• Home
  • About
    • About Last Night
    • Terry Teachout
    • Contact
  • AJBlogCentral
  • ArtsJournal

About Last Night

Terry Teachout on the arts in New York City

You are here: Home / 2016 / September / Archives for 22nd

Archives for September 22, 2016

Little man, big trouble

September 22, 2016 by Terry Teachout

conquest_1937_posterMrs. T and I just watched Conquest, a delicious 1937 movie in which Charles Boyer and Greta Garbo played Napoleon Bonaparte and the Countess Marie Walewska. Seeing Conquest reminded me that I reviewed two books about Napoleon—the only time I’ve ever had occasion to write about him—for the now-defunct Book Magazine in 2002. None of the dozen-odd pieces I wrote for Book has ever been reprinted, so I thought I’d post this one, which I like very much.

* * *

One of the persistent legends of the publishing business is that you can always make a fast buck by bringing out a new biography of Jesus Christ, Abraham Lincoln—or Napoleon Bonaparte. That may have been true a half-century ago, but what about now? Granted, Napoleon is one of the few nineteenth-century European rulers about whom ordinary Americans know anything at all. Most of us vaguely recall that he was short (five foot five) and had a wife named Josephine (or was she his mistress?), and a smaller number are probably aware that he fought a battle at a place called Waterloo (but where was it?). But that’s about it, really, a handful of Trivial Pursuit questions with which to sum up the crowded life of the violent titan who shut down the French Revolution, crowned himself Emperor of France, fought a long string of battles that brought him within arm’s length of controlling all of Europe, overreached himself by vainly trying to conquer Russia, and ended his days in impotent exile on the tiny island of St. Helena, wondering to the last how it all went so terribly wrong.

51tje5b1kpl-_sy344_bo1204203200_For those seeking to fill in the blanks, Paul Johnson, the opinionated author of such supremely readable works of popular history as Modern Times and A History of the American People, has contributed a study of Napoleon to the Penguin Lives series of short biographies. The premise of these tasty little volumes is that it ought to be possible to sum up the life of a famous person in 200 pages or less. Seeing as how Johnson specializes in really, really long books, I wondered at first whether he was the best choice for the job, but within a few pages I knew that Napoleon is a near-perfect model of what a brief life can and should be: crisp, clear, concise and strongly personal.

In order to write a good short biography, you have to start with an unambiguous point of view. Nobody has ever accused Paul Johnson of being equivocal, and Napoleon leaves no possible doubt of his low opinion of the most famous general in history. As a good old-fashioned France-hating Catholic conservative, it stands to reason that Johnson would disapprove of the man who turned Europe inside out in his mad quest for power, but his book is more than just an attack on Napoleon himself: it is also a cautionary tale. For Johnson, Napoleon’s greatest significance is his influence on the dictators who came after him. “The totalitarian state of the twentieth century,” he writes, “was the ultimate progeny of the Napoleonic reality and myth….the great evils of Bonapartism—the deification of force and war, the all-powerful centralized state, the use of cultural propaganda to apotheosize the autocrat, the marshaling of entire peoples in the pursuit of personal and ideological power—came to hateful maturity only in the twentieth century, which will go down in history as the Age of Infamy.” That is the story he tells in Napoleon, and he tells it with the venomous simplicity of an obituary writer who has been waiting patiently to get the last word.

Once you’ve finished NapoleonNapoleon: A Biography, which he sniffishly dismisses in his bibliography as “pro-Napoleon,” though I can’t see why. Originally published in England five years ago, McLynn’s book is for the most part as harshly critical of its subject as Johnson’s: in it, he portrays Napoleon as “a secretive, unscrupulous, duplicitous and chillingly ambitious personality….He viewed human beings as despicable creatures, fuelled by banality and led by clichés.” If that’s pro-Napoleon, I shudder to think what McLynn would write about somebody he didn’t like.

napoleons-tombFor my part, I found Napoleon: A Biography to be both solidly written and seemingly balanced. A professional biographer and part-time academic, McLynn devotes rather too much space to amateur psychoanalysis (I can’t remember the last time I read a book that quoted Wilhelm Reich with a straight face). Fortunately, it’s easy enough to skip over the bits about mother complexes and stick to the good stuff, of which there is plenty, including a generous helping of characteristically brutal quotations from the man himself: “If the people refuse what makes for their own welfare they are guilty of anarchism and the first duty for the prince is to punish them.”

