ArtsJournal Classic

AJ Four Ways: Text Only (by date) | headlines only

DANCE

    IDEAS

    • The Phoenix Symphony Closes

      Good Morning,

      The Phoenix Symphony will lay off its 66 musicians on November 2 though revenues rose more than 50 percent in two years; endowment gifts are restricted and can’t pay operating costs (Fox 10). San Francisco’s artist grants normally arrive within four weeks of July agreements; in October documentary filmmaker Susannah Smith was still borrowing from her mother for rent (San Francisco Chronicle).

      Caryl Churchill’s Triumph, 20 minutes long at London’s Almeida Theatre, takes its emperor’s cruelties from Suetonius and gives his press officer a blond wig and an American accent (The Guardian). Lucy Guerin, who founded Melbourne’s Lucy Guerin Inc 25 years ago, danced publicly for the first time in 13 years before handing the company to Melanie Lane; she thought she could still do the arabesque (The Guardian).

      Elliott Management, the hedge fund that owns Barnes & Noble and Waterstones, is expected to take both public next year at $3 billion or more, fifteen years after Amazon was supposed to devour chains like them; James Daunt runs both (The New Yorker).

      All of today’s stories below.

    • A Maverick Pedagogical Proposition

      Today’s crisis in humanities education takes many forms, and many are the proposed remedies. 

      One such is a brave new

    • Is Caryl Churchill’s Latest Play About One Of Trump’s Succession Of Blonde Press Secretaries?

      “Triumph, which has opened at London’s Almeida Theatre, is Churchill’s latest piece of explosive minimalism. Running at just 20 minutes, it skewers contemporary barbarism (via) historical analogy and is a reminder that Churchill … has in recent years developed a form of elliptical drama for which the apt word might be compressionism.” – The Guardian

    • Broadway Has A Strong Week

      Hamilton was the top grossing show of the week with $2.8 million, followed by The Lion King with $2 million. MJ was the fourth highest grossing with $1.76 million, followed by the Bowen Yang-led Oh, Mary! with $1.5 million. – The Hollywood Reporter

    • Hong Kong Overhauls Its System For Performing Arts Funding, And Groups Are Nervous

      Since 2008, the territory’s government has funded nine designated major performing arts groups, including the Hong Kong Ballet, Philharmonic, and Repertory Theatre. The city’s chief executive has announced a planned change to a more flexible, “merit-based” system which would make room for more organizations. – South China Morning Post (Hong Kong)

    ISSUES

    MEDIA

    MUSIC

    • Will Wikipedia Survive AI?

      It was neither the first online encyclopedia—Britannica had a web presence by 1999—nor even the first that users could edit. Rather, its vitality arose from the community of obsessives whom it attracted, and its decline has coincided with the market’s capture of their creativity. – The New Yorker

    • Jeffrey Daunt And The Culture Of Reading

      Actually, in America, the reading of books is up. Sales of print books have increased nearly twenty-five per cent from a decade ago. The number of independent bookstores in the United States has climbed steeply since 2009, with a seventy-per-cent increase since 2020. – The New Yorker

    • France Gets A New Literary Prize Specifically For Books Written With AI

      “The Prix Pascal will open for submissions on 2 November, inviting French-language writers to submit manuscripts alongside an initial prompt of no more than 100 words and a technical account of the language model and generation process used. The competition is open to non-professional writers and those working in the literary sector.” – Firstpost

    • YouTube Intends To Start Offering Audiobooks

      “YouTube has weighed bundling the product in its ad-free YouTube Premium service, which starts at $15.99 a month and includes access to music and videos, the people said. Like other streaming platforms vying for consumers’ attention, YouTube has packaged offerings together to make lucrative subscriptions more appealing.” – The Wall Street Journal (MSN)

    • Writers Are Struggling To Prove They’re Human

      As AI-generated writing floods the internet, more people are trying to detect which creators are using such tools to spin up copy. That means writers penning all their own work—and people who acknowledge using chatbots for help—are trying to master something they never worried about before: how to sound human. – The Wall Street Journal

    PEOPLE

    • The Phoenix Symphony Closes

      Good Morning,

      The Phoenix Symphony will lay off its 66 musicians on November 2 though revenues rose more than 50 percent in two years; endowment gifts are restricted and can’t pay operating costs (Fox 10). San Francisco’s artist grants normally arrive within four weeks of July agreements; in October documentary filmmaker Susannah Smith was still borrowing from her mother for rent (San Francisco Chronicle).

      Caryl Churchill’s Triumph, 20 minutes long at London’s Almeida Theatre, takes its emperor’s cruelties from Suetonius and gives his press officer a blond wig and an American accent (The Guardian). Lucy Guerin, who founded Melbourne’s Lucy Guerin Inc 25 years ago, danced publicly for the first time in 13 years before handing the company to Melanie Lane; she thought she could still do the arabesque (The Guardian).

      Elliott Management, the hedge fund that owns Barnes & Noble and Waterstones, is expected to take both public next year at $3 billion or more, fifteen years after Amazon was supposed to devour chains like them; James Daunt runs both (The New Yorker).

