ArtsJournal Classic

AJ Four Ways: Text Only (by date) | headlines only

DANCE

    IDEAS

    • How AI Terminated 1,477 NEH Grants: A Naive Exercise in Casuistry
      Nate Cavanaugh of DOGE (March 2025)

      From 2010 until its sudden termination by DOGE last April, I directed Music Unwound, an NEH-funded national consortium of orchestras and universities.  A letter from Michael McDonald, the acting NEH chairman, informed me that the demise of Music Unwound represented “an urgent priority

    • Grand Rapids Symphony – President & CEO

      As it approaches its 100th anniversary in 2030, The Grand Rapids Symphony seeks an accomplished, mission-driven President & Chief Executive Officer to lead the organization through its next chapter of artistic excellence, community impact, national relevance, and long-term sustainability.

      In partnership with a committed Board of Directors and Music Director Marcelo Lehninger, the incoming CEO will play a central role in propelling the Symphony’s artistic and organizational success, including through the development and implementation of strategies that will magnify its marketing and fundraising efforts; deepen community relationships; and fortify organizational culture and resilience.

      The Symphony has an annual operating budget of approximately $12 million; an independent, non-profit Foundation dedicated to its financial success; an endowment of $42 million; an administrative staff of 27; and a complement of 77 exquisite musicians.

      The Grand Rapids Symphony seeks candidates prepared for a projected date in late summer 2026. The hiring range begins at $220,000 and includes a competitive benefits package.

      The search is led by Brett Egan and Syrah Gunning of the DeVos Institute of Arts and Nonprofit Management. Apply here or contact segunning@DeVosInstitute.net.

      MORE

    • Good Morning

      Venice is turning into a political battleground — again, but louder. The EU is now threatening to pull funding from the Biennale entirely if Russia is allowed to participate, calling the decision “not compatible with the EU’s collective response to Russia’s brutal aggression” (ARTnews). Meanwhile, over in Venice proper, Italy’s far-right government has pushed through the appointment of Beatrice Venezi as music director of La Fenice — over the objections of musicians and staff — as part of its declared campaign to end what it calls left-wing cultural hegemony (ANSA (Italy)). Critics say her conducting record is too thin for the job. The government appears unbothered.

      Harper’s has a pointed essay from 2024 arguing that contemporary art became predictable and dull precisely when politics took over — that the mandate to amplify marginalized voices crowded out the mandate to be inventive (Harper’s). The LA Review of Books pushes back, noting that “questioning the work risks being seen as questioning the identity” — which is its own kind of critical trap (LA Review of Books). It’s a debate worth having.

      Portland has been cutting arts grants — nearly in half. It has also been sitting on $8.5 million in unspent arts tax revenue. Arts organizations are, understandably, asking questions (Oregon ArtsWatch).

      All of our 20 stories below.

    • The Once-Banned Street Music Of Afro-Uruguayans Has Leapt Back To Life

      Candombe — not to be confused with candomblé, the syncretic religion created by Afro-Brazilians — was once confined to poor black neighborhoods in Montevideo. Now it has many thousands of practitioners and fans throughout the country. – The Guardian

    • What If A “Day Job” Is The Foundation Of An Artistic Career?

      Rather than sticking our heads in the sand—and hoping that belief, alone, will be the source of motivation we need to succeed—what if we focused on doing what it takes to play the game for as long as possible? – 3 Quarks Daily

    ISSUES

    • How Luxembourg’s Minister Of Culture Defended This Year’s Venice Biennale Entry

      “The role of the state is not to filter works in the name of good taste,” Thill said, adding that art should challenge audiences rather than simply please them. He said the public debate surrounding the project proves that it is doing its job. – ARTnews

    • Italy Pays €30 Million For Rare Portrait By Caravaggio

      “The portrait, painted around 1598 and attributed to Caravaggio in 1963, depicts Maffeo Barberini, a nobleman who later became Pope Urban VIII. The painting was acquired from a private collection by the Italian state after over a year of negotiations and will now enter Rome’s Palazzo Barberini permanent collection.” – AP

