DTH II / Joyce Theater, NYC / February 7, 9, and 11 matinee and evening, 2012 Dance Theatre of Harlem, with its mission of countering classical ballet’s unspoken policy of no-blacks-need-apply, was founded in 1969. Its leaders were Arthur Mitchell (a charismatic African-American principal with the almost exclusively white New York City Ballet) and Karel Shook (a white former dancer and star teacher, known for welcoming black dancers to his classes). From its legendary New York debut at the Guggenheim Museum in 1971, the company was … [Read more...]
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costas cacaroukas on Youth in Bloom
Very well thought out and well written, as usual, Tobi. Many thanks.Daniel Benton on Youth in Bloom
Very nice! You manage to capture the spirit of the performance and give us a larger context in which to...Michael Noga on Keeping Count
I saw this performance and enjoyed it. I have seen three of Justin Peck's works and noticed that he...Leo Greenbaum on Dvorovenko Moves On
Superb Classical technique. Beautiful woman. Will miss her.Richard Chang on Keeping Count
I so agree with you, Tobi: "... dance is not made of ideas but rather of people moving to music...Martha Ullman West on Keeping Count
"frosty abstraction that offers very little to see..." does seem to be the order of the day for a lot...Mary Cargill on Dvorovenko Moves On
"Enigma Variations", certainly, would count for married love in a ballet.Jann Parry on Dvorovenko Moves On
Apropos Onegin's mature love pas de deux: can you think of any other ballets in which a married couple express...Shelley KOLIN on Dvorovenko Moves On
I was introduced to Irina and Maxim during the Southern Ballet Theatre days with Vadim Fedotov and Irina Depler. We...Alice Helpern on Dvorovenko Moves On
I've seen a number of performances with Irina and Maxim and each of them with other partners but in the...