      All of today’s stories below.

    • A Maverick Pedagogical Proposition

      Today’s crisis in humanities education takes many forms, and many are the proposed remedies. 

      One such is a brave new

    • Is Caryl Churchill’s Latest Play About One Of Trump’s Succession Of Blonde Press Secretaries?

      “Triumph, which has opened at London’s Almeida Theatre, is Churchill’s latest piece of explosive minimalism. Running at just 20 minutes, it skewers contemporary barbarism (via) historical analogy and is a reminder that Churchill … has in recent years developed a form of elliptical drama for which the apt word might be compressionism.” – The Guardian

    • Broadway Has A Strong Week

      Hamilton was the top grossing show of the week with $2.8 million, followed by The Lion King with $2 million. MJ was the fourth highest grossing with $1.76 million, followed by the Bowen Yang-led Oh, Mary! with $1.5 million. – The Hollywood Reporter

    • Hong Kong Overhauls Its System For Performing Arts Funding, And Groups Are Nervous

      Since 2008, the territory’s government has funded nine designated major performing arts groups, including the Hong Kong Ballet, Philharmonic, and Repertory Theatre. The city’s chief executive has announced a planned change to a more flexible, “merit-based” system which would make room for more organizations. – South China Morning Post (Hong Kong)

    PEOPLE

    • The Phoenix Symphony Closes

      Good Morning,

      The Phoenix Symphony will lay off its 66 musicians on November 2 though revenues rose more than 50 percent in two years; endowment gifts are restricted and can’t pay operating costs (Fox 10). San Francisco’s artist grants normally arrive within four weeks of July agreements; in October documentary filmmaker Susannah Smith was still borrowing from her mother for rent (San Francisco Chronicle).

      Caryl Churchill’s Triumph, 20 minutes long at London’s Almeida Theatre, takes its emperor’s cruelties from Suetonius and gives his press officer a blond wig and an American accent (The Guardian). Lucy Guerin, who founded Melbourne’s Lucy Guerin Inc 25 years ago, danced publicly for the first time in 13 years before handing the company to Melanie Lane; she thought she could still do the arabesque (The Guardian).

      Elliott Management, the hedge fund that owns Barnes & Noble and Waterstones, is expected to take both public next year at $3 billion or more, fifteen years after Amazon was supposed to devour chains like them; James Daunt runs both (The New Yorker).

      All of today’s stories below.

    • A Maverick Pedagogical Proposition

      Today’s crisis in humanities education takes many forms, and many are the proposed remedies. 

      One such is a brave new

    • Is Caryl Churchill’s Latest Play About One Of Trump’s Succession Of Blonde Press Secretaries?

      “Triumph, which has opened at London’s Almeida Theatre, is Churchill’s latest piece of explosive minimalism. Running at just 20 minutes, it skewers contemporary barbarism (via) historical analogy and is a reminder that Churchill … has in recent years developed a form of elliptical drama for which the apt word might be compressionism.” – The Guardian

    • Broadway Has A Strong Week

      Hamilton was the top grossing show of the week with $2.8 million, followed by The Lion King with $2 million. MJ was the fourth highest grossing with $1.76 million, followed by the Bowen Yang-led Oh, Mary! with $1.5 million. – The Hollywood Reporter

    • Hong Kong Overhauls Its System For Performing Arts Funding, And Groups Are Nervous

      Since 2008, the territory’s government has funded nine designated major performing arts groups, including the Hong Kong Ballet, Philharmonic, and Repertory Theatre. The city’s chief executive has announced a planned change to a more flexible, “merit-based” system which would make room for more organizations. – South China Morning Post (Hong Kong)

    THEATRE

      VISUAL

      • Arundhati Roy On The AI End Game

        Remember how, in Thailand and Indonesia, the ocean drew back from the coastline? People ran out to marvel at the miles of pristine new beach that suddenly emerged, not realising that, far out at sea, a wall of water was building up and would come crashing over them. – Equator

      • How Intuition Works

        The key is to see that intuition works in much the same way as perception, in that both can directly present something to us as actual. Once we understand what gives perception this feature, we can see why intuitions might involve exercising the same basic kind of cognitive capacity. – Aeon

      • Brewster Kahle: Why The Internet Needs A Memory

        Many people assume that once something is published online, it will remain forever retrievable. The saying that “the internet never forgets” has produced a dangerously false sense of permanence. In reality, the internet forgets continuously. Websites are constantly revised, deleted, and abandoned altogether. – The Atlantic

      • The Harms Of Zombie Copyright

        Fifty years ago today, copyright law in America changed fundamentally. That change was an accidental disaster for both creators and the culture they create. – Lawrence Lessig

      • Does AI Collapse The Need To Get Bigger?

        AI is making enterprise-grade capabilities available to companies that are a fraction of the size and without all of the bureaucratic weight that historically came along with it. If Goldberg is right, the rules of competition are changing for good, and companies no longer need to be big to compete. – Wired

      WORDS