While some of these 10 warriors have been exhibited elsewhere, the institute is enhancing the experience with augmented reality technology to digitally recreate weapons and other objects that were originally held by the statues. The original artifacts crumbled and vanished as earthen walls and roof timbers collapsed during the warriors’ long occupancy of three underground pits.
Archives for September 2017
At the age of 41 (he turns 42 on Saturday), Mr. Coates has become one of the most influential black intellectuals of his generation, joining predecessors including Ms. Morrison, Professor Henry Louis Gates Jr., and Dr. Cornel West. “He’s a rock star,” said Dr. Nell Irvin Painter, professor emeritus of American history at Princeton University, adding that Mr. Coates is asking questions that even “other historians have not been asking.”
The territory now ranks among the most financially attractive locations for shooting movies. The benefits extend to feature films, documentaries, animation projects and TV series. To qualify, a film’s minimum spend should be 1 million euros, or about $1.2 million, and the minimum budget must be 2 million euros, or approximately $2.3 million.
“More than 241,000 people follow its page, and countless more have posted their own photos from within the space. (Instagram doesn’t show how many photos have been posted at a particular geotag, but there are over 66,000 images with the #museumoficecream hashtag.) All those grams have made the Museum of Ice Cream a coveted place to be: In New York, the $18 tickets to visit—300,000 in total—sold within five days of opening. At its San Francisco location, which opened this month, single tickets went up to $38. The entire six-month run sold out in less than 90 minutes.”
“The images spread as they do because, taken together, they can seem to reveal hidden truths about a president who remains, for all his spotlighting and swaggering, a cipher. This is an era, after all, in which the American public, primed with Making a Murderer and American Crime Story and NCIS, embraces forensic analysis as a form of entertainment. In that context, each new image of the president, and each image of the people and things surrounding him, takes on not only the quality of art—provocative, illustrative, asking to be analyzed—but also the quality of a mystery.”
Scientists in Paris have been looking into a charcoal drawing of a woman, which was until now believed to have been drawn by Leonardo’s students. The drawing, titled Joconde Nue, shows a topless woman who bears a striking resemblance to the Mona Lisa that hangs at the Louvre museum in central Paris. Experts at the same museum have concluded, after weeks of tests, that the charcoal drawing was “at least in part” actually done by Leonardo himself.
The platform, designed by the New York studio HAWRAF, “lets users play around with font, text size, line spacing, and background color.” (There’s also a text-to-speech function and a mode with a typeface specially for people with dyslexia.) “When you click on the footnotes, located in tiny typography to the right of the main text, they overtake the main text so you can get a closer look. … A ‘focus mode’ blacks out most of the browser, keeping your wandering eyes from getting distracted.”
“The London-based company has become synonymous with a particular form of immersive theatre, where you are less of an audience member and more of a participant. Punchdrunk takes over a large building, such as an old office block, turns it into a meticulously decorated, multiroom stage set and sends theatregoers wandering through.”
“Pompeii is inviting artists to create sculptural works incorporating archaeological fragments from the ancient Roman site near Naples, which its director-general Massimo Osanna says will show that it is still ‘a place of the contemporary’. Osanna hopes to build a permanent collection of new works and open a space to display them.”
“The engagement with music is one of the most universal activities of humans that does not have a direct link to our survival as a species. Nobody ever died from music depravation, yet we work and worship to music, dance and court to music, make love and relax to music, rejoice and grieve with music. With the developments in migration, travel and technology over the past 70 years (which in retrospect we will probably regard as the most significant period of musical change of the past two millennia), two important things have happened.”
Rick Tjia: “Little do the dancers know how many tens of thousands of dancers I have seen and auditioned to get to this moment in time, little do they know the complexities and the enormous number of hours needed to cast one show, much less 22 at the same time – all the time – and counting. Little do they know how much audition ‘success’ is out of their control and how much of it actually is. But they wouldn’t know, and I guess I wouldn’t expect them to. During this wait time the question going through the dancers’ minds is, what is the secret? … There is no mystery, there is no secret.”
“Theater is where I go to confront the hard stuff; to have my heart shredded there is O.K.” Laura Collins-Hughes writes of her recent encounters with Sarah Ruhl’s For Peter Pan on her 70th birthday and Eurydice and how they helped her with her father’s decline and death from Parkinson’s disease.
“Her ability to make a go of ACT in the wake of dual disasters – the artistically uncompromising [founder Bill] Ball’s financial mismanagement and 1989’s Loma Prieta earthquake, which partially collapsed and temporarily shuttered the palatial Geary Theater – looks downright miraculous even to her. … The story of those early years, particularly a riotous first season that included a picket by the Catholic Church and exercised critics and season subscribers alike, is now theatre lore.” Perloff talks to Richard Avila about how she did it and what she learned over the years, especially about being a woman running a major institution.
“In a new Reddit AMA with Darren Aronofsky, the director was asked by a commenter named chickenmagic (of course) if he considered staging his new movie as a play, to which he responded, ‘johan johansson and i are thinking about turning it into an opera.'” (Jóhannsson composed the score for the film.) This could make sense – indeed (as some have observed), it could make more sense than the movie does.
