Young Jean Lee’s Straight White Men, Taylor Mac’s Gary: A Sequel to Titus Andronicus, Heidi Schreck’s What the Constitution Means to Me, Anais Mitchell’s Hadestown, Daniel Fish’s very revisionist Oklahoma! — all are in the Off-Off-Broadway mode of messing with both the form and content of conventional theater, and all are or have been on Broadway (the ultimate conventional theater ecosystem) this season. And such recent Broadway successes as A Doll’s House, Part 2 and Natasha, Pierre & the Great Comet of 1812 have a similar pedigree. Diep Tran talks to the creators of these works about crossing the downtown-uptown (non-)divide. – American Theatre