    • How Politics Made Contemporary Art Predictable And Dull

      The ambition to explore every facet of the present was quickly replaced by a devout commitment to questions of equity and accountability. There was a new answer to the question of what art should do: it should amplify the voices of the historically marginalized. What it shouldn’t do, it seemed, is be inventive or interesting. – Harper’s

    • European Union Threatens To Withdraw Funding For Venice Biennale If Russia Is Allowed To Participate

      “This decision by the Fondazione Biennale is not compatible with the EU’s collective response to Russia’s brutal aggression,” said the EU commissioners for technology and culture. “Should the Fondazione Biennale … allow Russia’s participation, we will examine further action, including the suspension or termination of an ongoing EU grant to the Biennale Foundation.” – ARTnews

    • The Collective Community Wound When Famous Buildings Burn

      The fire will have obvious economic consequences for the city, particularly through the loss of businesses caught in and close to the fire. But the emotional effect of the fire will be felt by the city’s residents and visitors, particularly if the building lies in ruins indefinitely. – The Conversation

    MEDIA

    MUSIC

    PEOPLE

    • How AI Terminated 1,477 NEH Grants: A Naive Exercise in Casuistry
      Nate Cavanaugh of DOGE (March 2025)

      From 2010 until its sudden termination by DOGE last April, I directed Music Unwound, an NEH-funded national consortium of orchestras and universities.  A letter from Michael McDonald, the acting NEH chairman, informed me that the demise of Music Unwound represented “an urgent priority

    • Grand Rapids Symphony – President & CEO

      As it approaches its 100th anniversary in 2030, The Grand Rapids Symphony seeks an accomplished, mission-driven President & Chief Executive Officer to lead the organization through its next chapter of artistic excellence, community impact, national relevance, and long-term sustainability.

      In partnership with a committed Board of Directors and Music Director Marcelo Lehninger, the incoming CEO will play a central role in propelling the Symphony’s artistic and organizational success, including through the development and implementation of strategies that will magnify its marketing and fundraising efforts; deepen community relationships; and fortify organizational culture and resilience.

      The Symphony has an annual operating budget of approximately $12 million; an independent, non-profit Foundation dedicated to its financial success; an endowment of $42 million; an administrative staff of 27; and a complement of 77 exquisite musicians.

      The Grand Rapids Symphony seeks candidates prepared for a projected date in late summer 2026. The hiring range begins at $220,000 and includes a competitive benefits package.

      The search is led by Brett Egan and Syrah Gunning of the DeVos Institute of Arts and Nonprofit Management. Apply here or contact segunning@DeVosInstitute.net.

      MORE

    • Good Morning

      Venice is turning into a political battleground — again, but louder. The EU is now threatening to pull funding from the Biennale entirely if Russia is allowed to participate, calling the decision “not compatible with the EU’s collective response to Russia’s brutal aggression” (ARTnews). Meanwhile, over in Venice proper, Italy’s far-right government has pushed through the appointment of Beatrice Venezi as music director of La Fenice — over the objections of musicians and staff — as part of its declared campaign to end what it calls left-wing cultural hegemony (ANSA (Italy)). Critics say her conducting record is too thin for the job. The government appears unbothered.

      Harper’s has a pointed essay from 2024 arguing that contemporary art became predictable and dull precisely when politics took over — that the mandate to amplify marginalized voices crowded out the mandate to be inventive (Harper’s). The LA Review of Books pushes back, noting that “questioning the work risks being seen as questioning the identity” — which is its own kind of critical trap (LA Review of Books). It’s a debate worth having.

      Portland has been cutting arts grants — nearly in half. It has also been sitting on $8.5 million in unspent arts tax revenue. Arts organizations are, understandably, asking questions (Oregon ArtsWatch).

      All of our 20 stories below.