“The French writer Marcel Proust paid for glowing reviews of the first volume of his Remembrance of Things Past to be put into newspapers, letters by the great author reveal. The novelist wrote the notices himself and sent them to be typed up by his publisher ‘so there is no trace of my handwriting’ to distance himself ‘absolutely from the money that will change hands’.”
“A Rocklin school board voted unanimously late Monday night to retain the policies that allowed a book about a transgender child to be read in kindergarten, but adopted a provision to forewarn parents of potentially controversial subject matter. The vote followed months of controversy that erupted over the book” – which was brought in by a transgender child – “being read at a Rocklin charter school’s story time.”
Chris Jones writes that the deal “is, at its core, an acknowledgment that it is no longer viable for even a world-class institution like the Lyric to sustain, maintain, operate and program a huge opera house entirely with productions of the repertory for which it was built.” But there’s more to it than that, Jones finds, and the benefits aren’t only about saving money.
David Chipperfield is doing a gut renovation of Berlin’s New National Gallery – designed by Ludwig Mies van der Rohe – to, as a reporter puts it, “fix problems caused by age, as well as some that have plagued it since birth. … [He wants it] to perform as well as the most modern, assiduously climate-controlled and carefully lit museum – without any visitor noticing that he was ever there.”
“In a deft feat of engineering, an almost 600-sq-metre space has been excavated into the hillside, chiselled 15 metres down into the granite bedrock, providing a vast light-flooded chamber for temporary exhibitions that the gallery has sorely needed for years.” Why take all that trouble? Because the residents of the tiny Cornwall town where the gallery is located absolutely hated the original expansion plan.
“Scarcely past midday on a Monday lunchtime, a full 45 minutes before curtain up, the queue for the box office is already snaking on to the road. Inside Òran Mór, a spacious pub-cum-performance venue in Glasgow’s West End, the line of ticket holders is even longer. They are here for A Play, a Pie and a Pint, a lunchtime series launched by David MacLennan in 2004 and not so much a success as a phenomenon.”
Ballet Vermont grew out of the Farm to Ballet project (agriculture-themed dance on local farms) that got some media attention two summers ago; artistic director Chatch Pregger now plans to make the endeavor more firmly established and permanent. Yet there are no plans for a home base: Ballet Vermont will continue to perform around the state, often outdoors.
The Ballet Nacional Sodre in Montevideo has been making strides and leaps (ahem) since the former international star, a native of neighboring Argentina, became director of the company in 2010. The announcement that he’s resigning as director made news in South America last month, but he’s not actually leaving the company: he’ll focus solely on training its dancers.
CultureGrrl Video: My Opinionated Tour of the Embattled Berkshire Museum
Having written extensively and critically about the Berkshire Museum’s deaccession plans, I thought I ought to revisit that embattled institution in person. I’d been there twice before, decades ago, … read more
AJBlog: CultureGrrl Published 2017-09-27
Deciphering Codes, Or Not
Sarah Michelson premieres a new work at Bard College’s Richard B. Fisher Center.
If a friend tells me he or she is going to see a particular choreographer’s new work, I nod my head; I have a vague idea of what it’ll be like. But suppose the choreographer named is Sarah Michelson. … read more
AJBlog: Dancebeat Published 2017-09-28
Can’t anyone here …
Early this month I got crazy email from the Met Opera. They were promoting their new season, opening with a new production of Bellini’s Norma. … read more
AJBlog: Sandow Published 2017-09-28
Other Matters – Language: So …
Increasingly, radio and television newscasts include stories in which anchors interview correspondents in the field. That is part of a pattern: reduced news budgets, smaller staffs and greater dependence on the survivors … read more
AJBlog: RiffTides Published 2017-09-28
Instead of burning down the customary system of releasing movies, Amazon is ready to become a full-fledged studio, equipped to handle every step in the life span of the films it creates and acquires. In the past, Amazon partnered with the likes of indie distributors Roadside Attractions, Bleecker Street and Lionsgate to support the rollout of its movies in theaters. But starting with Woody Allen’s “Wonder Wheel” in December, Amazon will begin distributing its own films and overseeing all parts of their theatrical campaigns.
Although many people don’t realize it yet, grocery shopping and cooking are in a long-term decline. They are shifting from a mass category, based on a daily activity, to a niche activity that a few people do only some of the time. Only 10% of consumers now love to cook, while 45% hate it and 45% are lukewarm about it. That means that the percentage of Americans who really love to cook has dropped by about one-third in a fairly short period of time.
“For theaters, the talkback can connect the venue to its audience, deepen understanding of the work and make the audience feel more like a participant and not merely an observer. Skeptics, however, fear that talkbacks can oversimplify the art onstage or discourage personal interpretation — the stage equivalent of didactic wall text telling museum visitors what to think about a painting.”
Policy governing Canadian culture – the government considers everything from movies and television to virtual reality under this umbrella – is wide-ranging and the broadcasting, media and cultural industries are worth nearly $50-billion. Changes this broad haven’t been seen in more than a quarter-century.