One Brit and one American reinvented the British indie, and have found massive cross-Atlantic success with everything from The Crying Game to Carol to Collette. And they don’t care for sequels. Elizabeth Karlsen: “Chasing the newest thing can actually be a producer’s downfall. And there is an economic imperative that can set in and make you try to turn movie-making into a science: something it constantly resists.” – The Observer (UK)