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About Last Night

Terry Teachout on the arts in New York City

Some gals, pilgrim, oughta be…well, struck regular-like

June 3, 2015 by Terry Teachout

db0cf6574575b0e0a33d8b9f7722962dI confessed the other day to being “the kind of guy who loves Stephen Sondheim and John Wayne.” (So, incidentally, is David Thomson.)

Apropos of this daring admission, a reader writes:

I thought you might be interested in this little story. Years ago here in Boston, I knew the then-managers of the Lyric Stage (long since departed), who had many stories about the various guest stars who appeared in Lyric productions. Among them was Nehemiah Persoff, who had a John Wayne story. Though Persoff was very far from Wayne on the political spectrum, he still liked working with him since he was such a skilled professional, and Wayne returned the compliment, once inviting Persoff to dinner. Wayne was then carrying a big briefcase and at the table he started to rummage through it looking for something and out came, of all things, a volume of Noël Coward plays! Persoff was amazed. Wayne said he greatly admired Coward and had always wanted to be in a Coward film—but “the sons-o-bitches wouldn’t let me.”

This surprises me a little, but not much. Not only was Wayne very well read, but he had, as all of his fans know, a flair for comedy. Indeed, two of his middle-period films, A Lady Takes a Chance and Without Reservations, are out-and-out romcoms, while Rio Bravo (like North by Northwest) is best understood as a comedy sprinkled with intermittent bursts of gunplay.

Trying to figure out which Coward role would best have suited Wayne is…well, rather more of a stretch. I can’t exactly see the Duke as Charles Condomine or Garry Essendine! But it sure would have been fun to watch him try—and I bet he would have had just as much fun trying.

* * *

The trailer for the 1953 re-release of Without Reservations, directed by Mervyn LeRoy and starring Claudette Colbert and John Wayne:

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Terry Teachout

Terry Teachout, who writes this blog, is the drama critic of The Wall Street Journal and the critic-at-large of Commentary. In addition to his Wall Street Journal drama column and his monthly essays … [Read More...]

About

About “About Last Night”

This is a blog about the arts in New York City and the rest of America, written by Terry Teachout. Terry is a critic, biographer, playwright, director, librettist, recovering musician, and inveterate blogger. In addition to theater, he writes here and elsewhere about all of the other arts--books, … [Read More...]

About My Plays and Opera Libretti

Billy and Me, my second play, received its world premiere on December 8, 2017, at Palm Beach Dramaworks in West Palm Beach, Fla. Satchmo at the Waldorf, my first play, closed off Broadway at the Westside Theatre on June 29, 2014, after 18 previews and 136 performances. That production was directed … [Read More...]

About My Podcast

Peter Marks, Elisabeth Vincentelli, and I are the panelists on “Three on the Aisle,” a bimonthly podcast from New York about theater in America. … [Read More...]

About My Books

My latest book is Duke: A Life of Duke Ellington, published in 2013 by Gotham Books in the U.S. and the Robson Press in England and now available in paperback. I have also written biographies of Louis Armstrong, George Balanchine, and H.L. Mencken, as well as a volume of my collected essays called A … [Read More...]

The Long Goodbye

To read all three installments of "The Long Goodbye," a multi-part posting about the experience of watching a parent die, go here. … [Read More...]

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