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How An Asian-American Director Tried To Save ‘The Mikado’ From Its Own Stereotypes

ISSUES Posted: January 4, 2017 8:04 am

“As [Kelvin Moon] Loh sees it, the new show preserves the integrity of Gilbert & Sullivan’s composition while stripping away the irrelevant junk that has crept into productions over the years. … There are no taped-back slant eyes or faux-hawkish Samurai hairlines, just stage makeup and severe Victorian middle-parts.” The key device is a newly-created prologue featuring Gilbert, Sullivan, and producer Richard D’Oyly-Carte themselves.

ISSUES Published: 12.27.16

Read the story in The New Yorker Published: 12.27.16

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