Marius Petipa’s 19th century choreography for Swan Lake, The Sleeping Beauty and many more classical ballets is focused on how a ballerina becomes a sculpture in male hands. “The woman goes on point; the man does the partnering. The positions may not be reversed. What’s going on here? Is he serving her or controlling her? He subordinates himself to making her all the more spectacular, but which one is in charge? We can say that such behavior glorifies women — or that it falsifies them.” – The New York Times