• Subscribe
    • Free AJ Newsletters
    • Subscribe to AJ’s Premium Newsletters
  • Follow
    • Facebook
    • Twitter
    • Tumblr
    • RSS
  • Advertising
    • Advertising
    • About AJClassifieds
    • Place a Classified Ad
  • About
    • About
    • Contact
    • Sources

ArtsJournal - Newsside

  • HOME
  • DANCE
  • IDEAS
  • ISSUES
  • MEDIA
  • MUSIC
  • PEOPLE
  • THEATRE
  • VISUAL
  • WORDS
  • AUDIENCE
  • AJBLOGS

The Racial Reconciliation Fantasies The Oscars Love So Much? Really, It’s All Just Transactional

MEDIA Posted: January 24, 2019 12:04 pm

Critic Wesley Morris nods to The Blind Side, Crash, and The Help, but he concentrates, of course, on current contender Green Book and its Oscar-winning predecessor Driving Miss Daisy, as well as non-Oscar-contender The Upside. He points out that those films’ central (interracial) relationships are all based on employment — “pay-to-playmate transactions,” he calls them — and contrasts them to the more realistic employer-employee relations in a film that should have been an Oscar contender, Do the Right Thing. — The New York Times

MEDIA Published: 01.23.19

Read the story in New York Times Published: 01.23.19

[wp-rss-aggregator template=”ajblogpage” limit=”20″]

.