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How Classical Crossover Ran Amok And Ran Aground

MUSIC Posted: July 14, 2020 12:03 pm

The Three Tenors franchise was hardly great opera, but it was effective, and Yo-Yo Ma’s various crossover projects are genuinely good. So how did we get from The Silk Road Project to Hildegard von Bingen club remixes to The Shirtless Violinist and the quartet Well-Strung? Basically, writes James Bennett, II, blame the suits. – WQXR (New York City)

MUSIC Published: 07.09.20

Read the story in WQXR (New York City) Published: 07.09.20

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