Antonio C. Cuyler: “In this article, I explore three research questions: What role should foundations play in achieving creative justice? What behaviors do foundations practice that might undermine their efforts toward achieving creative justice? And what approaches to funding creative justice should foundations consider? … But what exactly is creative justice, and how does it work?” – Grantmakers in the Arts
Building Racial Equity in Public Art Funding: A Seattle Story
“The Seattle Office of Arts & Culture (ARTS) is a city department working within a large bureaucracy, but we can use that to our advantage, and we have. We are small and nimble, and we are finding that we can effect change through small efforts that yield positive results without entering the political playing field. We are working toward dismantling institutional racism from inside, one decision at a time, but also through new programs and initiatives.” – Grantmakers in the Arts
Teaching Students To Distinguish Real News, Fake News, And Bias (And What Happens When You Learn You Have To Interrogate **Everything**)
At the Ross School, a very pricey K-12 institution in the Hamptons, faculty have worked hard to create what CJR calls “the best media literacy program money can buy.” Alexandria Neason looks at how that program has been put together, how it’s been adapted to changes in media technology and current events, what elements are taught more widely around the U.S., and the feelings that developing media savvy brings forth in the kids themselves. – Columbia Journalism Review
The Benefits Of Young Musicians And Seniors Playing Alongside Each Other
“Intergenerational orchestras boast a unique dynamic: an eight-year old might share a music stand with an octogenarian. These avocational ensembles also foster improved self-confidence, mental sharpness and physical fitness, and wide community participation in orchestral music.” – Symphony Magazine
We’re In A Golden Age Of Advice Columns. Why Is That?
John Paul Bremmer (who writes the column “¡Hola Papi!” for Out): “This advice renaissance might seem paradoxical: Why hasn’t distrust in the media as a whole negatively affected advice columns, where you would think that trust is paramount?” His answer: “a growing desire among the public for members of the media to express moral clarity.” – Columbia Journalism Review
Chicago Sinfonietta Works To Diversify Its Podium
The orchestra’s Conducting Freeman Fellowship program, overseen by music director Mei-Ann Chen and part of its larger Project Inclusion, brings two conducting fellows and two auditors to the city for five long weekends through the year “to work with Chen and to be mentored by conductors, board leaders, and orchestra managers … with the goal of mastering a variety of on-podium and off-podium skills that the Sinfonietta identifies as necessary for an orchestra leader to succeed in the 21st century.” – Symphony Magazine
Why Ursula K. Le Guin Made Up Her Own World(s)
In her 2017 essay collection, No Time to Spare, she argues that fantasy has a subversive streak, because it doesn’t take the current reality for granted. “Fantasy not only asks ‘What if things didn’t go on just as they do?’ but demonstrates what they might be like if they went otherwise,” she writes. – Humanities