Dezeen

    • How do We Define American Architecture?

      Chicago, where the skyscraper was born, stood between the Western frontier of violence, timber, and gold and the banking capitals of the East Coast. It was at the center of a bridgeable world and the resources that flowed through it, requiring a degree of capital consolidation the likes of which had never been seen before. – The Nation

    • Clothing Fashion Turned Over To Algorithms

      It monitors customers’ social media activity and internet searches, factors in Hailey Bieber’s latest outfits and spits out 300 styles a month made cheaply in China. After it reached $460 million in sales in 2025, one of its founders boasted to The Wall Street Journal, “We’re more like a data company than a fashion company.” – The New York Times

    • Auction House Sales Reports Show A Fundamental Change In The Art Business

      This year, the houses devoted nearly as much space to private sales, lending, financial services, luxury goods, hospitality, and advisory work as they did to paintings and sculptures. Read together, they suggest that the biggest transformation in the auction business isn’t the recovery itself. It’s the transformation of the auction houses’ businesses. – ARTnews

    MEDIA

    MUSIC

    PEOPLE

    • The Dictator’s Paint Job Didn’t Hold

      Good Morning,

      For decades, Julio Escámez’s monumental mural in Chile was thought destroyed — Pinochet ordered it eliminated after the coup. Then conservators discovered it had only been painted over, and now it’s coming back into the light (Artnet). Worth remembering on a day when the wannabe censors are busy: both houses of Congress now have bills that would enable nationwide book bans in public schools (Publishers Weekly), and German broadcaster ZDF pulled an anti-fascist song by Igor Levit and Danger Dan — not on government orders, but out of caution (The Hollywood Reporter).

      Meanwhile, follow the money and you get a snapshot of Hollywood’s values: Netflix disclosed it paid $587 million — cash — for Ben Affleck’s AI visual-effects startup (The Hollywood Reporter), while Disney is cutting several hundred creative jobs, with Pixar among the hardest hit (Deadline).

      And a New York Times reporter joined ABT’s “Swan Lake” as a supernumerary, filing a dispatch from inside the sweat-and-velvet musk of the Met stage (The New York Times).

      All of our stories below.

    • Monumental Chilean Mural Painted Over By Pinochet Is Being Uncovered

      Beginning and End, a 452-square-foot mural painted by Julio Escámez, was unveiled in 1972 by the Allende-aligned government of the city of Chillán, 250 miles south of Santiago. After Pinochet’s coup, he ordered the mural destroyed, and it was thought lost; in 2021, conservators discovered that it had been only painted over. – Artnet

    • Disney Cutting Hundreds Of Creative Jobs

      Disney is cutting several hundred positions, with Pixar and National Geographic among the divisions most affected by the move. – Deadline

    • Many Theatregoers No Longer Know The Difference Between Previews And Post-Opening Night

      “The distinction between a preview and an official opening night, once a universally understood boundary, has become increasingly blurred. In an era dominated by instant social media reaction, some no longer seem to realise there is a difference at all.” – WhatsOnStage (UK)

    • Ten New Stadiums That Will Change The Form

      Stadiums are no longer just being designed for matchdays, with architects boldly pursuing novelty to create distinctive year-round landmarks. – Dezeen

    PEOPLE

    • The Dictator’s Paint Job Didn’t Hold

      Good Morning,

      For decades, Julio Escámez’s monumental mural in Chile was thought destroyed — Pinochet ordered it eliminated after the coup. Then conservators discovered it had only been painted over, and now it’s coming back into the light (Artnet). Worth remembering on a day when the wannabe censors are busy: both houses of Congress now have bills that would enable nationwide book bans in public schools (Publishers Weekly), and German broadcaster ZDF pulled an anti-fascist song by Igor Levit and Danger Dan — not on government orders, but out of caution (The Hollywood Reporter).

      Meanwhile, follow the money and you get a snapshot of Hollywood’s values: Netflix disclosed it paid $587 million — cash — for Ben Affleck’s AI visual-effects startup (The Hollywood Reporter), while Disney is cutting several hundred creative jobs, with Pixar among the hardest hit (Deadline).

      And a New York Times reporter joined ABT’s “Swan Lake” as a supernumerary, filing a dispatch from inside the sweat-and-velvet musk of the Met stage (The New York Times).

      All of our stories below.

    • Monumental Chilean Mural Painted Over By Pinochet Is Being Uncovered

      Beginning and End, a 452-square-foot mural painted by Julio Escámez, was unveiled in 1972 by the Allende-aligned government of the city of Chillán, 250 miles south of Santiago. After Pinochet’s coup, he ordered the mural destroyed, and it was thought lost; in 2021, conservators discovered that it had been only painted over. – Artnet

    • Disney Cutting Hundreds Of Creative Jobs

      Disney is cutting several hundred positions, with Pixar and National Geographic among the divisions most affected by the move. – Deadline

    • Many Theatregoers No Longer Know The Difference Between Previews And Post-Opening Night

      “The distinction between a preview and an official opening night, once a universally understood boundary, has become increasingly blurred. In an era dominated by instant social media reaction, some no longer seem to realise there is a difference at all.” – WhatsOnStage (UK)

    • Ten New Stadiums That Will Change The Form

      Stadiums are no longer just being designed for matchdays, with architects boldly pursuing novelty to create distinctive year-round landmarks. – Dezeen

    THEATRE

      VISUAL

      WORDS