ArtsJournal Classic

AJ Four Ways: Text Only (by date) | headlines only

DANCE

    IDEAS

    • The Essential AI: Translating What We See, Hear and Experience
      To an AI model, a picture is data, sound and music are data, as is traditional spoken or written language. That data is translatable, interchangeable, and, most importantly, linkable and actionable. That means that video, music, sound, movement, image can interact in common language.
    • Is Art Therapy?

      In the same way that a run of the mill Netflix film tells us little about the human experience, the therapeutic language saturating contemporary culture flattens and distorts reality. – 3 Quarks Daily

    • Menand: Academic Freedom Under Attack

      What kind of right is the right to academic freedom? Is it a legal right or a moral one? This question, long a subject of scholarly contention, is addressed in not a small number of new books. – The New Yorker

    • Why Bands Can’t Make Money By Touring

      “A headline tour usually comes out with a deficit. The only thing that we ever make any kind of profit on is festivals, because the fees can be higher, but any money left over just goes towards the next outgoings.” – The Guardian

    • What’s Wrong With “Mid” TV

      I’ve watched all of these shows. They’re not bad. They’re simply … mid. Which is what makes them, frustratingly, as emblematic of the current moment in TV as their stars’ previous shows were of the ambitions of the past. – The New York Times

    ISSUES

    MEDIA

    • 2024 Presidential Candidates: Which Is Better For The Arts?

      We have some indications of how the arts and culture will fare under each president because, for the first time, we have two candidates who have already been president. – Berkshire Eagle

    • Two Authors Withdraw From USC Commencement Ceremonies

      C. Pam Zhang and Safiya Noble, who were scheduled to speak at the USC Rossier ceremony, have withdrawn. “Zhang and Noble condemned the college administration for refusing to engage in meaningful dialogue with a group of peaceful student protestors … and for censoring valedictorian Asna Tabassu.” – LitHub

    • PEN America May Not Survive The Israeli War In Gaza

      “Can an organization that sees itself as above politics, that sees itself straightforwardly as a support system for an open society, be allowed to exist anymore? For the protesting writers, this lofty mission represents an unforgivable moral abdication at a moment of crisis.” – The Atlantic

    • How’s That AI Advertising Working Out For You, Meta?

      It’s going fine, just fine: “Meta’s automated ad platform has been blowing through budgets and failing to deliver sales. Small businesses have seen their ad dollars get wiped out and wasted as a result, and some have said the bouts of overspending are driving them from Meta’s platforms.” – The Verge

    • Young Researchers In Britain Are Desperate For Better Access To Cultural Archives

      One curator says, “If this project has taught me anything it is about the need to educate and to introduce learning around how to preserve and protect archival materials. … On a community level there needs to be more of an awareness about preservation and archiving our stories.” – The Guardian (UK)

    MUSIC

    PEOPLE

    • The Essential AI: Translating What We See, Hear and Experience
      To an AI model, a picture is data, sound and music are data, as is traditional spoken or written language. That data is translatable, interchangeable, and, most importantly, linkable and actionable. That means that video, music, sound, movement, image can interact in common language.
    • Is Art Therapy?

      In the same way that a run of the mill Netflix film tells us little about the human experience, the therapeutic language saturating contemporary culture flattens and distorts reality. – 3 Quarks Daily

    • Menand: Academic Freedom Under Attack

      What kind of right is the right to academic freedom? Is it a legal right or a moral one? This question, long a subject of scholarly contention, is addressed in not a small number of new books. – The New Yorker

    • Why Bands Can’t Make Money By Touring

      “A headline tour usually comes out with a deficit. The only thing that we ever make any kind of profit on is festivals, because the fees can be higher, but any money left over just goes towards the next outgoings.” – The Guardian

    • What’s Wrong With “Mid” TV

      I’ve watched all of these shows. They’re not bad. They’re simply … mid. Which is what makes them, frustratingly, as emblematic of the current moment in TV as their stars’ previous shows were of the ambitions of the past. – The New York Times

    PEOPLE

    • The Essential AI: Translating What We See, Hear and Experience
      To an AI model, a picture is data, sound and music are data, as is traditional spoken or written language. That data is translatable, interchangeable, and, most importantly, linkable and actionable. That means that video, music, sound, movement, image can interact in common language.
    • Is Art Therapy?

      In the same way that a run of the mill Netflix film tells us little about the human experience, the therapeutic language saturating contemporary culture flattens and distorts reality. – 3 Quarks Daily

    • Menand: Academic Freedom Under Attack

      What kind of right is the right to academic freedom? Is it a legal right or a moral one? This question, long a subject of scholarly contention, is addressed in not a small number of new books. – The New Yorker

    • Why Bands Can’t Make Money By Touring

      “A headline tour usually comes out with a deficit. The only thing that we ever make any kind of profit on is festivals, because the fees can be higher, but any money left over just goes towards the next outgoings.” – The Guardian

    • What’s Wrong With “Mid” TV

      I’ve watched all of these shows. They’re not bad. They’re simply … mid. Which is what makes them, frustratingly, as emblematic of the current moment in TV as their stars’ previous shows were of the ambitions of the past. – The New York Times

    THEATRE

      VISUAL

      WORDS