    • The Once-Banned Street Music Of Afro-Uruguayans Has Leapt Back To Life

      Candombe — not to be confused with candomblé, the syncretic religion created by Afro-Brazilians — was once confined to poor black neighborhoods in Montevideo. Now it has many thousands of practitioners and fans throughout the country. – The Guardian

    • What If A “Day Job” Is The Foundation Of An Artistic Career?

      Rather than sticking our heads in the sand—and hoping that belief, alone, will be the source of motivation we need to succeed—what if we focused on doing what it takes to play the game for as long as possible? – 3 Quarks Daily

    PEOPLE

    • How AI Terminated 1,477 NEH Grants: A Naive Exercise in Casuistry
      Nate Cavanaugh of DOGE (March 2025)

      From 2010 until its sudden termination by DOGE last April, I directed Music Unwound, an NEH-funded national consortium of orchestras and universities.  A letter from Michael McDonald, the acting NEH chairman, informed me that the demise of Music Unwound represented “an urgent priority

    • Grand Rapids Symphony – President & CEO

      As it approaches its 100th anniversary in 2030, The Grand Rapids Symphony seeks an accomplished, mission-driven President & Chief Executive Officer to lead the organization through its next chapter of artistic excellence, community impact, national relevance, and long-term sustainability.

      In partnership with a committed Board of Directors and Music Director Marcelo Lehninger, the incoming CEO will play a central role in propelling the Symphony’s artistic and organizational success, including through the development and implementation of strategies that will magnify its marketing and fundraising efforts; deepen community relationships; and fortify organizational culture and resilience.

      The Symphony has an annual operating budget of approximately $12 million; an independent, non-profit Foundation dedicated to its financial success; an endowment of $42 million; an administrative staff of 27; and a complement of 77 exquisite musicians.

      The Grand Rapids Symphony seeks candidates prepared for a projected date in late summer 2026. The hiring range begins at $220,000 and includes a competitive benefits package.

      The search is led by Brett Egan and Syrah Gunning of the DeVos Institute of Arts and Nonprofit Management. Apply here or contact segunning@DeVosInstitute.net.

      MORE

    • Good Morning

      Venice is turning into a political battleground — again, but louder. The EU is now threatening to pull funding from the Biennale entirely if Russia is allowed to participate, calling the decision “not compatible with the EU’s collective response to Russia’s brutal aggression” (ARTnews). Meanwhile, over in Venice proper, Italy’s far-right government has pushed through the appointment of Beatrice Venezi as music director of La Fenice — over the objections of musicians and staff — as part of its declared campaign to end what it calls left-wing cultural hegemony (ANSA (Italy)). Critics say her conducting record is too thin for the job. The government appears unbothered.

      Harper’s has a pointed essay from 2024 arguing that contemporary art became predictable and dull precisely when politics took over — that the mandate to amplify marginalized voices crowded out the mandate to be inventive (Harper’s). The LA Review of Books pushes back, noting that “questioning the work risks being seen as questioning the identity” — which is its own kind of critical trap (LA Review of Books). It’s a debate worth having.

      Portland has been cutting arts grants — nearly in half. It has also been sitting on $8.5 million in unspent arts tax revenue. Arts organizations are, understandably, asking questions (Oregon ArtsWatch).

      All of our 20 stories below.

    • The Once-Banned Street Music Of Afro-Uruguayans Has Leapt Back To Life

      Candombe — not to be confused with candomblé, the syncretic religion created by Afro-Brazilians — was once confined to poor black neighborhoods in Montevideo. Now it has many thousands of practitioners and fans throughout the country. – The Guardian

    • What If A “Day Job” Is The Foundation Of An Artistic Career?

      Rather than sticking our heads in the sand—and hoping that belief, alone, will be the source of motivation we need to succeed—what if we focused on doing what it takes to play the game for as long as possible? – 3 Quarks Daily

    THEATRE

      VISUAL

      WORDS