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We Live In A Replicable World. So What Is Up With Our Obsession With Originals?

IDEAS Posted: December 4, 2018 2:31 pm

The ubiquity of virtual images has indeed made encounters with original objects ever more coveted, feeding the stampede of visitors and our carbon footprint. Veneration of original works has fuelled astronomical prices for a few dozen artists, mostly Modern and contemporary. The explosion of cultural tourism has been exacerbated by a bull art market, the global growth of the middle class and museum selfies spreading Fomo (fear of missing out).

IDEAS Published: 12.03.18

Read the story in The Art Newspaper Published: 12.03.18

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