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DANCE

    IDEAS

    • AI writes Molière. Higher ed wobbles.

      Good Morning,

      Three AI stories today are doing roughly the same thing in different professions. The Sorbonne fed Molière to a language model and got an “experimental play” in his style (The Guardian). Architecture firms are being forced to rethink a working model that hasn’t changed in decades (ArchDaily). And the New Yorker asks whether AI makes college obsolete (The New Yorker).

      The higher-ed sector is already wobbling: Humanities chairs surveyed by the American Academy of Arts & Sciences are pessimistic about their departments’ future (InsideHigherEd). Ransomware crews picked finals week to take Canvas hostage and threaten to leak data on 275 million users (The Atlantic). And two years after UArts collapsed, its $77 million endowment is still tangled in court (Philadelphia Inquirer) — institutional failure has a long aftermath.

      Two funding experiments worth holding next to each other: Cleveland’s cigarette tax for the arts has worked so well it’s collapsing the revenue source it depends on (The New York Times), and a New York State guaranteed-income trial found that artists given $1,000 a month didn’t stop working — they changed the kind of work they did (The Conversation).

      Then there’s the timeless Rex Reed, dead at 87 (Variety).

      All of our stories below.

    • What Makes Some People So Good At Picking Up And Changing Accents?

      One study found that the best predictor of whether someone could imitate a new accent was being able to execute a tongue-twister. A good ear for music and openness to new experiences also correlate with skill at accents. – BBC

    • Two Women Who Shaped Houston’s Art Scene For Decades

      Maybe these two weren’t wildcatters or captains of industry, but their contributions to the cultural life of Houston and its global reputation as a destination for the arts are significant. – Texas Monthly

    • The Stigma Against Boys Studying Dance Still Lingers, But At Least It’s Weaker Now

      “I think the public’s relationship with dance has changed, to the point where for the generation coming up, dance is associated more heavily with TikTok than with the Royal Ballet. I think that is what has really opened up the doors and taken away the stigma.” – The Guardian

    • The Politics Behind Israel And The Eurovision Song Competition

      This previously undisclosed diplomatic push to keep Israel in Eurovision was just one aspect of a drama that unfolded over the past year around the world’s most watched cultural event.  – The New York Times

    ISSUES

    • AI Is Forcing Architecture Firms To Rethink How They Operate

      Artificial intelligence has made its way into almost every corner of professional workflows, prompting the architectural industry to rethink how it works. To adapt to this shift, firms are now facing the limits of a model that has changed very little over the past few decades. – ArchDaily

    • Visitors Get A Rare Closeup Look At Ceiling Murals By Klimt

      The 10 paintings were done by the young Gustav Klimt and his brother at Vienna’s Burgtheater from 1886-1888. They’re currently getting a cleaning, and while the scaffolding is up, the theater is allowing some visitors to climb up and get a closer view. – AP

    • Three Wildly Different Accounts On Selling Art

      Three recently published books give us some perspective on the selling of art: a long-view history going back to the Middle Ages; a memoir by a successful contemporary maker; and a wistful biography of a relationship between two talented 20th-century artists who struggled to find their place commercially. – The New York Times

    • Report: Museums Have Major Building Issues

      Roughly 85 percent of museums across the country are dealing with deferred maintenance or major repair needs. Even more concerning, about 77 percent say they have at least one structural issue that could put their collections at risk. – ARTnews

    • Turning A Classic Old Bank Into A Revitalized Arts Site

      “Southwest Minnesota is dotted with these emerging multi-use art spaces that utilize older buildings, … challenging a common misconception that vibrant art scenes only exist in big cities.” – Minnesota Public Radio

    MEDIA

    MUSIC

    PEOPLE

    • AI writes Molière. Higher ed wobbles.

      Good Morning,

      Three AI stories today are doing roughly the same thing in different professions. The Sorbonne fed Molière to a language model and got an “experimental play” in his style (The Guardian). Architecture firms are being forced to rethink a working model that hasn’t changed in decades (ArchDaily). And the New Yorker asks whether AI makes college obsolete (The New Yorker).

