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Artopia

John Perreault's art diary

Paul McCarthy Spin; Eliasson Falls; Bourgeois Fails

July 29, 2008 by John Perreault

      Paul McCarthy: Bang Bang Room, 1992. Collection Fondazione Sandreto Rebaudengo, Turin. Courtesy of the Artist and Galerie Hauser & Wirth Photo: Sheldan Collins     Disorientations   Who is Paul McCarthy? Not having the good grace to simmer down like a few other once-sensational artists I will not deign to name, McCarthy has never gone away, never graduated to the curious art Valhalla comprising those who are still here but gone. Or, alternatively, … [Read more...]

BUCKMINSTER FULLER: MINISTER OF MIST

July 7, 2008 by John Perreault

       Debunking Uncle Bucky   Buckminster Fuller (1895-1983) invented the geodesic dome, sort of. He was not the first to use the icosahedron for construction. Walter Bauersfield in 1922 in Jena, Germany built a planetarium that had suspiciously geodesic aspects.   Moral: Whatever it is, if you do not give it a name and publicize it, it is not yours.   Artist Kenneth Snelson, a student of Fuller's at Black Mountain College, made the first "tensegrity" … [Read more...]

Chris Burden: What My Father Got Me

June 23, 2008 by John Perreault

                                                                 Father's Day 2008   Majid Majidi's The Willow Tree (2004) is an art-house tearjerker about answered prayers. A blind man is able to see. As a crowd of well-wishers throws flowers to greet our newly sighted Professor Youssef at the Tehran airport, the camera lingers … [Read more...]

Olafür Eliasson: Underneath a Waterfall

June 3, 2008 by John Perreault

                                                                                       Olafur Eliasson: Ventilator, 1997     For weeks now my Eliasson … [Read more...]

Keith Haring Redux

May 22, 2008 by John Perreault

Some artists make art. Some make icons. Some, like Keith Haring, made both. Haring (1958-90) started out as a guerrilla subway artist. You see, there were all these unsold advertising boards in the subways: blank and all-black, like vertical schoolroom blackboards. He went around inscribing them in white chalk with a joyous repertoire of cartoony outline-figures. Some people pried them off and saved them.    Keith Haring: Houston Street and Bowery Mural, 1986/2008   Then he … [Read more...]

JEFF KOONS: HAVING IT BOTH WAYS

May 11, 2008 by John Perreault

   Through the Roof   "Jeff Koons on the Roof" at the Metropolitan Museum (to Oct. 26, 2008) consists of only three sculptures: Balloon Dog (Yellow), Coloring Book, and Sacred Heart (Red/Gold). The Met's mingy roof garden, symptomatic of its less than stellar commitment to contemporary art, could hardly showcase more.   Because, as far as I know, there is no career-breaking or career-affirming retrospective on the boards for Koons, Inc., I thought I'd allow this tiny … [Read more...]

New Orleans Post-Katrina: Eating Up a Storm

April 27, 2008 by John Perreault

                  New Orleans has been turned upside down. New art, new food, new people. Disasters are opportunities, if you live to tell the tale. Homeowners become homeless; art critics become ace reporters; neighborhoods disappear and new ones are invented. Real estate opportunities abound. New Orleans post-Katrina, at least on the high ground in the well-worn tourist parts, is like a dreamscape you have visited many times but never in real … [Read more...]

The Murakami Tsunami

April 12, 2008 by John Perreault

I am entertaining myself with a list of critics and artists who will hate "©Murakami," a retrospective of the Japanese artist Takashi Murakami (b. 1962), at the Brooklyn Museum (200 Eastern Parkway) to July 13, 2008.                   Takashi Murakami, DOB's March, 1995 © Takashi Murakami/Kaikai Kiki Co., Ltd. All Rights Reserved   Or, if they have passed on, would have hated it. The list is composed largely of those who … [Read more...]

Dan Flavin: Time Travel

April 7, 2008 by John Perreault

The most thoughtful, thought-provoking and provocative gallery show this season has to be "Dan Flavin: The 1964 Green Gallery Exhibition" at Zwirner & Wirth, 32 East 69th Street, to May 3, 2008.                     Installation view (detail) at Zwirner & Wirth. Flavin Redux I remember the original well. I even wrote about it for the now long defunct Art International, coming out of Berne, Switzerland. If a gallery can appropriate a … [Read more...]

Jasper Johns and Color Charts: Ghosts of Duchamp

March 23, 2008 by John Perreault

        Gustave Courbet The Desperate Man, 1844-45Private Collection, courtesy of Conseil Investissement Art BNP Paribas The Greeks Had a Word for It The two current museum exhibitions that should have been physically juxtaposed are not "Jasper Johns: Gray" (to May 14) and "Gustav Courbet" (to May 18), now cheek by jowl at the Metropolitan Museum of Art, but the Johns and "Color Chart: Reinventing Color, 1950 to Today" (to May 4) at the Museum of Modern Art. The easy trick … [Read more...]

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John Perreault

I have written about art for a number of years, specializing in first-person art criticism as art critic for the Village Voice, then in the Soho News. I have championed... Read More…

Artopia

ARTOPIA is an art diary featuring my evaluations of the art I see in galleries, museums, public spaces, and sometimes in artists' studios. I specialize in new art or art that needs to be looked at in a fresh way, in terms of contemporary practice. … [Read More...]

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Examples of John Perreault's art and his biography: johnperreault.info John Perreault is on Facebook and Twitter. … [Read More...]

John Perreault interviewed on WPS1

Now available as a podcast. Click here: PODCAST. … [Read More...]

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