She began her career in the Bay Area in the 1970s; adopting the masculine pseudonym was one of her first Conceptual works. She never revealed any personal info and almost never explained her art. “She worked primarily with everyday found materials — objects (snapshots, baseballs), words (interviews, men’s room graffiti), sounds (film clips, rock songs) — from which she drew resonance by editing them, combining them or uncovering half-hidden details.” – The New York Times