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What August Wilson’s 10-Play Pittsburgh Cycle Did For American Culture

THEATRE Posted: December 9, 2020 11:01 am

“He introduced a frank, original view of the nation onto the stage. … His characters collide with the expectations of white America, but they also collide with one another, in itself radically humanizing — to have ordinary Black characters with different views and dispositions, as opposed to sharing a monolithic experience — in an era when few such stories found their way to Broadway. But Wilson also bestowed Black audiences with a different gift: a reconsideration of time, measured in and by the lives of the African-Americans living it.” – T — The New York Times Style Magazine

THEATRE Published: 12.03.20

Read the story in T — The New York Times Style Magazine Published: 12.03.20

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