It might seem an extraordinary thing that a late 19th/early 20th century French composer — and one whose music has had a history of having been dismissed for its seeming simplicity, seeming naiveté and seeming single-mindedness — resonates so effectively in our confused, upside-down world. But, then, in his strange music, his irreverent prose, his inexplicable mannerisms, his radical attitudes and his incomprehensible inconsistencies, Satie may just be what we need. – Los Angeles Times