      The higher-ed sector is already wobbling: Humanities chairs surveyed by the American Academy of Arts & Sciences are pessimistic about their departments’ future (InsideHigherEd). Ransomware crews picked finals week to take Canvas hostage and threaten to leak data on 275 million users (The Atlantic). And two years after UArts collapsed, its $77 million endowment is still tangled in court (Philadelphia Inquirer) — institutional failure has a long aftermath.

      Two funding experiments worth holding next to each other: Cleveland’s cigarette tax for the arts has worked so well it’s collapsing the revenue source it depends on (The New York Times), and a New York State guaranteed-income trial found that artists given $1,000 a month didn’t stop working — they changed the kind of work they did (The Conversation).

      Then there’s the timeless Rex Reed, dead at 87 (Variety).

      All of our stories below.

    • What Makes Some People So Good At Picking Up And Changing Accents?

      One study found that the best predictor of whether someone could imitate a new accent was being able to execute a tongue-twister. A good ear for music and openness to new experiences also correlate with skill at accents. – BBC

    • Two Women Who Shaped Houston’s Art Scene For Decades

      Maybe these two weren’t wildcatters or captains of industry, but their contributions to the cultural life of Houston and its global reputation as a destination for the arts are significant. – Texas Monthly

    • The Stigma Against Boys Studying Dance Still Lingers, But At Least It’s Weaker Now

      “I think the public’s relationship with dance has changed, to the point where for the generation coming up, dance is associated more heavily with TikTok than with the Royal Ballet. I think that is what has really opened up the doors and taken away the stigma.” – The Guardian

    • The Politics Behind Israel And The Eurovision Song Competition

      This previously undisclosed diplomatic push to keep Israel in Eurovision was just one aspect of a drama that unfolded over the past year around the world’s most watched cultural event.  – The New York Times

    PEOPLE

    • AI writes Molière. Higher ed wobbles.

      Good Morning,

      Three AI stories today are doing roughly the same thing in different professions. The Sorbonne fed Molière to a language model and got an “experimental play” in his style (The Guardian). Architecture firms are being forced to rethink a working model that hasn’t changed in decades (ArchDaily). And the New Yorker asks whether AI makes college obsolete (The New Yorker).

      The higher-ed sector is already wobbling: Humanities chairs surveyed by the American Academy of Arts & Sciences are pessimistic about their departments’ future (InsideHigherEd). Ransomware crews picked finals week to take Canvas hostage and threaten to leak data on 275 million users (The Atlantic). And two years after UArts collapsed, its $77 million endowment is still tangled in court (Philadelphia Inquirer) — institutional failure has a long aftermath.

      Two funding experiments worth holding next to each other: Cleveland’s cigarette tax for the arts has worked so well it’s collapsing the revenue source it depends on (The New York Times), and a New York State guaranteed-income trial found that artists given $1,000 a month didn’t stop working — they changed the kind of work they did (The Conversation).

      Then there’s the timeless Rex Reed, dead at 87 (Variety).

      All of our stories below.

    • What Makes Some People So Good At Picking Up And Changing Accents?

      One study found that the best predictor of whether someone could imitate a new accent was being able to execute a tongue-twister. A good ear for music and openness to new experiences also correlate with skill at accents. – BBC

    • Two Women Who Shaped Houston’s Art Scene For Decades

      Maybe these two weren’t wildcatters or captains of industry, but their contributions to the cultural life of Houston and its global reputation as a destination for the arts are significant. – Texas Monthly

    • The Stigma Against Boys Studying Dance Still Lingers, But At Least It’s Weaker Now

      “I think the public’s relationship with dance has changed, to the point where for the generation coming up, dance is associated more heavily with TikTok than with the Royal Ballet. I think that is what has really opened up the doors and taken away the stigma.” – The Guardian

    • The Politics Behind Israel And The Eurovision Song Competition

      This previously undisclosed diplomatic push to keep Israel in Eurovision was just one aspect of a drama that unfolded over the past year around the world’s most watched cultural event.  – The New York Times

    THEATRE

      VISUAL

      WORDS