Napoleon on the battlefield, Napoleon in the bedroom, Napoleon in spectacular triumph and shameful defeat—McLynn shows us all the countless Napoleons in all their inexplicable inconsistency, though neither he nor Johnson comes close to supplying a definitive answer to the impossible question with which everyone who writes about Napoleon Bonaparte must eventually grapple. How could a misanthropic, sexually uncertain boy from Corsica have contrived to become the most powerful man in Europe by the age of 35? What was the source of his evil genius? The only possible answer was given by Androche Junot, his chief aide: “He is the sort of man of whom Nature is sparing and who only appears on earth at intervals of centuries.” To which the only possible reply is: Thank God they don’t come along any more often than that.

* * *

A scene from Conquest:

So you want to see a show?

September 22, 2016 by Terry Teachout

Here’s my list of recommended Broadway, off-Broadway, and out-of-town shows, updated weekly. In all cases, I gave these shows favorable reviews (if sometimes qualifiedly so) in The Wall Street Journal when they opened. For more information, click on the title.

BROADWAY:
• An American in Paris (musical, G, too complex for small children, closes Jan. 1, reviewed here)
• The Color Purple (musical, PG-13, many performances sold out last week, reviewed here)
• Hamilton (musical, PG-13, Broadway transfer of off-Broadway production, all performances sold out last week, reviewed here)
• Matilda (musical, G, closes Jan. 1, reviewed here)
• On Your Feet! (jukebox musical, G, reviewed here)

OFF BROADWAY:
• A Day by the Sea (drama, G, not suitable for children, closes Oct. 23, reviewed here)
• The Fantasticks (musical, G, suitable for children capable of enjoying a love story, reviewed here)
• Fiorello! (musical, G, off-Broadway transfer of 2016 regional revival, closes Oct. 7, original production reviewed here)
• Sense & Sensibility (serious romantic comedy, G, remounting of 2014 off-Broadway production, closes Nov. 20, original production reviewed here)

IN WASHINGTON, D.C.:
• Sense & Sensibility (serious romantic comedy, G, remounting of 2014 off-Broadway production, closes Oct. 30, original production reviewed here)

040_press_lobby-hero-zf-8127-39031-1-014CLOSING SOON IN TYSON, VA.:
• Lobby Hero (drama, PG-13, extended through Oct. 16, reviewed here)

CLOSING SOON OFF BROADWAY:
• Fiorello! (musical, G, off-Broadway transfer of 2016 regional revival, closes Oct. 7, original production reviewed here)

Almanac: Ivy Compton-Burnett on altruism

September 22, 2016 by Terry Teachout

INK BOTTLE“It is no good to think that other people are out to serve our interests.”

Ivy Compton-Burnett, Elders and Betters

Terry Teachout

Terry Teachout, who writes this blog, is the drama critic of The Wall Street Journal and the critic-at-large of Commentary. In addition to his Wall Street Journal drama column and his monthly essays … [Read More...]

About

About “About Last Night”

This is a blog about the arts in New York City and the rest of America, written by Terry Teachout. Terry is a critic, biographer, playwright, director, librettist, recovering musician, and inveterate blogger. In addition to theater, he writes here and elsewhere about all of the other arts--books, … [Read More...]

About My Plays and Opera Libretti

Billy and Me, my second play, received its world premiere on December 8, 2017, at Palm Beach Dramaworks in West Palm Beach, Fla. Satchmo at the Waldorf, my first play, closed off Broadway at the Westside Theatre on June 29, 2014, after 18 previews and 136 performances. That production was directed … [Read More...]

About My Podcast

Peter Marks, Elisabeth Vincentelli, and I are the panelists on “Three on the Aisle,” a bimonthly podcast from New York about theater in America. … [Read More...]

About My Books

My latest book is Duke: A Life of Duke Ellington, published in 2013 by Gotham Books in the U.S. and the Robson Press in England and now available in paperback. I have also written biographies of Louis Armstrong, George Balanchine, and H.L. Mencken, as well as a volume of my collected essays called A … [Read More...]

The Long Goodbye

To read all three installments of "The Long Goodbye," a multi-part posting about the experience of watching a parent die, go here. … [Read More...]

Follow Us on TwitterFollow Us on RSSFollow Us on E-mail

@Terryteachout1

Tweets by TerryTeachout1

Archives

September 2016
M T W T F S S
 1234
567891011
12131415161718
19202122232425
2627282930  
« Aug   Oct »

An ArtsJournal Blog

Recent Posts

  • Terry Teachout, 65
  • Gripping musical melodrama
  • Replay: Somerset Maugham in 1965
  • Almanac: Somerset Maugham on sentimentality
  • Snapshot: Richard Strauss conducts Till Eulenspiegel

Copyright © 2025 · Magazine Pro Theme on Genesis Framework · WordPress · Log in