ArtsJournal Classic

AJ Four Ways: Text Only (by date) | headlines only

DANCE

    IDEAS

    • Opera contra opera

      Good Morning,

      Two opera pieces landed on ArtsJournal today, pointed in opposite directions. In Opera America, an argument that the form will die unless it can wrest itself back from Big Tech — “irreplaceable” has to be made explicit when AI generates infinite aesthetic stuff at zero cost. The New York Sun counters that the death of opera has been greatly exaggerated, citing successful adaptation. Both can be true. The question is what kind of adaptation, and toward what.

      Governments are pressing on artistic speech this week. Germany’s culture ministry phoned novelist Matthias Jügler to demand his historical sources for a popular novella about the GDR’s stolen children (The Guardian). US librarians are still triaging book bans amid culture-war funding cuts (Salon). And news publishers are now blocking the Wayback Machine to stop AI scraping — incinerating an irreplaceable archive in the process (Nieman Lab).

      Elsewhere: a $100 million judgment in the long-running Robert Indiana mess (NYT), the WGA ratifies its new four-year contract (Hollywood Reporter), and Mark Swed argues that Michael Tilson Thomas was, deep down, the embodiment of L.A., not San Francisco (LA Times).

      All of our stories below.

    • The German Government Really Isn’t Happy About This Guy’s Popular Novella

      A fiction author gets a phone call from the government: “Jügler was asked to explain what historical source material he had consulted for Mayfly Season and which period he was planning to tackle in his next book.” – The Guardian (UK)

    • How Do K-Pop Performers Maintain Their Dance Routines On Four Hours Of Sleep A Night During Tours?

      Sure, they’re relatively young, but that doesn’t avoid the energy and kinetic demands of high-energy dance and music performances. The stars “must train to develop stamina and prevent injuries while also maintaining the specific physique that their industry demands.” – The New York Times

    • Sorry, Emmys, ‘Heated Rivalry’ Can’t Make You Popular Again

      “Heated Rivalry became a bona fide great TV show, as worthy of Emmy consideration as shows about emergency medicine and international diplomacy and AI. But we’re not having that conversation for the dumbest of all possible reasons: the rules.” – Vulture

    • How Are U.S. Libraries Doing Amid Book Bans And Culture Wars?

      It’s rough in these reading streets. “Librarians across the country are fighting to maintain students’ access to books and to keep their jobs amid cuts to library programs and persistent efforts to restrict reading materials.” – Salon

    ISSUES

    MEDIA

    MUSIC

    PEOPLE

    • Opera contra opera

      Good Morning,

      Two opera pieces landed on ArtsJournal today, pointed in opposite directions. In Opera America, an argument that the form will die unless it can wrest itself back from Big Tech — “irreplaceable” has to be made explicit when AI generates infinite aesthetic stuff at zero cost. The New York Sun counters that the death of opera has been greatly exaggerated, citing successful adaptation. Both can be true. The question is what kind of adaptation, and toward what.

      Governments are pressing on artistic speech this week. Germany’s culture ministry phoned novelist Matthias Jügler to demand his historical sources for a popular novella about the GDR’s stolen children (The Guardian). US librarians are still triaging book bans amid culture-war funding cuts (Salon). And news publishers are now blocking the Wayback Machine to stop AI scraping — incinerating an irreplaceable archive in the process (Nieman Lab).

      Elsewhere: a $100 million judgment in the long-running Robert Indiana mess (NYT), the WGA ratifies its new four-year contract (Hollywood Reporter), and Mark Swed argues that Michael Tilson Thomas was, deep down, the embodiment of L.A., not San Francisco (LA Times).

      All of our stories below.

    • The German Government Really Isn’t Happy About This Guy’s Popular Novella

      A fiction author gets a phone call from the government: “Jügler was asked to explain what historical source material he had consulted for Mayfly Season and which period he was planning to tackle in his next book.” – The Guardian (UK)

    • How Do K-Pop Performers Maintain Their Dance Routines On Four Hours Of Sleep A Night During Tours?

