• Home
  • About
    • Artopia
    • John Perreault
    • Contact
    • Archives
  • AJBlogs
  • ArtsJournal

Artopia

John Perreault's art diary

Summer Special: Art Cops Double Feature

August 16, 2011 by John Perreault

While John Perreault is enjoying the beach on Long Island, the art cops try their hand at art criticism, above…and then, in the second video below, solve an art-world mystery: Why does the art world leave New York City in July and August?

[Please note there is nothing wrong with the following video. If you look really carefully you can just about see Dominic and Dominic Two, talking and gesturing in their usual manner. This new installment of John Perreault’s Art Cops is not meant to be a reference to avant-garde cinema. This is not a radio program. The single take and the long-distance view is to show how the city feels to the Art Cops in July and August.]

ART WORLD MYSTERY SOLVED!

 

Reference images for first Art Cops video:

Mark di Suvero, For Buddy, 1993-95

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Anthony Caro, After Summer, 1968

 

 

Sol LeWitt, Large Modular Cube, 1969

 

 Short subjects:

This summer, outdoor dance out-performed outdoor sculpture. You move around and look at outdoor dance the way you might look at sculpture. And like outdoor sculpture, outdoor dance is primarily a photo opportunity. Nevertheless, Trisha Brown’s recreation of her 1971 Roof Piece above and around the High Line park was sublime; Australia’s Strange Fruit offered the hilarious The Three Belles at the World Financial Center and The Streb Extreme Action Company, also at the WFC, created a scary Human Fountain out of falling/jumping dancer acrobats. Warning! Don’t try any of these dances at home.

 

 

Coming Attractions:

“Fluxus and the Essential Questions of Life,” Grey Art Gallery, N.Y.U. Sept. 9 – Dec. 3, 2011
“Willem de Kooning, A Retrospective,” MoMA. Sept. 18 – Jan. 9, 2012
“Sherrie Levine: Mayhem,” Whitney Museum of Art. Opens Nov. 10, 2011.
Mauricio Cattelan, Guggenheim Museum. Nov. 4 p Jan. 22, 2011.
Cindy Sherman, MoMA. Opens Feb. 26, 2012.

 

NEVER MISS AN ARTOPIA ESSAY AGAIN!
FOR AN AUTOMATIC ARTOPIA ALERT perreault@aol.com

John Perreault is on Facebook.

You can also follow John Perreault on Twitter: johnperreault
For Art Cops cartoons and other videos on Youtube: John Perreault Channel

Other links: Artopia Portal    John’s Art

 

Filed Under: main Tagged With: Anthony Caro, Mark di Suvero, Sol Le Witt, Strange Fruit, Streb, Trisha Brown

John Perreault

I have written about art for a number of years, specializing in first-person art criticism as art critic for the Village Voice, then in the Soho News. I have championed... Read More…

Artopia

ARTOPIA is an art diary featuring my evaluations of the art I see in galleries, museums, public spaces, and sometimes in artists' studios. I specialize in new art or art that needs to be looked at in a fresh way, in terms of contemporary practice. … [Read More...]

Things Perreault

  • John's Art

Past Artopias

browse archives

Me Elsewhere

Recommended

Examples of John Perreault's art and his biography: johnperreault.info John Perreault is on Facebook and Twitter. … [Read More...]

John Perreault interviewed on WPS1

Now available as a podcast. Click here: PODCAST. … [Read More...]

Tags

A.I.R. Gallery Allan Kaprow Andy Warhol Art Informel Artopia Barnett Newman Bruce High Quality Foundation Chris Burden Clement Greenberg Conceptual Art David Burliuk Fluxus Frank O'Hara George Brecht George Maciunas Greatest Homosexual Hannah Weiner Infantilismo Japanese Futurism Jeff Koons Jenny Holtzer John Perreault Joseph Beuys LaMonte Young Larry Rivers Les Levine Linda Montano Lygia Clark Marcel Duchamp Marina Abramovic Maurizio Cattelan MoMA New Museum Performances Pop Art Rirkrit Tiravamija Robert Barry Russian Futurism Russian Revolution Street Works Tehching Hsieh Vance Kirkland Vito Acconci Yoko Ono Yves Klein
Return to top of page
An ArtsJournal blog
This blog published under a Creative Commons license

Copyright © 2025 · Magazine Pro Theme on Genesis Framework · WordPress · Log in