      Sure, they’re relatively young, but that doesn’t avoid the energy and kinetic demands of high-energy dance and music performances. The stars “must train to develop stamina and prevent injuries while also maintaining the specific physique that their industry demands.” – The New York Times

    • Sorry, Emmys, ‘Heated Rivalry’ Can’t Make You Popular Again

      “Heated Rivalry became a bona fide great TV show, as worthy of Emmy consideration as shows about emergency medicine and international diplomacy and AI. But we’re not having that conversation for the dumbest of all possible reasons: the rules.” – Vulture

    • How Are U.S. Libraries Doing Amid Book Bans And Culture Wars?

      It’s rough in these reading streets. “Librarians across the country are fighting to maintain students’ access to books and to keep their jobs amid cuts to library programs and persistent efforts to restrict reading materials.” – Salon

    PEOPLE

    • Opera contra opera

      Good Morning,

      Two opera pieces landed on ArtsJournal today, pointed in opposite directions. In Opera America, an argument that the form will die unless it can wrest itself back from Big Tech — “irreplaceable” has to be made explicit when AI generates infinite aesthetic stuff at zero cost. The New York Sun counters that the death of opera has been greatly exaggerated, citing successful adaptation. Both can be true. The question is what kind of adaptation, and toward what.

      Governments are pressing on artistic speech this week. Germany’s culture ministry phoned novelist Matthias Jügler to demand his historical sources for a popular novella about the GDR’s stolen children (The Guardian). US librarians are still triaging book bans amid culture-war funding cuts (Salon). And news publishers are now blocking the Wayback Machine to stop AI scraping — incinerating an irreplaceable archive in the process (Nieman Lab).

      Elsewhere: a $100 million judgment in the long-running Robert Indiana mess (NYT), the WGA ratifies its new four-year contract (Hollywood Reporter), and Mark Swed argues that Michael Tilson Thomas was, deep down, the embodiment of L.A., not San Francisco (LA Times).

      All of our stories below.

    • The German Government Really Isn’t Happy About This Guy’s Popular Novella

      A fiction author gets a phone call from the government: “Jügler was asked to explain what historical source material he had consulted for Mayfly Season and which period he was planning to tackle in his next book.” – The Guardian (UK)

    • How Do K-Pop Performers Maintain Their Dance Routines On Four Hours Of Sleep A Night During Tours?

      Sure, they’re relatively young, but that doesn’t avoid the energy and kinetic demands of high-energy dance and music performances. The stars “must train to develop stamina and prevent injuries while also maintaining the specific physique that their industry demands.” – The New York Times

    • Sorry, Emmys, ‘Heated Rivalry’ Can’t Make You Popular Again

      “Heated Rivalry became a bona fide great TV show, as worthy of Emmy consideration as shows about emergency medicine and international diplomacy and AI. But we’re not having that conversation for the dumbest of all possible reasons: the rules.” – Vulture

    • How Are U.S. Libraries Doing Amid Book Bans And Culture Wars?

      It’s rough in these reading streets. “Librarians across the country are fighting to maintain students’ access to books and to keep their jobs amid cuts to library programs and persistent efforts to restrict reading materials.” – Salon

    THEATRE

      VISUAL

      • A Cultural Critic Admits They Were Very Wrong About A 2010s Flashpoint

        “There was something very intentional to Girls, something that spoke to me. I could’ve connected with it. Instead, I rejected it dramatically. I wasn’t the only one.” – Slate

      • The Deep, Strange Comfort Of A Rewatch

        “Familiar things require less from us; they deliver the emotional payoff we expect. But repetition is also a way of revisiting earlier versions of ourselves.” – The Atlantic

      • I Am Anti-AI. How Do We Get It Out Of Schools?

        At times, I find myself speaking with my kids about A.I. in the same terms that we might discuss a creepy neighbor who lives down the block: avoid eye contact, cross the street when you walk past his house, and, when in doubt, call on a trusted adult. – The New Yorker

      • Blame It On The Culture

        Someone observes a behavioral difference between groups or countries. They can’t immediately identify the mechanism. So, they invoke “culture” as an explanation or, even worse, “the culture.” The word lands with a satisfying thud that sounds like an explanation but isn’t one. It is the terminus of inquiry, not the beginning. – Laissez Faire

      • The Complicated Calculations Behind FOMO

        By recognising the social orientation of the experience, we can take a step towards understanding the nature of FOMO and what it can do for us. Emotions that feel bad often serve important purposes. Anger can help us realise when things are unjust, regret can motivate us to make amends. – Psyche

      WORDS